Found 291 collections related to Programs

Tony Pastor is considered the "Father of American Vaudeville". The collection consists of photographs (mostly of Tony Pastor), manuscript scripts and actor's sides for vaudeville skits, handbills, a limited amount of correspondence and personal papers, personal memorabilia of Mrs. Tony Pastor, some clippings, and correspondence between the original purchaser of the collection, Charles Hechler, Jr., and the musicologist Sigmund Spaeth. less

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

Circle Repertory Company, originally named Circle Theater Company, was founded in July 1969, in a second floor loft at Broadway and 83rd Street by director Marshall W. Mason, playwright Lanford Wilson, director Rob Thirkield, and actress Tanya Berezin. The plan was to establish a pool of artists- actors, directors, playwrights and designers- who would work together in the creation of plays. less

The Thomas Skelton papers represent his professional career as lighting designer from the early 1950s to his death in 1994. The bulk of the collection consists of light plots, cue sheets, ground plans, draftings and other papers related to his career in dance, theater, and opera. The collection also includes some teaching papers, correspondence, interviews, newspaper clippings, and programs. Other miscellaneous material includes travel and foreign language literature accumulated by Skelton in the course of his various professional trips. The collection also includes some scenic designs and costume information retained by Skelton from individual productions. Although Skelton did occasional scenic design, most of this additional material is the work of other crafts people. Included among the papers are also lighting designs executed by others. When identified, these are listed in subseries for 'Other Designers' in each category. The production files should be consulted for full credits for a project. The materials were received with an inventory in database format. The collection has been arranged and described with separate series for material relating to theater (including opera and variety) and dance. Organization of production files has been maintained generally the way files were originally kept. Oversized light plots and designs were separated from the production files and transferred to oversized boxes. Original identification numbers of the draftings have been maintained. Where letters formerly were used to identify boxes of rolled draftings, they now identify the drawers in which the material is currently stored. In some cases, draftings listed in the database were not found with the collection. less

John Golden (1874-1955) was a songwriter and theatrical impresario who wrote, directed, managed, or produced over 100 shows in a career spanning more than 40 years, including Lightnin', Claudia, and Susan and God. The collection predominantly documents Golden's career as a theatrical manager and producer, with particular focus on the late 1920s until his death. less

The organizational records of the New York Pro Musica, an American ensemble of singers and instrumentalists dedicated to the performance of early music, founded by Noah Greenberg in 1952. The collection includes correspondence, meeting minutes, business, financial and fundraising records, photographs, programs, and material documenting various instruments, performing ensembles and musical dramas. less

Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions: Fiddler on the Roof (1964), Cabaret (1966), Zorba (1968), Chicago (1975), Sweet Charity (1987) and the film The Graduate (1967). The collection includes many original designs and sketches, as well as costume bibles, costume research, photographs, and productions materials. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers. less

The Artur Michel Papers primarily document the professional concerns of the German-born dance critic and scholar, who immigrated to the United States after the Nazi rise to power. Michel settled in New York, where he became a reviewer for the German-language newspaper Aufbau, wrote articles that appeared in Dance Magazine and other publications, and completed a comprehensive, unpublished book on the history of theatrical dance, Der Tanz auf der Bühne: Geschichte des Theatertanzes seit der Renaissance. less