Scope and arrangement
The Arthur M. Abell papers are arranged in nine series:
-
36 x 28 cm
Arthur M. Abell papers, Music Division, The New York Public Library
Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek.
American music critic Arthur M. Abell, 1868-1958, was Berlin correspondent for the Musical Courier from 1893 to 1918, and was a music critic for the New York Times and other publications until his death. He wrote the book Talks with Great Composers, his reminiscences of conversations with Brahms, Strauss, Puccini, Humperdinck, Bruch, and Grieg. He knew many musicians both obscure and famous, and as a former violinist himself, especially befriended other violinists.
The Arthur M. Abell papers are arranged in nine series:
Bequest of Louise (Miller) Abell, 1980.
The Arthur M. Abell papers were a gift from his wife, Louise Abell, in 1978.
Processed by Fran Barulich and Bob Kosovsky; date completed: September 1988.
For permission to publish, contact the Curator of the Music Division.