Found 526 collections.

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

Betty Comden, lyricist and part of the creative team of Comden and Green, wrote lyrics for many Broadway shows from 1940 until 1990. The collections consists of vocal scores, parts and sketches for musicals of which Comden and Green were part of the creative team. less

The Index of New Musical Notation was a research project formed in 1971 in New York City by music editor and writer Kurt Stone to bring unity and standards to modern music notation. The Index developed out of a committee at the Music Library Association and was housed and administered by the Music Division at the Library of the Performing Arts, New York Public Library. The records contain office files and materials relating to the three main projects of the Index, the original notation indexing project, its sponsorship of the International Conference on New Musical Notation in Ghent, and the Questionnaire on New Musical Notation. The collection as a whole demonstrates the development of methods for researching, categorizing, and establishing a more universal lexicon of musical notation. less

The George Rochberg papers, Additions document the professional activities, theoretical writings, and personal life of the American composer. Personal material includes letters to and from family members, documents, photographs, and Rochberg's sketches of his family members. Professional records comprise letters from fellow composers and academics, writings on composition and musicology, photographs, and files relating to live performances of his compositions. less

Raoul Camus, a scholar of American band music, is professor emeritus of music at Queensborough Community College of the City University of New York. He has published several books on the history of military bands and secular music in the United States. The Raoul Camus collection of Jimmy Lanin programs, dating from the 1940 to 1973, holds about 70 programs for events at which the Lanin band performed. less

Ray and Robert Pretzfeld were patrons of music. They were friendly with many musicians and, with their wives, hosted private performances in their homes. The Pretzfeld family papers date from 1924 to 1994. They hold two guestbooks and two scrapbooks documenting the home performances, as well as the political activism of Mrs. Robert Pretzfeld. less

The Jean Stein files on Rudolf Von Oertzen and Friedelind Wagner date from 1951 to 1959. They mainly document the aborted 1959 production of Von Oertzen’s opera The Odyssey in Shreveport, Louisiana, as well as the friendship of Friedelind Wagner and Jean Stein. less

Joel Feigin (1951- ) is an American composer who studied with Roger Sessions and Nadia Boulanger. The Joel Feigin papers, dating from 1958 to 2010, document his career and education. They hold scores, professional and professional files, and education files. less

Elliott Carter (1908-2012) was one of the most accomplished and respected composers of the 20th century. The Elliott Carter papers, dating from 1946 to 1995, hold correspondence, photographs, an undated interview transcript, clippings, concert programs, and Carter’s 1994 Grammy nomination medal. less

Frédérique Petrides (1903-1983) was a violinist, conductor, teacher, publisher, and pioneering advocate for women in music. The Frédérique Petrides papers, Additions, dating from 1918 to 1983, contain personal correspondence between Petrides and her husband, family and friends. less

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence. less

Alice Smith (? - ca. 1998), the daughter of a Viennese opera star, was a fan of music and musicians. The Alice Smith photographs (1980-1997) hold about 2,500 informal photographs of vocalists, instrumentalists, conductors, and composers taken backstage at Lincoln Center and Carnegie Hall. less

Richard Rodgers (1902-1979) was an American composer and producer, well known for his collaborations with lyricists Lorenz Hart and Oscar Hammerstein II. The Richard Rodgers music papers contain scrapbooks, published vocal scores, and drafts of his autobiography, Musical Stages. less

Zero Mostel (1915-1977) was an American artist and actor of stage and screen, well known for his portrayal of Tevye in Fiddler on the Roof. The Zero Mostel scores contain Mostel's personal copies of published sheet music both related and unrelated to his acting career, as well as sheet music from Jim Brochu's play Zero Hour, a tribute to Mostel produced after his death. less

Robert Kurka (1921-1957) was a composer best known for The Good Soldier Schweik (1956-1958), an orchestral suite which he expanded into an opera. He also wrote works for instrumental soloists, chamber groups, chorus, and orchestra. The Robert Kurka papers, dating from 1941 to 1982, hold scores, professional correspondence, clippings, books, and a professional journal. less

The Malena Kuss files on Carleton Sprague Smith date from 1981 to 2007. They mainly document the creation of Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith (1991), for which Kuss served as an associate editor. less

The Charles Thruston Johnson papers document the violinist's career as an orchestral, solo, and chamber musician; as a teacher and conductor; and as the director of the International Festival Series of chamber music concerts. The collection consists of correspondence, programs, photographs, scrapbooks, clippings, promotional material, student and teaching records, awards and honors, and military records. less

Albert Stoessel (1894-1943) was an American violinist, conductor, composer, and pedagogue. The Albert Stoessel papers, Additions, primarily hold lecture texts and course materials, and also contain small portions of biographical papers, photographs, and correspondence. less

Robert Holt (? - ca. 1990) was a music arranger active in New York City in the early 1970s, known professionally as Bob Holt. The Bob Holt scores date from 1958 to 1977 and contain arrangements of over 200 jazz and American songbook standards for piano trios and big bands. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less