Found 90 collections related to Drawings

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Anthony Jerome Griffin (1866-1935) was a lawyer and U.S. Representative from the Bronx, New York City. He served in the Spanish-American War, 1898-1899; practiced law in the Bronx; was founder and editor of the Bronx Independent; and served four terms as New York State Senator from 1911 to 1915. He also was an inventor and amateur author. Collection consists of correspondence, writings, legal and military records, political and personal papers, memorabilia, and printed matter relating to Griffin's military and political career. Correspondence, 1885-1935, is largely related to his political activities; the remainder pertains to his legislative concerns, immigration matters for his constituents, as well as some personal correspondence. Legal papers, 1885-1930, include case files, estate files and title abstracts. His writings consist of manuscript and typescript versions and galley proofs of poems, plays and stories. Diaries, 1886-1930, and notes and notebooks, 1883-1934, contain his observations on many professional and personal activities in addition to subject files. Military and patent records concern his military service and endeavors in submarine safety. Political papers are a combination of printed matter, notes and memoranda. Financial records are his accounts from 1887 to 1934. Also, personal memorabilia; graphic materials including photographs, original paintings and maps; and printed matter such as reprints, government manuals and clippings. less

Richard Hoover (b. 1947) is an American scenic designer, production designer, and art director for theater, television, and film. The collection represents Hoover's professional work as a scenic designer for theater and as a production designer and art director for television and film. It contains designs, production binders, photographs, sketches, and video recordings related to his career from 1969 to 2015. less

Liljan Espenak (1905-1988) was a dancer, instructor, dance therapist and author. Espenak was born in Norway. During the 1920s, she moved to Berlin to study under Mary Wigman. Espenak established her own dance school in Berlin. In the 1930s, Espenak left Germany due to pressure from the Nazis to become a collaborative artist. Espenak eventually established herself in the United States and resumed her career. She opened a dance studio and developed a second career as a dance therapist in New York City. The collection spans her multiple careers. The files, 1920s-1988, contain correspondence from family, friends, and colleagues. less

American author Dorothy Thomas (1898-1990), was a prolific short-story writer whose work appeared in numerous periodicals, including The New Yorker, Harper's and The Saturday Evening Post. The collection consists of typescripts of three short stories: "Fire Guard," 27 pp., "Happiness Insurance," 15 pp., and "The Parting," 20 pp., the first two with a few manuscript emendations. Also present is a volume containing Thomas' whimsical line drawings of people in scenes imagined or encountered, including some "modern writers." These are sketched in ink in a dummy copy of Edna St. Vincent Millay's "Wine from These Grapes." less

Charles Weidman (1901-1975) was a dancer, choreographer, and teacher known for his roles as a member of the Denishawn Company, and later for founding his own companies: the Humphrey-Weidman Concert Company, Theatre Dance Company, and An Expression of Two Arts. The additions to the Charles Weidman papers contain material related to choreographed works he performed with the Theatre Dance Company and An Expression of Two Arts; files representing his time with the Denishawn Dancers; photographs; and scrapbooks. less

The Bhaskar Roy Chowdhury collection contains a partial autobiography, family photographs, publicity, career related photographs, printed matter, and some correspondence relating to the life and career of Bhaskar Roy Chowdhury (1930-2003) an Indian folk dancer, choreographer, actor, writer and painter. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Scale drawing of Byron's boat, eventually named The Bolivar, here with "Countess Gamba, Guiccioli" written on the mainsail. Along with a later note in Teresa Guiccioli's hand (TG 0226), explaining: "Le dessin du Schooner de Lord Byron qu'il avait voulu appeller avec mon nom -- mais qu'il appella le Bolivar de peur de me Comprometre.". less

Adam W. Spies (1800-1891), the son of Mary Bergh and John Spies, was a hardware and military goods merchant in New York City. He was employed by the firm of C. & J. D. Wolfe, and was their agent in England in the 1820s. In 1834 he established A. W. Spies & Company, later Spies, Kissam & Company, retiring in 1866. He acquired extensive landholdings in New York City, upstate New York, and numerous other states, including Alabama, Arkansas, Illinois, Indiana, Michigan, New Jersey, and Wisconsin, among others. In 1832 he married Sarah Ann Morrison (d. 1883), daughter of John C. Morrison of Monmouth County, New Jersey. Spies was a founding member of the Association for Improving the Condition of the Poor.The Adam W. Spies real estate and genealogy scrapbook is primarily a record of his real estate transactions, containing numerous manuscript plat maps, many in watercolor with extensive annotations; a few printed maps; listings of properties, taxes and assessments; and legal notes. Holdings in Manhattan and Williamsburg, Brooklyn are especially well documented. Genealogical materials include charts and notes concerning the Spies, Morrison, and Bergh families, and autobiographical accounts, with advice to grandchildren, recalling his career, his service as a volunteer fireman, and life in Manhattan prior to the building of the Erie Canal and Croton Aqueduct. The volume also contains pasted clippings, certificates and receipts, cut silhouettes of Spies, and a few sketches, notably a watercolor street view by Spies of his father’s place of business in Manhattan as depicted in 1808. There are some miscellaneous letters and notes relating to family and real estate matters, some loose, including a genealogical inquiry to his son-in-law John W. Cochrane dated 1907. A few of Spies’s genealogical entries are updated to 1930. The scrapbook has multiple and duplicate paginations, with gaps: Index, p. 1-48, 50-58, [3 p.]; property maps with index, p. 0-100; and additional genealogical and autobiographical material, p. 133-143; 137-138, 139 (2 leaves), 142-155. Text and maps are separately indexed. less

Artist and gay rights activist Copy Berg was born Vernon E. Berg, III on July 10, 1951. He attended the United States Naval Academy from 1970-1974 and then served with the U. S. Navy Sixth Fleet in the Mediterranean. In 1975 the Navy sought to release him by General Discharge on grounds of homosexuality. Berg fought a highly publicized legal battle against the Navy but lost the case and was released in 1976. He settled in New York where he studied at Pratt Institute and launched his career as an artist. In 1986 Berg was diagnosed with human immunodeficiency virus (HIV), the cause of acquired immunodeficiency syndrome (AIDS). His subsequent artwork explored the social response to the AIDS epidemic, sexual politics and sadomasochism. Berg died of an AIDS-related illness on January 27, 1999. The Copy Berg Papers include correspondence of the artist, his friends and his family; records of Berg's service in the United States Navy and his discharge dispute; artwork; photographs; audio and video recordings; printed material and ephemera. less

The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books. less

Elizabeth Morgan, née Bonney. Her birth date remains uncertain, but she was born in London, and was still a minor on 24 April 1818 when she married Thomas Morgan (1786-1862), of Dixon, Morgan and Co., wine and spirits traders. A stained glass window in St. Olave's Church, Hart Street, bears an armorial decoration commemorating the union. Elizabeth was a close friend of the novelist Jane Porter; she signed her letters to Porter with the nickname "Belinda." The Morgans had at least five children: Thomas (1819-1892), who helped run the family business in London; Francis (1820-1876), who moved to Spain to handle the family business's connections there; Aaron Augustus (1822-1888), a clergyman and Shakespeare scholar; Emily Eustatia, married name Gruggen (1828-1909); and Adelaide Elizabeth, married name Beresford (1837-1902). Elizabeth Morgan died at the age of 65, and was buried in All Souls, Kensal Green on 9 July 1866. Her grandson, Fr. Francis Xavier Morgan (1857-1935) was the legal guardian of the fantasy writer J. R. R. Tolkien. Five of the nine items appear to have been torn out of the same quarto-sized sketchbook: an original ink drawing of a cavalier soldier, by Robert Ker Porter, signed by him and inscribed to Mrs. Morgan, 25 May 1841; an original watercolor of a women's charitable home inhabitant soliciting donations, signed "E. M."; a pencil drawing of "Bradley Rectory," signed "F. J. G., 1851"; a page of manuscript music, "Le dernier Soupir," signed "M. T."; and a pencil and watercolor copy of R. Westall's portrait of Lady Charlotte Harley, "Lord Byron's Ianthe." The other items include: a small unbound notebook (50 total pages, some blank) in Elizabeth Morgan's hand, circa 1849-1850, which includes biographical notes on Jane Porter, a note on Robert Ker Porter's "Battle of Agincourt" painting, notes from readings, tables of expenses, etc.; a printed invitation accomplished in manuscript, to Mr. Mrs. Morgan, for an event at Boyle Farm on 30 June 1829, from Lord Chesterfield, Lord Alvanley, Lord Castlereagh, Mr. de Roos, and Mr. Grosvenor; a watercolor of the Rialto Bridge in Venice; and a small pencil drawing, "The House in which Lord Byron died at Missolonghi," signed "E. H., 1834.". less

Collection consists of correspondence of Feliks Gross; minutes of the steering and other committees; reports relating to post-World War II planning and reconstruction in Eastern Europe; policy memoranda and research papers relating to the economic, social, and political problems of Poland in the postwar period; and financial and other papers. Correspondence is mainly of Gross and other Board members and staff. Topics include wartime conditions in Europe, plans for postwar reconstruction, and Board matters. Office records contain minutes, reports, notes, and printed matter. Administrative records include by-laws, budgets, financial statements, correspondence, and related items. Also, publications, reports, photographs, reproductions of drawings, caricatures of political figures, and newsclippings. less

The collection consists chiefly of photographs shot or collected for use in the magazine Hit Parade. Most of the photographs depict artists and performers, including female impersonators. Includes photographs taken at the Red Parrot, Interferon, the Union Club, the Ice Palace, and clubs in Provincetown, Massachusetts. Photographers include Bruce Jope, Dominique, Virginia Liberatore, Steve Aucoin, Gene Bagnato, and others. less

To John Stevens Henslow, botanist and Church of England clergyman : 1 autograph letter signed : 10 Feb 1832 : (MISC 0381) : from Walden : begins, "I have just come from the pit & there seems good reason to hope that the Bones, if kept properly covered up, will not crumble to pieces ..."; including a pencil sketch of a wooly mammoth tusk fragment he found. less

Richard Waslav Rychtarik was an American set and costume designer of major productions at the Metropolitan Opera and other companies. Photographs, marked scores and librettos, letters, sketches, and clippings pertaining to productions, and some non-theater related designs. less

Richard-Gabriel Rummonds (1931- ), is a noted hand-press printer and the founder, printer, and publisher of the Plain Wrapper Press and Ex Ophidia Press which published fine art limited editions of poetry and prose by contemporary authors. He has taught printing at the University of Alabama and Cornish College (Seattle) and is the author of the manual Printing on the Iron Handpress (1997), Nineteenth-Century Printing Practices and the Iron Handpress (2004), as well as numerous essays and lectures on the book arts. Collection consists of records of the Plain Wrapper Press and Rummonds' personal and professional papers 1948-2010. Correspondence with friends, relatives, business associates, and professional colleagues documents his careers as industrial and book designer, commercial attach? in Quito, Ecuador, and later, iron hand-press printer and founder of the Plain Wrapper Press and Ex Ophidia Press, writer and educator. Plain Wrapper Press records include correspondence, production files of manuscripts, proof-sheets and galleys; engravings and lino-cuts; samples of bindings, papers, covers, and completed books, keepsakes, and other examples of his printing. The collection also includes copies of Rummonds essays and lectures and drafts of his books, including an unpublished autobiography, Fantasies and Hard Knocks: My Life as a Printer. less