Found 46 collections related to Drawings%20(visual%20works)

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

The collection contains portraits in photographs, drawings and reproductions of drawings of individuals involved in the entertainment arts. The portraits were created by G. Maillard Kesslère from 1925 through 1952, with the bulk of them amassed from 1925 to about 1946. The subjects include actors, dancers, singers, musicians, composers, conductors, critics, writers, directors, producers, and designers for the theater, dance, ballet, opera, radio, and television. The largest group in the collection consists of approximately 858 portraits in half-length, bust, or head only formats, and includes 589 black and white photographs, approximately 30 original pastel or charcoal drawings, and some 239 black and white photomechanical reproductions of original drawings. Over 500 of the subjects in this group are identified. The collection also includes a series of black and white photos of male and female subjects who are largely unidentified, but who were likely active in society, business, or the performing arts. The collection also contains biographies of theatre and entertainment professionals, compiled from 1951-1952. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Maude Adams collection reflects many of the actress' varied interests: acting, directing, lighting, writing, sketching and teaching. The collection spans the years 1879-1956 and includes correspondence, writings by Maude Adams and others; papers relating to her teaching and directing at Stephens College; and programs, autographed material, portraits, clippings, and mementos from friends and colleagues. less

Original set designs, working drawings and sketches, blueprints and notes by Mstislav Dobuzhinskiĭ for the following productions: Anne of England by Mary Cass Canfield and Ethel Borden adapted from Viceroy Sarah by Norman Ginsbury (1941); Boris Godunov opera by Modest Mussorgsky (n. d.); Don Giovanni music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte (1952); Das Dreimaderlhaus (House of the Three Girls) adapted into English language versions as Blossom Time and Lilac Time is a Viennese pastiche 'operetta' with music by Franz Schubert rearranged by Hungarian Heinrich Berte and a libretto by Alfred Maria Willner and Heinz Reichert (n. d.); Emilia Plater (Lithuanian National Theatre) (1939); Enough Stupidity in Every Wise Man by Alexander Ostrovski (1953); Eugene Onegin (opera) by P. Tchaikovsky (different productions 1923-1953); The Fair at Sorochinsk book by Nicolai Gogol, music by Modest Mussorgsky (1942); The Four Ruffians by Edward J. Dent adapted from I Quattro Rusteghi by Goldoni music by Ermanno Wolf-Ferrari (1951); Die Geburt der Salome (1944); Happy Endings by A. Chekhov (n.d.); Khovanshina by M. Mussorgsky (1948-1950); Love for three oranges (1949); Masked Ball music by G. Verdi (1940); A Month in the Country (1909); Queen of Spades by P. Tchaikovsky (1925-1931); Radvila Perkunas by Jurgis Karnavicius (1936); Wozzeck opera music by Allen Berg (1952). There are also a few designs for unidentified productions. Most of the designs and sketches are signed. less

Collection consists of manuscript of Dobuzhinskiĭ's memoirs, in Russian, ca. 1914-1952; and letters, writings, drawings and diagrams, lists, synopses of scenes, costume sketches, and miscellaneous documents, ca. 1930s-1950s, largely in Russian with some in English, relating to Dobuzhinskiĭ's career in the theater. Also, manuscript chronology of Mir Iskusstva, the Russian art movement, and other manuscript writings, in Russian with some in English, relating to Russian stage artists and designers in Russia and abroad. less

Richard Waslav Rychtarik was an American set and costume designer of major productions at the Metropolitan Opera and other companies. Photographs, marked scores and librettos, letters, sketches, and clippings pertaining to productions, and some non-theater related designs. less

Richard-Gabriel Rummonds (1931- ), is a noted hand-press printer and the founder, printer, and publisher of the Plain Wrapper Press and Ex Ophidia Press which published fine art limited editions of poetry and prose by contemporary authors. He has taught printing at the University of Alabama and Cornish College (Seattle) and is the author of the manual Printing on the Iron Handpress (1997), Nineteenth-Century Printing Practices and the Iron Handpress (2004), as well as numerous essays and lectures on the book arts. Collection consists of records of the Plain Wrapper Press and Rummonds' personal and professional papers 1948-2010. Correspondence with friends, relatives, business associates, and professional colleagues documents his careers as industrial and book designer, commercial attach? in Quito, Ecuador, and later, iron hand-press printer and founder of the Plain Wrapper Press and Ex Ophidia Press, writer and educator. Plain Wrapper Press records include correspondence, production files of manuscripts, proof-sheets and galleys; engravings and lino-cuts; samples of bindings, papers, covers, and completed books, keepsakes, and other examples of his printing. The collection also includes copies of Rummonds essays and lectures and drafts of his books, including an unpublished autobiography, Fantasies and Hard Knocks: My Life as a Printer. less

The Space Committee of the N.Y.P.L. Board of Trustees was established in 1955 to discern the space needs of the various divisions in the Research Library. Its members were: Chairman Arthur A. Houghton, Jr., Edward G. Freehafer, Morris Hadley, Carl H. Pforzheimer, Roland L. Redmond, Deoch Fulton, and Rutherford D. Rogers. The committee was active through 1959. Records of the Space Committee span the years 1955 to 1959 and include supporting material from the 1940s before the Committee's founding. Correspondence consists of letters and memoranda from committee members. Reports, Studies & Plans are formal written findings of the Committee and supporting visual materials. Drawings are architectural space plans of the Central Building. less

This small collection of papers consists of letters to the Sardis on their retirement, a scrapbook of photographs of Vincent Sardi, Sr. receiving a Shubert Foundation award in 1967, a drawing of Eugenia Sardi, clippings about the restaurant, a few printed programs and menus for special events, a souvenir program (1913) from the Screen Club, and drawings by the illustrator, Don Freeman, mostly of New York scenes and people. Some of the drawings are loose, but most are bound into copies of Don Freeman's Newsstand (1938-1950), a self-published periodical. less

The Porter Van Zandt papers consist of typescripts, promptbooks, casting and production materials, set, costume and lighting design drawings and schematics, programs and touring information from Broadway, national, international and regional productions Van Zandt stage-managed and directed from 1952 through 1967. less

Papers consist chiefly of Halper's correspondence, 1919-1984, and literary work, 1928-1982. Correspondence is divided into four sections. Family correspondence, 1909-1969, contains letters to Halper from his four brothers and sister, his first wife, Pauline, and son, Thomas, as well as a few letters exchanged among other family members. Incoming letters, 1928-1984, contain all other letters written to Halper, while outgoing letters, 1919-1983, contain those written by Halper to family members and others. Both the incoming and outgoing letters are arranged chronologically by decade and consist mainly of correspondence with editors and literary agents regarding Halper's work. Although there are very few letters to Halper from prominent literary figures of the 1930s, his own letters to editors, fellow writers and friends reveal his opinions about his work, other writers, the Communist Party and political and literary issues of the period. In addition, there are letters from readers of Halper's memoir, Good-Bye, Union Square, and from researchers which discuss the radicalism of the period. Bulk of the correspondence dates from the 1950s-1980s, documenting Halper's struggles to get his work published and his plays Top Man and Aunt Daisy produced. less

Harold Gould Henderson (1889-1974) was an American author, teacher, translator, and anthologist of Japanese poetry. He taught the history of Japanese art at Columbia University, was president of the Society of Japanese Studies and the Japan Society from 1948 to 1952. In 1945 he served in Japan on General Douglas MacArthur's staff as special advisor on education, religion and art. His works included books and articles on Japanese poetry and grammar and his own Haiku poems. Collection consists of correspondence, writings, notes, and printed matter. Correspondence, 1960-1974, with poets, scholars, translators, and editors concerns Haiku poetry. Also, general correspondence of the 1930s, typescripts of writings, lecture notes on Japanese grammar, notes on Haiku, manuscript by K.C. Kondo on Japanese art, and papers relating to the Haiku Society of America. less

Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York, Susquehanna & Western Railroad, director of Walter Kidde & Co., and member of the New York City Transit Authority. Collection consists of correspondence, reports, designs and plans, and scrapbooks of photographs documenting Norton's efforts toward the adoption of monorails for San Francisco and New York City. Papers include correspondence, 1947-1954; published and unpublished reports, 1948-1955, relating mostly to mass transportation in the San Francisco Bay area; and designs, blueprints and drawings of monorails, as well as related patents. Also, photographs in various formats and scrapbooks of photographs of New York, Susquehanna & Western Railroad facilities and operations. less

Gottfried von Reigersberg (1893-1962) was a German machinist who emigrated to the U.S. in 1927. He was born Gottfried Streit but was adopted in 1922 by Emilie Freien von Reigersberg, a descendant of a Bavarian noble family. Collection consists of correspondence, family and legal papers, photographs, and ephemera of the von Reigersberg and Streit families. Correspondence is largely personal in nature and is with members of the family. Family papers include documents concerning Gottfried von Reigersberg; legal papers and correspondence of his wife, Elsie von Reigersberg; baronial papers with Emilie Freien von Reigersberg's personal papers, adoption documents, genealogical information, poems, drawings, prints and other heirlooms; and photographs of family, friends and the town of Regensburg, Germany. less

Edwin Arlington Robinson (1869-1935) was an American poet. He lived in New York City and also worked at the MacDowell Colony in Peterborough, New Hampshire. Collection consists of the Lewis M. Isaacs (1877-1944) collection of E.A. Robinson's papers with Isaacs's correspondence pertaining to Robinson. Robinson correspondence, 1899-1935, with other writers and the Isaacs family, concerns his professional and personal life. Writings include manuscripts (some annotated by Robinson), galleys and published works in addition to drafts and notes. Unsorted papers contain Robinson's will, publishing contracts, songs by Robinson and Isaacs, essay by Isaacs, and printed matter. Isaacs correspondence, 1921-1967, is between the Isaacs family and the family, friends and acquaintances of Robinson. Many letters, ca. 1935-1940, are with prospective biographers and researchers. Photographs are of Robinson and various places and buildings associated with him. Also, drawing of Robinson and poster announcing an exhibition of his work. less

The John Steptoe Papers consist of personal papers, personal and professional correspondence, examples of his writings, reviews of his work, news clippings and programs regarding his seminars and lectures, and material from various organizations to which he belonged. The personal papers contain clippings and press releases about Steptoe's achievements, correspondence with family members, a resume and biographical essays, and obituaries. There is professional correspondence and fanmail from adults and children, as well as letters from other artists. less

Katrina Castles (Mrs. Michael Schwab), formerly Kathleen Castles, and also known as Katherine Castles, was an Australian mezzo-soprano Lieder singer, a protege of Mme. Lotte Lehmann, and the childhood friend of Australian-American composer Peggy Glanville-Hicks. Her career was cut short by two bouts of cancer. Contains Miss Castles' correspondence, programs, clippings, photographs, and business papers. Includes letters and portraits from Lotte Lehmann as well as notes from Elisabeth Schumann, Kirsten Flagstad, and Colin McPhee. Also includes scores, photographs, and programs of Peggy Glanville-Hicks; an insurance policy showing Castles as the beneficiary of Glanville-Hicks; a photograph of Fritz Hart; and scores by Bax and Vaughan Williams. less

The Kohlbach-Bickels were a Hungarian and Swiss family that contained a rabbi, a professor, engineers, and the first female Hungarian architect. The first generations originated in Hungary and Switzerland, with later branches moving to Germany, Romania, Norway and Israel. This collection documents three generations, covering the period from the 1880s through World War II. less

The collection consists of miscellaneous corporate records of Bowne & Co., Inc., and papers relating to the Bowne family of Flushing, Long Island, N. Y., including original letters by Robert Bowne and other members of the Bowne and related families. The collection was assembled by Edmund A. Stanley, Jr. (1924 - ) a former president and chairman of Bowne & Co., Inc. during the course of his research for his books on the history of the firm. less

Edward J. Eustace (1897-1971) was an American poet, playwright and screenwriter for the Fox Film Corporation. Collection consists of correspondence, writings, drawings, photographs, and printed matter. Correspondence, 1920-1971, is with Eustace's associates at Fox, family and friends. Writings include typescript and printed versions of his plays and poems; several typescript versions of Eustace's play, "King of the Mountain," ca. 1934-1949, with prefaces to the 1948 and 1955 editions, and related correspondence, 1945-1951; notes and sketches; and diary, 1891-1893. Other materials are drawings, miscellaneous notes, photographs, financial records, and printed matter. Also, typescript and printed poems of his aunt Sarah Eustace. less

Doug Anderson is an illustrator and author who specializes in subject matter pertaining to the theater. Born in Sutton, New Hampshire in 1919, Anderson worked for several years for the League of New Hampshire Arts and Crafts in Concord, N.H. After moving to New York he worked as a freelance artist, specializing in theater drawings and caricatures for newspapers in New York, Boston, Chicago and Philadelphia. Anderson's theater work has appeared in magazines such as THE NEW YORKER, THE NEW REPUBLIC, FORTUNE, THEATRE ARTS, READER'S DIGEST, and others. Anderson has also illustrated a number of books, including HOW TO DRAW WITH A LIGHT TOUCH, which he co-authored with Mary Anne Guitar. The Doug Anderson papers consist of drawings or reproductions of drawings by Anderson, two versions of a feature story concerning actress Margaret Rutherford written and illustrated by Anderson, and some correspondence concerning Anderson's work from Rutherford and Estelle Winwood. Margaret Rutherford's note concerns Anderson's article about her, written for Theatre Arts magazine in 1954. Included is Anderson's typescript draft of the article sent to the actress for her comments, her response, and the published version of the article. There are three Anderson drawings of Martita Hunt in the title role of THE MADWOMAN OF CHAILLOT (1948 Broadway premiere), one of which is inscribed, dated, and signed by her, as well as an inscribed drawing of Estelle Winwood in a supporting role in the same production, accompanied by her brief note of thanks. There are also four pages photocopied from Anderson's book HOW TO DRAW WITH THE LIGHT TOUCH. less

Richard Hoover (b. 1947) is an American scenic designer, production designer, and art director for theater, television, and film. The collection represents Hoover's professional work as a scenic designer for theater and as a production designer and art director for television and film. It contains designs, production binders, photographs, sketches, and video recordings related to his career from 1969 to 2015. less

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less