Found 47 collections related to Musicians

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence. less

Robert Kurka (1921-1957) was a composer best known for The Good Soldier Schweik (1956-1958), an orchestral suite which he expanded into an opera. He also wrote works for instrumental soloists, chamber groups, chorus, and orchestra. The Robert Kurka papers, dating from 1941 to 1982, hold scores, professional correspondence, clippings, books, and a professional journal. less

The Charles Thruston Johnson papers document the violinist's career as an orchestral, solo, and chamber musician; as a teacher and conductor; and as the director of the International Festival Series of chamber music concerts. The collection consists of correspondence, programs, photographs, scrapbooks, clippings, promotional material, student and teaching records, awards and honors, and military records. less

The BMI Surinach collection holds the papers of the composer and conductor Carlos Surinach (1915-1997). It includes correspondence, scores, subject files, photographs, scrapbooks, concert programs, clippings, posters, flyers, datebooks, awards, composition listings, biographies, and books documenting Surinach's life and career. less

Albert Stoessel (1894-1943) was an American violinist, conductor, composer, and pedagogue. The Albert Stoessel papers, Additions, primarily hold lecture texts and course materials, and also contain small portions of biographical papers, photographs, and correspondence. less

Helene Hipkins (1880-1973) was a vocalist and songwriter who co-authored several songs published between 1935 and 1942. The Helene Hipkins scores date from 1935 to 1942. They hold published sheet music, manuscripts, and sketches and lyrics for unfinished songs. less

Éva Gauthier (1885-1958) was a Canadian-American vocalist best known for her performances of contemporary music and her associations with George Gershwin, Igor Stravinsky, and other composers. The Éva Gauthier papers, dating from 1899 to 1960, document the singer's life and career through correspondence; photographs; writings; programs and publicity material; business and legal records; and clippings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Alvin Lucier (born 1931) is an American composer who is best known for exploring the nature of sound and sonic environments. His papers, dating from 1939 to 2015, strongly represent his career as a composer and pedagogue over five decades. Most of the collection consists of scores, sound recordings, moving images, subject files, photographs, correspondence, and programs. Also present are datebooks, diaries, posters, notebooks, and clippings. less

The bulk of the J.K. Randall Collection consists of the composer's scores and other papers documenting his compositions. The remainder is comprised of Randall's personal files containing his writings, theoretical notes and analyses, correspondence and concert programs. less

The League of Composers / International Society for Contemporary Music records contain the papers of the League's co-founder and first Executive Director, Claire Raphael Reis; the records of both the League of Composers and the United States section of the ISCM before their 1954 merger; and the post-1954 records of the combined League/ISCM. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

Correspondence (chiefly 1905-1958) including ca. 1000 autograph letters collected by Mr. Abell; mss. of articles and book chapters; concert programs; newspaper and magazine clippings; calling cards; photographs and other pictures including more than 150 portraits of musicians, many of them autographed; and other material. Includes extensive correspondence from Leopold Auer, Max Bruch, Serge Koussevitzky, Isidore Philipp, Xaver Scharwenka; and 6 or more letters each from Fannie Bloomfield-Zeisler, Willy Burmester, Carl Flesch, Ossip Gabrilowitsch, Rudolf Ganz, Etelka Gerster-Gardini, Arthur Hartmann, Hugo Heerman, Ernst Hutcheson, Hugo Kaun, Juan Manén, Robert Schauffler, Arnold T. Schwab, Christian Sinding, Theodore Spiering, Richard Strauss, Amadeo von der Hoya, and Anton Witek. less

Tom Scott was a folk-singer and arranger, and a composer of symphonic and chamber works, as well as music for live television and film. His papers contain scores, correspondence, photographs, biographical and publicity files, a scrapbook, and project and subject files. less

The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and correspondence, photographs, membership files, concert production files, concert discussion transcripts, historical essays and scrapbooks. less

George Antheil was an American composer. In the 1920's he was involved in the avant-garde scene in Paris and composed ultra-modern music, then wrote more accessible operas and orchestral works, and finally moved to Hollywood and composed film scores while continuing his other composition. He was the author of the autographical Bad Boy of Music. Drafts of articles, books, and librettos; completed articles; several photographs, clippings, and items of correspondence; and periodicals containing articles by and about Antheil. Music scores have been cataloged individually in the Scores file. Many archival items have also been cataloged individually and linked to this record. less

Anna Case (1889-1984) was an American soprano and composer who performed with the Metropolitan Opera from 1909 to 1920, and toured as a concert soloist until 1931. Her papers hold concert programs, scores by Case and other composers, correspondence, photographs, clippings, writings, and financial records. less

Harold Vincent Milligan (1888-1951) was an American organist, composer, and writer on music. The longtime organist for Riverside Church in Manhattan, his papers hold correspondence, scores, clippings, concert programs, diaries, writings, financial records, awards and citations, and a photograph. less

The Stefan Auber papers hold concert programs, images, scrapbooks, clippings, scores, promotional material, touring files, posters, and correspondence. The collection primarily documents the cellist's life and career from 1920 until the mid-1960s. Concert programs and images make up the largest portions of the papers. less

Ned Lehac (née Ned Levin, 1900-1999) was a composer who contributed to several Broadway revues between 1930 and 1942. The Ned Lehac papers, dating from 1920 to 1997, document Lehac’s music career through scores, correspondence, performance programs, clippings, and a historical essay. less

Glenn Pressler (1915-1990), a bass-baritone vocalist, performed as a soloist or in choruses in New York City in the 1940s and early 1950s. In the 1970s and 1980s, he worked at Herbert Barrett Management, where he managed the careers of the vocalists Eileen Farrell and Morley Meredith. The Glenn Pressler papers, dating from 1897 to 1988, document Pressler’s careers in vocal performance and artist management. They hold correspondence, concert programs, photographs, clippings, and memorabilia. less

Naomi Ornest (d. 2007) was an opera singer active in the late 1940s and early 1950s. She was later an opera director and translator. Her husband, William Yokel, a writer, worked for the American Theatre Wing (ATW). The Naomi Ornest and William Yokel papers date from 1945 to 1989 and document the career of Naomi Ornest through scores and correspondence. They also detail William Yokel’s production for the American Theatre Wing of the WNYC radio program, Music on the Wing, through correspondence and scripts. less