Found matches for "james baldwin" in 40 collections.

Juris Jurjevics was a writer, editor, and publisher who served as editor-in-chief of Dial Press during the 1970s. The Juris Jurjevics James Baldwin files consist of material from Jurjevics's time at Dial Press editing and publishing James Baldwin. These include a partial typescript and galley of Baldwin's last novel, Just Above My Head (1979), publishing contracts, royalty payments, and related correspondence. less

James Baldwin (1924-1987) was the premiere African American writer and public intellectual of the post-War period. He authored six novels, three plays, dozens of short stories, a book-length work of non-fiction, a children's book, scores of essays and reviews, and a book of poems. Baldwin won renown in the U.S. and internationally for his writing, his leadership in the civil rights movement, and for championing human rights around the world. His essays and reviews, especially, are remarkable not just for their mastery of literary technique - their marriage of music and sharp analysis - but for the breadth of the African American experience which they interpret, dramatize, honor, and lament. These prose masterpieces are unique in the history of American literature for the depth, subtlety, and daring with which they explore the psycho-political causes and consequences of racism and other ideologies of political exploitation. His best known works include Go Tell It on the Mountain(1953), Notes of a Native Son(1955), Giovanni's Room(1956), The Fire Next Time(1963), and If Beale Street Could Talk(1974). "Five Years" is an 18-page typescript of sixteen unpublished poems (the last two being carbons) written by Baldwin between 1942 and 1948 prior to the publication of his first novel, Go Tell It on the Mountain. The poems, which are dated, explore themes of love, fear and mortality, lifelong preoccupations of the author best known for his insightful essays and probing fiction. less

The feature-length 16mm documentary James Baldwin: The Price of the Ticket, directed by Karen Thorsen in 1989, is an autobiographical portrait of writer and activist James Baldwin. Without using narration, the film allows Baldwin to tell his own story. It premiered on American Masters, a PBS show, in 1989. Since then, repeated PBS broadcasts have reached millions of people. The film received numerous awards and was honored at festivals in over two-dozen countries, including Sundance, London, Berlin, and Tokyo. Co-written and produced by Karen Thorsen and Douglas K. Dempsey, the film uses archival and original footage, including scenes from Baldwin's funeral service; explorations of his homes in France, Switzerland, Turkey, and Harlem; and on-camera interviews with close friends, colleagues, and critics including his brother David; biographer David Leeming; writers Maya Angelou, Amiri Baraka, William Styron, Ishmael Reed, and Yashar Kemal; painter Lucien Happersberger, and entertainer Bobby Short. This collection consists of material used to make the film including notebooks and binders prepared by the production crew documenting the resources acquired during film research; transcripts of interviews; research forms; stock footage research; book tour itineraries and promotional items; articles about Baldwin; FBI files on Baldwin; eulogies and memorials; and reviews. less

A veteran theater artist of the 1960s and 1970s civil rights inspired Black theater movement, Henry Miller has directed a number of plays in the African American drama canon. Between 1962 and 1992, Miller founded three Black theater companies: the Joseph Patterson Players (1962-1965), the Afro-American Repertory Theatre Company (1971-1978) and the James Baldwin Writers' Workshop Theater (1992-2002). The Henry Miller Theater collection chronicles Miller's work in theater, film, and television as an artist and scholar and spans the period 1957-2005. less

Beauford Delaney (1901-1979) was a painter associated with the Harlem Renaissance. The Beauford Delaney letters (1958-1963) consist of 18 autograph letters from Delaney to his friend Lynn Stone in New York City, two letters to Stone from artist Charles Boggs, a handwritten draft with typewritten copy of a fundraising letter by author James Baldwin and two letters from Edward C. Califano, director of Galerie Internationale, New York City. less

The Playscripts collection is composed of plays acquired from a variety of sources and includes plays donated by the playwrights and actors who performed in the plays, as well as those purchased from dealers. It is represented by authors like Theodore Ward (Our Lan'), Zora Neale Hurston (The Fiery Chariot); James Baldwin (Blues for Mr. Charlie); Owen Dodson (Til Victory Is Won); Amiri Baraka (Black Mass); and Ruby Berkley Goodwin (Mutiny at Port Chicago). The collection contains both published and unpublished playscripts. less

This collection consists of typescripts of novels, biographies, essays, and poems on historical, sociological, and educational issues, and conference papers. Some of the typescripts appear as final drafts, others as working drafts with author's annotations and corrections. Manuscripts included are "A Talk to Teachers: The Negro Child, His Self Image" by James Baldwin; "Slavery and Capitalism" by Eric Williams; "Life in a Haitian Valley" by Melville J. Herskovits; "American Dilemma" by Gunnar Myrdal; and poems by Waring Cuney, among others. Other authors represented are Arna Bontemps, Horace Mann Bond, Lloyd Brown, Helen Buckler, Henrietta Buckmaster, John H. Clark, Benjamin Davis, Ralph Ellison, Arthur Huff Fauset, and E. Franklin Frazier. Conference material includes Melville J. Herskovits and the Future of Africana Studies (Schomburg Center, May 1988); Marcus Garvey Centennial Conference (Jamaica, November 1987); and the Second World Black and African Festival of Arts and Culture (Nigeria, 1977). less

Jewelle Gomez is a self-identified "Black", "Native", lesbian feminist poet and playwright. She has published nine books, including three books of poetry, a novel, a play, an essay collection, and two books of collaboration. Gomez is best known for her double Lambda Award winning novel, The Gilda Stories, and its subsequent theater adaptation, Bones and Ash: A Gilda Story. Born in 1948, Gomez was raised in a poor, Black neighborhood in Boston, Massachusetts, by her great-grandmother Grace, to whom she dedicated her first book of poetry, The Lipstick Papers (1980). The Jewelle Gomez papers include manuscripts, interviews, reviews, articles, speeches, and essays. The collection contains a photocopy of the original self-published book of poetry The Lipstick Papers, and versions of her play, "Waiting for Giovanni", which is based on James Baldwin's life right before the publication of his second and controversial novel, Giovanni's Room" in 1956. less

Maya Angelou (1928-2014) was one of the most renowned and celebrated voices in American literature. The Maya Angelou papers consist of original manuscripts, computer generated typescripts, galleys, and proofs of published work as well as manuscripts for unpublished work and dozens of poems. Additionally, there is personal and professional correspondence, teaching files, printed matter, and materials from public and academic appearances and engagements. less

The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works "Trouble the Water," "Vanishing Rooms," "Ride Out the Wilderness," "Change of Territory," as well as drafts for incomplete novels and stories, the fiction he called "works in progress," and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of "The Collected Poetry by Leopold Sedar Senghor," Genevieve Fabre's "Drumbeats, Masks and Metaphors," and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection. less

Other Countries is a not-for-profit organization formed by a collective of black gay male writers in New York City, organized with the purpose to develop, promote, communicate and cultivate literary, cultural, and social endeavors and pursuits relevant to the experience of black gay men. The collection mostly contains material relating to and generated by the activities of Other Countries; but also by affiliated organizations and individuals; and LGBTQ and AIDS advocacy groups. less

The Riverton was a seven-building complex built by the Metropolitan Life Insurance Company in 1947, one of four complexes they built during the 1940s. The complex was bounded by 135th and 138th Streets, Fifth Avenue, and Harlem River Drive. The Riverton Houses collection consists of a variety of material but does not constitute records of the Riverton. These files came from the Administration offices at 2156 Madison Avenue. Included is a file for Clifford L. Alexander, Sr., the first resident manager (1947-1964) of the complex. There are also miscellaneous files dealing with the management of the Riverton, including the position description for the resident manager; descriptive information regarding the Riverton; and letters regarding street lights, parking signs, and traffic conditions affecting the residents of the Riverton. less

Internationally known cabaret personality Bricktop, was born Ada Beatrice Queen Victoria Louise Virginia Smith in Alderson, West Virginia in 1894. Nicknamed "Bricktop" for her red hair, she began her career as an entertainer at the age of 16, performing on the vaudeville circuit with Flournoy Miller and Aubrey Lyles in McCabe's Georgia Troubadours minstrel show, then later with the Oma Crosby Trio, and the Panama Trio with Florence Mills and Cora Green. She also performed in saloons in Chicago such as the Roy Jones' saloon and Cabaret de Champion, also known as Café Champ owned by boxer Jack Johnson, and in Harlem at Barron's Exclusive Club and Connie's Inn. Bricktop went on to own her own nightclubs in Paris (1920s and 30s), Mexico City (1940s), and Rome (1950s). Towards the end of her career she made appearances on radio broadcasts, performed at various establishments such as The Club Tango in Chicago, and introduced Josephine Baker for her "come-back" engagement at Carnegie Hall in 1973. She co-authored "Bricktop" (1983), her autobiography, with James Haskins. The Ada "Bricktop" Smith DuConge Papers, 1920s-1984, primarily document the latter part of Bricktop's life and career. The Papers consist of letters and cards, daily planners and address books, notes on religious thoughts and other subjects, financial papers, sheet music, and news clippings. The diaries range from the 1920s to 1983 and in some instances serve as daily planners and account books. The volumes hold information pertaining to both her personal and professional life. The earliest letters date from the 1950s, after she moved to Rome. Primarily they are from people Bricktop worked with during her career including Jack Jordan, James Haskins, Hugh Shannon, David Hanna, and Earl Blackwell. Additionally, there are promotional materials that relate to her career as an entertainer, e.g. fliers, programs; invitations, among them two from Bricktop's in Paris in 1937; letters from broadcasting agencies; magazines noting her appearance dates; and news clippings that include featured stories about Bricktop in arts, entertainment and society columns. less

The Claudia McNeil Scrapbooks, donated by The Actors' Fund of America after McNeil's death, were created by the late performer during the course of her career and consist of twelve volumes spanning the years 1938 to 1981. The contents include newspaper and magazine feature articles, reviews, advertisements, programs, poems, telegrams, letters, photographs, greeting cards, and handwritten notes arranged chronologically by her engagements or performances, with the predominate amount of material documenting her arrival at the pinnacle of her career in A Raisin in the Sun. less

Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star catcher in Negro league baseball. The Quincy Troupe papers, dating from 1915 to 2008, mainly document Troupe's career from the mid-1970s to 2008. They also hold the scrapbooks of Quincy Trouppe, Sr. less

Robert Van Lierop is a lawyer, political activist, filmmaker, and diplomat who served as Vanuatu's permanent representative to the United Nations. His papers date from 1965 to 2001, and chronicle his professional life and political activism. The collection contains correspondence, legal papers, research materials, and subject files compiled from various facets of Van Lierop's career. less

The Gay Men of African Descent, Inc. records (1986 - 1998) document the development of the largest black, gay-run, educational, social and political organization in the United States. Records include board of directors materials, a fairly comprehensive collection of newsletters, and information on GMAD's funding sources. Documentation on the organization's earliest years are augmented by transcripts of oral history interviews with both early and active members. less

This collection consists of personal and professional material of Nat King Cole, such as correspondence, programs, and advertisements. Additionally, there is printed matter, such as clippings and articles; scrapbooks; and scores, which is the largest series. Finally, there is material related to Cole's wife, Maria Cole, such as scrapbooks, biographical material, and drafts for a book. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

The In the Life Archive (ITLA), originally known as the Black Gay and Lesbian Archive (BGLA), was created by Steven Fullwood in 1999, to aid in the documentation and preservation of cultural materials produced by and about Lesbian, Gay, Bisexual, Transgender, and Queer people of African descent. In 2004, the collection was donated to the Schombuurg Center for Research in Black Culture, and it was renamed around 2013. The name ITLA was inspired by In the Life: A Black Gay Anthology, edited by Joe Beam (1986). The ITLA contains materials dating from the mid-1950s to the present, documenting the experiences of LGBTQ men and women of African descent primarily in the United States, with some files for London and several countries in Africa. The archive is divided into two main groups: (1) Individual collections, whch include collections on individuals, such as Donna Allegra and Kevin McGruder; organizations, such as Other Countries; and research collections and (2) Miscellaneous collections, which include one-to-three folder collections containing a variety of original and printed materials including manuscripts, typescripts, galleys, correspondence, letters, reviews, and clippings. This finding aid describes the Miscellaneous collections. The bulk dates are the 1990s, but there is information about underdocumented individuals, organizations, and subjects from the 1980s, when many organizations formed in response to the HIV/AIDS crisis. These Miscellaneous collections cover productive periods for the Black LGBT movement, documenting the "Black gay and lesbian renaissance" for the 1980s, as well as the 1990s and 2000s. The collection also contains HIV/AIDS information designed to reach African American communities, during the late 1980s through the present, created primarily by white institutions and the state and federal government, as well Black AIDS service organizations instituted in the mid-1980s and early 1990s. less