Found 190 collections related to Scores

Jay Gorney was a composer, writing for the stage, screen, and television from the mid-1920s through the late 1960s, and a teacher and lecturer in musical comedy and theater. This collection consists of published scores from his earliest student works (University of Michigan), original and published scores of his theatrical, motion picture and television works, and scores and score fragments from student workshop productions from both Harvard's Hasty Pudding Theatricals and the American Theatre Wing training program. less

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

The Alan Shulman papers document the life and work of an important composer, arranger and cellist. They include subject files, correspondence, photographs, concert programs, clippings and scores, and include documentation of Shulman’s experience playing with the NBC Symphony Orchestra under Arturo Toscanini. less

Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers. less

The Ivan Black Papers document Black’s work as a publicity agent on behalf of nightclubs, musicians and entertainers in New York from the 1940s to the 1970s. They include press releases, clippings, correspondence, photographs, promotional material and published music scores. less

The Irving Kolodin Papers document the career of Irving Kolodin, music critic, author of several books and teacher at the Juilliard School. The collection dates from 1844 to 1986. In addition to Kolodin’s papers, dating from 1915-1986, there are also papers related to his patron, W. J. Henderson, and his close friend, Alfred Knopf. The collection includes personal and professional correspondence, personal papers, drafts, galleys and research and publicity material used in Kolodin’s books and articles, lecture notes and supporting teaching material, scores, photographs, and scrapbooks. less

Teo Macero is a composer and music producer known primarily for his record production work for Columbia and CBS (now Sony) records from 1959 to 1975, and subsequently for his own company, M. Productions. The heart of the collection is Columbia Records office correspondence and recording studio paperwork documenting the careers and recording projects of the musicians recorded by Macero. Other materials in the collection include photographs and music scores, including many of Macero's compositions. less