Found 26 collections related to Clippings (information artifacts)

Anna Halprin, an American dancer known for her innovative and experimental technique, is a leading figure of the postmodern dance movement. This collection documents the artist's career with print materials, press clippings, biographies, San Francisco Dancers' Workshop newsletters, award programs, and photographs. less

Marilyn J. La Vine (1931-2009) was a dance enthusiast who dedicated her life to researching and promoting the legacy of Russian dancer Rudolf Nureyev (1938-1993). The Marilyn La Vine collection of Rudolf Nureyev materials (1939-2008) holds research files and photographs relating to the life and career of Rudolf Nureyev. The research files contain a master copy of La Vine’s compilation of volumes of clippings relating to Nureyev, as well as correspondence, ephemera, and scrapbooks. The photographs date from 1939 until after Nureyev’s death in 1993, and give a comprehensive representation of his dancing career. less

Marc Platt (b. 1913) is a dancer, musical theater performer, and actor who danced with such ballet companies as the Ballets Russes du Col. W. de Basil and Ballet Russe de Monte Carlo, and later performed in Broadway musicals. The Marc Platt papers (1918-1977) contain correspondence with production staff and acquaintances, reviews, photographs, posters, and programs that document Platt’s career. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Audree Ismailoff was a ballet dancer and teacher; she danced under the stage name Anna Istomina. The Audree Ismailoff papers (1912-1987) document Ismailoff's dancing and teaching career through clippings, programs, photographs, and contracts. The collection also contains a file of material regarding the dance career of her son, Gregory Ismailov. less

Sophie Maslow was a choreographer and dancer. The Sophie Maslow research materials were compiled by William Korff in preparation of a biography of Maslow. The collection contains clippings, photographs, programs, promotional material, a scrapbook, and transcripts of oral history interviews. The materials are both originals and copies, and date from 1938 to 2003. less

Monica Moseley (1942-2010) was an American dancer, dance scholar, and former assistant curator for the Jerome Robbins Dance Division at the New York Public Library. The Monica Moseley papers date from 1886 to 2010 and consist of professional files and family history files. The collection holds correspondence, lectures, notes, promotional material for dance companies and organizations, genealogy notes, and family photographs. less

Opera and ballet impresario Fortune Gallo (1878-1970) was the manager of the San Carlo Opera Company and was the tour director of Colonel Wassily de Basil's Original Ballet Russe between 1940 and 1942. This collection documents Gallo's management of the Original Ballet Russe, and includes letters, legal documents, publicity materials, and newspaper clippings related to the company. less

Don Redlich (born in 1929) is a dancer, choreographer, and pedagogue. The Don Redlich papers, dating from 1893 to 2019 (the bulk dates from the 1940s onward), document Redlich's life and career through written descriptions and videos from The Legacy of Hanya Holm: Don Redlich Remembers project; manuscripts and interviews for an unpublished memoir; Don Redlich Dance Company files; Dance Notation Bureau files; Redlich's teaching files; files devoted to Redlich's teachers; letters; school files; photographs; scrapbooks; programs and reviews; posters; datebooks; address books; drawings; family history papers; and audio and moving image recordings, which hold many performances by the Don Redlich Dance Company. The papers also contain a small set of photographs and letters from the collection of the dance critic Arthur Todd. less

Evelyn Sabin was a dancer who performed with Martha Graham's dance company in the 1920s. The Evelyn Sabin papers (1902-1960) contain scrapbooks and photographs documenting Sabin's dance career in the 1920s and 1930s. The collection also contains scrapbooks concerning her husband, pianist and inventor Leopold Mannes, and her parents, singers Stewart B. Sabin and Evelyn Coleman Sabin. less

Lincoln Kirstein was a ballet patron, writer, and general director of the New York City Ballet from 1948 to 1989. The Lincoln Kirstein papers, Additions (1907-1989) contain writings, correspondence, photographs, financial records, and contracts. The material primarily relates to Kirstein's art collection and interest in art; his charitable contributions; and his writing career. The collection also contains material related to Pavel Tchelitchew and to Kirstein's father, Louis Kirstein. less

Dancer, dance teacher, and dance critic Rosalyn Krokover (1913-1973) studied at the Pavley-Oukrainsky Ballet School in Chicago. She danced with several companies including the Chicago Opera ballet and was a dance teacher in Pittsburgh before becoming a dance critic. Krokover contributed to a number of publications, including Dance Magazine, Saturday Review, and Musical Courier, for which she was the dance editor. Photographs (both candid images and portraits) depict Krokover as early as the 1920s through 1972. Her time at the Pavley-Oukrainsky Ballet School is documented by a photo album and a scrapbook provides an overview of the early years of Krokover's career. Krokover's critiques are represented by clippings of her dance reviews and articles. less

Nana Gollner (1919-1980) was one of America's first prima ballerinas. During her career, she danced in ballet companies in Europe, in Frank Tuttle's production, Ballet Carnival, and in a short choreographed film directed by Tatiana Tuttle. The collection contains photographs and negatives of Gollner; Frank Tuttle's correspondence concerning his production; scripts; programs; and clippings. less

Caird Leslie (circa 1900-1970) was an American ballet dancer and teacher. He was raised in Seattle and, after dancing in Europe, returned to teach at the Cornish School (1935-1950.) He had a longtime association with Adolph Bolm, and danced for him in his Ballet Intime and for the Metropolitan Opera. Leslie also taught ballet in New York City. The collection contains photographs, programs, clippings, flyers, drawings, several posters, and a small amount of correspondence. The photographs include professional portraits and candid images of Leslie individually, and with others on tour. There are a number of portraits of other dancers, such as Ruth Page and Adolph Bolm, and past students. Leslie's career is traced in programs, clippings and posters from the United States, Germany, and France, and in advertising material for dance lessons. less

Edwina Seaver Fontaine (née Seaver, 1927-2014), was a Balanchine dancer, dance instructor, and teacher of Pilates. The Edwina Seaver Fontaine papers, dated 1927 to 2003, reflect Fontaine's career mostly through her correspondence and photographs. Related material includes brochures, clippings, notes, a poster, programs, and scrapbook. less

Claudia Gitelman (1936-2012), was a dancer, choreographer, author, and assistant professor at the Mason Gross School of the Arts, Rutgers University. Her artistic collaborators for productions include Alwin Nikolais, Murray Louis, and Hanya Holm. The Claudia Gitelman papers, dated 1946-2012 (bulk dates 2010-2011), focuses mostly on Gitelman's curatorial work for Alwin Nikolais' Total Theater of Motion, a centennial celebration held at The New York Public Library for the Performing Arts from 2010 to 2011. These files include correspondence, photographs of the Nikolais Dance Theatre dance performances, watercolor sketches of dancers, and programs. Gitelman's career development is represented to a lesser extent mainly through photographs, programs and writings. The electronic records contain a number of manuscripts, drafts, and planning documents for the book On Stage Alone: Soloists and the Modern Dance Canon (2012) that Gitelman co-edited with Barbara Palfy. Other materials in the collection include clippings, notebooks, and notes. less

Cynthia Gregory is a retired American dancer and former prima ballerina for the American Ballet Theatre. The Cynthia Gregory papers, dated 1946 to 2017, document her dancing career and retirement activities, with emphasis on her American Ballet Theatre tenure. The collection includes articles, programs, correspondence, photographs, awards and certificates, tutus, dance shoes, video recordings, and film. less

Carolina de los Reyes is a flamenco dancer best known for her work with José Greco's Spanish Ballet. The collection contains press and photographs related to Reyes' dance career, as well as recordings of Reyes' performances, and pieces of her flamenco costume. The collection documents her career as a flamenco dancer in Spain, and her time touring the world with the José Greco company in the 1950s and 1960s. less