Found 224 collections.

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence. less

Richard Rodgers (1902-1979) was an American composer and producer, well known for his collaborations with lyricists Lorenz Hart and Oscar Hammerstein II. The Richard Rodgers music papers contain scrapbooks, published vocal scores, and drafts of his autobiography, Musical Stages. less

Glenn Pressler (1915-1990), a bass-baritone vocalist, performed as a soloist or in choruses in New York City in the 1940s and early 1950s. In the 1970s and 1980s, he worked at Herbert Barrett Management, where he managed the careers of the vocalists Eileen Farrell and Morley Meredith. The Glenn Pressler papers, dating from 1897 to 1988, document Pressler’s careers in vocal performance and artist management. They hold correspondence, concert programs, photographs, clippings, and memorabilia. less

The Sidney Rose collection of Gilbert and Sullivan memorabilia dates from 1865 to 1950. It contains clippings, posters, programs, photographs, and color souvenir cards pertaining to performances of Gilbert and Sullivan operas on the east coast of the United States; a scrapbook of clippings from the British magazine Punch; newsletters and flyers produced by the Gilbert and Sullivan Society; letters to the theatrical producer Rudolph Aronson regarding performances; and essays by Sidney Rose on Gilbert and Sullivan. less

Susanne Weinert was a governess employed in the Wagner household at Villa Wahnfried, July 1875 - April 1876. The German opera composer Richard Wagner had married Cosima Von Bülow (born Liszt), his second wife, in 1870. Diary entitled Im Hause Richard Wagners : ein Beitrag zum Familienleben des grossen Meisters (92 leaves) ; curriculum vitae entitled Mein Lebenslauf ([7] p.) ; application by Susanne Weinert for assistance, 1893 Apr. 1, to Marie Tittman Foundation, Dresden, with 2 related letters, 1894 ; her references as a governess, including one from Cosima Wagner ("Frau Richard Wagner geb. Liszt"), Bayreuth, 1876 May 15 (probably copied in another hand) ; envelope in which documents were contained when sent by Mrs. Baumgarten to Mrs. Burrell. less

Soulima Stravinsky is a pianist, teacher, and composer, son of Russian composer Igor Stravinsky. Correspondence and other material relating to Soulima Stravinsky as pianist, lecturer, and teacher; notebooks and other material about Mozart's piano concertos and other course material; clippings and other material about Igor Stravinsky; published scores associated with or inscribed to Igor Stravinsky; Sketchbook by Igor Stravinsky (1917?). Inscriptions are by Georges Auric, Serge Diaghilev, Darius Milhaud, Francis Poulenc, and Serge Prokofiev. Correspondents include Nadia Boulanger, Alexander Tcherepnin, Ernest Ansermet, Nikolai Lopatnikoff, Ruth Slenczynska, Murray Adaskin, Alexander Uninsky, and Malcolm Bilson. Several letters are from Igor Stravinsky, and there is one leaf in Igor Stravinsky's hand concerning Haydn's and Mozart's works among the published scores. The film of a rehearsal with Igor Stravinsky conducting has been separated from the collection and sent to NYPL Rodgers and Hammerstein Archives of Recorded Sound. less

Herbert Henry Weinstock (1905-1971), an American writer and editor, specialized in the field of early 19th-century Italian opera. Between 1935 and 1971, Weinstock wrote prolifically, particularly on musical subjects, while also working as a publisher's editor. In this role, Weinstock was brought into formative contact with some of the most important musical writers of his day; he edited Stravinsky and Craft's Expositions, for example, and translated La Grange's Life of Mahler. He was also New York correspondent of Opera from December 1966 until his death and contributed reviews, programs, and articles to numerous publications. By his own tally, he contributed over 300 articles to the Encyclopedia Americana, and he completed, before his death, the revised entry on Opera for the Encyclopaedia Britannica (a typescript of which is in the collection). Weinstock's work also includes a number of translations of Spanish and Italian works, and some material for children. Arguably Weinstock's most important books were his last trilogy of musical biographies: Donizetti and the World of Opera in Italy, Paris, and Vienna (1963), Rossini, a Biography (1968), and Vincenzo Bellini, His Life and His Operas (1971). His oeuvre also includes hundreds of articles and program notes and over two dozen books (original and translated), most of which were translated into several languages and issued in multiple (sometimes revised) editions. The Herbert Weinstock Collection consists of professional and personal papers and a small number of three-dimensional memorabilia belonging to Herbert Weinstock, members of Weinstock's family, and Weinstock's long-time companion, Ben Meiselman. The professional papers, which span the years 1750-1989, were produced and collected mainly by Weinstock in connection with his research, particularly his work on early 19th-century opera. The range of collected materials is broad, and sometimes unexpected, as in the case of a facsimile manuscript essay by Wagner on Bellini's Norma, but the largest group consists of facsimiles of over 1200 letters to and from Rossini and members of his circle. The professional papers also include a number of Weinstock's own writings on both musical and non-musical subjects, including a hand-corrected typescript of his biography of Rossini, as well as writings by other persons, perhaps most notably a hand-corrected typescript of one of the Stravinsky-Craft books, music by Carlos Chavez, and the typescript of a long article by Philip Gossett. Weinstock's voluminous correspondence includes letters from many important figures of the musical and publishing worlds of his time, including Guglielmo Barblan, Maria Callas, Warren Chappell, Carlos Chavez, Aaron Copland, Karl Geiringer, Philip Gossett, Newell Jenkins, Friedrich Lippman, Andrew Porter, Harold Rosenthal, Beverly Sills, Igor Stravinsky, and Virgil Thomson. less

The British composer, organist and writer Horace Wadham Nicholl, a devotee of Wagner and Liszt, was well known and respected during his lifetime. His papers consist of scrapbooks, press clippings, concert programs, promotional material, articles he wrote, and scores. less

Hugo Kaun, composer and choral conductor, was born in Berlin Germany on March 21, 1863. Following his father’s death in 1886, he went to the USA and settled in Milwaukee, Wisconsin, where he worked as a teacher, composer and choral conductor. He returned to Berlin in 1902, and by the 1920s his fame as a composer had spread throughout German-speaking Europe. In 1912 he was elected a member of the Academy of Arts and from 1922 taught at the Berlin Conservatory. His operas are Wagnerian in style, and the Wagnerian harmonic language pervades all of his larger compositions. The many choral works enjoyed great popularity. Hugo Kaun died on April 2, 1932 in Berlin Germany. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

Jane Jarvis (1915-2010) was a jazz pianist, also known for her work as the organist for the New York Mets, and as a programming executive for Muzak. The Jane Jarvis papers (1896-2004) contain correspondence, scores, photographs, contracts, notes, scrapbooks, and personal materials that document Jarvis's career as a performer and composer. less

Autograph manuscript in an exercise book and 3 newspaper clippings with articles by Frederich Pecht. On title page of ms: Aus Richard Wagners Pariser Zeit / von Frederich Pecht. Allegemeine Zeitung, Beilage, N3 81, Donnerstag, 22. Marz, 1883. It covers Wagner's years in Paris, 1839-1840. Two of the clippings are entitled Aus Friedrich Pechts Lebenserinnerungen (V. 1864. Richard Wagner in Dresden; VI. Paris 1867) in Tägliche Rundschau Unterhaltungs-Belage, hrsg. von Dr. Friedrich Lange, Nr. 115, 121, dated 1894 May 20 and 27. The other, apparently from a Dresden publication, quotes from Pecht's reminiscences about Wagner in Paris, 1840. less

Frieda Hempel (1885-1955) was a German soprano with the Metropolitan Opera. William B. Kahn (1882-1971) was a New York City business man and political writer who married Hempel in 1918, and who continued to serve as Hempel's business manager after their divorce in 1926. The collection primarily includes correspondence between Hempel and Kahn from the year 1950, including letters, cables, and postcards. less

The Felix Salzer Papers represents the work of Felix Salzer (1904-1986), an Austrian-born music scholar who came to the United States in 1939 and has had a lasting impact on music theory. Salzer's work in the United States was highly influential, primarily in the dissemination of Schenkerian theory and analysis. The present collection encompasses both Salzer's scholarly materials and a portion of the papers of his Viennese mentor, Heinrich Schenker (1868-1935). Broadly speaking, the collection contains music analyses, correspondence, academic notes, significant texts (both published and unpublished), and other items. less

Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886. less