Found 170 collections.

Murray Spalding (1944-2010) was an American choreographer, dancer, and teacher most known for her spiritually evocative Mandala dance series. The Murray Spalding papers date from about 1953 to 2011 and outline her career through performance production files; performance and publicity photographs; choreographic notebooks; scrapbooks; clippings; dance company records, and teaching files. less

Joan Duddy (1937-2015) was an American dance administrator and curator who was influential in the New York City downtown dance scene from the 1980s through the 2000s. The Joan Duddy collection documents the later portion of her career, primarily dating from about 1980 to 2014, through project plans; published reviews; meeting notes; publicity items; contracts; correspondence; research materials; and video recordings of performances. less

Dancing in the Streets is a New York City community-based dance organization dedicated to providing free public dance performances and fostering the careers of emerging and established choreographers and dancers. The Dancing in the Streets records date from 1983 to 2015, tracing the history of the organization through board of directors records; performance production files; programming files; photographs of performance events; marketing materials; and newspaper and magazine clippings. less

Marjorie Gamso (1944-2011) was a choreographer, dancer, and founder of the Energy Crisis dance group. The collection, dated from 1969 to 2015, primarily documents her career in New York City from 1971 until her death via correspondence, notes, photographs, press releases, and research materials. less

Anita Feldman is a choreographer, teacher, and dancer best known for her innovative work in Tap and close collaborations with composers. The Anita Feldman Tap collection documents her professional life, including the dance company she founded, through files relating to performances and artist residencies; Feldman's original choreography; her student years and early work; the Tap Dance Instrument, a percussion instrument she co-invented; her teaching career; articles and a book written by Feldman; performance and publicity photographs; clippings of performance reviews; administrative records; and recordings of performances, music, and interviews. less

The Jane Goldberg Changing Times Tap Dance Company collection, dating from 1943 through 2018, traces the professional history of founder Jane Goldberg and the initiatives undertaken by the Changing Times Tap Dance Company to promote and preserve tap dance history. The collection holds the Company's administrative files, promotional and publicity materials, photographs, correspondence, writings about tap by Goldberg, and extensive audio and moving image recordings of rehearsals, performances, and interviews. less

The Barbara Newman dance interviews, dating from 1975 to 2010, were conducted by Barbara Newman in preparation for her ballet publications: Striking a Balance: Dancers Talk About Dancing(1982, revised edition 1992), Never Far From Dancing (Part II of Striking a Balance, 2014), Grace Under Pressure: Passing Dance Through Time(2003), and Antoinette Sibley: Reflections of a Ballerina (1986). The collection holds paper transcripts and audio tapes. less

The Sonia Arova collection, dating from 1946 to 2013, documents her career as a ballerina and artistic director of the San Diego Ballet and the Alabama Ballet. The collection holds printed matter, photographs, correspondence, audio and video media originals. less

The Nancy Reynolds collection, dating from the 1980s to 2014 (bulk dates 1990s), primarily document the George Balanchine Foundation's commitment to continuing Balanchine's legacy as well as the day-to-day operations of this non-profit foundation. Nancy Reynolds is the director of the Foundation and is considered a leading authority on George Balanchine. The collection also contains files on the publication No Fixed Points: Dance in the Twentieth Century co-written with Malcolm McCormick. less

Don Redlich (born in 1929) is a dancer, choreographer, and pedagogue. The Don Redlich papers, dating from 1893 to 2019 (the bulk dates from the 1940s onward), document Redlich's life and career through written descriptions and videos from The Legacy of Hanya Holm: Don Redlich Remembers project; manuscripts and interviews for an unpublished memoir; Don Redlich Dance Company files; Dance Notation Bureau files; Redlich's teaching files; files devoted to Redlich's teachers; letters; school files; photographs; scrapbooks; programs and reviews; posters; datebooks; address books; drawings; family history papers; and audio and moving image recordings, which hold many performances by the Don Redlich Dance Company. The papers also contain a small set of photographs and letters from the collection of the dance critic Arthur Todd. less

Maxine Glorsky is a dance production stage manager, and the co-founder of the Technical Assistance Group Foundation (TAG), a dance service organization which presented performances of small and medium-sized dance companies. She was also the stage manager for the Lar Lubovitch Dance Company for many years. Her papers, dating from 1971 to 2001, document the activities of TAG and the Lar Lubovitch Dance Company. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Jacques Rouché (1862-1957) was a French theater patron who managed the Théâtre des Arts (now Theatre Hébertot) and Paris Opera. He is recognized for his contributions in modernizing French theater and dance in the 20th century. The Jacques Rouché collection primarily documents Rouché's tenure at the Théâtre des Arts with articles about productions he staged, with emphasis on ballet. The collection also traces Rouché's career as manager of the Paris Opera, as well as activity at the Alhambra Theatre in London. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Cynthia Gregory is a retired American dancer and former prima ballerina for the American Ballet Theatre. The Cynthia Gregory papers, dated 1946 to 2017, document her dancing career and retirement activities, with emphasis on her American Ballet Theatre tenure. The collection includes articles, programs, correspondence, photographs, awards and certificates, tutus, dance shoes, video recordings, and film. less

Margaret Fisher (1948- ) is an American media artist, choreographer and the creator of Cellular Movement, a gestural technique that embraces postmodern dance aesthetics in performance. Fisher has performed nationally and internationally with Cat's Paw Palace and MA FISH CO. Her husband, Robert Hughes, a choreographer, worked extensively on productions in MA FISH CO. The Margaret Fisher papers document the career of Margaret Fisher including a year spent in Japan studying Japanese gestural and performance techniques. The collection holds correspondence, journals, individual works, photographs, designs, printed matter, and audio and moving image materials. less

Stephanie Woodard is a dancer and choreographer. This collection is composed of materials related to Javanese classical dance, compiled while she was a graduate student. This includes academic texts, her notes, slides and photographs musical notations, video recordings, as well as pieces of a Javanese female dancer's costume and a puppet representation of a dancer, and a selection of Woodard's later articles on general dance topics. less

The Ballroom dance oral history collection contains oral history interviews with 28 professional and amateur dancers from the New York ballroom dance community. Interviewed by Emita Brady Hill, the oral history interviews detail the dancers' experience in the ballroom dance community, their personal and training background, and how they became interested in dance. less

Jerome Robbins (1918-1998) was an American dancer, choreographer, producer, and director who worked in ballet, theater, film, and television. The Remembering Jerome Robbins oral histories date from 2009 to 2012 and consist of interviews conducted with actors, dancers, musicians, and other individuals who worked with Robbins throughout his career. less

Deborah Jowitt (1934-) is an American dance critic and author. The Deborah Jowitt interview transcripts, dated 1974 to 2003, contain transcripts of interviews for her 2004 book, Jerome Robbins: His Life, His Theater, His Dance. less

Forrest Bonshire (1926-2012) was an American dancer and choreographer. The Forrest Bonshire photographs, dating from the 1930s to 2012, primarily document his dancing career with photographs, programs, letters, telegrams, clippings, contracts, and a scrapbook. less

Dance Chronicle is a peer-reviewed academic journal formerly edited by George Dorris and Jack Anderson. The collection consists of materials related to Dorris and Anderson's time as editors-in-chief of Dance Chronicle and some personal materials. less

The American Tap Dance Foundation (ATDF) is a non-profit organization committed to establishing and legitimizing tap as a vital component of American dance through creation, presentation, education, and preservation. The ATDF records, dating from 1935 to 2019, document its history and activities, as well as the careers of two of its co-founders, tap dancers Brenda Bufalino and Tony Waag. It also illustrates the history and development of tap dance. The collection contains video and audio recordings, photographs, scrapbooks, administrative files, programs, clippings, promotional literature, and dancer photographs and biographies. less

The Marilyn Wood papers, dating from the 1950s to 2016, consist of photographic materials, programs, notes, notebooks, journals, posters, fliers, interviews, press clippings, and video recordings created and collected by Wood over the course of her career as a dancer, choreographer, artistic director, and producer. The bulk of the papers detail Wood's work as the artistic director and choreographer of worldwide site-specific, festival-like performances that she called celebrations. less

The Thelma Hill Performing Arts Center (THPAC) is a non-profit organization based in Brooklyn, New York, whose mission is supporting Black performers and providing community access to dance. The Thelma Hill Performing Arts Center records, which date from the 1920s to 2019, trace the institution's cultural significance through administrative records, performance video footage, photographs, promotional material, and awards files. less

David Dorfman (born 1955) is a dancer, choreographer, teacher, musician, and activist, and the artistic director of David Dorfman Dance, a modern dance company. The David Dorfman papers (1980-2017) document Dorfman's performance and teaching career, as well as the activities of David Dorfman Dance, through video and sound recordings; photographs; programs, clippings, and publicity files; and the files of Art Sweats, Inc. (Dorfman's non-profit management company). less

The Dawn Lille collection, dated 1932 to 2002, documents Dawn Lille (1934- ), a performer, teacher, and oral historian. Her collection contains oral history interviews she conducted with African-American dancers. Lille also taped an extensive interview with May O'Donnell, a dancer, choreographer and founder of the May O'Donnell Dance Company. less