Found 95 collections related to Contracts

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson. The Little Hut production materials date from 1950 to 1955 and primarily document the 1953 American productions. The collection contains correspondence and contracts with investors; financial information about the production; multiple versions of the script, including a stage manager's copy; and programs from the Boston production at the Plymouth Theatre and the Broadway production at the Coronet Theatre. The collection also contains copies of telegrams that John C. Wilson sent on the play's opening nights in England and Scotland. less

Guy Bolton (1884-1979) was a British-American playwright, librettist, and novelist. He wrote more than 50 plays and musicals, many of which were collaborations with P.G. Wodehouse and George and Ira Gershwin, including Oh, Lady! Lady!, Oh, Boy! Oh, Kay!, and Anything Goes. The American Play Company records on Guy Bolton date from 1911 to 1965 and contain correspondence, contracts, financial statements, and other legal papers that document the negotiation process and royalty agreements made for Bolton's compositions represented through the American Play Company. less

Michael Strong (1918-1980) was an American film, theatre, and television actor. Strong was an originating company member of the Repertory Theater of Lincoln Center and appeared in the films Point Blank and Patton. The Michael Strong papers date from 1951 to 1980 and contain biographical sketches, incoming letters, clippings, contracts, theatre programs, photographs, and obituaries. Photographs include production shots from films, promotional photos for theatre productions, and headshots. Oversized photographs from the film Patton are housed separately. Letters are from Strong's directors, writers, and fellow actors, including Elia Kazan, S.N. Behrman, and Montgomery Clift. All letters are photocopied duplicates. less

Charlotte "Lotte" Stavisky (1907-2000) was a German-American actress and sculptor who acted in film, television, radio, Broadway, and Off-Broadway roles from the late 1930s through the 1950s. The Lotte Stavisky papers date from 1935 to 2000 and contain correspondence, photographs, programs, clippings, and contracts that document her work as an actress and sculptor, as well as identity and immigration papers from her early life in Germany and emigration from Nazi-occupied Austria. less

The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions, many of which have become Broadway classics. The Theater Guild records (1949-1952) document the Theatre Guild's administrative activities during the planning and execution of the production of Carousel at the Stoll Theatre in London in 1950, and Oklahoma! for the 1951 Berlin Arts Festival. less

Paul Lipson (1913-1996) was an American actor best known for portraying Tevye in Fiddler on the Roof. The Paul Lipson papers (1932-1996) consist of production files, scripts, and a scrapbook that document Lipson's career acting in summer stock, Off-Broadway, and Broadway productions, with a particular focus on Fiddler on the Roof. There is a small amount of posthumous material consisting of a program and sound recording from his memorial service. less

Anna Minot Warren (1918-2007) was a stage, screen, and television actress who performed under her maiden name, Anna Minot. Joseph Warren (1916-1993) was a stage, screen, and television actor. Both were self-described "journeyman actors." The collection (1931-2006) contains material related to their acting careers. The papers contain production files, photographs, posters, scrapbooks, scripts, and a sound recording. There is also a small amount of files related to Minot's work as a professional reader for the Theatre Guild and the Play of the Month Guild. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Joe Smith and Charlie Dale were partners in one of vaudeville’s most famous and successful comedy acts, later translating many of their most popular sketches to other media, including radio, motion pictures and television. The Smith and Dale Papers include contracts, correspondence, photographs, scripts and other professional material from the team, as well as clippings documenting their joint career and Smith’s activities after Dale’s death. less

The Sara Greenspan Theatre Guild Files chiefly contain correspondence relating to activities of the Theatre Guild during some of its most significant years of operation. Sara Greenspan, who began as secretary with the Guild in 1925, served as the business manager of the prestigious production company for twenty years before retiring in 1963. less

"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms. less

Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts for Aurania Rouverol's play PLACES PLEASE, each signed by a different actor. There is also a brief contract offering BORN IN A TRUNK star Lillian Emerson a bonus contingent upon the play's box office performance. less

James Barton (1890-1962) was an American actor, singer, dancer and comedian in vaudeville, theatre, film and television. The James Barton papers document the career and personal life of James Barton through production files, scripts, sheet music, photographs, scrapbooks, contracts, publicity materials, correspondence, and personal ephemera. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances. less

The George DeMott papers consist of correspondence, some diaries/appointment books, contracts, photographs, and scrapbooks. This material is almost all business related, and there are no significant personal papers. The papers are divided into two distinct parts, with some overlap: items such as contracts and correspondence that relate to the career of Mr. DeMott, and items such as posters, brochures, etc., that he collected, and placed into scrapbooks. The section of the DeMott papers devoted to Booking Agencies and Agents (Series IV) is divided into 18 sub-series, and contains a great deal of correspondence detailing the difficulties George DeMott and his wife Fanny faced booking their act into schools. The scrapbooks comprise the bulk of the collection and contain a variety of items, including clippings, posters, brochures, correspondence, handbills, fliers, photographs, and programs. The oversized material includes a poster and a road map. less

The League of Composers / International Society for Contemporary Music records contain the papers of the League's co-founder and first Executive Director, Claire Raphael Reis; the records of both the League of Composers and the United States section of the ISCM before their 1954 merger; and the post-1954 records of the combined League/ISCM. less

The Leopold Badia papers consist of a variety of materials reflecting a long acting career, including contracts, salary stubs, portions of scripts, sheet music, some correspondence, and a complete radio script from 1945. Contracts for stock productions make up the bulk of Leopold Badia's papers, but there are also several "sides" representing his character's lines from plays, including SPEAK EASY and THE GENTLEMAN FROM ATHENS, and brief notes from colleagues such as José Ferrar, Fredric March, and Sam Levene. The radio script is from a series called ONE MAN'S DESTINY, celebrating the lives of prominent people. This episode is devoted to New York Mayor Fiorello La Guardia. less

Lore Segal is a New York based novelist and children's book author. A daughter of Austrian Jews, Segal escaped Nazi occupied Vienna on the first Kindertransport in 1939. This collection contains letters and documents of her family in Austria and England during World War II, and their emigration to the Dominican Republic and the United States; letters to Segal from throughout her life; letters from Segal as a young girl and documenting her time at Yaddo; and literary manuscripts documenting her novels, children's books, short stories and other writings. Also present are letters and writings of her husband, literary editor David Segal. less

John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The John Holler Papers include scores, programs, clippings, photographs and other professional materials. less

: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items. less

Kenneth Koch was an American poet, playwright, essayist, screenwriter, novelist, and short-story writer. The Kenneth Koch papers document the personal and professional activities of the writer, Kenneth Koch. Holograph and typescript drafts comprise the bulk of the collection. The papers contain holograph manuscripts and typescripts of the author's published and unpublished work (in every genre, including plays, "comics," and games), notes and other material related to the works, Koch's correspondence, photographs, collaborations, material related to his work with children, miscellaneous personal documents, printed material, ephemera, scrapbooks, press cuttings and photocopied reviews of his books, and holograph manuscripts and typescripts of works by other writers (especially Frank O'Hara and John Ashbery). Also included in the papers are 9 boxes of unsorted printed ephemera, and 3 boxes of journals, magazines, and newspapers. The correspondence in the collection is mostly made up of incoming material, of which there are three categories: personal, professional, and fan mail. The personal and professional correspondence is arranged alphabetically by author; within each author's folder letters are arranged by date. Of the personal correspondence and works by others, the most substantial holdings are by "New York School" artists such as Frank O'Hara, John Ashbery, James Schuyler, Larry Rivers, Harry Mathews, Fairfield Porter, and Jane Freilicher. Also noteworthy are letters and works by Koch's former students, Ron Padgett, Frank Lima, Tony Towle, David Shapiro, and Jordan Davis. Also present are publishing contracts and royalty statements for several of Koch's books. less

An American violinist, Yehudi Menuhin was engaged in 1947 by Two Continent Pictures to appear and play in a projected moving picture named Delirium and an associated short movie; and later for a series of short films. He suggested changes in the script and performed the Mendelssohn Concerto for Delirium, but the picture apparently was not completed, nor were the short films although 22 reels were recorded and photographed. 4 letters from Yehudi Menuhin, including 2 TLS and 1 ALS, to representatives of Two Continent Pictures, chiefly Paul Gordon; 3 letters to Menuhin, including 2 TLS from Gordon; copy sent to Gordon of TL from Menuhin to his uncle and lawyer, Sidney Ehrman; TLS from Ehrman's associate Louis Heilbron to Paul Gordon; contract; 2 drafts of business agreements, and 2 itineraries. The 13-leaf TLS from Menuhin to Gordon with suggestions for changes in the script of Delirium contains many handwritten emendations, and a 13-leaf typed fair copy of the script suggestions is also included. less

The Cantata Singers was one of the first groups in the United States to attempt authentic performances of Baroque music and set a standard for basing performances on expert direction supported by methodical research. The Cantata Singers Records consists of those records which the non-profit organization retained over the course of some 37 years in operation including materials related to their concerts as well as correspondence, administrative files, minutes of the organization’s meetings, financial records, and documentation of their incorporation. less

These theatrical papers of Charles Emerson Cook consist of box office statements for various years from the Phidelah Rice Playhouse, the James F. Kernan Company, Vineyard Players, and the Court Square Theater, as well as a salary list for the Auditorium players (1933-1934), several leases and contracts, some letters from Florence Reed, and other theatrical correspondence less