Found 22 collections related to Schomburg Center for Research in Black Culture

Launched around 2014, the Schomburg Center's Hip-Hop Archive Project aimed to engage activists, writers, collectors, and scholars in documenting the early movement from the mid-1970s. Schomburg Center staff Steven Fullwood and Lela Sowell led the effort. It is unclear when the Project ended. This collection consists of primary source resource materials such as oral histories with journalist Harry Allen and the Awesome 2 (Teddy Tedd, and Special K); promotional materials for Echo Park, "Hip-Hop Nation: Roots, Rhymes and Rage," and "Hip Hop Appreciation Week." There is also information about the Zulu Nation and KRS-One's Temple of Hiphop; a complete run of the International Graffiti Times; the Kid n Play comic series; and various journals, magazines, newspapers, articles, books, theses, and dissertations on hip-hop from various collectors, including James G. Spady and James Top. less

The St. James Guide to Black Artists, published in 1997, contains information on almost four hundred black artists from around the world. The St. James Guide to Black Artists collection consists of materials that were sent by the artists as resource material for their entries. less

The records of the Schomburg Center document the activities of the six individuals who managed the library, dating to its establishment by Ernestine Rose. The records are divided into the following series: General Correspondence, Reference Correspondence, Memoranda, Subject Files and Visitors' Registers. The majority of the material consists of subject files containing a considerable amount of correspondence. less

Printed material relating to the National Association of Negro Musicians (NANM) including programs and playbills from NANM and other small groups; and annual breakfast, convention and conference materials, and other records of the New York and New Jersey chapters of NANM and the National Association for the Study of Afro-American Life and History. Other material relating to concert performances by black artists consisting primarily of programs and playbills, scrapbooks, and news clippings. Also programs, playbills, news clippings, newsletters, and financial reports pertaining to the Thomas Music Study Club, founded by Blanche K. Thomas, which was affiliated with NANM since 1946. Papers of Glover and his wife, Martha Seabrook Glover, contain personal and professional correspondence, and documents concerning the Schomburg Center for Research in Black Culture, Free-Masonry, the Oddfellows, the Republicans and Democratic parties, church groups, the A. Philip Randolph Leaders of Tomorrow Scholarship Fund, the Patriotic American Society, the Harlem Cultural Council, and news clippings about Glover. Also, personal papers of Martha Seabrook Glover relating to the Seabrook family. less

The New York Public Library purchased Arthur A. Schomburg's collection of books, pamphlets, prints and photographs in 1926 with funds from the Carnegie Corporation and housed at the 135th Street Branch Library of The New York Public Library. L. Hollingsworth Wood was appointed in 1925 by the Board of Trustees of The New York Public Library to purchase and provide guidelines for the Schomburg Collection of Negro Literature. Members of the Advisory Committee of the Arthur A. Schomburg Collection, in addition to Wood, included Arthur A. Schomburg, Henry G. Leach, New York Public Library, Mrs. Charles S. Brown, Jr., Library trustee; and Eugene Kinckle Jones, Secretary of the National Urban League. Charles S. Johnson, editor of Opportunity magazine, managed the negotiations between the officials of the National Urban League and Mr. Schomburg. The 135th Street Branch Library, under the guidance of Ernestine Rose, the Head Librarian, already had a nucleus of a reference library, the Division of Negro Literature, History and Prints that had officially opened on May 8, 1925. The Schomburg Collection became a major part of this reference library. Schomburg Committee of the Trustees of New York Public Library Files consists of correspondence and minutes of meetings of the Schomburg Committee of the Trustees of The New York Public Library. There are also some news clippings relating to the purchase of the Arthur A. Schomburg Collection of Negro Literature comprised of books, pamphlets, prints, manuscripts and other material. The post 1926 papers include correspondence pertaining to efforts to keep Arthur Schomburg on the library payroll, acquisition of additional material, and Arthur Schomburg's research plans. The correspondence is largely between L. Hollingsworth Wood, president of the National Urban League and member of the Advisory Committee of the Arthur A. Schomburg Collection, and Franklin Hopper, Chief of Circulation of the NYPL; Charles S. Johnson, Secretary of the Advisory Committee; Dr. F. P. Keppel of the Carnegie Corporation; Henry G. Leach, Chairman of the Advisory Committee; Ernestine Rose, Librarian of the 135th Street Branch Library; and Arthur A. Schomburg. less

The Schomburg Center scrapbooks are a collection of 296 volumes assembled by library staff between the 1920s and 1960s, to supplement the collection of Black history resources that would later form the Schomburg Center for Research in Black Culture. The staff were strategic in their clipping, choosing to highlight Black voices and topics of particular interest to the African American community. The Schomburg scrapbooks may have grown out of the clipping file, when librarian Catherine Latimer assigned WPA workers to clip African American and mainstream newspapers and assemble them into scrapbooks. Two or three scrapbooks on Marcus Garvey went missing around 1960. The staff who assembled the scrapbooks noted their initials alongside the articles they clipped. The staff responsible for these volumes are ABJ, AJ, A McD, AM, AMC, AVR, BB, CMN, EJ, EMN, EW, FNR, GG, JC, JP, LS, MB, MN, MPT, MS, MSRD, MW, SC, VK, and WA. Initials EJ likely belong to E. Johnson and MS likely belong to M. Starke, both of whom clipped periodicals at the 135th St. New York Public Library branch. Initials VK likely belong to Vincent Kerr, Assistant Research Worker. Initials MN likely belong to Marie Neal, Library Clerk, and RS likely belong to Ruby Scott, Clerk-Typist, both assigned to the 135th St. branch through the Works Progress Administration. The scrapbooks were compiled and bound by The New York Public Library. The scrapbooks are organized by topic and consist primarily of newspaper clippings, unless otherwise noted. The publications represented include African American newspapers such as the Afro-American (Baltimore), Boston Chronicle, Boston Guardian, Chicago Bee, Chicago Defender, Chicago Whip, Norfolk Journal and Guide, Louisiana Weekly, Negro World (Universal Negro Improvement Association and African Communities League newspaper), New York Age, New York Amsterdam News, New York News and Harlem Home Journal, Philadelphia Tribune, Pittsburgh Courier, St. Louis Argus, and Washington Tribune Additional newspapers include Chicago Tribune, Christian Science Monitor, New York Post, The New York Times, and Newsweek, among others.. Not all clippings include date or source information. less

Claude McKay (1890-1948) was a writer and poet who was a major figure in the Harlem Renaissance. The Claude McKay literary property records consist of contracts, correspondence, permission requests, and royalty statements from McKay's literary estate, under the executorship of Hope McKay Virtue, Carl Cowl, and the Schomburg Center for Research in Black Culture. less

Jean Blackwell Hutson (1914-1998) was a librarian who served as curator of the Schomburg Collection from 1948 to 1972, then chief of the Schomburg Center for Research in Black Culture from 1972 to 1980. The Jean Blackwell Hutson papers include materials relating to Hutson's personal life and family, library career at the Schomburg Center and the University of Ghana, and teaching, writing, and other activities. less

Arthur (originally Arturo) Alfonso Schomburg was a collector of books and manuscripts pertaining to black history and culture, whose collection formed the basis for the Schomburg Center for Black Culture. This collection consists primarily of correspondence to Arthur Schomburg; press clippings, mostly in scrapbooks, of articles by and about Schomburg; ephemera; and memorials of Schomburg written after his death. less

The Schomburg Programs and Playbills collection consists of thousands of programs, playbills, and other ephemera, spanning the nineteenth to twenty-first centuries, documenting Black theatrical, musical, and dance performances, as well as events put on by Black academic, community, religious, and political organizations. less

The Contemporary Afro-Mexican Photography collection, dated 2015 to 2021, represents the work of photographers and activists Hugo Arellanes, Toumani Cámara, Koral Carballo, Héctor Careaga, and Dolores Medel, who identify asafrodescendientes, Afro-Mexican, or Mexican. Their photographs focus on their own communities and identities, and illustrate Afro-Mexican customs, traditions, environment, and challenges of life in Mexico. less