Found 100 collections related to Clippings (information artifacts)

Joshua Ellis was a theatrical press representative active from the 1970s until the early 2000s. He represented over 60 Broadway shows as well as Off-Broadway and touring productions. The Joshua Ellis papers hold clippings, press releases, publicity photographs, theater programs, and other publicity materials for productions, theater companies, and individuals whom Ellis represented between 1981 and 1990. less

Clyde Beatty (1903-1965) was an American lion tamer, animal trainer, and circus entertainer. Beatty ran his own circus which merged with the Cole Bros. Circus in 1935. The collection holds press releases, programs, advertising invoices, and newspaper clippings relating to the Clyde Beatty and Cole Bros. Combined Circus of 1959. less

Barry Hyams (1911-1989) was an American theater producer and press representative who publicized over 40 Broadway productions throughout the course of his career. His production work was limited to Off-Broadway pieces associated with Rooftop Productions. Hyams was the head of publicity for the Lincoln Center Repertory Company during the 1960s, and the editor of Theatre: The Annual of the Repertory Theatre of Lincoln Center. The Barry Hyams papers date from 1947 to 1963 and document Hyams' work as a press representative for Broadway. The collection contains publicity files and scrapbooks for over 30 Broadway productions, many of which were produced by Robert Whitehead and the Producers Theatre. This collection is rich with material demonstrating the nature of Broadway press relations. The collection holds correspondence; photographs; press releases; drafts of stories for magazines and newspapers; scripts for radio and television announcements; programs; clippings; advertisement schedules for print, radio, and television; and proofs for advertisements and programs. less

Merle Debuskey (b. 1923) is an American theater press representative. From 1948 until his retirement in 1996, he publicized over 500 theatrical productions. He was the first and longest-lasting press agent for Joseph Papp and the Public Theater, from its inception in the 1950s until 1985. The Merle Debuskey papers date from 1952 to 1996 and document Debuskey’s work as a press representative for Broadway and Off-Broadway theater productions, and his work with The Association of Theatrical Press Agents and Managers (ATPAM). The collection holds publicity files for theater productions and actors; correspondence and press-related material relating to Joseph Papp and the Public Theater; administrative files relating to the Tony Awards and ATPAM; and scripts. less

Samuel Leve (1910-1999) was a New York-based scenic designer. The Samuel Leve design files date from the 1930s to 1994 and contain designs, photographs and slides, scenic and rigging plots, course materials, correspondence, clippings, programs, and newsletters. less

Athol Fugard is a South African playwright. The Nancy T. Kearns collection of Athol Fugard materials dates from 1983 to 1996. Some of the items in the collection are copies of material that was originally created in the 1970s. The collection contains programs, production photographs, clippings about Fugard and his plays, and lectures that Kearns wrote on Fugard's The Road to Mecca. Many of the programs and clippings are for productions at 7 Stages theater in Atlanta, Georgia. The collection also contains three short letters from Fugard to Kearns regarding his travels in 1983 and 1984. Materials are in English, with the exception of a 1986 German program for Statements After an Arrest Under the Immorality Act. less

Jesse W. Levy (1918-1991) was a personal assistant to Tallulah Bankhead (1902-1968) the film and stage actor. The collection, dated from the 1930s to 1980s, contains material amassed by Levy about Bankhead. (Some of the files focus on Levy's personal life.) The collection holds information about Bankhead's estate; photographs, correspondence, newspaper clippings, a script, artifacts, and audio-visual materials. less

Charlie Uno (born Charles M. Feldheim, 1876-1959) was an entertainment reporter, columnist, and editor in New York City from 1892 until his death. From the mid-1930s to 1959, he worked for Billboard magazine, writing the columns "U-Notes" and "Burlesque Bits," in addition to serving as the magazine's Coney Island correspondent. The Charlie Uno papers date from 1909 to 1959 and contain correspondence, clippings, press releases and kits, story drafts, and photographs, primarily related to Uno's work at Billboard. The bulk of the collection consists of photographs, including headshots of burlesque performers and other entertainers. The papers are arranged alphabetically by subject or document type. less

Charlotte "Lotte" Stavisky (1907-2000) was a German-American actress and sculptor who acted in film, television, radio, Broadway, and Off-Broadway roles from the late 1930s through the 1950s. The Lotte Stavisky papers date from 1935 to 2000 and contain correspondence, photographs, programs, clippings, and contracts that document her work as an actress and sculptor, as well as identity and immigration papers from her early life in Germany and emigration from Nazi-occupied Austria. less

Peter Harvey (born 1933) is an American theatrical stage and costume designer. His work has appeared in Broadway, Off-Broadway, regional, and international theatre productions. The Peter Harvey design files date from 1956 to 1970 and contain drawings, elevations, and renderings of stage and costume designs, as well as clippings, programs, photographs of the sets, and correspondence. less

Joseph Holland (1910-1994) was an American actor who appeared on the Broadway stage during the mid 20th century. The Joseph Holland papers date from 1937 to 1989 (bulk dates: 1950-1957) and contain correspondence and a scrapbook with clippings, programs, and production photographs documenting Holland's career in the theatre. Most productions represented in the scrapbook date after 1950, including The Show Off (1950), Julius Caesar (1950), The Bad Seed (1954), and Small War on Murray Hill (1957). The scrapbook also contains a few congratulatory telegrams and greeting cards. One caricature by Neil Ferguson is present, from the 1937 production of Julius Caesar at the Mercury Theatre. All loose material from the scrapbook was rehoused in folders. less

Robert Taylor (1911-1969) was an American film and television actor, known for his roles in Camille, Bataan, and Waterloo Bridge. The Robert Taylor clippings and photographs date from 1935 to 1960, and consist of reviews of Taylor's performances, advertisements for his films, feature articles, and social updates. Photographs and captions for distribution on the press wire are also included. less

Sheldon Knickerbocker Viele (1892-1934) was a scenic and costume designer who worked on Broadway throughout the 1920s. The Sheldon Viele papers date from 1909 to 1999 (bulk dates: 1920-1927) and include programs and clippings from productions designed by Viele, as well as research files compiled by his son Chase Viele on original stage designs for The Show-Off. less

Viola Spolin (1906-1994) was a theatre educator and acting coach who introduced improvisational techniques to American actors and directors through her book Improvisation for the Theatre. The Viola Spolin theatre ephemera contains programs, clippings, and periodicals that document theatrical productions on the West Coast of the United States in the late 20th century, particularly in San Francisco, California and the Bay Area. Most material relates to productions of the Berkeley Repertory Theatre, American Conservatory Theatre, El Teatro Campesino, and the Lorraine Hansberry Theatre. Also included are an article about Spolin from after her death, and duplicate photographs of Spolin from throughout her life. less

Scrapbook containing clippings of reviews and programs from the 1958 revue La Plume de Ma Tante at the Royale Theatre in New York City, and the 1963 musical Sophie at the Fisher Theatre in Detroit, Michigan. less

Richard Beckhard (1918-2000) was a theatrical stage manager and actor who worked on Broadway, Off-Broadway, and in regional theaters. The collection, dating 1937 to 1990, consists mostly of material documenting Richard Beckhard's work as a stage manager and holds scrapbooks, newspaper clippings, photographs, and printed matter. less

Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs, clippings, and scrapbooks. less

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

Jan Miner (1917-2004) was an American actor who worked in theater, radio, television, and film. She appeared in the American Shakespeare Festival from 1966 to 1972 and was known for portraying the character of Madge in Palmolive dish soap commercials. The Jan Miner papers (1932-1993) contain clippings, programs, photographs, a scrapbook, and other papers. The collection primarily concerns her work in the theater, though there are also materials related to her work in radio, television, film, and advertisements. A scrapbook documents Miner's life and career between 1932 and 1945; the scrapbook contains clippings, photographs, and programs from performances at the Straw Hat Theatre and elsewhere. The bulk of the collection consists of production files, mostly related to theater productions, dating from 1958 to 1993. Some productions are represented only by one or two items, usually a clipping or a program, while others are represented by extensive clippings, production photographs, contracts, and other materials. Some of the better-represented productions include Dinner at Eight (San Francisco, 1993), Gertrude Stein and a Companion (1985), The Heiress (1976), The Music Keeper (1982), The Show-Off (Olney, Maryland, 1975), Watch on the Rhine (Long Wharf Theatre, 1979, and John Golden Theatre, 1980), The Women (1973), and various American Shakespeare Festival productions. The file for Gertrude Stein and a Companion includes a script. The collection contains a small file on the film Lenny (1974). The collection also contains headshots and general articles about Miner. Material related to Madge and Palmolive advertisements consist mostly of photographs, clippings of print advertisements, and other printed promotional materials; there are also name badges that Miner wore in commercials. The collection includes a small amount of personal material, mostly letters written to Miner. less

Harry Clark (1911-1956) was an actor best known for his work on stage in comedies and musicals. He also had a role on The Phil Silvers Show from 1955 to 1956. The Harry Clark papers (1937-1960) contain clippings, photographs, programs, congratulatory telegrams, and other materials documenting his career. The collection contains material concerning Broadway productions such as Call Me Mister (1946), Kiss Me, Kate (1948), Wish You Were Here (1952), and Will Success Spoil Rock Hunter? (1955); a Philadelphia production of That's the Ticket (1948); and the 1953 touring production of Pal Joey. Pal Joey materials include box office statements for the week of November 23rd. There are also photographs from Pins and Needles (1937), One Touch of Venus (1943), The Phil Silvers Show, and some movies that Clark appeared in. Most of the materials are held in brittle scrapbooks, some of which have been disassembled. Other materials in the collection include contracts, royalty statements, personal notes from colleagues such as Harold Rome, and personal photographs of Clark. A small number of letters and clippings date after Clark's death; these include newspaper obituaries and consolation notes addressed to his wife. less

Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as A Funny Thing Happened on the Way to the Forum (1962) and I Do! I Do! (1966). She founded a theatrical supply business, Theatre Production Service, in 1940. The Jean Rosenthal professional files date from 1954 to 1970 (bulk 1961 to 1969). The collection contains business records; clippings about Rosenthal and productions she worked on; programs from her productions; articles by Rosenthal, including drafts with handwritten corrections; and resumes and promotional photographs of Rosenthal. Business records pertain to Rosenthal's work as a designer, especially for the Martha Graham Company; her work as a theater consultant; and the Theater Production Service. The business records contain documents such as contracts, expense reports, production schedules, job applications, and related correspondence. Martha Graham Dance Company files contain memoranda and reports from the company's board of directors, in addition to materials directly concerning Rosenthal's employment. The business records include a file on a lighting design class that Rosenthal taught at the Lester Polakov Studio of Stage Design. The collection also contains design documents for the Martha Graham Dance Company at the American Dance Festival in 1967, consisting of two light plots, a dimmer schedule, and a lighting instrument schedule. less

The Thomas R. Dash scrapbooks (1925-1971) document the work of drama and film critic Thomas R. Dash, offering a weekly, sometimes daily, glimpse into the New York theatre scene. The collection features column and review clippings from the publications Women's Wear Daily, Daily News Record, Retailing-Home Furnishings, Show Business, and Backstage, and an alphabetical index of reviews. less

C.K. Alexander (1923-1980) was an Egyptian actor, director, and composer. The C.K. Alexander papers date from 1943 to 1980 and document Alexander's acting career in the United States, and to some extent, his work as a director. The collection holds photograph albums and scrapbooks, scripts, and professional files. less

Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as Never Too Late and Angela and television series such as Lassie. In addition to scripts, the collection contains correspondence, contracts, and other material related to Long's theatrical works, notably Never Too Late, which was produced on Broadway in 1962. less

Shirley Herz (1925-2013) was an American press agent for Broadway, Off-Broadway, and regional theater. The collection (1959-1984) holds press releases, photographs, newspaper articles, program proofs, and other publicity materials for shows and actors Herz represented. less

William H. Cleveland, Jr., was a teacher, writer, and puppeteer. This collection of puppetry materials, which he began assembling in 1935, consists of Cleveland's writings; correspondence; and printed materials, such as puppet plays, programs, clippings, newsletters, pamphlets, and handbooks. The printed materials feature puppet organizations from the United States, England, Germany, France, Indonesia, China, Czechoslovakia, and elsewhere. less

Happy Fanny Fields (born Fanny Furman, circa 1881-1961) was an American actress, dancer, and comedian who found great success in British pantomime theater in the first decade of the twentieth century. The collection documents Fields's professional life in New York and Europe, with an emphasis on her career in Britain. The bulk of the materials are scrapbooks, writings, and photographs, with contracts, letters, programs, and posters also included. less