Found matches for merce cunningham dance foundation in 23 collections.

Dance Perspectives was published quarterly from 1959-1976, a total of 66 issues plus a 1962 Annual which was a bonus for subscribers. Selma Jeanne Cohen's records of Dance Perspectives cover this period, but there is no material for issues #1, #2, #4, #5, #6, #7, #8, #9, #15, #20, #23, #25, and #29. The amount of material on each issue varies considerably; there is only one letter pertaining to issue #3. less

The International Dance Council was the United-States based subcomittee of the Conseil International de la Danse, under the United Nations Educational, Scientific and Cultural Organization. The council was largely organized by the New York Public Library's Dance Division Curator, Genevieve Oswald in the 1970s but dissolved in the early 1980s. The collection includes correspondence with membership, conference organization, and research into other International Dance organizations. less

Helen Priest Rogers was an authority on dance notation, a co-founder of the Dance Notation Bureau and a pioneer in the use of film to preserve choreography. The Helen Priest Rogers dance files consist of photographs; correspondence; and programs about dancers, dance companies, and preservation research less

Robert Kovich was a dancer and choreographer, originally with the Merce Cunningham Dance Company. In the 1980s, Kovich performed, choreographed, and taught dance, mainly in New York and France. The collection includes choreography notes, scripts, correspondence, some photographs and teaching material. less

The Selma Jeanne Cohen papers document the academic life and career of a renowned historian and critic of dance and theater. The papers contain professional correspondence, materials from Cohen’s teaching career, documentation of the many conferences of scholarly groups attended throughout her career as well as research used in writing books and articles on dance and theater. less

Maxine Glorsky is a dance production stage manager, and the co-founder of the Technical Assistance Group Foundation (TAG), a dance service organization which presented performances of small and medium-sized dance companies. She was also the stage manager for the Lar Lubovitch Dance Company for many years. Her papers, dating from 1971 to 2001, document the activities of TAG and the Lar Lubovitch Dance Company. less

Joanne Savio is an American photographer known for her portraits of dancers and other creative people. The Joanne Savio photographs, which date from 1981 to 2006, reflect her professional output, especially her work for Dance Ink magazine. The collection primarily holds black-and-white photographic prints and negatives, as well as a smaller quantity of color photographs. less

Nathan Middleton Clark (1916 – 2011), was a British shoe manufacturer for C. & J. Clark International, Ltd., his family's company. During the 1960s, Clark decided to move to New York City where he became a friend and financial supporter for the performing arts. The Nathan Clark papers, dated 1957 to 2011, reflects his interest in promoting the performing arts and befriending the artistic community through correspondence, photographs, programs, posters, and ephemera. less

Sally Gross (1933-2015) was an American dancer, choreographer and teacher based in New York City. The Sally Gross papers document her career through films, videos, sound recordings, photographs, date books, notes, correspondence, clippings, grant applications, promotional material, and travel records. less

Don Redlich (born in 1929) is a dancer, choreographer, and pedagogue. The Don Redlich papers, dating from 1893 to 2019 (the bulk dates from the 1940s onward), document Redlich's life and career through written descriptions and videos from The Legacy of Hanya Holm: Don Redlich Remembers project; manuscripts and interviews for an unpublished memoir; Don Redlich Dance Company files; Dance Notation Bureau files; Redlich's teaching files; files devoted to Redlich's teachers; letters; school files; photographs; scrapbooks; programs and reviews; posters; datebooks; address books; drawings; family history papers; and audio and moving image recordings, which hold many performances by the Don Redlich Dance Company. The papers also contain a small set of photographs and letters from the collection of the dance critic Arthur Todd. less

Monica Moseley (1942-2010) was an American dancer, dance scholar, and former assistant curator for the Jerome Robbins Dance Division at the New York Public Library. The Monica Moseley papers date from 1886 to 2010 and consist of professional files and family history files. The collection holds correspondence, lectures, notes, promotional material for dance companies and organizations, genealogy notes, and family photographs. less

Blondell Cummings (1944-2015) was a Black postmodern choreographer, dancer, video artist, teacher, and founder of the Cycle Arts Foundation artist collective. This collection, which dates from 1969 to 2011, illustrates her choreographic work, dance performances, and teaching career through audio and video recordings, photographs, press materials, and administrative files. The majority of the collection is video recordings, and the emphasis is on the visual and creative aspects of Cummings' career less

These papers of Kenneth King cover his professional career as a writer, postmodern dancer and choreographer for the years 1964-1981. The most important part of the collection is the documentation of the danceworks and productions created by King, even though the depth of documentation is not the same for each work. There is also an extensive assortment of articles and sections of books by or about King. less

The Trisha Brown Dance Company records presents a comprehensive account of the New York City-based company, covering its administrative practices, educational outreach, stagings, tours, promotional materials, audio and moving image recordings, and choreographic works. Additionally, there is a smaller selection of material dedicated to the life, early work, and visual art of the company's founder, the American postmodern choreographer and dancer Trisha Brown. less

The Joffrey Ballet Company records date from 1877 to 2017 (bulk: 1956-2013) and document the company's creative output from its inception in 1956 to 2017. The collection contains photographs, production and technical files, scores, company administrative files, press materials, programs, designs, and other visual materials created by and for the Joffrey Ballet. The collection also holds the files of company founders Robert Joffrey and Gerald Arpino, as well as the photographer, set designer, and director for special projects, Herbert Migdoll. less