Found 64 collections related to Drawings

Richard Waslav Rychtarik was an American set and costume designer of major productions at the Metropolitan Opera and other companies. Photographs, marked scores and librettos, letters, sketches, and clippings pertaining to productions, and some non-theater related designs. less

Richard-Gabriel Rummonds (1931- ), is a noted hand-press printer and the founder, printer, and publisher of the Plain Wrapper Press and Ex Ophidia Press which published fine art limited editions of poetry and prose by contemporary authors. He has taught printing at the University of Alabama and Cornish College (Seattle) and is the author of the manual Printing on the Iron Handpress (1997), Nineteenth-Century Printing Practices and the Iron Handpress (2004), as well as numerous essays and lectures on the book arts. Collection consists of records of the Plain Wrapper Press and Rummonds' personal and professional papers 1948-2010. Correspondence with friends, relatives, business associates, and professional colleagues documents his careers as industrial and book designer, commercial attach? in Quito, Ecuador, and later, iron hand-press printer and founder of the Plain Wrapper Press and Ex Ophidia Press, writer and educator. Plain Wrapper Press records include correspondence, production files of manuscripts, proof-sheets and galleys; engravings and lino-cuts; samples of bindings, papers, covers, and completed books, keepsakes, and other examples of his printing. The collection also includes copies of Rummonds essays and lectures and drafts of his books, including an unpublished autobiography, Fantasies and Hard Knocks: My Life as a Printer. less

Robertson Ten Eyck Stevenson was most active designing for the Broadway stage during the years 1925-1936. Pencil and water color costume designs for female performers in the revue Greenwich Village Follies. The designs are entitled: Light, Dance, Music, Voice, Comedy, and Drama. The designs are also identified with Stevenson's full name and the year, written '26. Fabric and trim choices are indicated on the back. less

The Space Committee of the N.Y.P.L. Board of Trustees was established in 1955 to discern the space needs of the various divisions in the Research Library. Its members were: Chairman Arthur A. Houghton, Jr., Edward G. Freehafer, Morris Hadley, Carl H. Pforzheimer, Roland L. Redmond, Deoch Fulton, and Rutherford D. Rogers. The committee was active through 1959. Records of the Space Committee span the years 1955 to 1959 and include supporting material from the 1940s before the Committee's founding. Correspondence consists of letters and memoranda from committee members. Reports, Studies & Plans are formal written findings of the Committee and supporting visual materials. Drawings are architectural space plans of the Central Building. less

This small collection of papers consists of letters to the Sardis on their retirement, a scrapbook of photographs of Vincent Sardi, Sr. receiving a Shubert Foundation award in 1967, a drawing of Eugenia Sardi, clippings about the restaurant, a few printed programs and menus for special events, a souvenir program (1913) from the Screen Club, and drawings by the illustrator, Don Freeman, mostly of New York scenes and people. Some of the drawings are loose, but most are bound into copies of Don Freeman's Newsstand (1938-1950), a self-published periodical. less

Hudson Maxim (1853-1927) was an American inventor, mechanical engineer and explosives expert. He worked as a consultant for the Du Pont Company from 1897 to 1927 and wrote books on explosives and literary and political matters. Collection consists of correspondence; typescripts of speeches, books and articles; patent materials; legal documents; family papers; photographs; and printed matter. Papers document Maxim's career as an inventor and explosives expert; experiments with soybeans and other foods; anti-Prohibition activities; involvement with Lake Hopatcong, New Jersey, local affairs; and family and personal life. Bulk of correspondence dates from last few years of Maxim's life, 1925-1927, and concerns his personal and professional activities. Also, speeches delivered by Maxim, 1907-1927; notes, reports, correspondence, blueprint maps, and charts relating to explosion sites and damage; legal documents, ca. 1911-1925; correspondence with canning companies, seed merchants, and state and federal agriculture departments, 1917-1918, concerning his experiments with the preparation and canning of various foods, particularly soybeans; drafts of an autobiography and other writings, ca. 1880s-1920s; and anti-Prohibition speeches, articles and letters to newspaper editors, with related clippings and printed materials, 1920s. Includes photographs of Maxim's friends, family and homes; papers relating to family and personal matters; specifications for his patents, 1880s-1910s; correspondence, minutes and legal documents, 1915-1925, of the Maxim Munitions Corp.; and account books, scrapbooks, address books, autograph album, patent information, and printed matter. less

Harold Gould Henderson (1889-1974) was an American author, teacher, translator, and anthologist of Japanese poetry. He taught the history of Japanese art at Columbia University, was president of the Society of Japanese Studies and the Japan Society from 1948 to 1952. In 1945 he served in Japan on General Douglas MacArthur's staff as special advisor on education, religion and art. His works included books and articles on Japanese poetry and grammar and his own Haiku poems. Collection consists of correspondence, writings, notes, and printed matter. Correspondence, 1960-1974, with poets, scholars, translators, and editors concerns Haiku poetry. Also, general correspondence of the 1930s, typescripts of writings, lecture notes on Japanese grammar, notes on Haiku, manuscript by K.C. Kondo on Japanese art, and papers relating to the Haiku Society of America. less

Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York, Susquehanna & Western Railroad, director of Walter Kidde & Co., and member of the New York City Transit Authority. Collection consists of correspondence, reports, designs and plans, and scrapbooks of photographs documenting Norton's efforts toward the adoption of monorails for San Francisco and New York City. Papers include correspondence, 1947-1954; published and unpublished reports, 1948-1955, relating mostly to mass transportation in the San Francisco Bay area; and designs, blueprints and drawings of monorails, as well as related patents. Also, photographs in various formats and scrapbooks of photographs of New York, Susquehanna & Western Railroad facilities and operations. less

Gottfried von Reigersberg (1893-1962) was a German machinist who emigrated to the U.S. in 1927. He was born Gottfried Streit but was adopted in 1922 by Emilie Freien von Reigersberg, a descendant of a Bavarian noble family. Collection consists of correspondence, family and legal papers, photographs, and ephemera of the von Reigersberg and Streit families. Correspondence is largely personal in nature and is with members of the family. Family papers include documents concerning Gottfried von Reigersberg; legal papers and correspondence of his wife, Elsie von Reigersberg; baronial papers with Emilie Freien von Reigersberg's personal papers, adoption documents, genealogical information, poems, drawings, prints and other heirlooms; and photographs of family, friends and the town of Regensburg, Germany. less

The Frank Wigglesworth Papers document Wigglesworth's life and career. The collection was assembled by Wigglesworth over the course of his lifetime, and includes musical scores, correspondence, clippings, programs, miscellaneous papers, iconography, and books. Correspondents include Henry and Sidney Cowell, Lou Harrison, Otto Luening, Virgil Thomson, and Edgard Varèse among many others. Maurice Sendak and Adlai Stevenson are represented by one letter each. Lou Harrison's letter of February 12, 1952, contains the autograph score of his Serenade for Guitar, spontaneously composed for Wigglesworth. Series A/4 contains other autograph scores by Harrison and by Otto Luening, a manuscript score by Vittorio Rieti, and reproductions of manuscript scores by Paul Arma, Chester Biscardi, Edward V. Bonnemere, Richard Brooks, John Cage, Gerald C. Chenoweth, Edward T. Cone, Stefania M. De Kenessey, Aaron Einbond, Daniel S. Godfrey, Daron Aric Hagen, Jose Halac, Reiko Ito, Barbara Kolb, Robert Maggio, Denman Maroney, Henry Martin, Lucas Mason, Richard Owen, Peter Phillips, David L. Post, David Rakowski, Loren Rush, Marvin Salzberg, John Sembret, Davy Temperley, Virgil Thomson, Brian Wilson, Marilyn Ziffrin, and Ellen Taafe Zwilich. Sound recordings originally with the collection are now housed in the Rodgers and Hammerstein Archives of Recorded Sound. less

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

The collection contains portraits in photographs, drawings and reproductions of drawings of individuals involved in the entertainment arts. The portraits were created by G. Maillard Kesslère from 1925 through 1952, with the bulk of them amassed from 1925 to about 1946. The subjects include actors, dancers, singers, musicians, composers, conductors, critics, writers, directors, producers, and designers for the theater, dance, ballet, opera, radio, and television. The largest group in the collection consists of approximately 858 portraits in half-length, bust, or head only formats, and includes 589 black and white photographs, approximately 30 original pastel or charcoal drawings, and some 239 black and white photomechanical reproductions of original drawings. Over 500 of the subjects in this group are identified. The collection also includes a series of black and white photos of male and female subjects who are largely unidentified, but who were likely active in society, business, or the performing arts. The collection also contains biographies of theatre and entertainment professionals, compiled from 1951-1952. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Executive Committee, one of the original standing committees of the Board of Trustees, takes general charge of the administration of the affairs of the N.Y.P.L. Corporation. It is empowered to act on behalf of the Board of Trustees in between Board meetings. Records of the Executive Committee consist of handwritten, typewritten and printed documents as well as photographs and architectural drawings. Minutes are records of the meetings of the Executive Committee. To 1949 they are bound in volumes and early volumes include photographs of the Carnegie sites under construction. From 1967 the minutes are typewritten and loose. There are no minutes for the period 1950 to 1966. The Letterbooks consist of three volumes, 1902-1903, 1903-1906, and 1912-1928, of official letters written by the Executive Committee. Many of the letters are signed by John Shaw Billings or Edwin H. Anderson, who as Directors of the Library also served as Secretary to the Executive Committee. The bulk of Letters Received concern library construction and finances. The General Files are arranged alphabetically by subject. They relate to various Library matters but especially the construction of the Carnegie branch libraries and the Central Building, operations of the Circulation and Reference Departments, and finances. Central Building Files relate to the design, construction and maintenance of the Central Building, which were overseen primarily by the Executive Committee. Assorted Records include correspondence regarding the appointment of John Shaw Billings, as well as printed agreements between the City of New York and the Library regarding a pension plan for employees. less

Faber Birren (1900- ) was a color consultant to industry and the U.S. government. He wrote books on color theory and also works of fiction. Collection consists of typescripts of Birren's writings, photographs, and printed ephemera about Birren. Original typescripts, some with drawings, include novels, short stories, essays, and critical materials on the nature and theory of color. Also, autobiographical notes and bibliography prepared by Birren, photographic portraits and printed ephemera related to his career. less

David McNeely Stauffer (1845-1913) was an American civil engineer, editor, artist, and collector. He worked for several railroads including the Philadelphia and Reading Railroad until 1876 when he went into private practice. He wrote scholarly articles and edited the Engineering News. In addition to collecting autographs and illustrations, he designed book plates and did pen and ink drawings. Collection consists of Stauffer's personal papers and his autograph and seal collection. Personal papers contain correspondence, 1865-1910; financial papers; notes; sketches and illustrations; manuscript; and transcripts of historical correspondence. Autograph collection of historical and literary figures of the 18th and 19th centuries includes artists, clergy, educators, inventors, engineers, lawyers, authors, doctors, scientists, and officers of the American Revolution and other political figures. less

The collection consists of miscellaneous corporate records of Bowne & Co., Inc., and papers relating to the Bowne family of Flushing, Long Island, N. Y., including original letters by Robert Bowne and other members of the Bowne and related families. The collection was assembled by Edmund A. Stanley, Jr. (1924 - ) a former president and chairman of Bowne & Co., Inc. during the course of his research for his books on the history of the firm. less

Edward J. Eustace (1897-1971) was an American poet, playwright and screenwriter for the Fox Film Corporation. Collection consists of correspondence, writings, drawings, photographs, and printed matter. Correspondence, 1920-1971, is with Eustace's associates at Fox, family and friends. Writings include typescript and printed versions of his plays and poems; several typescript versions of Eustace's play, "King of the Mountain," ca. 1934-1949, with prefaces to the 1948 and 1955 editions, and related correspondence, 1945-1951; notes and sketches; and diary, 1891-1893. Other materials are drawings, miscellaneous notes, photographs, financial records, and printed matter. Also, typescript and printed poems of his aunt Sarah Eustace. less

Doug Anderson is an illustrator and author who specializes in subject matter pertaining to the theater. Born in Sutton, New Hampshire in 1919, Anderson worked for several years for the League of New Hampshire Arts and Crafts in Concord, N.H. After moving to New York he worked as a freelance artist, specializing in theater drawings and caricatures for newspapers in New York, Boston, Chicago and Philadelphia. Anderson's theater work has appeared in magazines such as THE NEW YORKER, THE NEW REPUBLIC, FORTUNE, THEATRE ARTS, READER'S DIGEST, and others. Anderson has also illustrated a number of books, including HOW TO DRAW WITH A LIGHT TOUCH, which he co-authored with Mary Anne Guitar. The Doug Anderson papers consist of drawings or reproductions of drawings by Anderson, two versions of a feature story concerning actress Margaret Rutherford written and illustrated by Anderson, and some correspondence concerning Anderson's work from Rutherford and Estelle Winwood. Margaret Rutherford's note concerns Anderson's article about her, written for Theatre Arts magazine in 1954. Included is Anderson's typescript draft of the article sent to the actress for her comments, her response, and the published version of the article. There are three Anderson drawings of Martita Hunt in the title role of THE MADWOMAN OF CHAILLOT (1948 Broadway premiere), one of which is inscribed, dated, and signed by her, as well as an inscribed drawing of Estelle Winwood in a supporting role in the same production, accompanied by her brief note of thanks. There are also four pages photocopied from Anderson's book HOW TO DRAW WITH THE LIGHT TOUCH. less

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Edwin Arlington Robinson (1869-1935) was an American poet. He lived in New York City and also worked at the MacDowell Colony in Peterborough, New Hampshire. Collection consists of the Lewis M. Isaacs (1877-1944) collection of E.A. Robinson's papers with Isaacs's correspondence pertaining to Robinson. Robinson correspondence, 1899-1935, with other writers and the Isaacs family, concerns his professional and personal life. Writings include manuscripts (some annotated by Robinson), galleys and published works in addition to drafts and notes. Unsorted papers contain Robinson's will, publishing contracts, songs by Robinson and Isaacs, essay by Isaacs, and printed matter. Isaacs correspondence, 1921-1967, is between the Isaacs family and the family, friends and acquaintances of Robinson. Many letters, ca. 1935-1940, are with prospective biographers and researchers. Photographs are of Robinson and various places and buildings associated with him. Also, drawing of Robinson and poster announcing an exhibition of his work. less

Lola Maverick Lloyd was a prominent social activist involved in the international peace and world government movements during the first half of the twentieth century. The collection contains personal and professional materials documenting her life and participation in the Ford Peace Expedition of 1915-1916, and her 1937 co-founding of the Campaign for World Government. less

The John Steptoe Papers consist of personal papers, personal and professional correspondence, examples of his writings, reviews of his work, news clippings and programs regarding his seminars and lectures, and material from various organizations to which he belonged. The personal papers contain clippings and press releases about Steptoe's achievements, correspondence with family members, a resume and biographical essays, and obituaries. There is professional correspondence and fanmail from adults and children, as well as letters from other artists. less

Katrina Castles (Mrs. Michael Schwab), formerly Kathleen Castles, and also known as Katherine Castles, was an Australian mezzo-soprano Lieder singer, a protege of Mme. Lotte Lehmann, and the childhood friend of Australian-American composer Peggy Glanville-Hicks. Her career was cut short by two bouts of cancer. Contains Miss Castles' correspondence, programs, clippings, photographs, and business papers. Includes letters and portraits from Lotte Lehmann as well as notes from Elisabeth Schumann, Kirsten Flagstad, and Colin McPhee. Also includes scores, photographs, and programs of Peggy Glanville-Hicks; an insurance policy showing Castles as the beneficiary of Glanville-Hicks; a photograph of Fritz Hart; and scores by Bax and Vaughan Williams. less