Found 43 collections related to Portraits

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Photocopied items from The Gustav Mahler-Alfred Rosé Collection, The Music Library, The University of Western Ontario Library System, London, Ontario, Canada. Included are a typescript of a document by Arthur Schnitzler "An Bruno Walter"; a copyist's score of Bruno Walter's sonata for violin and piano composed for Arnold Rosé; 10 items of correspondence from Bruno Walter to Mahler, to Eduard Rosé, and to Mahler's sisters Emma and Justine (wives of Eduard and Arnold Rosé); and 5 portraits of Bruno Walter. less

Artist Rafael Valdivia was born in Rosario, Argentina. Before joining the staff of the New York Sun, ca. 1926, he worked for magazines in Buenos Aires, Paris and Madrid. Valdivia's work for the New York Sun was published under the name "Rafael." He lived with his wife and two sons in Jackson Heights, Queens, N.Y. Valdivia died at St. Anthony's Hospital in Woodhaven, Queens, N.Y. at the age of 62 in 1948. Includes ca. 142 black and white original portrait drawings of theater and film actors and actresses by Rafael Valdivia, mostly for the newspaper, the New York Sun. Among those depicted are Tallulah Bankhead, Katharine Cornell, Bette Davis, Maurice Evans, Miriam Hopkins, Gertrude Lawrence, Robert Montgomery, and Laurence Olivier. less

Adam Berger, artist. Consists of 52 portraits, in various medium including crayon, pastel, ink and wash, all identified on the back, most signed. The subjects, who were connected to avant garde theater in New York City in the main, are: Anthony Harvey (1), Al Carmines (3), Betty Williams (5), Robert Wilson (3), Lamar Alford (2), Richard Barr (5), his dog (1), Roger Morgan (3), Joseph Papp (1), John Guare (5), Tom Eyen (3), Ellen Stewart (3), Jean Claude van Italie (4), Joe Chaikin (3), Richard Foreman (1), Charles Ludlam (5), James Purdy (1) and Richard Flagg (3). Also includes one promotional poster. less

Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first art director in 1932. Jones died at his birthplace at the age of 67. Primarily original costume designs, but also several set designs, sketches, and portrait drawings by designer, producer and writer Robert Edmond Jones for stage productions including some operas. Among the productions are: The barber of Seville (opera) by Gioacchino Rossini, 1941; Percy Mackaye's Caliban by the yellow sands, for the New York Tercentenary Celebration, 1916; Carmen (opera) music by Georges Bizet, 1932; The Cenci by Percy Bysshe Shelley, undated; The devil and Daniel Webster by Stephen Vincent Benet, 1939; The fountain by Eugene O'Neill, 1925; Die gluckliche hand (opera) by Arnold Schoenberg, n.d.; Mary of Scotland by Maxwell Anderson, 1933; The merchant of Venice by William Shakespeare, ca. 1914; A midsummer night's dream by William Shakespeare, n.d.; Night over Taos (previously titled City forgotten) by Maxwell Anderson, 1932; Orpheus (opera) by C.W. Gluck for Central City Opera House, Colorado, 1941; Othello by William Shakespeare, 1943; Susanna, don't you cry (musical with Stephen Foster songs) by Sarah Newmeyer, 1939; and the Tuskegee Choir for Radio City Music Hall, 1932. Many of the costume designs include swatches. There are 3 unidentified portrait drawings (1 for which the actor Irving Pichel was possibly the model) and 2 caricatures (1 of which is unidentified). There are worksheets attached to 2 of the 3 costume designs for a night club scene from an unidentified 1932 production (possibly for Radio City Music Hall). less

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

This volume contains the League's executive minutes during Francis M. Scott's campaign for New York City Mayor (July 10 to November 17, 1890). At this time, the League's secretary was lawyer and reformer Richard Ward Greene Welling. The volume also contains some inserted letters from group members, as well as portraits of various members less

Harry G. Schumer was the librarian of the Metropolitan Opera from 1938-1968. The collection includes color photographic transparencies, color slides, and black and white negatives taken by Schumer of Metropolitan Opera cast and crew during his term as librarian. less

Felicia Sanders was a nightclub singer in the 1950's through the early 1970's. She died in 1975 at the age of 53. Her arranger and accompanist was her husband, Irving Joseph. The collection contains 2 items of sheet music with cover pictures of Felicia Sanders, publicity, photographs, and many clippings of articles concerning her nightclub appearances. Some material was originally in scrapbooks. "The Piaf scrapbook" was added to the collection in 1998 and has also been cataloged separately. less

5 exercise books and 6 ALS from Marie Schmole, Dresden, to Mary Burrell, London, giving reminiscences of Richard Wagner from 1842 to 1849, at the request of Mrs. Burrell. The exercise books include: Richard Wagner in Dresden ; Von Rienzi zum Fliegenden Holländer ; Wagner als königl. Kapelmeister ; Wagner's Wirksamkeit als Kapelmeister ; Wagner als Politiker (Revolutionär). The 1st is labeled (in another hand): Aufzeichnungen. Accompanied by portraits of Ferdinand Heine and Marie Schole, and Frau Schmole's calling card. less

Dame Myra Hess (1890-1965) was an English pianist. During the Second World War she organized and performed in hundreds of lunch time concerts at the National Gallery which had been emptied because of the threat of air raids. Marjorie Yates, a pianist and friend of Myra Hess, was born in England and moved in 1926 to the United States, where she taught music until 1968. Henriette Michelson was a piano teacher at The Juilliard School in New York City during the 1930's and 1940's, and later a resident of Jerusalem. Tobias Matthay (1858-1945) was an English piano teacher, author of works on piano technique, and composer. Photographic portraits of Myra Hess, Marjorie Yates, and Henriette Michelson; reproduction of a drawing of Mendelssohn by Varges; texts of speeches by Myra Hess about wartime concerts and about her teacher Tobias Matthay; programs, reviews, clippings, and other material about Myra Hess; clipping of obituary of Marjorie Yates. less

Dailey Paskman was a playwright and lyricist of the forties, associated with Rudolf Friml. Vocal score for Ali Baba and the Forty Thieves, written for a children's phonograph record; full score, 3 vocal scores and other material for Halloween, a radio production for children. All the music is by Lionel Barrymore. The collection also includes 2 glossy portrait photographs of Barrymore. Scores are cataloged separately in the Scores file. less

The Robert Benney drawings are black and white sketches in graphite and ink primarily of actors and actresses in costume for New York City theater productions. The drawings also include sketches of entire scenes and portraits of musicians, radio personalities, comedians, dancers and film stars. There are some photocopies in the collection; most duplicate the Library's holdings of originals. less

27 letters (22 ALS and 5 TLS) and 14 postcards from Wilhelm Furtwängler, 1920-1928 and undated, including note at end of article ; 1 letter each from Arthur Nikisch, Hans Pfitzner, and Richard Strauss ; Wiener Philharmonischer "Partitur" containing drawings of faces of members of the orchestra ; article about Berlin by Furtwängler ; "Amnerkungen zur Musik von Wagners 'Ring des Nibelungen'" von Wilhelm Furtwängler ; unsigned ms. article about Furtwängler ; photograph of Furtwängler ; 10 clippings including 1 from 1911 and 9 obituaries of Alfred Wolf, 1930 ; "Gustav Mahler III. Symphonie D-moll : Thematische Analyse," von Richard Specht ; and 4 programs indluding 1 for an 1892 performance of Tannhäuser. less

Known chiefly as an arranger of popular songs and as a composer of music for films, American musician Arthur Lange was also a pianist, a conductor, and a composer of concert works. He wrote the books: Arranging for the Modern Dance Orchestra, and A New and Practical Approach to Harmony. Film scores, music manuscripts, published music, unpublished arrangements for films, sheet music from Tin Pan Alley, photographs, autobiographical material, clippings, and scrapbooks. Most of the musical scores are contained in bound volumes entitled "Alpha to Omega". Some of the film scores were composed in collaboration with other composers, chiefly Charles Maxwell. 8 photographs of Arthur Lange may be found in the Music Division's Iconography collection, and 2 photographs of the Arthur Lange Orchestra may be found in the Music Division's Rare Photograph file: PhE 543 and PhE 544. Scrapbooks have been microfilmed. Phonograph records have been separated from the collection and transferred to the Rodgers and Hammerstein Archives of Recorded Sound. less

Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek. less

Heddy Baum's late husband Morton Baum (1905-1968) was a performing arts administrator involved with New York's City Center for Music and Drama from its beginnings in 1943 until his death. Her friend Hans Werner Henze (b. 1926) is a German composer. The first installment consists of 2 distinct collections: papers concerning Morton Baum, and papers concerning Hans Werner Henze. The Morton Baum materials include a typescript history of City Center from 1945-1956, including inserted clippings and letters to Morton Baum from Leonard Bernstein, William Grant Still, Jose Ferrer, and others; clippings about City Center, 1965 and about Morton Baum's selection as board chairman for City Center, 1966; program and clippings about a memorial concert for Morton Baum, 1969; and a letter to Heddy Baum from Lincoln Kirstein, 1973. The Hans Werner Henze materials include 82 items of correspondence (chiefly ALS) from Henze to Heddy Baum, 1973-1990; 3 ALS from Henze to Gert and Hilde von Gontard, 1974-1975, with an enclosed copy of a letter from Henze to Mr. Oppenheimer, 1975; pencil holograph of Henze's Piano sonata; and a portfolio published by the Frankfurt Feste '86 containing 5 portraits of Henze by his friend Renzo Vespignani, an essay on Vespignani by Henze, and 5 facsimiles of sketches of Henze's compositions. These last 2 items have also been cataloged in the RLIN Scores file. A portrait by Fritz Wolff of Polish violinist Bronislaw Huberman has been separated from the collections and transferred to the Music Division's iconography collection: PhD 2546. less

This logbook of the merchant ship Henry Clay was kept by its captain, Ezra Nye, on the ship's maiden voyage as well as subsequent voyages between New York, Liverpool and Cork. Entries include notes on the weather. Inserted in the volume is a Commission (dated February 14, 1846) from the Governor of New Jersey to Ezra Nye as Commissioner of Pilotage as well as a portrait of Nye less