Found 1312 collections.

The Ilka Chase Papers consist of correspondence, photographs, newspaper clippings, scripts, scrapbooks and other material related to the career of Ilka Chase. There is also considerable material related to the career of her mother, Edna Woolman Chase, and to "Vogue" magazine. There is a large amount of personal correspondence, especially between Ilka Chase and her mother. The collection also contains the entire run of scripts from a radio program hosted by Ilka Chase from January 1951 to October 1951 and a complete run of articles for a syndicated newspaper column from 1955 to 1964. The photograph collection contains photos of Ilka Chase both in her professional career and private life, Edna Woolman Chase, and other celebrities, including Mr. and Mrs. Eugene O'Neill. less

Producers' files for a proposed pre-Broadway tryout of In the Summer House by Jane Bowles at the Westport Playhouse in August 1950 consist primarily of correspondence and contracts relating to casting by Robert T. Ingham, assistant to John C. Wilson who intended to produce the show with Oliver Smith. The show was to be directed by Garson Kanin and star Ruth Gordon, but was ultimately cancelled. Collection also includes telegrams from the producers and director, a clipping about the cancellation, a script from the 1953 Broadway production, and a thorough transcription of the entire collection prepared by the seller. less

Al Pacino, stage and film actor, was born in New York, N.Y., April 25, 1940. Since the release of the first GODFATHER film in 1972, which made him famous, Al Pacino has played lead roles in films (DOG DAY AFTERNOON, SERPICO, SCARFACE) and on stage (RICHARD III, AMERICAN BUFFALO, THE BASIC TRAINING OF PAVLO HUMMEL). This undated interview with Al Pacino, conducted by Leonard Probst, was apparently recorded in the fall of 1975, prior to the release of DOG DAY AFTERNOON. Al Pacino discusses his early decision to become an actor, the difficulties fame has brought to his daily life, the differences between stage and film performance, his onstage work in RICHARD III, and his work in the first two GODFATHER films. Mr. Pacino is briefly joined by Martin Bregman, producer of SERPICO and DOG DAY AFTERNOON. The transcript is riddled with typos, misspellings and garbled phrases, and is difficult to read in places due to cross-outs and type-overs. less

Judith Crist, film critic. Photocopy of a typescript of Crist's interview with the actor Burt Lancaster contains handwritten revisions. The interview was conducted in Tarrytown, NY in October, 1975 before a live audience as part of a Crist Film Weekend. less

Stella Adler (1901-1992) was a renowned American actress of stage and screen, but is perhaps best known as one of the most influential teachers of acting in the United States. The Irene Gilbert and Stella Adler Papers were collected by Irene Gilbert during her time serving as the director of Stella Adler's Los Angeles school, currently known as The Stella Adler Academy of Acting and Theatre. The papers document many of Adler's classes taught between the years 1959 to 1990, the writing of Adler's book The Technique of Acting, and some of the duties Irene Gilbert performed while serving as director of the school. Types of materials in this collection include personal and professional correspondence, transcripts, manuscripts, business files, programs, newspaper and magazine clippings, and photographs. less

Fred H. Wilson was a professional stilt-walker, who performed at fundraising events and in other venues in the New York area during the 1920s. Consists of eight letters written to stilt-walker Fred H. Wilson, most of which pertain to his annual performances at the New York Police Department's September Field Day event. There is also a letter from motion picture industry spokesman Will Hays, thanking Mr. Wilson for his performance at a charity drive. The Hays letter includes a tiny snippet of film printed onto paper stock, featuring several frames depicting a stilt-walker, presumably Wilson. There are also two letters from the Metropolitan Opera Company of New York, arranging Wilson's appearance in a 1924 production of Rimsky-Korsakov's COQ D'OR. less

Frederick G. Ross was an actor and business manager. His collection includes scrapbooks documenting the theater and actors and actresses of the 19th century. Also included is a portfolio of letters from the actor and stage manager William Gorman Seymour. less

The collection contains portraits in photographs, drawings and reproductions of drawings of individuals involved in the entertainment arts. The portraits were created by G. Maillard Kesslère from 1925 through 1952, with the bulk of them amassed from 1925 to about 1946. The subjects include actors, dancers, singers, musicians, composers, conductors, critics, writers, directors, producers, and designers for the theater, dance, ballet, opera, radio, and television. The largest group in the collection consists of approximately 858 portraits in half-length, bust, or head only formats, and includes 589 black and white photographs, approximately 30 original pastel or charcoal drawings, and some 239 black and white photomechanical reproductions of original drawings. Over 500 of the subjects in this group are identified. The collection also includes a series of black and white photos of male and female subjects who are largely unidentified, but who were likely active in society, business, or the performing arts. The collection also contains biographies of theatre and entertainment professionals, compiled from 1951-1952. less

Gene Feist (1923-) is an American artistic director, playwright, producer, director and teacher. In 1965 he co-founded the Roundabout Theatre Company, of which he served as Artistic Director until 1988. The Gene Feist Papers document the personal and professional life Gene Feist and the history of the Roundabout Theatre Company. Types of materials in this collection include personal correspondence, production files, topical files, drafts of scripts, photographs, playbills and programs, reviews, publicity materials, business files and personal ephemera. less

The Peninsula Circuit Stock Company, co-managed by Burton Mallory and Frank E. Craig, was a theatrical company formed during the summer of 1926 in order to tour the Eastern Shore states of Delaware, Maryland and Virginia. Burton Mallory was born in 1883, and worked as an actor for many years, appearing in twelve Broadway productions. Mallory's credits include the premiere of George S. Kaufman and Moss Hart's ONCE IN A LIFETIME (1930), the 1950 staging of Shakespeare's AS YOU LIKE IT which starred Katharine Hepburn, and the 1950-51 revival of TWENTIETH CENTURY featuring Gloria Swanson and Jose Ferrer. Burton Mallory died in 1962. The Peninsula Circuit Stock Company papers consist mostly of correspondence from theater managers of Delaware, Maryland, and Virginia concerning Burton Mallory's proposed tour for the 1926-27 theater season. Included are two detailed letters from Burton Mallory setting his terms for the tour, a map of the Eastern Shore area, a list of the towns on the Eastern Shore and their approximate populations, a list of the major newspapers of the area, and a list of plays that may have been performed on the tour or were at least considered for performance, including UP IN MABEL'S ROOM, THE BAT, SO THIS IS LONDON and THE CAT AND THE CANARY. less

Philip Van Doren Stern (1900-1984) was a historian, social critic, editor and author, best known for the short story which became the source for the 1946 film IT'S A WONDERFUL LIFE. Elmer Harris (1878-1966) was a playwright and screenwriter, best known for his play and film JOHNNY BELINDA. The correspondence between Elmer Harris and Philip Van Doren Stern dates from April 1939 to January 1940, and concerns Harris' stage adaptation of Stern's book THE MAN WHO KILLED LINCOLN, concerning the last days of John Wilkes Booth. Also taking part in the correspondence was producer Joseph M. Gaites (1873-1940), who initiated the theatrical project and selected Harris as adaptor, and who occasionally wrote to Stern with updates on the production, and on the Hollywood producers said to be interested in motion picture rights to the play. The Stern-Harris letters discuss Booth and the historical facts concerning Abraham Lincoln's assassination, the portrayal of Booth in Stern's book and in the play, and matters concerning the production such as scenery and possible casting choices. Harris' outline which details the play scene by scene is included with an early letter. The play eventually premiered at the Longacre Theatre on January 17, 1940, but closed three days later after only five performances. No film version was made. less

Phyllis Merrill, writer of scripts, speeches and advertising copy. Her papers include her writings from the J. Walter Thompson Co. Commercials for RCA, as well as scripts from radio and television programs form the bulk of the collection. There is also a small amount of memos and documents from the J. Walter Thompson Co. less

The Bronson Howard Papers consist primarily of correspondence, but also include financial and legal documents. Bronson Howard corresponded with a wide circle of family, friends and professional associates. The family correspondence documents Mr. Howard's personal life, family business and social interactions. Correspondence with associates, including actors, managers and writers, gives information about Mr. Howard's activities and theater of the period. A number of letters discuss the Civil War. less

The Brooks Atkinson papers contain correspondence, awards, personal papers, photographs, ephemera, scrapbooks, datebooks, clippings and subject files and document his life and career as a drama critic for the New York Times. The papers span the years 1904-1980. Significant in the correspondence are letters from notables figures of the theater community including writers, actors, scholars and other journalists. Included in these are Sean O'Casey, Tennessee Williams, Thornton Wilder, Eugene and Carlota O'Neill, Robert W. Anderson, Maxwell Anderson, Clifford Odets, Moss Hart and George S. Kaufman, to name a few. less

Beatrice Lillie was an actress and comedian. The collection was created by Bruce Laffey, her biographer, and contains correspondence and photographs documenting Beatrice Lillie's career. Most of the correspondence is either to Bruce Laffey from Beatrice Lillie or about her. less

An entertainer born in Buffalo, N.Y., Bruce Raeburn began his career in vaudeville, but was primarily a pianist singer. He toured in the operettas BLOSSOM TIME and MY MARYLAND, served in the Navy, acquired a 15-minute daily radio program and, in 1944, obtained a regular engagement as a singing pianist at the Monkey Bar (New York, N.Y.) where he stayed for eight years. Raeburn also appeared in bit parts on stage and television and performed at various clubs in the United States and elsewhere including Brazil, Argentina and the Virgin Islands. The collection, which was housed in two scrapbooks, is almost entirely photographs. The first scrapbook consists of professional photographs; the second is mostly personal photographs and programs from the summer of 1953 season of the Theatre-By-The-Sea (Matunuck, R.I.), where Raeburn performed at the Theatre-Inn-by-the-Sea supper club in the evenings and posed with actors such as Marlon Brando and Carol Channing during the day. less

The Buddy Basch Joke Files contain jokes, organized by subject, which Basch used for his clients as well as for himself. The collection was started by Buddy Basch when he was fourteen years of age and was writing for various New Jersey newspapers and magazines and includes jokes and gags from some of the most well-known comedians of the mid 20th century. less

Burl Ives was a singer, an author and a film, television and theater actor from the late 1930s through the 1980s. This collection contains material from 1913 through 1975, but the majority of the materials are from the 1950s and 1960s. The materials in the collection cover the various aspects of Ives’ professional career. less

Actor and comedy writer, Joey Faye was born Joseph Anthony Palladino in New York City in 1910. He made his debut in vaudeville and performed in burlesque, 1931-1938. He went on to appear in plays, movies, radio, television and night clubs, had his own television show, the 54th St. Revue on CBS, and was the author of the Floogle Street sketch and other comedy pieces. Collection consists of typescript photocopies of 34 burlesque skits by Faye who also performed in them. Includes Floogle Street. less

Edward Padula is a producer, director and writer for the American theater. He produced BYE BYE BIRDIE on Broadway at the Martin Beck Theatre in 1960. Collection consists of the typescript of his memoirs on producing the show and a souvenir program from the 1960 production of BYE BYE BIRDIE. less

Jon Stone winner of 18 Emmy awards for his work in television was the writer of the Captain Kangaroo program. Captain Kangaroo began in 1955 and was an award winner program for children. The scripts span the years 1959 to 1964. There are some gaps. less

Carl Henkle was the author of two plays produced on Broadway, DECISION (1929) and PAGE PYGMALION (1932). Henkle's play DECISION opened at the 49th Street Theatre on May 27, 1929, and ran for 64 performances. PAGE PYGMALION opened at the Bijou Theatre on Aug. 3, 1932, and ran for 13 performances. The Carl Henkle papers consist of a small amount of correspondence and five tablets of pencil sketches of female figures by an unknown artist. The correspondence includes three telegrams wishing Henkle good luck on his first Broadway play, DECISION, including one from an actress in the cast. The other letters involve a dispute concerning the bill for a kimona used in PAGE PYGMALION, Henkle's second Broadway play. The unsigned and unlabelled sketches of women appear to be student work, but might have been preliminary costume sketches for one of Henkle's productions. less

Eva Le Gallienne (1899-1991) was an actress, producer, director, translator, teacher and writer. Consists of two very brief letters with envelopes, written by Eva Le Gallienne on stage during performances of CAMILLE, based on LA DAME AUX CAMELIAS by Alexandre Dumas fils. less

The Everyman Theatre was founded by Norman Macdermott in 1920 as a non-commercial, experimental playhouse which showcased the plays of Bernard Shaw. It mounted Noel Coward's first successful work, The Vortex, in 1924 and introduced many foreign dramatists to the English stage including Eugene O'Neill, Henrik Ibsen and Luigi Pirandello. In the 1930s it was used by various small companies and in 1947 it was converted to a cinema specializing in non-commercial and foreign film. Records document the performance schedule and cast for the Everyman Theatre, 1920-1923. They consist of two time books (one bound notebook and one small booklet) listing curtain times for each act of every production, one notebook of staff wages, and loose receipts, mostly for costumes. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less