Found matches for "james baldwin" in 18 collections.

James Baldwin (1924-1987) was the premiere African American writer and public intellectual of the post-War period. He authored six novels, three plays, dozens of short stories, a book-length work of non-fiction, a children's book, scores of essays and reviews, and a book of poems. Baldwin won renown in the U.S. and internationally for his writing, his leadership in the civil rights movement, and for championing human rights around the world. His essays and reviews, especially, are remarkable not just for their mastery of literary technique - their marriage of music and sharp analysis - but for the breadth of the African American experience which they interpret, dramatize, honor, and lament. These prose masterpieces are unique in the history of American literature for the depth, subtlety, and daring with which they explore the psycho-political causes and consequences of racism and other ideologies of political exploitation. His best known works include Go Tell It on the Mountain(1953), Notes of a Native Son(1955), Giovanni's Room(1956), The Fire Next Time(1963), and If Beale Street Could Talk(1974). "Five Years" is an 18-page typescript of sixteen unpublished poems (the last two being carbons) written by Baldwin between 1942 and 1948 prior to the publication of his first novel, Go Tell It on the Mountain. The poems, which are dated, explore themes of love, fear and mortality, lifelong preoccupations of the author best known for his insightful essays and probing fiction. less

This collection consists of typescripts of novels, biographies, essays, and poems on historical, sociological, and educational issues, and conference papers. Some of the typescripts appear as final drafts, others as working drafts with author's annotations and corrections. Manuscripts included are "A Talk to Teachers: The Negro Child, His Self Image" by James Baldwin; "Slavery and Capitalism" by Eric Williams; "Life in a Haitian Valley" by Melville J. Herskovits; "American Dilemma" by Gunnar Myrdal; and poems by Waring Cuney, among others. Other authors represented are Arna Bontemps, Horace Mann Bond, Lloyd Brown, Helen Buckler, Henrietta Buckmaster, John H. Clark, Benjamin Davis, Ralph Ellison, Arthur Huff Fauset, and E. Franklin Frazier. Conference material includes Melville J. Herskovits and the Future of Africana Studies (Schomburg Center, May 1988); Marcus Garvey Centennial Conference (Jamaica, November 1987); and the Second World Black and African Festival of Arts and Culture (Nigeria, 1977). less

Maya Angelou (1928-2014) was one of the most renowned and celebrated voices in American literature. The Maya Angelou papers consist of original manuscripts, computer generated typescripts, galleys, and proofs of published work as well as manuscripts for unpublished work and dozens of poems. Additionally, there is personal and professional correspondence, teaching files, printed matter, and materials from public and academic appearances and engagements. less

Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis. His father, Quincy Trouppe, Sr., was an all-star catcher in Negro league baseball. The Quincy Troupe papers, dating from 1915 to 2008, mainly document Troupe's career from the mid-1970s to 2008. They also hold the scrapbooks of Quincy Trouppe, Sr. less

The Riverton was a seven-building complex built by the Metropolitan Life Insurance Company in 1947, one of four complexes they built during the 1940s. The complex was bounded by 135th and 138th Streets, Fifth Avenue, and Harlem River Drive. The Riverton Houses collection consists of a variety of material but does not constitute records of the Riverton. These files came from the Administration offices at 2156 Madison Avenue. Included is a file for Clifford L. Alexander, Sr., the first resident manager (1947-1964) of the complex. There are also miscellaneous files dealing with the management of the Riverton, including the position description for the resident manager; descriptive information regarding the Riverton; and letters regarding street lights, parking signs, and traffic conditions affecting the residents of the Riverton. less

Internationally known cabaret personality Bricktop, was born Ada Beatrice Queen Victoria Louise Virginia Smith in Alderson, West Virginia in 1894. Nicknamed "Bricktop" for her red hair, she began her career as an entertainer at the age of 16, performing on the vaudeville circuit with Flournoy Miller and Aubrey Lyles in McCabe's Georgia Troubadours minstrel show, then later with the Oma Crosby Trio, and the Panama Trio with Florence Mills and Cora Green. She also performed in saloons in Chicago such as the Roy Jones' saloon and Cabaret de Champion, also known as Café Champ owned by boxer Jack Johnson, and in Harlem at Barron's Exclusive Club and Connie's Inn. Bricktop went on to own her own nightclubs in Paris (1920s and 30s), Mexico City (1940s), and Rome (1950s). Towards the end of her career she made appearances on radio broadcasts, performed at various establishments such as The Club Tango in Chicago, and introduced Josephine Baker for her "come-back" engagement at Carnegie Hall in 1973. She co-authored "Bricktop" (1983), her autobiography, with James Haskins. The Ada "Bricktop" Smith DuConge Papers, 1920s-1984, primarily document the latter part of Bricktop's life and career. The Papers consist of letters and cards, daily planners and address books, notes on religious thoughts and other subjects, financial papers, sheet music, and news clippings. The diaries range from the 1920s to 1983 and in some instances serve as daily planners and account books. The volumes hold information pertaining to both her personal and professional life. The earliest letters date from the 1950s, after she moved to Rome. Primarily they are from people Bricktop worked with during her career including Jack Jordan, James Haskins, Hugh Shannon, David Hanna, and Earl Blackwell. Additionally, there are promotional materials that relate to her career as an entertainer, e.g. fliers, programs; invitations, among them two from Bricktop's in Paris in 1937; letters from broadcasting agencies; magazines noting her appearance dates; and news clippings that include featured stories about Bricktop in arts, entertainment and society columns. less

The Claudia McNeil Scrapbooks, donated by The Actors' Fund of America after McNeil's death, were created by the late performer during the course of her career and consist of twelve volumes spanning the years 1938 to 1981. The contents include newspaper and magazine feature articles, reviews, advertisements, programs, poems, telegrams, letters, photographs, greeting cards, and handwritten notes arranged chronologically by her engagements or performances, with the predominate amount of material documenting her arrival at the pinnacle of her career in A Raisin in the Sun. less

This collection consists of personal and professional material of Nat King Cole, such as correspondence, programs, and advertisements. Additionally, there is printed matter, such as clippings and articles; scrapbooks; and scores, which is the largest series. Finally, there is material related to Cole's wife, Maria Cole, such as scrapbooks, biographical material, and drafts for a book. less

The Alice Childress papers document Alice Childress's career as a writer and actress, and her activities in the theatre for five decades in New York City. The Personal Papers series includes correspondence, an oral history conducted by Ann Shockley, Childress's FBI file, diaries, calendars, interviews, educational materials, family letters, files for her two husbands, and biographical information about Childress. Significant correspondents include writers Kay Bourne, Harold (Hal) Courlander and Susan Koppleman. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less