Tracy, Arthur, 1899-1997
Music Division | LPA Mss 2005-002
35.03 linear feet (24 boxes)
This collection contains materials related to Arthur Tracy’s radio, stage, and film career as the Street Singer. Materials include correspondence, manuscript and sheet music, photographs, and posters. There is little personal material.
Smallens, Alexander, 1889-1972
Music Division | JPB 89-88
ca. 6 cu. ft.
Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia...
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Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers.
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Sembrich, Marcella, 1858-1935
Music Division | JPB 91-94
75 linear feet
Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued...
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Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed.
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Jacobs, Paul
Music Division | JPB 88-8
ca. 12 cubic ft. (36 boxes)
An American pianist and harpsichordist, Paul Jacobs, 1930-1983, specialized in music of the baroque and avant-garde. Correspondence, clippings, programs, personal documents and items; manuscripts and typescripts of writings by Jacob and others;...
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An American pianist and harpsichordist, Paul Jacobs, 1930-1983, specialized in music of the baroque and avant-garde. Correspondence, clippings, programs, personal documents and items; manuscripts and typescripts of writings by Jacob and others; and published music by various composers and books by various authors with markings by Jacobs. Personal correspondents include: Richard Rodney Bennett, William Bolcom, Pierre Boulez, Elliott and Helen Carter, Aaron Copland, David Diamond, George Rochberg, Ned Rorem, Frederic Rzewski, Bernard Saby, Karlheinz Stockhausen, and Charles Wuorinen. Published music without markings has been separated. Sound recordings have been transferred to the Rodgers and Hammerstein Archives of Recorded Sound.
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Toscanini, Arturo, 1867-1957
Music Division | JPB 90-1
330 linear feet
Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II...
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Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures.
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Toscanini, Arturo, 1867-1957
Music Division | JPB 90-1
330 linear feet
Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II...
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Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures.
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Black, Ivan, -1979
Music Division | JPB 06-20
22.8 linear feet (55 boxes)
The Ivan Black Papers document Black’s work as a publicity agent on behalf of nightclubs, musicians and entertainers in New York from the 1940s to the 1970s. They include press releases, clippings, correspondence, photographs, promotional material...
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The Ivan Black Papers document Black’s work as a publicity agent on behalf of nightclubs, musicians and entertainers in New York from the 1940s to the 1970s. They include press releases, clippings, correspondence, photographs, promotional material and published music scores.
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Tureck, Rosalyn
Music Division | JPB 86-4
6 linear feet (18 boxes)
Pianist, clavichordist and harpsichordist known for her interpretation of the works of J.S. Bach. Published and unpublished scores by various composers with markings by Tureck; programs, clippings, and brochures.
Lhevinne, Rosina, 1880-1976
Music Division | JPB 94-4
ca. 9 cu. ft.
Rosina Lhevinne (1880-1976) was a Russian-born pianist and pedagogue who taught at the Juilliard School and privately in New York City. She was married to pianist Josef Lhévinne. Business and personal correspondence, pedagogical notes, clippings,...
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Rosina Lhevinne (1880-1976) was a Russian-born pianist and pedagogue who taught at the Juilliard School and privately in New York City. She was married to pianist Josef Lhévinne. Business and personal correspondence, pedagogical notes, clippings, programs, photographs, and other papers relating to the careers of Rosina and Josef Lhevinne.
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Hamilton, Iain, 1922-
Music Division | JPB 02-3
36.23 linear feet (70 boxes)
Iain Hamilton’s papers document his career as a composer, librettist, and teacher. The bulk of the collection dates from 1951 through his later years, and consists primarily of scores and supporting materials.
Kaun, Hugo, 1863-1932
Music Division | JPB 04-5
2.5 linear feet (5 boxes)
Hugo Kaun, composer and choral conductor, was born in Berlin Germany on March 21, 1863. Following his father’s death in 1886, he went to the USA and settled in Milwaukee, Wisconsin, where he worked as a teacher, composer and choral conductor. He...
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Hugo Kaun, composer and choral conductor, was born in Berlin Germany on March 21, 1863. Following his father’s death in 1886, he went to the USA and settled in Milwaukee, Wisconsin, where he worked as a teacher, composer and choral conductor. He returned to Berlin in 1902, and by the 1920s his fame as a composer had spread throughout German-speaking Europe. In 1912 he was elected a member of the Academy of Arts and from 1922 taught at the Berlin Conservatory. His operas are Wagnerian in style, and the Wagnerian harmonic language pervades all of his larger compositions. The many choral works enjoyed great popularity. Hugo Kaun died on April 2, 1932 in Berlin Germany.
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Crane, Helen C
Music Division | JPB 83-170
4.62 cubic ft.
Helen Crane, composer and pianist, was born in New York in 1868. While in New York, she studied with German composers Philip and Xaver Scharwenka, and later moved to Berlin (1906-1917). Her composition Elegy for violoncello and pianoforte, op. 57...
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Helen Crane, composer and pianist, was born in New York in 1868. While in New York, she studied with German composers Philip and Xaver Scharwenka, and later moved to Berlin (1906-1917). Her composition Elegy for violoncello and pianoforte, op. 57 (1919) received an award from the National Federation of Music Clubs in 1944. The collection consists chiefly of manuscript music scores. A small group of other papers includes correspondence, ephemera, a catalogue of compositions, and programs for concerts of Helen Crane's works at the Mozartem Salzburg in 1928 and 1930.
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Hadley, Henry, 1871-1937
Music Division | JPB 86-17
Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial...
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Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors.
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Operti, G. (Giuseppe), -1886
Music Division | JPB 91-121
33 items
Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside...
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Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886.
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Spencer, Eleanor, 1890-1973
Music Division | JPB 04-20
1.5 linear feet (2 boxes)
Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an...
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Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an extended break. The Spencer Papers consist of correspondence, writings, promotional material, clippings, concert programs, music manuscripts, diaries and photos.
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Damrosch, Frank, 1859-1937
Music Division | JPB 88-25
1 cubic ft. (4 boxes)
Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the...
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Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch.
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Wilson, John W., 1927-1992
Music Division | JPB 04-6
7 linear feet (22 boxes)
The John Wilson papers document his career as a composer, choreographer, and teacher. The collection contains scores dating from Wilson’s college years in the early 1950s, materials relating to his career as a dancer and a teacher and other...
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The John Wilson papers document his career as a composer, choreographer, and teacher. The collection contains scores dating from Wilson’s college years in the early 1950s, materials relating to his career as a dancer and a teacher and other supporting materials.
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Moyse, Marcel, 1889-1984
Music Division | JPB 02-11
8 linear feet. (23 boxes)
Papers of Marcel Moyse, flutist and expert teacher in French-style flute. The collection primarily contains papers and scores relating to Moyse’s work as a teacher.
Bradley, Lillian E
Music Division | JPB 06-24
2.5 linear feet (2 boxes)
Lillian E. Bradley was a singer, entertainer, and producer. This collection consists of Bradley's photographs, one scrapbook of recital programs and thank you letters from various groups she entertained, and one folder of loose clippings,...
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Lillian E. Bradley was a singer, entertainer, and producer. This collection consists of Bradley's photographs, one scrapbook of recital programs and thank you letters from various groups she entertained, and one folder of loose clippings, programs, correspondence, and her single musical composition.
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Gruenberg, Louis, 1884-1964
Music Division | JPB 04-29
20.6 linear feet (16 boxes)
The composer Louis Gruenberg, was a pioneer in forming an American style of classical music. Best known for his opera
The Emperor Jones, his Papers consist primarily of scores and sketches, but also include writings,...
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The composer Louis Gruenberg, was a pioneer in forming an American style of classical music. Best known for his opera
The Emperor Jones, his Papers consist primarily of scores and sketches, but also include writings, clippings, concert programs, screenplay proposals and teaching materials.
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Fryer, Katharine Homer, 1907-
Music Division | JPB 09-3
58.3 linear feet (84 boxes)
The Louise Homer Collection extensively documents the lives and careers of Louise and Sidney Homer, as well as the history of their extended family. It was assembled by Katharine Homer Fryer, one of the Homers' twin daughters. The collection...
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The Louise Homer Collection extensively documents the lives and careers of Louise and Sidney Homer, as well as the history of their extended family. It was assembled by Katharine Homer Fryer, one of the Homers' twin daughters. The collection contains correspondence, family papers, music scores, publicity materials, clippings, concert programs, scrapbooks, photographs and posters.
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Holler, John, 1904-
Music Division | JPB 06-36
2 linear feet (3 boxes)
John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The...
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John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The John Holler Papers include scores, programs, clippings, photographs and other professional materials.
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Schindler, Kurt, 1882-1935
Music Division | JPB 93-1
The Kurt Schindler Papers represent the life and career of Kurt Schindler, a conductor, composer, music editor and folksong musicologist. The material covers his early musical interests and compositions, his career in the United States as an...
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The Kurt Schindler Papers represent the life and career of Kurt Schindler, a conductor, composer, music editor and folksong musicologist. The material covers his early musical interests and compositions, his career in the United States as an conductor and choral leader, and the results of his travels and investigations into the folksongs of many Western countries. The period covered in the collection is from 1882 to 1946.
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Lachmund, Carl, 1853-1928
Music Division | JPB 92-1
The Carl V. Lachmund Collection represents the musical career of Carl Lachmund, a student of Franz Liszt, and Lachmund's subsequent devotion to the remembrance of Liszt's personality and the advancement of his music.
Marsh, Audrey, 1911-
Music Division | JPB 06-76
1.8 linear feet (2 boxes)
The American singer Audrey Marsh had a successful career singing in performance and on commercial radio. Her papers contain correspondence, clippings, concert programs, journals, photographs and personal papers.
Kolar, Auguste
Music Division | JOB 87-1
1.5 linear feet (5 boxes)
Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr....
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Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch.
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Jones, Charles, 1910-1997
Music Division | JPB 06-74
18 linear feet (23 boxes)
Charles Jones born in Tamworth, Ontario, Canada was a composer. Jones spent the majority of his career as a teacher at the Juilliard School, at Mills College, then at the Music Academy of the West in Santa Barbara, and at the Aspen Music Festival...
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Charles Jones born in Tamworth, Ontario, Canada was a composer. Jones spent the majority of his career as a teacher at the Juilliard School, at Mills College, then at the Music Academy of the West in Santa Barbara, and at the Aspen Music Festival in Colorado. The Collection contains various drafts, sketches and scores composed by Charles Jones from 1930s-1997. In addition there are scores by other composers, correspondence, programs, clippings and photographs
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Schwartz, Charles, 1922-1998
Music Division | JPB 00-9
17.2 linear feet (28 boxes)
The Charles Schwartz Papers document the career of the composer, author and concert impresario. They include correspondence, business and financial papers, manuscripts, notes, clippings, concert programs, publicity material, photographs and scores.
Strouse, Charles
Music Division | JPB 06-64
21 linear feet (24 boxes)
Charles Strouse is a composer of stage and film musicals, known for such musicals as
Bye Bye Birdie (1960),
Applause (1970) and
Annie (1977). He occasionally writes...
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Charles Strouse is a composer of stage and film musicals, known for such musicals as
Bye Bye Birdie (1960),
Applause (1970) and
Annie (1977). He occasionally writes his own lyrics, but usually collaborates with a lyricist. His most frequent lyricist is Lee Adams, though he has also worked with Martin Charnin, Alan Jay Lerner, Richard Maltby Jr. and Stephen Schwartz. The majority of the materials in this collection are scripts and scores from Strouse’s shows from the 1960s through 2000. The collection also includes clippings, correspondence, production files and programs.
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Abell, Arthur M., 1868-1958
Music Division | JOB 88-4
6 cubic ft. (17 boxes)
Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more...
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Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek.
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