Found 79 collections related to Letters

Artec Consultants, Inc., provides interdisciplinary consulting services for buildings for the performing arts, and basic design services for theatres, opera houses, concert halls, recital halls and related facilities. Drawings for the Philadelphia Orchestra Hall project by acoustician Russell Johnson of Artec Consultants, Inc. less

Bruce Hungerford was an American pianist and Egyptologist. Programs, clippings, and reviews of concerts and phonograph records; letters from Hungerford chiefly to Dr. and Mrs. George Dinsmore Stoddard; letters to Stoddard about Hungerford from other persons; and brochures and correspondence about an audio-visual series by Hungerford on Egyptology. less

5 exercise books and 6 ALS from Marie Schmole, Dresden, to Mary Burrell, London, giving reminiscences of Richard Wagner from 1842 to 1849, at the request of Mrs. Burrell. The exercise books include: Richard Wagner in Dresden ; Von Rienzi zum Fliegenden Holländer ; Wagner als königl. Kapelmeister ; Wagner's Wirksamkeit als Kapelmeister ; Wagner als Politiker (Revolutionär). The 1st is labeled (in another hand): Aufzeichnungen. Accompanied by portraits of Ferdinand Heine and Marie Schole, and Frau Schmole's calling card. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

Susanne Weinert was a governess employed in the Wagner household at Villa Wahnfried, July 1875 - April 1876. The German opera composer Richard Wagner had married Cosima Von Bülow (born Liszt), his second wife, in 1870. Diary entitled Im Hause Richard Wagners : ein Beitrag zum Familienleben des grossen Meisters (92 leaves) ; curriculum vitae entitled Mein Lebenslauf ([7] p.) ; application by Susanne Weinert for assistance, 1893 Apr. 1, to Marie Tittman Foundation, Dresden, with 2 related letters, 1894 ; her references as a governess, including one from Cosima Wagner ("Frau Richard Wagner geb. Liszt"), Bayreuth, 1876 May 15 (probably copied in another hand) ; envelope in which documents were contained when sent by Mrs. Baumgarten to Mrs. Burrell. less

Anonymous ms. poem addressed to Minna Planer as Sena in Solomon's Judgment, 1833 Feb. 14 ; 15 ALS, including 2 from Anton Hübsch of Königsberg, offering engagements at various theaters in Germany, 1833 Dec. 23 - 1836 March 6 ; 1 ALS from Minna Planer, Magdeburg, 1833 Dec. 27, to an unspecified theater director stating her conditions ; contract between Minna Planer and Anton Hübsch of the Königsberg Theater, 1836 March 28 ; newspaper, Unterhaltungsblätter, Königsberg, 1836 Nov. 5, containing an article on Minna Planer as an actress. A draft letter for Minna Planer in the hand of Richard Wagner is cataloged separately (NYPW91-A75). A ms. stagebook with Minna Planer's silent part in Auber's Die Stumme von Portici has been cataloged separately in the Books File (NYPG91-B1045). less

The archive contains material related to the publication of four novels and one unpublished novel written by Auster during the period 1999-2005; material related to the publication of volumes of collected poetry, novels, and prose published in the period 1999-2006; and material related to the genesis of five film projects: the HBO project "I Thought My Father Was God," based on Auster's collection of reminiscences published in 2001; "In the Country of Last Things," based on Auster's novel published in 1987; and "Lulu on the Bridge." Also present are materials related to four nonfiction works, an illustrated fiction project ("Auggie Wren's Christmas Story," first published in 1990); contributions, prefaces, interviews from the period 2000-2005, and material related to reissues of translations completed mostly during the 1970s but published 2002-2005. Additional material includes promotional artwork; programs featuring Paul Auster; and public remarks made by Auster and those introducing him at these events. Also present is material written by others, including creative adaptations of Auster's work and scholarly analyses of his work. The archive is rich in both incoming and outgoing correspondence, and includes letters to and from writers and friends, agents and publishers, as well as translators, readers, students, and organizations. Writers and recipients of correspondence include Pedro Almodóvar, Russell Banks, William Corbett, Don DeLillo, Jonathan Safran Foer, Jonathan Lethem, Sam Messer, Michael Ondaatje, Ron Padgett, Claude Royet-Journoud, and others. less

In advance of Perspectives of New Music's forum on problems and discrepancies in conventional notation practice, American violinist and composer Paul Zukofsky sent a questionnaire using the organization's letterhead to 70 composers. He received 25 replies, but based his presentation on only 8 of them. The collection consists of the blank questionnaire; responses from the 8 composers used in the presentation: Martin Boykan, Elliott Carter, George Crumb, David Lewin, Seymour Shifrin, Claudio Spies, Kurt Stone, and Richard G. Swift ; handwritten and typescript drafts of Zukofsky's compilation and presentation; and additional responses from: Harvey [Sollberger?], Vincent Persichetti, Otto Luening, Josef Marx, Don Martino, Turetsky [Bertram Turetzky?], [Lejaren?] Hiller, Harold Farberman, Robert Moevs, Michael Colgrass, Eric [?] Berglund [?], J. Glick, and Ross Lee Finney. Zukofsky's article apparently did not appear in a Perspectives of New Music publication. less

27 letters (22 ALS and 5 TLS) and 14 postcards from Wilhelm Furtwängler, 1920-1928 and undated, including note at end of article ; 1 letter each from Arthur Nikisch, Hans Pfitzner, and Richard Strauss ; Wiener Philharmonischer "Partitur" containing drawings of faces of members of the orchestra ; article about Berlin by Furtwängler ; "Amnerkungen zur Musik von Wagners 'Ring des Nibelungen'" von Wilhelm Furtwängler ; unsigned ms. article about Furtwängler ; photograph of Furtwängler ; 10 clippings including 1 from 1911 and 9 obituaries of Alfred Wolf, 1930 ; "Gustav Mahler III. Symphonie D-moll : Thematische Analyse," von Richard Specht ; and 4 programs indluding 1 for an 1892 performance of Tannhäuser. less

Author and recipient were pianist-composers active in Europe. Kalkbrenner asks Moscheles to sign a receipt for the sale of 2 concertos and gives news: music of Neate and Potter is being played by the Philharmonic Society rather than Beethoven symphonies; Cramer just missed breaking his thumb in a freak accident; Madame Pasta had a successful debut; and Kiesewetter played like a demon. less

Charles Gounod was a French composer. Sapho, his first opera, was first performed in 1851. His best known opera is Faust. The letter, beginning "Cher Enfant," is written to an unnamed young singer. Gounod congratulates her for the opportunity of studying the part of Sapho under Pauline Viardot, who created the role. He discusses proposed cuts in the performance and gives advice about interpretation. He also mentions that he has just finished the finale of the 3rd act of Faust. less

Theodor Reichmann was a German baritone. Reichmann requests permission to sing in Pest on the "second holiday" and compliments the recipient on his conducting of Siegfried. The letter may have been written to Gustav Mahler, German composer and conductor. less

Ludwig Thuille was a German composer and pedagogue. Lobetanz was one of 3 operas he composed. Thuille asks about the scheduling and casting of Lobetanz, then describes a rather poor performance of an otherwise highly praised work by the unnamed recipient. The work discussed is manifestly Mahler's 2nd symphony, so the letter has been written to Gustav Mahler, German composer and conductor. less

An Italian opera composer, Giacomo Puccini at the time of this letter was overseeing the production of La Fanciulla del West at the Teatro Grande, Brescia. The recipient, Antonio Bettolacci, was Puccini's personal business agent. Puccini encloses a bank draft and complains about conditions in regard to the production. less

Jerome Kern was an American composer. On Metro-Goldwyn Mayer stationery, Kern mentions Champagne and Orchids, a film Hammerstein and he were preparing for Jeanette MacDonald and Nelson Eddy but which was not produced; and comments on Hollywood personalities and a dinner with Igor Stravinsky. Opens "Mavoureen" and is signed "Jerome David". less

This collection mainly consists of correspondence relating to his writings and to his attempts to get out of Berlin when Hitler and the Nazis were in power. It also contains some correspondence after his death, relating to locating some of his relatives and getting his letters to the Dance Collection. The correspondence is arranged alphabetically by correspondent; however, each file may contain material to, from, or about the person listed. Many of the German letters have been translated by Anita Warburg, and she has made a summary of the correspondence in each year of the Michel correspondence. The collection also contains two articles by Michel. In the Folder List, AM refers to Artur Michel. less

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch. less

Eva Gauthier, a mezzo-soprano, was born in Ottawa. Her pupil Karel Weiss, of Baltimore, was 20 years old in 1947. 12 ALS from Eva Gauthier to Karel Weiss, 1947-1954; 2 ALS from Eva Gauthier to Weiss's mother, 1948 and 1956; 1 TL from Eva Gauthier recommending Weiss for "a Berkshire season", 1947; clipping, flyer, and programs for concerts by or relating to Eva Gauthier, 1951-1966; prospective, minutes, and by-laws for organization which became The Eva Gauthier Society for Living Song, 1959-1960; musical scores of songs by Mario Castelnuovo-Tedesco, E.T. Cone, Ned Rorem, and Hugo Weisgall, accompanied by ALS from Castelnuovo-Tedesco (1966) and Weisgall (1948), and typed postcard from Rorem (1947), all mentioning Eva Gauthier. less

Thor E. Wood was Chief of the Performing Arts Research Center of the New York Public Library. P.A.R.C. has since been incorporated into the New York Public Library for the Performing Arts. Letters concerning the loan or gift of music manuscript material for the exhibition, Contemporary American Composers, in the Performing Arts Research Center of the New York Public Library: 1 ALS each from George Crumb, Charles Dodge, and Louise Talma; 1 TLS each from George Perle and Virgil Thomson; 2 TLS from Thomson's secretary Louis Rispoli; and 8 TLS (copies) from Thor E. Wood to John Corigliano, George Crumb, Mario Davidowsky, Charles Dodge, Otto Luening, Mimi Johnson, George Perle, and Virgil Thomson. less

An Austrian composer, Arnold Schoenberg came to the United States in 1933 and became an American citizen in 1941. Kurt List was an Austrian-American composer also active in music criticism and in the sound recording business. 4 letters to Kurt List and 1 letter to Nathan Broder which was enclosed in a letter to List. Typescript with emendations and signatures in ink. 1 letter to List has no signature and may be incomplete. less

An American pianist, George Copeland introduced the works of Debussy to the United States and also specialized in the works of Spanish composers. His many friends and associates included John Singer Sargent, Mary Garden, Isadora Duncan, Mrs. Fiske, Sarah Bernhardt, Melba, Calvé, Lina Cavaliere, Maggie Teyte, Mrs. Jack Gardner, Debussy, De Falla, Laurette Taylor, and Marie Dressler. Shortly after World War I, Copeland stayed in Kronberg with the family of Margarethe of Hesse, Princess of Prussia, sister of Kaiser Wilhelm. Biographical and autobiographical writings, letters, photoprints and drawings, 3 musical scores, and other items relating to the career of George Copeland. The collection includes drafts of a biographical essay about Copeland by Frederic Bradlee; drafts of Copeland's autobiography; Copeland's essay "Debussy, the Man I Knew" from The Atlantic Monthly, Jan. 1955; 14 letters from Margarethe of Hesse, Princess of Prussia (signed "Margaret") and 7 letters from other members of her family, 1922-30, 1952-54; 2 letters from Mary Garden; 1 letter from Manuel de Falla; 41 photographs and 3 other portraits of Copeland, 26 photographs of Copeland with others of whom 15 are unidentified; 6 photographs of Copeland's mother; 17 photographs of Copeland's friends and colleagues of whom 9 are unidentified; a reproduction of a pencil drawing of Debussy by B. Solofareff; and a manuscript score of the song A Doctor's Advice by Copeland. less