Found 79 collections related to Letters

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

Susanne Weinert was a governess employed in the Wagner household at Villa Wahnfried, July 1875 - April 1876. The German opera composer Richard Wagner had married Cosima Von Bülow (born Liszt), his second wife, in 1870. Diary entitled Im Hause Richard Wagners : ein Beitrag zum Familienleben des grossen Meisters (92 leaves) ; curriculum vitae entitled Mein Lebenslauf ([7] p.) ; application by Susanne Weinert for assistance, 1893 Apr. 1, to Marie Tittman Foundation, Dresden, with 2 related letters, 1894 ; her references as a governess, including one from Cosima Wagner ("Frau Richard Wagner geb. Liszt"), Bayreuth, 1876 May 15 (probably copied in another hand) ; envelope in which documents were contained when sent by Mrs. Baumgarten to Mrs. Burrell. less

In advance of Perspectives of New Music's forum on problems and discrepancies in conventional notation practice, American violinist and composer Paul Zukofsky sent a questionnaire using the organization's letterhead to 70 composers. He received 25 replies, but based his presentation on only 8 of them. The collection consists of the blank questionnaire; responses from the 8 composers used in the presentation: Martin Boykan, Elliott Carter, George Crumb, David Lewin, Seymour Shifrin, Claudio Spies, Kurt Stone, and Richard G. Swift ; handwritten and typescript drafts of Zukofsky's compilation and presentation; and additional responses from: Harvey [Sollberger?], Vincent Persichetti, Otto Luening, Josef Marx, Don Martino, Turetsky [Bertram Turetzky?], [Lejaren?] Hiller, Harold Farberman, Robert Moevs, Michael Colgrass, Eric [?] Berglund [?], J. Glick, and Ross Lee Finney. Zukofsky's article apparently did not appear in a Perspectives of New Music publication. less

22 letters, 8 cards, and 2 telegrams from Giacomo Puccini to Arturo Toscanini; 2 letters from Giacomo Puccini to Carla Toscanini; 1 letter from Giacomo Puccini to Gervelli (an impresario); 1 letter from Giacomo Puccini to Riccardo Schnabel Rossi; and 2 letters from Elvira Puccini to Arturo Toscanini. Subjects include productions of Manon Lescaut, La Boh̋eme, Tosca, Madama Butterfly, La Fanciulla del West, and Turandot. Accompanied by clipping of an article relating the plot of Turandot to Puccini's life. less

Enrico Caruso was an Italian tenor connected with the Metropolitan Opera (N.Y.) after 1902. 3 telegrams (1919-1920), 2 letters regarding concert arrangements (1920), material relating to 4 insurance policies (1919-1920) including lists of jewels owned by Caruso and his wife, and a checkbook with stubs dated May [Mar.?] 2-10, 1921. less

Ernst Bacon, 1898-1990, was an American composer, pianist, conductor, and teacher. 1 ALS, 1962, and 30 ALS, 1972-1976, to John Edmunds discussing the Bacon-Edmunds collaboration on a radio skit, Watergate (performed 11-2-72 on Station KPFA, Berkeley) and other works including the ballets Jehovah and the Ark and A Parliament of Fowls (also entitled Court of Rooks), and Bacon's collaborations with Cornel Lengyel; and a collection of manuscript material relating to Watergate and its other versions as musical comedy variously entitled Nixie's Party, Nixie's Circus, Nixie, Watergates, and Waterbuggers, sometimes with subtitle A Political Burlesque, and sometimes pseudonymously attributed to N.O. Cable and J. Heron. This material includes a notebook with script and lyrics (in ink and pencil), 2 versions of script, lyrics, words and music (photocopies with emendations in ink and pencil); first-draft notes, early versions and musical sketches, (typescript, ink, some photocopies); and 1 TL (photocopy) from Bacon and Edmunds to Sargent Shriver suggesting the broadcast. 1 ALS is written on the program of the premiere of A Parliament of Fowls, May 6, 1975. less

The Edith Evans Braun Collection highlights the history of American music in the early and mid twentieth century. The collection shows various details of the lives and careers of notable music figures of the period through the memoirs and diaries of Edith Evans Braun, a pianist and director at the Curtis Institute of Music in Philadelphia. Of strong interest in the collection are the music manuscript sketches by emerging composers (Deems Taylor, Samuel Barber) of the period, and signed and dedicated published scores. There are also letters and photographs from Taylor, Barber, Gian Carlo Menotti, Josef Hoffman, and others. The period covered in the collection is from 1916 to 1971. less

An American pianist, George Copeland introduced the works of Debussy to the United States and also specialized in the works of Spanish composers. His many friends and associates included John Singer Sargent, Mary Garden, Isadora Duncan, Mrs. Fiske, Sarah Bernhardt, Melba, Calvé, Lina Cavaliere, Maggie Teyte, Mrs. Jack Gardner, Debussy, De Falla, Laurette Taylor, and Marie Dressler. Shortly after World War I, Copeland stayed in Kronberg with the family of Margarethe of Hesse, Princess of Prussia, sister of Kaiser Wilhelm. Biographical and autobiographical writings, letters, photoprints and drawings, 3 musical scores, and other items relating to the career of George Copeland. The collection includes drafts of a biographical essay about Copeland by Frederic Bradlee; drafts of Copeland's autobiography; Copeland's essay "Debussy, the Man I Knew" from The Atlantic Monthly, Jan. 1955; 14 letters from Margarethe of Hesse, Princess of Prussia (signed "Margaret") and 7 letters from other members of her family, 1922-30, 1952-54; 2 letters from Mary Garden; 1 letter from Manuel de Falla; 41 photographs and 3 other portraits of Copeland, 26 photographs of Copeland with others of whom 15 are unidentified; 6 photographs of Copeland's mother; 17 photographs of Copeland's friends and colleagues of whom 9 are unidentified; a reproduction of a pencil drawing of Debussy by B. Solofareff; and a manuscript score of the song A Doctor's Advice by Copeland. less

As a young man, the German composer Richard Wagner was in love with actress Minna Planer who later became his first wife. Minna's standing as first tragic artist in the Magdeburg theater was being threatened by a Mme. Grabowsky. Bethmann was director of the theater. A scribbled draft in the hand of Richard Wagner of a letter for Minna Planer to send to Director Bethmann, demanding her rights as first tragic actress in the Magdeburg theater. The draft is written on the verso of a discarded letter, a rejection by Minna to an unnamed suitor. In the remaining space on the same sheet of paper, Natalie Planer (Minna's illegitimate daughter) has written an explanation of Richard Wagner's draft. less

Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch. less

5 exercise books and 6 ALS from Marie Schmole, Dresden, to Mary Burrell, London, giving reminiscences of Richard Wagner from 1842 to 1849, at the request of Mrs. Burrell. The exercise books include: Richard Wagner in Dresden ; Von Rienzi zum Fliegenden Holländer ; Wagner als königl. Kapelmeister ; Wagner's Wirksamkeit als Kapelmeister ; Wagner als Politiker (Revolutionär). The 1st is labeled (in another hand): Aufzeichnungen. Accompanied by portraits of Ferdinand Heine and Marie Schole, and Frau Schmole's calling card. less

Lina Prokofiev was a Spanish singer whose stage name was Lina Llubera and whose real name was Carlina Codina. In 1923 she was married to Sergey Prokofiev, a Russian composer. ALS, signed "Linette P." Mrs. Prokofiev writes aboard the S.S. Normandie. The paper is folded to create an envelope on the verso with the return address, "From L. Prokofieff, c/o Grandes Editions Musicales, 22 rue d'Anjou, Paris 8e." Postmark: Paris VIII, 8 IV 1938. less

Bata Kindai Amgoza Ibn LoBagola, an African American, was born Joseph Howard Lee in 1887 in Baltimore, Maryland. As early as 1907 he was using the name "LoBagola," claiming that he was from the French Sudan, and was on the lecture circuit speaking about African customs and his claims that he was a Black Jew. In 1930 he published, "LoBagola : An African Savage's Own Story," which was translated and sold in a number of European countries, and "The Folk Tales of a Savage." LoBagola died in 1947 while in Attica Prison, having been arrested and imprisoned several times for petty theft and sexual crimes. Correspondence between LoBagola and his agent, James B. Pond, contracts, clippings, advertisements, and a typescript of a lecture entitled "My Religion," about his experience as a Jew. less

Hector Berlioz was a French composer. In 1837 the Minister of Fine Arts commissioned him to compose a Requiem Mass to be performed on the 7th anniversary of the heroes of July 28, 1830. He finished his Grande Messe des Morts on June 29, but days before the occasion, the bureaus cancelled the ceremony. The recipient, Pierre-Louis-Philippe Dietsch, was maitre de chapelle at St.-Eustache, and later at Ste.-Madeleine. ALS. Berlioz tells his choral conductor Dietsch that the ceremony for which the Requiem is being rehearsed has been cancelled, and says not to bother to come to the Conservatory with his "gamins.". less

Wieland Wagner, grandson of Richard Wagner, was involved in various aspects of production of his grandfather's operas at Bayreuth. The recipient was his mother, Winifred Wagner, Richard's daughter-in-law. English translation of letter beginning "Dear Mama" about Hitler's request for a 1945 Bayreuth Festival. Wieland asks for more autonomy for himself and his brother Wolfgang in the productions and disputes Winifred Wagner's choice of Heinz Tietjen as artistic director. Translated from the German by Lt. Joseph Stein who was attached to G-5 Intelligence of General Patton's army during World War II. less

Author and recipient are American composers. George Boziwick was a student of Barbara Kolb. 4 ALS of which the 1st and 3rd are written on stationery printed: Institut de Recheche et Coordination Acoustique/Musique ; the 2nd and 4th are written on picture postcards sent in envelopes postmarked Paris. The 1st gives advice about Boziwick's Fulbright application and asks him to do several errands. The 2nd and 3rd look forward to his visit to Paris, asking him to bring various items. The 4th describes the aftermath of Kolb's accident in Assisi in which she broke her ankle. less

An American violinist, Yehudi Menuhin was engaged in 1947 by Two Continent Pictures to appear and play in a projected moving picture named Delirium and an associated short movie; and later for a series of short films. He suggested changes in the script and performed the Mendelssohn Concerto for Delirium, but the picture apparently was not completed, nor were the short films although 22 reels were recorded and photographed. 4 letters from Yehudi Menuhin, including 2 TLS and 1 ALS, to representatives of Two Continent Pictures, chiefly Paul Gordon; 3 letters to Menuhin, including 2 TLS from Gordon; copy sent to Gordon of TL from Menuhin to his uncle and lawyer, Sidney Ehrman; TLS from Ehrman's associate Louis Heilbron to Paul Gordon; contract; 2 drafts of business agreements, and 2 itineraries. The 13-leaf TLS from Menuhin to Gordon with suggestions for changes in the script of Delirium contains many handwritten emendations, and a 13-leaf typed fair copy of the script suggestions is also included. less

The German opera composer Richard Wagner's opera Tannhäuser was produced in French in Paris, March 13, 18, and 24, 1861. 7 ALS to Richard Wagner, 1861, from Prince Poniatowski, E.B. Kietz, the director of the Theatre Imperiale de l'Opera, E. Cormon, Marie Niemann, and Albert Niemann ; 1 ALS from S. de Charnal to E.B. Kietz, 1859 ; 2 ALS from G. Cormon to Mme. Szemere, 1861 ; 7 rehearsal notifications addressed to Wagner from the Theatre Imperiale de l'Opera, 1861. less