Found 65 collections related to Programs

Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers papers (1894-1975) document his long and prolific career as a professional dramatist, lyricist, and novelist, as well as his earlier career as a pianist. The collection consists of writings, production files, scrapbooks, and a small amount of personal material. To a lesser extent, his work as a screenwriter is represented. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

Hugo Kaun, composer and choral conductor, was born in Berlin Germany on March 21, 1863. Following his father’s death in 1886, he went to the USA and settled in Milwaukee, Wisconsin, where he worked as a teacher, composer and choral conductor. He returned to Berlin in 1902, and by the 1920s his fame as a composer had spread throughout German-speaking Europe. In 1912 he was elected a member of the Academy of Arts and from 1922 taught at the Berlin Conservatory. His operas are Wagnerian in style, and the Wagnerian harmonic language pervades all of his larger compositions. The many choral works enjoyed great popularity. Hugo Kaun died on April 2, 1932 in Berlin Germany. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886. less

Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an extended break. The Spencer Papers consist of correspondence, writings, promotional material, clippings, concert programs, music manuscripts, diaries and photos. less

Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch. less

Frank McHugh (1898-1981) was an American stage and film actor, most noted for playing supporting roles at Warner Brothers in the 1930s and 1940s, often supporting stars James Cagney and Pat O'Brian. The Frank McHugh papers document McHugh's film and stage career, World War II activities and his family. less

Lillian E. Bradley was a singer, entertainer, and producer. This collection consists of Bradley's photographs, one scrapbook of recital programs and thank you letters from various groups she entertained, and one folder of loose clippings, programs, correspondence, and her single musical composition. less

The Louise Homer Collection extensively documents the lives and careers of Louise and Sidney Homer, as well as the history of their extended family. It was assembled by Katharine Homer Fryer, one of the Homers' twin daughters. The collection contains correspondence, family papers, music scores, publicity materials, clippings, concert programs, scrapbooks, photographs and posters. less

John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The John Holler Papers include scores, programs, clippings, photographs and other professional materials. less

: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items. less

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch. less

Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek. less

27 letters (22 ALS and 5 TLS) and 14 postcards from Wilhelm Furtwängler, 1920-1928 and undated, including note at end of article ; 1 letter each from Arthur Nikisch, Hans Pfitzner, and Richard Strauss ; Wiener Philharmonischer "Partitur" containing drawings of faces of members of the orchestra ; article about Berlin by Furtwängler ; "Amnerkungen zur Musik von Wagners 'Ring des Nibelungen'" von Wilhelm Furtwängler ; unsigned ms. article about Furtwängler ; photograph of Furtwängler ; 10 clippings including 1 from 1911 and 9 obituaries of Alfred Wolf, 1930 ; "Gustav Mahler III. Symphonie D-moll : Thematische Analyse," von Richard Specht ; and 4 programs indluding 1 for an 1892 performance of Tannhäuser. less

Norman Dello Joio is a pianist, organist, educator and a Pulitzer Prize winning composer. The collection contains materials related to his work; including business related correspondence (from individuals and institutes), personal papers (financial, biographical, some photographs, speeches and writings), performance files (programs and other related items), musical scores, clippings, ephemera, and scrapbooks. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Helen Crane, composer and pianist, was born in New York in 1868. While in New York, she studied with German composers Philip and Xaver Scharwenka, and later moved to Berlin (1906-1917). Her composition Elegy for violoncello and pianoforte, op. 57 (1919) received an award from the National Federation of Music Clubs in 1944. The collection consists chiefly of manuscript music scores. A small group of other papers includes correspondence, ephemera, a catalogue of compositions, and programs for concerts of Helen Crane's works at the Mozartem Salzburg in 1928 and 1930. less

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

The Kurt Schindler Papers represent the life and career of Kurt Schindler, a conductor, composer, music editor and folksong musicologist. The material covers his early musical interests and compositions, his career in the United States as an conductor and choral leader, and the results of his travels and investigations into the folksongs of many Western countries. The period covered in the collection is from 1882 to 1946. less