Found 38 collections related to Hughes, Langston, 1902-1967

Best known for her performance in the title role of the original 1943-1944 Broadway production of Carmen Jones, Muriel Rahn (1911-1961) developed a reputation as a performer who was equally talented as a singer and an actress. The Muriel Rahn papers contain materials related to her performing career. less

This collection mostly contains material related to Raoul Abdul's career as a singer and author. There is a limited amount of personal information, including some clippings from his early life. A large part of the collection consists of concert programs and tour information. Additionally, there is material on lectures and seminars, and reviews and correspondence regarding his writing, including 3000 Years of Black Poetry, The Magic of Black Poetry, and Famous Black Entertainers of Today. less

J. R. Casimir was a poet, editor, and founding member and secretary of the Roseau, Dominica Division of the Universal Negro Improvement Association (UNIA). The papers consist of correspondence, legal documents, and printed matter relating to Casimir's writing, and they deal with social and political issues affecting the island of Dominica. less

H. A. Condell was a stage and costume designer in Germany and in the United States. He received his early training under the notable Max Reinhardt and his early work was under the auspices of the Berlin Civic Opera and the non-Aryan theater (also known as the Jewish Kulterbund), of which he was co-founder. Condell emigrated to the United States in 1938. His first major production after emigrating was SAINT JOAN directed by Erwin Piscator and starring Luise Rainer. In 1944 he began his affiliation with the New York City Opera which continued until his death in 1951. Besides working as a designer, Condell also taught stage design at the Dramatic Workshop and the Technical Institute where he was art director under Erwin Piscator. The H.A. Condell Papers consist of correspondence, contracts, publicity and promotional materials. His papers reflect Condell's professional career as a stage and costume designer for opera and theater in Germany and the United States from 1929 until his death. less

Kenneth P. Neilson is an educator, artist, composer, author, and founder of All Seasons Art, a multimedia production center which seeks to gain exposure for developing African American and Hispanic artists. The Hughes-Neilson music collection consists of musical settings of the poetry and lyrics of Langston Hughes. less

The David Levering Lewis "Voices from the Renaissance" Collection consists of forty-three summary transcripts of interviews Lewis conducted with individuals who were either active during the Harlem Renaissance period or who knew people who were Harlem Renaissance figures. The interviews were done for Lewis's book, When Harlem Was in Vogue (1981). less

Personal and professional papers consisting of biographical material, correspondence, writings, printed matter, and a subject file, primarily reflecting his career as a travel editor for several magazines. Also, his Ph.D. dissertation on the life and works of 19th century Cuban poet Gabriel de la Concepcion Valdes (pseudonym Plácido), and his translation into English, with Langston Hughes, of CUBA LIBRE by the Cuban poet Nicolas Guillen. Some material pertains to his teaching career at Howard University and the Society of Americn Writers. less

William Hairston was an actor, writer, director, producer and administrator. The collection contains biographical information about Hairston; correspondence; manuscripts for books, playscripts, musicals, poetry, comedy writing, television and film; and scrapbooks. less

Poet, novelist, short story writer, playwright, lyricist, and author of juvenile books, Langston Hughes was one of the most prolific African-American writers of the 20th century. Born in Joplin, Missouri, Hughes came to New York in the 1920s and joined other writers and artists in creating what would become known as the Harlem Renaissance. The Langston Hughes collection: additions consists of material in a variety of formats by and about Hughes. less

Nikos Psacharopoulos was a Greek-born director best known for his long-term association with the Williamstown Theatre Festival in Williamstown, Massachusetts. His papers include photographs, programs, clippings, production materials, correspondence and scrapbooks. less

This collection consists of one folder of signatures from the following notable individuals: P. A. White; H. W. Becker; Millard Fillmore; F. Brignoby; Martin Luther King, Jr.; Langston Hughes; W. E. DuBois; I. I. Howard; Walter White; Horace Mann Bond; A. A. Phelps; Frederick Douglass; Lewis Tappany; Pennington; Richings; Henry Highland Garnet; Larry Howard; James Weldon Johnson; Claude McKay; Ellis Gray Loving; Charles B. Peay; William Garrison; J. L. Garfield; T. M. Morrison; and Susan Walker. In addition, there is an autograph book with the following signatures: Sarah Freiborn; Martha Cotton; A. E. Steward; George G. Simpson; Sarah Whasfield; Lillie Ried; Maggie Sister; Maggie M. Ewing; Mary Davis; Johnnie Spoofindyke; Chas A. McBride; W. H. Ryder; Helen Stewart Brown; Mary Corbkis; Kathy Mullan; Winnie Duffy; Webster; and Dorothy Elizabeth Ball. less

The item is a printed power of attorney form issued by The Dramatists' Guild of The Authors' League of America, Inc., signed by Harlem Renaissance poet and playwright Langston Hughes and Martin Jones for Marjones Productions, Inc., on September 2, 1935. Martin Jones (Martin B. Jones, 1902-1983) was a theatrical producer. The document appoints Joseph P. Bickerton Jr., Arbiter, as attorney-in-fact to carry out the terms of the Minimum Basic Agreement between The Dramatists' Guild, and producing managers Langston Hughes (Author) and Marjones Productions, Inc. (Manager), for the negotiation of motion picture rights. The play's title is left blank, but extant documents signed by the parties that day identify Langston Hughes's play Mulatto, which opened on Broadway in 1935 less

The Voices from the Renaissance audio collection consists of fifty-one sound recordings, primarily of interviews that David Levering Lewis conducted with and about Harlem Renaissance figures for his 1981 book, When Harlem Was in Vogue. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

Born in Santurce, Puerto Rico in 1909, and raised and educated in St. Thomas, Virgin Islands, Conrad Clark matriculated at Howard and Columbia Universities from 1937-1939 and 1953-1954 respectively. He began his journalistic career in 1935, when he worked as a newspaper correspondent in Cuba. From 1936 to 1945, he was employed by the U.S. Government in the Department of the Interior, the U.S. Tariff Commission, and the War Department. In 1942, he enlisted in the Army. After his discharge, Clark went to work for the Afro-American Newspaper Co. in Washington D.C. (1946) and in 1948, he returned to work for the government in the Department of the Army. One year later, he was hired by the Philadelphia Tribune as a journalist. In 1954, Clark was employed by the Associate Negro Press and wrote for the Amsterdam News. He also reenlisted in 1954, and was stationed at various army bases in the U.S. and Europe. In the early 1960s, Clark was employed by the U.S. Information Agency as an Information Specialist and assigned to Korea. On his return to the United States, he was stationed at Fort Monmouth, N.J. in 1962, where he wrote for the Monmouth Message. He worked for other newspapers during the 1960s, including the Amsterdam News, the Philadelphia Tribune, and the Afro American. Clark also was affiliated with religious, fraternal, and professional organizations, such as the Elks and the Washington Press Club. The Conrad Clark papers consist of personal and professional correspondence and printed matter; the materials are related to Clark's employment by the United States Information Agency as an information specialist, and his employment as a journalist with the Amsterdam News and the Philadelphia Tribune. Clark's correspondents include Langston Hughes and Adam Clayton Powell, Jr. less

Stella Holt was the director and producer of the Greenwich Mews Theatre, an Off Broadway theater in New York, New York. A friend of Langston Hughes, she was one of the first producers to use integrated casts. Prior to her career in theater, Holt graduated from Cornell University, worked as a social worker, and managed art exhibitions. The Stella Holt papers include correspondence, news clippings, broadsides, programs, and sheet music relating to various productions at the Greenwich Mews Theatre, as well as materials for the Citizen's Council of the Upper West Side, of which Holt was executive secretary. Also included are several essays, poems, and playscripts, some of which were produced at the Theatre, by Langston Hughes. less

The Ivan Black collection, dating from 1936 to 1978, contains some of Black's client files and his personal files. The client files include Langston Hughes, Zero Mostel, Arch Oboler, Hazel Scott, Ernesto Lecuona, Susan Reed, The Revuers, the play Anna Lucasta, and several visual artists or art presenters. These files hold correspondence, press releases, clippings, photographs, and programs. less

Correspondence, personal papers, contracts, poems including some written about Cosme, essays, programs, newspaper and magazine clippings, scripts including radio scripts, certificates, posters, and photographs, relating mainly to Cosme's career, including her readings of Afro-Antillian verse, chiefly by Hispanic poets using black themes, as well as Afro-American poets Paul Laurence Dunbar and Langston Hughes. Also, material on Cuba. Correspondents include Felix B. Caignet. less

Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends and business associates); personal papers; travel file consisting mostly of itineraries for tours; financial records comprised largely of royalty and earnings statements; programs for Brown and other artists; scrapbooks of news clippings and telegrams covering the Brown and Paul Robeson concert years (1928-1968); news clippings of concert reviews; and original scores and sheet music written by Brown and other composers. Papers relate to Brown's life and times, including World War I, Harlem Renaissance, World War II, spirituals, and his collaborator, Paul Robeson. Correspondents include Amanda Aldridge, Ethel Gardner Dingle, Jannett Hamlyn, Roland Hayes, Langston Hughes, Zaidee Jackson, William Lawrence, John Payne, Paul and Eslanda Robeson, Clara Rockmore, Robert Rockmore, Mrs. Corinne Sawyer (Brown's landlady), and Greta and I. W. Sequeira. less

The Schomburg Public Programs at the Countee Cullen Library collection consists of 208 sound recordings created from 1941 to 1979. These recordings largely document programs held at the home libraries of the Schomburg Collection of Negro Literature, History and Prints, the precursor to the Schomburg Center. The collection was first housed in New York Public Library's 135th St. Branch Library, which was renamed the Countee Cullen Library in 1951. less

Hilda Haynes (1912-1986) was a stage, screen, and television actress whose career spanned almost forty years. The collection consists of one video recording of The Sweet Flypaper of Life featuring Haynes, based on the book of the same name by photographer Roy DeCarava with text by poet Langston Hughes. less

Julio Galer (1925-2006) was an Argentine professor of English and a Spanish language translator, notably translating a number of Langston Hughes's works into Spanish. Langston Hughes (1902-1967) was an American poet, writer of short stories, novelist, playwright, essayist, and lyricist. The letters and related materials that Hughes sent to Galer showcase the relationship between writer and translator. These materials include manuscripts (with and without annotation); published musical scores, printed matter, and news articles; programs and playbills; and a small number of photographs of Hughes. The collection also contains drafts of Galer's translations of Hughes's poems. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less