Found 60 collections related to Drawings

Anthony Jerome Griffin (1866-1935) was a lawyer and U.S. Representative from the Bronx, New York City. He served in the Spanish-American War, 1898-1899; practiced law in the Bronx; was founder and editor of the Bronx Independent; and served four terms as New York State Senator from 1911 to 1915. He also was an inventor and amateur author. Collection consists of correspondence, writings, legal and military records, political and personal papers, memorabilia, and printed matter relating to Griffin's military and political career. Correspondence, 1885-1935, is largely related to his political activities; the remainder pertains to his legislative concerns, immigration matters for his constituents, as well as some personal correspondence. Legal papers, 1885-1930, include case files, estate files and title abstracts. His writings consist of manuscript and typescript versions and galley proofs of poems, plays and stories. Diaries, 1886-1930, and notes and notebooks, 1883-1934, contain his observations on many professional and personal activities in addition to subject files. Military and patent records concern his military service and endeavors in submarine safety. Political papers are a combination of printed matter, notes and memoranda. Financial records are his accounts from 1887 to 1934. Also, personal memorabilia; graphic materials including photographs, original paintings and maps; and printed matter such as reprints, government manuals and clippings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Adam W. Spies (1800-1891), the son of Mary Bergh and John Spies, was a hardware and military goods merchant in New York City. He was employed by the firm of C. & J. D. Wolfe, and was their agent in England in the 1820s. In 1834 he established A. W. Spies & Company, later Spies, Kissam & Company, retiring in 1866. He acquired extensive landholdings in New York City, upstate New York, and numerous other states, including Alabama, Arkansas, Illinois, Indiana, Michigan, New Jersey, and Wisconsin, among others. In 1832 he married Sarah Ann Morrison (d. 1883), daughter of John C. Morrison of Monmouth County, New Jersey. Spies was a founding member of the Association for Improving the Condition of the Poor.The Adam W. Spies real estate and genealogy scrapbook is primarily a record of his real estate transactions, containing numerous manuscript plat maps, many in watercolor with extensive annotations; a few printed maps; listings of properties, taxes and assessments; and legal notes. Holdings in Manhattan and Williamsburg, Brooklyn are especially well documented. Genealogical materials include charts and notes concerning the Spies, Morrison, and Bergh families, and autobiographical accounts, with advice to grandchildren, recalling his career, his service as a volunteer fireman, and life in Manhattan prior to the building of the Erie Canal and Croton Aqueduct. The volume also contains pasted clippings, certificates and receipts, cut silhouettes of Spies, and a few sketches, notably a watercolor street view by Spies of his father’s place of business in Manhattan as depicted in 1808. There are some miscellaneous letters and notes relating to family and real estate matters, some loose, including a genealogical inquiry to his son-in-law John W. Cochrane dated 1907. A few of Spies’s genealogical entries are updated to 1930. The scrapbook has multiple and duplicate paginations, with gaps: Index, p. 1-48, 50-58, [3 p.]; property maps with index, p. 0-100; and additional genealogical and autobiographical material, p. 133-143; 137-138, 139 (2 leaves), 142-155. Text and maps are separately indexed. less

The Space Committee of the N.Y.P.L. Board of Trustees was established in 1955 to discern the space needs of the various divisions in the Research Library. Its members were: Chairman Arthur A. Houghton, Jr., Edward G. Freehafer, Morris Hadley, Carl H. Pforzheimer, Roland L. Redmond, Deoch Fulton, and Rutherford D. Rogers. The committee was active through 1959. Records of the Space Committee span the years 1955 to 1959 and include supporting material from the 1940s before the Committee's founding. Correspondence consists of letters and memoranda from committee members. Reports, Studies & Plans are formal written findings of the Committee and supporting visual materials. Drawings are architectural space plans of the Central Building. less

This small collection of papers consists of letters to the Sardis on their retirement, a scrapbook of photographs of Vincent Sardi, Sr. receiving a Shubert Foundation award in 1967, a drawing of Eugenia Sardi, clippings about the restaurant, a few printed programs and menus for special events, a souvenir program (1913) from the Screen Club, and drawings by the illustrator, Don Freeman, mostly of New York scenes and people. Some of the drawings are loose, but most are bound into copies of Don Freeman's Newsstand (1938-1950), a self-published periodical. less

Hudson Maxim (1853-1927) was an American inventor, mechanical engineer and explosives expert. He worked as a consultant for the Du Pont Company from 1897 to 1927 and wrote books on explosives and literary and political matters. Collection consists of correspondence; typescripts of speeches, books and articles; patent materials; legal documents; family papers; photographs; and printed matter. Papers document Maxim's career as an inventor and explosives expert; experiments with soybeans and other foods; anti-Prohibition activities; involvement with Lake Hopatcong, New Jersey, local affairs; and family and personal life. Bulk of correspondence dates from last few years of Maxim's life, 1925-1927, and concerns his personal and professional activities. Also, speeches delivered by Maxim, 1907-1927; notes, reports, correspondence, blueprint maps, and charts relating to explosion sites and damage; legal documents, ca. 1911-1925; correspondence with canning companies, seed merchants, and state and federal agriculture departments, 1917-1918, concerning his experiments with the preparation and canning of various foods, particularly soybeans; drafts of an autobiography and other writings, ca. 1880s-1920s; and anti-Prohibition speeches, articles and letters to newspaper editors, with related clippings and printed materials, 1920s. Includes photographs of Maxim's friends, family and homes; papers relating to family and personal matters; specifications for his patents, 1880s-1910s; correspondence, minutes and legal documents, 1915-1925, of the Maxim Munitions Corp.; and account books, scrapbooks, address books, autograph album, patent information, and printed matter. less

Harold Gould Henderson (1889-1974) was an American author, teacher, translator, and anthologist of Japanese poetry. He taught the history of Japanese art at Columbia University, was president of the Society of Japanese Studies and the Japan Society from 1948 to 1952. In 1945 he served in Japan on General Douglas MacArthur's staff as special advisor on education, religion and art. His works included books and articles on Japanese poetry and grammar and his own Haiku poems. Collection consists of correspondence, writings, notes, and printed matter. Correspondence, 1960-1974, with poets, scholars, translators, and editors concerns Haiku poetry. Also, general correspondence of the 1930s, typescripts of writings, lecture notes on Japanese grammar, notes on Haiku, manuscript by K.C. Kondo on Japanese art, and papers relating to the Haiku Society of America. less

Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York, Susquehanna & Western Railroad, director of Walter Kidde & Co., and member of the New York City Transit Authority. Collection consists of correspondence, reports, designs and plans, and scrapbooks of photographs documenting Norton's efforts toward the adoption of monorails for San Francisco and New York City. Papers include correspondence, 1947-1954; published and unpublished reports, 1948-1955, relating mostly to mass transportation in the San Francisco Bay area; and designs, blueprints and drawings of monorails, as well as related patents. Also, photographs in various formats and scrapbooks of photographs of New York, Susquehanna & Western Railroad facilities and operations. less

Gottfried von Reigersberg (1893-1962) was a German machinist who emigrated to the U.S. in 1927. He was born Gottfried Streit but was adopted in 1922 by Emilie Freien von Reigersberg, a descendant of a Bavarian noble family. Collection consists of correspondence, family and legal papers, photographs, and ephemera of the von Reigersberg and Streit families. Correspondence is largely personal in nature and is with members of the family. Family papers include documents concerning Gottfried von Reigersberg; legal papers and correspondence of his wife, Elsie von Reigersberg; baronial papers with Emilie Freien von Reigersberg's personal papers, adoption documents, genealogical information, poems, drawings, prints and other heirlooms; and photographs of family, friends and the town of Regensburg, Germany. less

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

The collection contains portraits in photographs, drawings and reproductions of drawings of individuals involved in the entertainment arts. The portraits were created by G. Maillard Kesslère from 1925 through 1952, with the bulk of them amassed from 1925 to about 1946. The subjects include actors, dancers, singers, musicians, composers, conductors, critics, writers, directors, producers, and designers for the theater, dance, ballet, opera, radio, and television. The largest group in the collection consists of approximately 858 portraits in half-length, bust, or head only formats, and includes 589 black and white photographs, approximately 30 original pastel or charcoal drawings, and some 239 black and white photomechanical reproductions of original drawings. Over 500 of the subjects in this group are identified. The collection also includes a series of black and white photos of male and female subjects who are largely unidentified, but who were likely active in society, business, or the performing arts. The collection also contains biographies of theatre and entertainment professionals, compiled from 1951-1952. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Executive Committee, one of the original standing committees of the Board of Trustees, takes general charge of the administration of the affairs of the N.Y.P.L. Corporation. It is empowered to act on behalf of the Board of Trustees in between Board meetings. Records of the Executive Committee consist of handwritten, typewritten and printed documents as well as photographs and architectural drawings. Minutes are records of the meetings of the Executive Committee. To 1949 they are bound in volumes and early volumes include photographs of the Carnegie sites under construction. From 1967 the minutes are typewritten and loose. There are no minutes for the period 1950 to 1966. The Letterbooks consist of three volumes, 1902-1903, 1903-1906, and 1912-1928, of official letters written by the Executive Committee. Many of the letters are signed by John Shaw Billings or Edwin H. Anderson, who as Directors of the Library also served as Secretary to the Executive Committee. The bulk of Letters Received concern library construction and finances. The General Files are arranged alphabetically by subject. They relate to various Library matters but especially the construction of the Carnegie branch libraries and the Central Building, operations of the Circulation and Reference Departments, and finances. Central Building Files relate to the design, construction and maintenance of the Central Building, which were overseen primarily by the Executive Committee. Assorted Records include correspondence regarding the appointment of John Shaw Billings, as well as printed agreements between the City of New York and the Library regarding a pension plan for employees. less

Faber Birren (1900- ) was a color consultant to industry and the U.S. government. He wrote books on color theory and also works of fiction. Collection consists of typescripts of Birren's writings, photographs, and printed ephemera about Birren. Original typescripts, some with drawings, include novels, short stories, essays, and critical materials on the nature and theory of color. Also, autobiographical notes and bibliography prepared by Birren, photographic portraits and printed ephemera related to his career. less

David McNeely Stauffer (1845-1913) was an American civil engineer, editor, artist, and collector. He worked for several railroads including the Philadelphia and Reading Railroad until 1876 when he went into private practice. He wrote scholarly articles and edited the Engineering News. In addition to collecting autographs and illustrations, he designed book plates and did pen and ink drawings. Collection consists of Stauffer's personal papers and his autograph and seal collection. Personal papers contain correspondence, 1865-1910; financial papers; notes; sketches and illustrations; manuscript; and transcripts of historical correspondence. Autograph collection of historical and literary figures of the 18th and 19th centuries includes artists, clergy, educators, inventors, engineers, lawyers, authors, doctors, scientists, and officers of the American Revolution and other political figures. less

The collection consists of miscellaneous corporate records of Bowne & Co., Inc., and papers relating to the Bowne family of Flushing, Long Island, N. Y., including original letters by Robert Bowne and other members of the Bowne and related families. The collection was assembled by Edmund A. Stanley, Jr. (1924 - ) a former president and chairman of Bowne & Co., Inc. during the course of his research for his books on the history of the firm. less

Edward J. Eustace (1897-1971) was an American poet, playwright and screenwriter for the Fox Film Corporation. Collection consists of correspondence, writings, drawings, photographs, and printed matter. Correspondence, 1920-1971, is with Eustace's associates at Fox, family and friends. Writings include typescript and printed versions of his plays and poems; several typescript versions of Eustace's play, "King of the Mountain," ca. 1934-1949, with prefaces to the 1948 and 1955 editions, and related correspondence, 1945-1951; notes and sketches; and diary, 1891-1893. Other materials are drawings, miscellaneous notes, photographs, financial records, and printed matter. Also, typescript and printed poems of his aunt Sarah Eustace. less

Doug Anderson is an illustrator and author who specializes in subject matter pertaining to the theater. Born in Sutton, New Hampshire in 1919, Anderson worked for several years for the League of New Hampshire Arts and Crafts in Concord, N.H. After moving to New York he worked as a freelance artist, specializing in theater drawings and caricatures for newspapers in New York, Boston, Chicago and Philadelphia. Anderson's theater work has appeared in magazines such as THE NEW YORKER, THE NEW REPUBLIC, FORTUNE, THEATRE ARTS, READER'S DIGEST, and others. Anderson has also illustrated a number of books, including HOW TO DRAW WITH A LIGHT TOUCH, which he co-authored with Mary Anne Guitar. The Doug Anderson papers consist of drawings or reproductions of drawings by Anderson, two versions of a feature story concerning actress Margaret Rutherford written and illustrated by Anderson, and some correspondence concerning Anderson's work from Rutherford and Estelle Winwood. Margaret Rutherford's note concerns Anderson's article about her, written for Theatre Arts magazine in 1954. Included is Anderson's typescript draft of the article sent to the actress for her comments, her response, and the published version of the article. There are three Anderson drawings of Martita Hunt in the title role of THE MADWOMAN OF CHAILLOT (1948 Broadway premiere), one of which is inscribed, dated, and signed by her, as well as an inscribed drawing of Estelle Winwood in a supporting role in the same production, accompanied by her brief note of thanks. There are also four pages photocopied from Anderson's book HOW TO DRAW WITH THE LIGHT TOUCH. less

Lola Maverick Lloyd was a prominent social activist involved in the international peace and world government movements during the first half of the twentieth century. The collection contains personal and professional materials documenting her life and participation in the Ford Peace Expedition of 1915-1916, and her 1937 co-founding of the Campaign for World Government. less

The John Steptoe Papers consist of personal papers, personal and professional correspondence, examples of his writings, reviews of his work, news clippings and programs regarding his seminars and lectures, and material from various organizations to which he belonged. The personal papers contain clippings and press releases about Steptoe's achievements, correspondence with family members, a resume and biographical essays, and obituaries. There is professional correspondence and fanmail from adults and children, as well as letters from other artists. less

The Kohlbach-Bickels were a Hungarian and Swiss family that contained a rabbi, a professor, engineers, and the first female Hungarian architect. The first generations originated in Hungary and Switzerland, with later branches moving to Germany, Romania, Norway and Israel. This collection documents three generations, covering the period from the 1880s through World War II. less

Calvert Vaux (1824-1895) was a British-born landscape architect who practiced in the U.S. He worked on the designs for the grounds of the U.S. Capitol and the Smithsonian Institution. In 1857 he began collaborating with Frederick Law Olmsted on the construction of Prospect Park in Brooklyn, N.Y., and Central, Morningside and Riverside Parks in Manhattan. They also worked on the South Park in Chicago and the state reservation at Niagara Falls, N.Y. Vaux was the landscape architect for the department of parks in New York City for many years. Collection consists of correspondence, documents, drawings, maps, plans, reports, speech, photograph, newsclippings, and other printed matter. Correspondence includes letters, 1860-1894, by Vaux relating to the design and construction of Central Park; letters, 1865-1895, to Vaux from Olmsted and others concerning Prospect and other parks, and Olmsted's life and work in California; letters to the editor of the New York Tribune about the roles of Vaux and Olmsted in the design of Prospect and Central Parks; and letters, 1921, between C. Bowyer Vaux and Frederick Law Olmsted, Jr. concerning their fathers' letters. Also, documents relating to Vaux's work'; drawings, maps and plans for some of his work; reports on parks; speech, 1908, by Samuel Parsons about Central Park; photographic portrait of Vaux; clippings on the work of Vaux and Olmsted; and other printed materials. less

W.J. Bumbala was a radio engineer for an electrical equipment company in Phoenix, Arizona. During World War I he was interned in the U.S. as a German enemy alien. Autograph album which Bumbala kept during his internment at Fort Douglas, Utah contains entries made by his fellow prisoners. Included are poems, photographs, drawings, post cards, and commentary on internment in World War I. less

William Barclay Parsons (1859-1932) was an American civil engineer. Collection consists of correspondence, lecture notes, and materials used in preparation of Parsons's book, Engineers and Engineering in the Renaissance, published in 1939. Correspondence, 1881-1900, relates to his student days at the Columbia University School of Mines, appointments to various railroads, and activity as Columbia trustee. Notes on lectures about mining at Columbia, 1880-1881, are illustrated with drawings and plates. Materials used in the preparation of Parsons's book include final typescript, proofs, illustrations, maps, notebooks, and other source materials. less

27 letters (22 ALS and 5 TLS) and 14 postcards from Wilhelm Furtwängler, 1920-1928 and undated, including note at end of article ; 1 letter each from Arthur Nikisch, Hans Pfitzner, and Richard Strauss ; Wiener Philharmonischer "Partitur" containing drawings of faces of members of the orchestra ; article about Berlin by Furtwängler ; "Amnerkungen zur Musik von Wagners 'Ring des Nibelungen'" von Wilhelm Furtwängler ; unsigned ms. article about Furtwängler ; photograph of Furtwängler ; 10 clippings including 1 from 1911 and 9 obituaries of Alfred Wolf, 1930 ; "Gustav Mahler III. Symphonie D-moll : Thematische Analyse," von Richard Specht ; and 4 programs indluding 1 for an 1892 performance of Tannhäuser. less

Papers consist chiefly of Halper's correspondence, 1919-1984, and literary work, 1928-1982. Correspondence is divided into four sections. Family correspondence, 1909-1969, contains letters to Halper from his four brothers and sister, his first wife, Pauline, and son, Thomas, as well as a few letters exchanged among other family members. Incoming letters, 1928-1984, contain all other letters written to Halper, while outgoing letters, 1919-1983, contain those written by Halper to family members and others. Both the incoming and outgoing letters are arranged chronologically by decade and consist mainly of correspondence with editors and literary agents regarding Halper's work. Although there are very few letters to Halper from prominent literary figures of the 1930s, his own letters to editors, fellow writers and friends reveal his opinions about his work, other writers, the Communist Party and political and literary issues of the period. In addition, there are letters from readers of Halper's memoir, Good-Bye, Union Square, and from researchers which discuss the radicalism of the period. Bulk of the correspondence dates from the 1950s-1980s, documenting Halper's struggles to get his work published and his plays Top Man and Aunt Daisy produced. less

The Maude Adams collection reflects many of the actress' varied interests: acting, directing, lighting, writing, sketching and teaching. The collection spans the years 1879-1956 and includes correspondence, writings by Maude Adams and others; papers relating to her teaching and directing at Stephens College; and programs, autographed material, portraits, clippings, and mementos from friends and colleagues. less

Collection consists of manuscript of Dobuzhinskiĭ's memoirs, in Russian, ca. 1914-1952; and letters, writings, drawings and diagrams, lists, synopses of scenes, costume sketches, and miscellaneous documents, ca. 1930s-1950s, largely in Russian with some in English, relating to Dobuzhinskiĭ's career in the theater. Also, manuscript chronology of Mir Iskusstva, the Russian art movement, and other manuscript writings, in Russian with some in English, relating to Russian stage artists and designers in Russia and abroad. less

Doretta Morrow was an American actress and singer, best known for creating roles in the classic musicals The King and I and Kismet. The Doretta Morrow papers contain photographs, programs, telegrams, clippings, reviews, a diploma, and two religious documents. less