Found 95 collections related to Drawings

To John Stevens Henslow, botanist and Church of England clergyman : 1 autograph letter signed : 10 Feb 1832 : (MISC 0381) : from Walden : begins, "I have just come from the pit & there seems good reason to hope that the Bones, if kept properly covered up, will not crumble to pieces ..."; including a pencil sketch of a wooly mammoth tusk fragment he found. less

Richard Waslav Rychtarik was an American set and costume designer of major productions at the Metropolitan Opera and other companies. Photographs, marked scores and librettos, letters, sketches, and clippings pertaining to productions, and some non-theater related designs. less

Richard-Gabriel Rummonds (1931- ), is a noted hand-press printer and the founder, printer, and publisher of the Plain Wrapper Press and Ex Ophidia Press which published fine art limited editions of poetry and prose by contemporary authors. He has taught printing at the University of Alabama and Cornish College (Seattle) and is the author of the manual Printing on the Iron Handpress (1997), Nineteenth-Century Printing Practices and the Iron Handpress (2004), as well as numerous essays and lectures on the book arts. Collection consists of records of the Plain Wrapper Press and Rummonds' personal and professional papers 1948-2010. Correspondence with friends, relatives, business associates, and professional colleagues documents his careers as industrial and book designer, commercial attach? in Quito, Ecuador, and later, iron hand-press printer and founder of the Plain Wrapper Press and Ex Ophidia Press, writer and educator. Plain Wrapper Press records include correspondence, production files of manuscripts, proof-sheets and galleys; engravings and lino-cuts; samples of bindings, papers, covers, and completed books, keepsakes, and other examples of his printing. The collection also includes copies of Rummonds essays and lectures and drafts of his books, including an unpublished autobiography, Fantasies and Hard Knocks: My Life as a Printer. less

Robertson Ten Eyck Stevenson was most active designing for the Broadway stage during the years 1925-1936. Pencil and water color costume designs for female performers in the revue Greenwich Village Follies. The designs are entitled: Light, Dance, Music, Voice, Comedy, and Drama. The designs are also identified with Stevenson's full name and the year, written '26. Fabric and trim choices are indicated on the back. less

The Space Committee of the N.Y.P.L. Board of Trustees was established in 1955 to discern the space needs of the various divisions in the Research Library. Its members were: Chairman Arthur A. Houghton, Jr., Edward G. Freehafer, Morris Hadley, Carl H. Pforzheimer, Roland L. Redmond, Deoch Fulton, and Rutherford D. Rogers. The committee was active through 1959. Records of the Space Committee span the years 1955 to 1959 and include supporting material from the 1940s before the Committee's founding. Correspondence consists of letters and memoranda from committee members. Reports, Studies & Plans are formal written findings of the Committee and supporting visual materials. Drawings are architectural space plans of the Central Building. less

This small collection of papers consists of letters to the Sardis on their retirement, a scrapbook of photographs of Vincent Sardi, Sr. receiving a Shubert Foundation award in 1967, a drawing of Eugenia Sardi, clippings about the restaurant, a few printed programs and menus for special events, a souvenir program (1913) from the Screen Club, and drawings by the illustrator, Don Freeman, mostly of New York scenes and people. Some of the drawings are loose, but most are bound into copies of Don Freeman's Newsstand (1938-1950), a self-published periodical. less

The Red Ozier Press is a private press noted for its fine quality limited editions of works by notable authors. The press was founded by Steven Ken Miller in Madison, Wisconsin, in 1976. In 1979 Miller moved the business to New York City and ran it with Ken Botnick. Collection consists of publication records, correspondence, business records of the Red Ozier Press, records pertaining to printing workshops, zinc printing plates, and papers of Steve Miller and Ken Botnick. Publication records, 1976-1986, include correspondence, typescripts, galley proofs, and materials related to books published by the press. Correspondence, 1976-1986, is with authors, artists, papermakers, printers, booksellers, and others associated with the production of the books. Business records, 1976-1984, contain correspondence, invoices, receipts, and related materials. Printing workshop records, 1982-1986, consist of files for workshops and classes taught by Steve Miller and Ken Botnick. Zinc printing plates, 1976-1986, are the original blocks used for printing illustrations for publications. Ken Botnick papers, 1980-1982, consist primarily of incoming letters when Botnick was proprietor of the Bedouin Press. Steve Miller papers, 1971-1986, include personal correspondence from family and friends, typescripts of his poems, photographs, and miscellaneous items. less

Institoris was a Hungarian stage decorator. Collection consists of manuscripts on designing and painting of stage scenery, lighting and other technical practices relating to theaters in Vienna and Baden, Austria, and Pressburg, Hungary. Includes numerous sketches and drawings. less

Jacob Snider (1811-1866), of Philadelphia, Pa., was an inventor of artillery, notably the Snider rifle which was used by the British Army. His son John Vaughan Snider was also an inventor. They were both involved in a lawsuit against the British government for compensation for the design of the Snider rifle. Collection consists of correspondence, documents, maps, drawings, photographs, and printed matter of Jacob and John Vaughan Snider. Jacob Snider papers contain correspondence, documents, and other items pertaining to land titles in Pennsylvania and Georgia, the delivery of rifles, and legal matters. John Vaughan Snider papers include legal documents, materials about patents for his inventions, photographs of rifles, and printed matter. less

Although born in The Hague, Herman Rosse studied at the Kensington College of Art in London and Stanford University in California. He created over 200 sets for stage and film including those for the Greenwich Village follies, the Ziegfeld follies and many for the Chicago Opera Company. A set design of a cottage in a wooded setting, executed in ink, watercolor, and silver paint; four costume designs, mostly of Greek style transparent drapery on semi-nude women, executed in pencil and watercolor. All have Rosse printed on lower right corners. less

Hudson Maxim (1853-1927) was an American inventor, mechanical engineer and explosives expert. He worked as a consultant for the Du Pont Company from 1897 to 1927 and wrote books on explosives and literary and political matters. Collection consists of correspondence; typescripts of speeches, books and articles; patent materials; legal documents; family papers; photographs; and printed matter. Papers document Maxim's career as an inventor and explosives expert; experiments with soybeans and other foods; anti-Prohibition activities; involvement with Lake Hopatcong, New Jersey, local affairs; and family and personal life. Bulk of correspondence dates from last few years of Maxim's life, 1925-1927, and concerns his personal and professional activities. Also, speeches delivered by Maxim, 1907-1927; notes, reports, correspondence, blueprint maps, and charts relating to explosion sites and damage; legal documents, ca. 1911-1925; correspondence with canning companies, seed merchants, and state and federal agriculture departments, 1917-1918, concerning his experiments with the preparation and canning of various foods, particularly soybeans; drafts of an autobiography and other writings, ca. 1880s-1920s; and anti-Prohibition speeches, articles and letters to newspaper editors, with related clippings and printed materials, 1920s. Includes photographs of Maxim's friends, family and homes; papers relating to family and personal matters; specifications for his patents, 1880s-1910s; correspondence, minutes and legal documents, 1915-1925, of the Maxim Munitions Corp.; and account books, scrapbooks, address books, autograph album, patent information, and printed matter. less

Harold Gould Henderson (1889-1974) was an American author, teacher, translator, and anthologist of Japanese poetry. He taught the history of Japanese art at Columbia University, was president of the Society of Japanese Studies and the Japan Society from 1948 to 1952. In 1945 he served in Japan on General Douglas MacArthur's staff as special advisor on education, religion and art. His works included books and articles on Japanese poetry and grammar and his own Haiku poems. Collection consists of correspondence, writings, notes, and printed matter. Correspondence, 1960-1974, with poets, scholars, translators, and editors concerns Haiku poetry. Also, general correspondence of the 1930s, typescripts of writings, lecture notes on Japanese grammar, notes on Haiku, manuscript by K.C. Kondo on Japanese art, and papers relating to the Haiku Society of America. less

Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York, Susquehanna & Western Railroad, director of Walter Kidde & Co., and member of the New York City Transit Authority. Collection consists of correspondence, reports, designs and plans, and scrapbooks of photographs documenting Norton's efforts toward the adoption of monorails for San Francisco and New York City. Papers include correspondence, 1947-1954; published and unpublished reports, 1948-1955, relating mostly to mass transportation in the San Francisco Bay area; and designs, blueprints and drawings of monorails, as well as related patents. Also, photographs in various formats and scrapbooks of photographs of New York, Susquehanna & Western Railroad facilities and operations. less

James Ferguson (1710-1776) was a Scottish philosopher, astronomer and engineer. Collection consists of scrapbook containing letters, ca. 1769-1775, by Ferguson, relating to his work and other scientific matters; drawings, pencil sketches, charts, and tables, both printed and original, dating from approximately the 1740s, of astronomical and mechanical discoveries and inventions by Ferguson and others; and materials about Ferguson including maps, clippings, engravings of portraits of Ferguson, and other items. less

Known through most of his career as "Adrian", Gilbert Adrian was born in Connecticut as Adrian Dolph Greenburg. His designs for Broadway include George White's scandals and Nifties of 1923 but much of his career was spent in Hollywood, designing for Metro-Goldwyn-Mayer from 1925-1939. He retired in 1952 but returned to Hollywood in 1958 to design Camelot, for which he posthumously received a Tony Award. Watercolor and ink costume designs depicting women dressed in skirts with paniers and large wigs and head pieces, several with birds flying around them. Designs are identified by sequential numbers, the names of performers and/or character names and includes notes on construction. All have Gilbert Adrian printed in lower right corners. less

Gottfried von Reigersberg (1893-1962) was a German machinist who emigrated to the U.S. in 1927. He was born Gottfried Streit but was adopted in 1922 by Emilie Freien von Reigersberg, a descendant of a Bavarian noble family. Collection consists of correspondence, family and legal papers, photographs, and ephemera of the von Reigersberg and Streit families. Correspondence is largely personal in nature and is with members of the family. Family papers include documents concerning Gottfried von Reigersberg; legal papers and correspondence of his wife, Elsie von Reigersberg; baronial papers with Emilie Freien von Reigersberg's personal papers, adoption documents, genealogical information, poems, drawings, prints and other heirlooms; and photographs of family, friends and the town of Regensburg, Germany. less

The Frank Wigglesworth Papers document Wigglesworth's life and career. The collection was assembled by Wigglesworth over the course of his lifetime, and includes musical scores, correspondence, clippings, programs, miscellaneous papers, iconography, and books. Correspondents include Henry and Sidney Cowell, Lou Harrison, Otto Luening, Virgil Thomson, and Edgard Varèse among many others. Maurice Sendak and Adlai Stevenson are represented by one letter each. Lou Harrison's letter of February 12, 1952, contains the autograph score of his Serenade for Guitar, spontaneously composed for Wigglesworth. Series A/4 contains other autograph scores by Harrison and by Otto Luening, a manuscript score by Vittorio Rieti, and reproductions of manuscript scores by Paul Arma, Chester Biscardi, Edward V. Bonnemere, Richard Brooks, John Cage, Gerald C. Chenoweth, Edward T. Cone, Stefania M. De Kenessey, Aaron Einbond, Daniel S. Godfrey, Daron Aric Hagen, Jose Halac, Reiko Ito, Barbara Kolb, Robert Maggio, Denman Maroney, Henry Martin, Lucas Mason, Richard Owen, Peter Phillips, David L. Post, David Rakowski, Loren Rush, Marvin Salzberg, John Sembret, Davy Temperley, Virgil Thomson, Brian Wilson, Marilyn Ziffrin, and Ellen Taafe Zwilich. Sound recordings originally with the collection are now housed in the Rodgers and Hammerstein Archives of Recorded Sound. less

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

The collection contains portraits in photographs, drawings and reproductions of drawings of individuals involved in the entertainment arts. The portraits were created by G. Maillard Kesslère from 1925 through 1952, with the bulk of them amassed from 1925 to about 1946. The subjects include actors, dancers, singers, musicians, composers, conductors, critics, writers, directors, producers, and designers for the theater, dance, ballet, opera, radio, and television. The largest group in the collection consists of approximately 858 portraits in half-length, bust, or head only formats, and includes 589 black and white photographs, approximately 30 original pastel or charcoal drawings, and some 239 black and white photomechanical reproductions of original drawings. Over 500 of the subjects in this group are identified. The collection also includes a series of black and white photos of male and female subjects who are largely unidentified, but who were likely active in society, business, or the performing arts. The collection also contains biographies of theatre and entertainment professionals, compiled from 1951-1952. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Executive Committee, one of the original standing committees of the Board of Trustees, takes general charge of the administration of the affairs of the N.Y.P.L. Corporation. It is empowered to act on behalf of the Board of Trustees in between Board meetings. Records of the Executive Committee consist of handwritten, typewritten and printed documents as well as photographs and architectural drawings. Minutes are records of the meetings of the Executive Committee. To 1949 they are bound in volumes and early volumes include photographs of the Carnegie sites under construction. From 1967 the minutes are typewritten and loose. There are no minutes for the period 1950 to 1966. The Letterbooks consist of three volumes, 1902-1903, 1903-1906, and 1912-1928, of official letters written by the Executive Committee. Many of the letters are signed by John Shaw Billings or Edwin H. Anderson, who as Directors of the Library also served as Secretary to the Executive Committee. The bulk of Letters Received concern library construction and finances. The General Files are arranged alphabetically by subject. They relate to various Library matters but especially the construction of the Carnegie branch libraries and the Central Building, operations of the Circulation and Reference Departments, and finances. Central Building Files relate to the design, construction and maintenance of the Central Building, which were overseen primarily by the Executive Committee. Assorted Records include correspondence regarding the appointment of John Shaw Billings, as well as printed agreements between the City of New York and the Library regarding a pension plan for employees. less

Faber Birren (1900- ) was a color consultant to industry and the U.S. government. He wrote books on color theory and also works of fiction. Collection consists of typescripts of Birren's writings, photographs, and printed ephemera about Birren. Original typescripts, some with drawings, include novels, short stories, essays, and critical materials on the nature and theory of color. Also, autobiographical notes and bibliography prepared by Birren, photographic portraits and printed ephemera related to his career. less

David McNeely Stauffer (1845-1913) was an American civil engineer, editor, artist, and collector. He worked for several railroads including the Philadelphia and Reading Railroad until 1876 when he went into private practice. He wrote scholarly articles and edited the Engineering News. In addition to collecting autographs and illustrations, he designed book plates and did pen and ink drawings. Collection consists of Stauffer's personal papers and his autograph and seal collection. Personal papers contain correspondence, 1865-1910; financial papers; notes; sketches and illustrations; manuscript; and transcripts of historical correspondence. Autograph collection of historical and literary figures of the 18th and 19th centuries includes artists, clergy, educators, inventors, engineers, lawyers, authors, doctors, scientists, and officers of the American Revolution and other political figures. less