Found 49 collections related to Clippings

Soulima Stravinsky is a pianist, teacher, and composer, son of Russian composer Igor Stravinsky. Correspondence and other material relating to Soulima Stravinsky as pianist, lecturer, and teacher; notebooks and other material about Mozart's piano concertos and other course material; clippings and other material about Igor Stravinsky; published scores associated with or inscribed to Igor Stravinsky; Sketchbook by Igor Stravinsky (1917?). Inscriptions are by Georges Auric, Serge Diaghilev, Darius Milhaud, Francis Poulenc, and Serge Prokofiev. Correspondents include Nadia Boulanger, Alexander Tcherepnin, Ernest Ansermet, Nikolai Lopatnikoff, Ruth Slenczynska, Murray Adaskin, Alexander Uninsky, and Malcolm Bilson. Several letters are from Igor Stravinsky, and there is one leaf in Igor Stravinsky's hand concerning Haydn's and Mozart's works among the published scores. The film of a rehearsal with Igor Stravinsky conducting has been separated from the collection and sent to NYPL Rodgers and Hammerstein Archives of Recorded Sound. less

The British composer, organist and writer Horace Wadham Nicholl, a devotee of Wagner and Liszt, was well known and respected during his lifetime. His papers consist of scrapbooks, press clippings, concert programs, promotional material, articles he wrote, and scores. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

Autograph manuscript in an exercise book and 3 newspaper clippings with articles by Frederich Pecht. On title page of ms: Aus Richard Wagners Pariser Zeit / von Frederich Pecht. Allegemeine Zeitung, Beilage, N3 81, Donnerstag, 22. Marz, 1883. It covers Wagner's years in Paris, 1839-1840. Two of the clippings are entitled Aus Friedrich Pechts Lebenserinnerungen (V. 1864. Richard Wagner in Dresden; VI. Paris 1867) in Tägliche Rundschau Unterhaltungs-Belage, hrsg. von Dr. Friedrich Lange, Nr. 115, 121, dated 1894 May 20 and 27. The other, apparently from a Dresden publication, quotes from Pecht's reminiscences about Wagner in Paris, 1840. less

Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886. less

This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was known for his use of difficult techniques of counterpoint and harmony less

Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an extended break. The Spencer Papers consist of correspondence, writings, promotional material, clippings, concert programs, music manuscripts, diaries and photos. less

Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch. less

John Tasker Howard was a composer, pianist and eminent writer on American musical subjects. The collection includes business related correspondence, writings (for radio, books, articles and lectures / speeches), musical compositions (many for piano and string quartets), financial statements (detailing royalty issues), ephemera (pamphlets and leaflets connected to writing topics) and Scrapbooks. less

Lillian E. Bradley was a singer, entertainer, and producer. This collection consists of Bradley's photographs, one scrapbook of recital programs and thank you letters from various groups she entertained, and one folder of loose clippings, programs, correspondence, and her single musical composition. less

John Holler (1904-1977) was an organist and choir director from New York City. He performed in churches for most of his career, occasionally participating in secular concerts, as well. Holler also composed and arranged music for the organ. The John Holler Papers include scores, programs, clippings, photographs and other professional materials. less

American pianist, teacher, and music critic; grandson of Helen Bernays, member of a family distinguished in several countries. Biographical articles; published writings in periodicals including articles on Schumann, Wagner, and Rubinstein; typescripts of stories, poems, and photoplays; personal papers including passport and will; letters and photographs relating to the Bernays family; letters from Rudolf Eucken; letters from Joseph Sohn to Helen J. Kimball; other correspondence; portraits of Joseph and his father Louis Sohn; and a portrait of Cosima Wagner with a grandchild, signed by Siegfried Wagner. less

Holograph musical scores by various composers including extensive sketches and drafts of Chausson's Symphony in B♭ major and single pages from works by Dukas, d'Indy, and Montemezzi; Toscanini's own works composed as a student, ca. 1882-1884, including holographs, photocopies of holographs, and copyists' manuscripts; arrangements, transcriptions, and reductions in Toscanini's hand of works and parts of works by various composers including extensive passages from Shostakovich's Seventh Symphony; letter, note, and rehearsal schedule in Toscanini's hand; clippings of 2 articles about Toscanini; flyer including Toscanini's portrait; 2 photographs; commemorative Italian stamps and coins with Toscanini's portrait. less

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch. less

Thomas McKee was a citizen of Great Britain who in the 1900s lived in Portland, Oregon and New York City. He received two patents related to automatic player pianos. Though not a musician and apparently unable to read music, in the early 1930s, McKee wrote a book titled The Language of Music utilizing research including materials from Carroll Brent Chilton. This book described how music was inaccessible to those not trained in music and then explained how a new player piano could become a teaching tool for the masses. The book also served as a business perspective designed to present his new designs for the player piano and solicit interest in his designs. His attempts were apparently unsuccessful. less

Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek. less

27 letters (22 ALS and 5 TLS) and 14 postcards from Wilhelm Furtwängler, 1920-1928 and undated, including note at end of article ; 1 letter each from Arthur Nikisch, Hans Pfitzner, and Richard Strauss ; Wiener Philharmonischer "Partitur" containing drawings of faces of members of the orchestra ; article about Berlin by Furtwängler ; "Amnerkungen zur Musik von Wagners 'Ring des Nibelungen'" von Wilhelm Furtwängler ; unsigned ms. article about Furtwängler ; photograph of Furtwängler ; 10 clippings including 1 from 1911 and 9 obituaries of Alfred Wolf, 1930 ; "Gustav Mahler III. Symphonie D-moll : Thematische Analyse," von Richard Specht ; and 4 programs indluding 1 for an 1892 performance of Tannhäuser. less

The papers of Alberta Masiello document her career as an opera vocal coach, as well as her early performing years. A significant portion of the collection, however, is a record of the opera careers of her grandfather and mother - Giuseppe and Giuseppina La Puma. less

This collection contains the music and professional papers of the Italian organist and composer Melchiorre Mauro-Cottone. He performed in New York from 1905 until his death in 1938. Included are correspondence, programs, clippings, photographs, writings and diplomas. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Georg Herwegh, a German poet, was a friend of composer Richard Wagner. Clipping of a poem which deals humorously with Wagner's Munich experiences. The former owner Mrs. Burrell dates it as of 1865. The article, in an unidentified publication, states that the poem is quoted from the Vienna National-Zeitung. less

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

The Kurt Schindler Papers represent the life and career of Kurt Schindler, a conductor, composer, music editor and folksong musicologist. The material covers his early musical interests and compositions, his career in the United States as an conductor and choral leader, and the results of his travels and investigations into the folksongs of many Western countries. The period covered in the collection is from 1882 to 1946. less

The National Association for American Composers and Conductors, Inc. (NAACC) was founded by Henry K. Hadley in 1933. It was an organization dedicated to the task of fostering American Music. The collection contains correspondence, legal and financial statements, minutes of meetings, programs, bulletins, clippings, photographs, reports, membership records, plots and wood block prints. less

The Mrs. William Patten Papers are comprised mainly of unbound scrapbook leaves containing press clippings and other materials relating to musicians active during the nineteenth and first half of the twentieth century. It is probable that the materials were compiled by Grace Bigelow Patten, the wife of the editor William Patten (1868-1936). She wrote at least one of the stories which appeared in the ten-volume Junior Classics series edited by her husband and is also is known to have published magazine pieces. less

Alexander Lang Steinert (1900-1982) was a composer, conductor, and pianist who worked in television, film, and radio, as well as concert settings. The Alexander Steinert Papers consists primarily of the composer’s collection of published scores, the majority of these arranged for piano and four hands. The collection also contains scrapbooks as well as contracts and correspondence that detail some of the highlights of Steinert’s professional career. less