Found 255 collections related to Scores

Betty Comden, lyricist and part of the creative team of Comden and Green, wrote lyrics for many Broadway shows from 1940 until 1990. The collections consists of vocal scores, parts and sketches for musicals of which Comden and Green were part of the creative team. less

Amedeo De Filippi (1900-1990) was an American composer and arranger. The Amedeo De Filippi score manuscripts, dating from 1927 to 1928, hold either manuscripts or manuscript copies of scores for piano, instrumental groups, or vocal music by De Filippi. Most are undated. less

Roger Machado was a pianist, composer, and conductor who served as musical director for the Spanish dancer José Greco from the 1950s until at least the 1970s. He also toured Europe as a concert pianist. The Roger Machado papers, dating from 1938 to 1946, contain scores for four of Machado’s compositions, as well as scrapbooks and photographs documenting the career of the opera singer Norina Greco, the sister of José Greco. less

Joel Feigin (1951- ) is an American composer who studied with Roger Sessions and Nadia Boulanger. The Joel Feigin papers, dating from 1958 to 2010, document his career and education. They hold scores, professional and professional files, and education files. less

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence. less

Richard Rodgers (1902-1979) was an American composer and producer, well known for his collaborations with lyricists Lorenz Hart and Oscar Hammerstein II. The Richard Rodgers music papers contain scrapbooks, published vocal scores, and drafts of his autobiography, Musical Stages. less

Zero Mostel (1915-1977) was an American artist and actor of stage and screen, well known for his portrayal of Tevye in Fiddler on the Roof. The Zero Mostel scores contain Mostel's personal copies of published sheet music both related and unrelated to his acting career, as well as sheet music from Jim Brochu's play Zero Hour, a tribute to Mostel produced after his death. less

Robert Kurka (1921-1957) was a composer best known for The Good Soldier Schweik (1956-1958), an orchestral suite which he expanded into an opera. He also wrote works for instrumental soloists, chamber groups, chorus, and orchestra. The Robert Kurka papers, dating from 1941 to 1982, hold scores, professional correspondence, clippings, books, and a professional journal. less

Dorothy Morey and Harry Eaton were variety performers who had a singing, talking, and dancing act that they performed in vaudeville theaters across the United States. The pair, who were married, performed as Murray and Fayne (or Fane) in the 1920s and 1930s, and began performing as Morey and Eaton in the 1940s. The Morey and Eaton papers contain scripts, scores, notes, clippings, correspondence, ephemera, and photographs dating from 1926 to 1953. The collection contains scripts, notes, and scenarios for sketches written by Eaton and Morey; several sketches by Jack "Snooze" Kinneard; and sketches by unidentified authors. There are two proposals for television game shows, written by Eaton, dating to the early 1950s. Scores include songs by Eaton such as "I Wish I Could Afford to Live the Life I'm Livin'"; songs by Eaton and Anne Barry including "You Helped Me to Forget" and "How Can I Ever Tell Him"; "I Want to Be an Iceman" by Dorothy Murray; and songs by Anita La Pierre. Clippings contain reviews and advertisements for Morey and Eaton from the 1930s and 1940s. The collection includes a small amount of correspondence and ephemera, mostly pertaining to Eaton, including contracts and letters regarding bookings. There is a pedigree for one of Morey and Eaton's pet Chihuahuas; their Chihuahuas sometimes appeared in their act. The collection also contains three promotional photographs and a printing plate depicting Morey and Eaton. less

Arthur Cohn (1910-1998) was an American composer, conductor, and critical and historical writer on music. The Arthur Cohn collection, dating from 1923 to 1941, mainly holds notes, drafts, illustrations, and research clippings for an unpublished book titled The Art and Science of Orchestration. It also contains scores for nine of Cohn's compositions. less

Robert Holt (? - ca. 1990) was a music arranger active in New York City in the early 1970s, known professionally as Bob Holt. The Bob Holt scores date from 1958 to 1977 and contain arrangements of over 200 jazz and American songbook standards for piano trios and big bands. less

Leonardo Shapiro (1946-1997) was a theater director, writer, production designer, and founder of the Shaliko Company, an experimental theater group based in New York City. The Leonardo Shapiro papers date from 1959 to 1996 and document Shapiro's work as a student at New York University (1966-1969); as the creator of the Appleseed Circus, a guerilla theater group (1969-1971); as artistic director of the Shaliko Company (1972-1992); as director of the Trinity College/La MaMa Performing Arts Program (1986-1992); and as an independent director and writer. The collection contains scripts, production notes, programs, fliers, posters, clippings and articles, photographs, correspondence, financial and administrative records, and video and sound recordings. less

Helene Hipkins (1880-1973) was a vocalist and songwriter who co-authored several songs published between 1935 and 1942. The Helene Hipkins scores date from 1935 to 1942. They hold published sheet music, manuscripts, and sketches and lyrics for unfinished songs. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Ned Lehac (née Ned Levin, 1900-1999) was a composer who contributed to several Broadway revues between 1930 and 1942. The Ned Lehac papers, dating from 1920 to 1997, document Lehac’s music career through scores, correspondence, performance programs, clippings, and a historical essay. less

Charlie Smalls (1943-1987) was a composer and songwriter best known for writing the lyrics and music for the Broadway musical The Wiz (1974). The Charlie Smalls scores for The Wiz date from 1974 and contain piano-conductor scores and parts used during rehearsals and performances of the show. less