Found 60 collections related to Programs (documents)

Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers were motorized thrill-shows that toured North America during the 1940s. The collection dates from 1941 to 1949 and holds programs, press releases, and newspaper clippings relating to Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers. less

Samuel Leve (1910-1999) was a New York-based scenic designer. The Samuel Leve design files date from the 1930s to 1994 and contain designs, photographs and slides, scenic and rigging plots, course materials, correspondence, clippings, programs, and newsletters. less

E. B. Marks (1865-1945) was an American music publisher who founded the Edward B. Marks Music Company. The E. B. Marks collection of photographs and ephemera consist of clippings, publications, photographs, programs, promotional material, and other materials. Most of the clippings and publications date from about the 1930s to the 1940s and concern television and radio broadcasting, music, and film. There are programs from the first annual conference of the Television Broadcasters Association in 1944. Clippings concern the early development of television, film advertising, and individual musicians, among other topics. There are also clippings on theater from about the 1910s to the 1920s, and one folder of clippings on the evangelist Billy Sunday, dating to the 1910s. The collection contains programs for performances and lectures, which date from 1875 to 1911 and come from American theaters. The photographs in the collection are mostly of performers. There are a large number of photographs of vaudeville minstrel Eddie Leonard, as well as caricatures of Leonard, and a photograph of his wife, Mabel Russell. The collection contains one photograph identified as E. B. Marks. The collection includes several play scenarios, script excerpts, and song lyrics, including two scenarios in French by Charles Méré. The collection also contains a booklet produced by NBC's Radio-Recording Division, called "Family Album" and showing photographs of the division's employees; brochures and posters for "Lest We Forget," an educational radio series about American history and government created by the Institute of Oral and Visual Education; and a pedigree for a Jersey bull, Gold Dust the Fourth, dated 1882. less

Marilyn Cooper (1934-2009) was a Tony Award winning American actress working primarily in theatre and television from the mid-1950s to the late 1990s. The Marilyn Cooper papers document Cooper's professional life with scripts, photographs, programs, publicity materials, correspondence, sheet music, and other production materials; and her personal life with photographs, correspondence, and elementary school, high school, and college yearbooks, photographs, and scrapbooks. less

Rita Stevens was a 20th century British actress. From 1948 through the early 1950s, Stevens played the roles of Stella and Blanche in Anna Lucasta during the West End production and British tours. The Rita Stevens papers date from 1910 to 1963 (bulk dates: 1930s-1950s) and contain day calendars, photographs, programs, and scrapbooks that document the life and career of the actress. less

Michael Strong (1918-1980) was an American film, theatre, and television actor. Strong was an originating company member of the Repertory Theater of Lincoln Center and appeared in the films Point Blank and Patton. The Michael Strong papers date from 1951 to 1980 and contain biographical sketches, incoming letters, clippings, contracts, theatre programs, photographs, and obituaries. Photographs include production shots from films, promotional photos for theatre productions, and headshots. Oversized photographs from the film Patton are housed separately. Letters are from Strong's directors, writers, and fellow actors, including Elia Kazan, S.N. Behrman, and Montgomery Clift. All letters are photocopied duplicates. less

Leona Stephens (born circa 1885) and her husband Len D. Hollister (1884-1936) were writers and actors who worked on the Broadway stage and in vaudeville in the early 20th century. Following Hollister's death, Stephens continued performing and publishing songs through the 1940s. The Leona Stephens papers date from 1878 to 1952 and contain photographs, programs, song lyrics, and sheet music that document the entirety of Stephens's career, as well as her vaudeville act with Hollister. In addition, the collection includes an 1878 program from Edwin Booth's performance in Richelieu at the Pittsburgh Opera House. less

Emily Ann Wellman was an American stage actress in the early 20th century. In 1921, she toured with the Shubert Vaudeville, starring in a flash drama (or ten-minute play) she also wrote and directed, titled The Actor's Wife. The Emily Ann Wellman scrapbook contains clippings of reviews, advertisements, and feature articles about Wellman's performances on tour and in New York City from 1921 to 1923. Some programs are also included. The scrapbook documents the productions The Actor's Wife, Suspended Sentence, and The Wasp. less

Joseph Holland (1910-1994) was an American actor who appeared on the Broadway stage during the mid 20th century. The Joseph Holland papers date from 1937 to 1989 (bulk dates: 1950-1957) and contain correspondence and a scrapbook with clippings, programs, and production photographs documenting Holland's career in the theatre. Most productions represented in the scrapbook date after 1950, including The Show Off (1950), Julius Caesar (1950), The Bad Seed (1954), and Small War on Murray Hill (1957). The scrapbook also contains a few congratulatory telegrams and greeting cards. One caricature by Neil Ferguson is present, from the 1937 production of Julius Caesar at the Mercury Theatre. All loose material from the scrapbook was rehoused in folders. less

Sheldon Knickerbocker Viele (1892-1934) was a scenic and costume designer who worked on Broadway throughout the 1920s. The Sheldon Viele papers date from 1909 to 1999 (bulk dates: 1920-1927) and include programs and clippings from productions designed by Viele, as well as research files compiled by his son Chase Viele on original stage designs for The Show-Off. less

Viola Spolin (1906-1994) was a theatre educator and acting coach who introduced improvisational techniques to American actors and directors through her book Improvisation for the Theatre. The Viola Spolin theatre ephemera contains programs, clippings, and periodicals that document theatrical productions on the West Coast of the United States in the late 20th century, particularly in San Francisco, California and the Bay Area. Most material relates to productions of the Berkeley Repertory Theatre, American Conservatory Theatre, El Teatro Campesino, and the Lorraine Hansberry Theatre. Also included are an article about Spolin from after her death, and duplicate photographs of Spolin from throughout her life. less

This collection dates from the 1870s to the 1940s and consists of programs, clippings, advertisements, tickets, and pamphlets that document the history of the circus as well as New York City-based, national, and international circus troupes. Many clippings and advertisements are for P. T. Barnum's and the Ringling Brothers's traveling circuses. Drafts of circus-related writings by theatre manager Frank Wilstach are also included. less

Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs, clippings, and scrapbooks. less

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

Jan Miner (1917-2004) was an American actor who worked in theater, radio, television, and film. She appeared in the American Shakespeare Festival from 1966 to 1972 and was known for portraying the character of Madge in Palmolive dish soap commercials. The Jan Miner papers (1932-1993) contain clippings, programs, photographs, a scrapbook, and other papers. The collection primarily concerns her work in the theater, though there are also materials related to her work in radio, television, film, and advertisements. A scrapbook documents Miner's life and career between 1932 and 1945; the scrapbook contains clippings, photographs, and programs from performances at the Straw Hat Theatre and elsewhere. The bulk of the collection consists of production files, mostly related to theater productions, dating from 1958 to 1993. Some productions are represented only by one or two items, usually a clipping or a program, while others are represented by extensive clippings, production photographs, contracts, and other materials. Some of the better-represented productions include Dinner at Eight (San Francisco, 1993), Gertrude Stein and a Companion (1985), The Heiress (1976), The Music Keeper (1982), The Show-Off (Olney, Maryland, 1975), Watch on the Rhine (Long Wharf Theatre, 1979, and John Golden Theatre, 1980), The Women (1973), and various American Shakespeare Festival productions. The file for Gertrude Stein and a Companion includes a script. The collection contains a small file on the film Lenny (1974). The collection also contains headshots and general articles about Miner. Material related to Madge and Palmolive advertisements consist mostly of photographs, clippings of print advertisements, and other printed promotional materials; there are also name badges that Miner wore in commercials. The collection includes a small amount of personal material, mostly letters written to Miner. less

Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as Never Too Late and Angela and television series such as Lassie. In addition to scripts, the collection contains correspondence, contracts, and other material related to Long's theatrical works, notably Never Too Late, which was produced on Broadway in 1962. less

Jadin Wong (1913-2010) was a Chinese-American dancer, actor, and comedian. Her husband, Edward Duryea Dowling (d. 1967), was a theater producer and director. The Jadin Wong and Edward Duryea Dowling papers contain clippings, photographs, programs, letters, and memorabilia. Materials concerning Dowling's career include clippings and programs from shows he worked on, such as The Streets of Paris (1939), Keep Off the Grass (1940), and the 28th annual Eating and Oratorical Contest of the New York chapter of the Baseball Writers' Association of America (1951). There are photographs, programs, and clippings related to Dowling's work with Beatrice Lillie, including An Evening with Beatrice Lillie, which was produced on Broadway in 1952. Some of the clippings are mounted in a scrapbook. The collection also contains a copy of an article by Hype Igoe about New York bar owner and host Mike Dowling (box 2, folder 1). Materials related to Jadin Wong's career are primarily clippings and programs from the 1970s through 2000, and photocopies of materials from the 1940s onward. There is also a copy of a letter that Wong wrote in response to controversy over the casting of white actors as Asian characters in Miss Saigon (1991), and a reply she received from producer Cameron Mackintosh. less

Clinton P. King, Jr. was a theatrical stage manager. The Clinton King, Jr. papers (1889-1966, bulk 1904-1966) contain programs, photographs, correspondence, scripts, clippings, prop lists, tour itineraries, and other papers and memorabilia from King's theater career. The collection includes material related to King's work with the New Jersey Federal Theatre Project and with a USO Camp Shows touring production of Arsenic and Old Lace in Europe in 1945. The collection also contains King's collection of programs, mostly from Newark and New York City theater productions. less

Edward Fielding (1875-1945) was an actor in theater and film. Fielding's wife, Elizabeth Sherman Clark (1883-1959) was an opera singer. The Edward Fielding and Elizabeth Sherman Clark papers date from 1876 to 1975 and document their careers through photographs, posters, programs, and scrapbooks. less

Anna Sosenko (1909-2000) was a producer, artist manager, collector, and composer. She was best known for launching and managing the career of the cabaret artist Hildegarde, as well as for producing tribute shows to actors and other theatrical figures. The Anna Sosenko papers (1868-2000) document Sosenko's career through photographs, letters, subject files, scores, and posters. less

Joan Chandler (1923-1979, née Cheeseman) was a dancer and actor who appeared in theater, film, and television in the 1940s and 1950s. She studied dance at the Bennington School of the Arts, and was a member of the Martha Graham Dance Company in the early 1940s. She first appeared on Broadway in The Late George Apley (1944), and began acting in films in the mid-1940s. The Joan Chandler papers (1923-1959) consist of photographs, clippings, programs, scrapbooks, contracts, correspondence, and other papers documenting her career, her secondary and post-secondary schooling, and her family. Chandler's upbringing and schooling in Butler, Pennsylvania are represented by yearbooks, photographs, class notes, programs, sheet music, clippings, and memorabilia, mostly from the late 1930s and 1940. Materials from the Bennington School of the Arts date from 1939 to 1941 and include class notes on the Graham technique, orientation materials, performance programs, sheet music ("Modern Dance Technique Accompaniments" by Zoe Williams), and a script (The King and the Duke by Francis Fergusson). There are several programs from Chandler's performances with Graham and with the Neighborhood Playhouse School of the Theatre, as well as two photographs of a Neighborhood Playhouse school production of Heart of a City. Photographs consist mostly of promotional images of Chandler, though there are also photographs of her as a child and photographs of her family members. Theater and film productions she appeared in are represented by clippings, production photographs, programs, contracts, and correspondence. There are photographs from the set of Alfred Hitchcock's film Rope (1948). The best-represented theater productions are My Three Angels (1953) and The Late George Apley. Materials concerning the latter production include a scrapbook. The collection contains a small number of letters and telegrams, most of which are congratulatory notes, but which also include a short 1953 letter from José Ferrer talking about his acting style and his sense of being out of place among young actors. There is a script for a 1959 Actors Studio production of Herr Biedermann and the Arsonists, a directed by Mordecai Gorelik, and a pamphlet about the Actors Studio. The collection includes an audio recording. less

Nancy Douglass (née Hasenwinkle) was a stage and radio actor. She began her career in the 1930s acting under the stage name Nancy Haswin, before changing her stage name to Douglass in 1938. She was married to Lawrence Hurdle and also performed for a time as Nancy Hurdle. Her Broadway roles included parts in The Devil of Pei-Ling (1936), Out of the Frying Pan (1941), and Bloomer Girl (1944). She was an understudy in the Theatre Guild's touring production of Ah, Wilderness! (1935) and starred in the radio program Dangerous Road in 1938. In the 1960s and early 1970s she performed in touring productions of Forty Carats and in the Windmill Dinner Theater in Texas. The Nancy Douglass papers (1933-1971) contains programs, photographs, clippings, telegrams, letters, and other materials related to Douglass' career. The collection includes a scrapbook which documents her career from 1934 to 1941. less

Vicki Cummings (1919-1969) was a stage actor who primarily performed in musicals and comedies. She appeared on Broadway in The Voice of the Turtle (1943; Cummings was a replacement in 1945), For Love or Money (1947), and Mid-Summer (1953), and was in the Los Angeles production of Anything Goes in 1935. She was married to actor William Gibberson (1919-1994); the two appeared together in Mr. Barry's Etchings (1950). They also both acted in the 1954 national tour of Who's Afraid of Virginia Woolf?, with Cummings playing Martha in the evening company and Gibberson playing George in the matinee company. The Vicki Cummings papers document her career from 1931 to 1967 through clippings, programs, photographs, and other papers. The collection contains promotional photographs of Cummings and a small number of production photographs, including images from Anything Goes. Who's Afraid of Virginia Woolf? materials include programs, clippings, and a tour itinerary. Gibberson went on to play opposite Shelley Winters in a 1965 summer stock production of the play, and the collection includes materials from that production. Gibberson's headshot and resume are also present. The collection also contains a copy of the script for Harold Pinter's A Night Out, with a note to Cummings from Robert Henderson. less

Henry B. Forbes (d. 1958) was a theatrical producer active on Broadway in the 1920s and 1930s. He also worked as an actor in the 1910s and early 1920s, performing with the East-West Players. The Henry B. Forbes papers (1917-1952) contain programs, clippings, contracts, business correspondence, and other papers regarding his theatrical work. Productions represented in the collection include Tin Pan Alley (1928), Schoolgirl (1930), Thunder on the Left (1933), The Wild Duck (1938), and Walk Into My Parlor (1940). The collection includes posters for the tryouts of Wild Birds (1929) and Schoolgirl, a scrapbook dedicated to Thunder on the Left, and a production photograph from Tin Pan Alley. less

Roland Burke Hennessy (1870-1939) was an editor, publisher, drama critic, and poet. He founded the theatrical publication the New York Star and was its editor from 1908 to 1936. He became editor of the Vaudeville News, a publication of the Keith circuit, when it merged with the New York Star. He was also publisher and editor of the periodical Radio World. The Roland Burke Hennessy papers (1858-1935, bulk 1900-1930) contain photographs of vaudeville performers, producers, and other associates of Hennessy's; letters, cards, and telegrams to Hennessy; clippings; programs; and miscellaneous other materials. The bulk of the programs are for vaudeville shows and plays in New York City theaters. Subjects of the letters include Hennessy's poems, publications, writings, and other activities. There are letters regarding his poem Liberty Aflame, which was adapted into a vaudeville spectacle in 1917. Photographs include images of E.F. Albee, Lew Dockstader, Blanche Ring, and Maude Adams as Peter Pan. Hennessy was friends with actor Louis Mann, who is represented in the collection by photographs, letters, clippings, and programs. There are also programs and clipings from the career of Hennessy's wife, Muriel McArthur, who acted with Mann in Julie Bonbon (1906). The collection includes printed copies of two poems by Hennessy. The earliest item in the collection is an 1858 program for a Philadelphia performance of An Unequal Match and Blanche of Brandywine. The collection includes some photocopies and annotations by Hennessy's daughter, Cecile Burke Barnett. less

Doretta Morrow was an American actress and singer, best known for creating roles in the classic musicals The King and I and Kismet. The Doretta Morrow papers contain photographs, programs, telegrams, clippings, reviews, a diploma, and two religious documents. less

Helene Champlain was a book dealer and collector in the New York City area active from the 1930s to the early 1970s. She worked at the book shop at the Waldorf-Astoria Hotel for many years. The Helene Champlain papers, Additions date from 1956 to the early 1970s. The collection contains photographs, a scrapbook, theater programs and letters documenting the career of Maurice Chevalier and other celebrity visitors to the Waldorf-Astoria. less

Werner Klemperer (1920-2000) was an actor who worked in theater, film, and television. He was known for playing Colonel Klink in Hogan's Heroes, and won the Tony Award for his performance as Herr Schultz in the 1987 revival of Cabaret. The Werner Klemperer papers (1943-2001) consist of programs, clippings, scripts, photographs, and ephemera documenting his acting career. The collection contains profiles and obituaries of Klemperer, and material related to productions he performed in, including Cabaret, Master Class (a 1984 Kennedy Center production and a 1986 Roundabout Theatre Company production), Uncle Vanya (1995), the film Operation Eichmann (1961), and television shows Hogan's Heroes and Lost in Space. Klemperer's annotated scripts for Cabaret, Master Class (1984), and Uncle Vanya are present. During World War II, Klemperer was in the U.S. Army Special Service, where he worked with Maurice Evans and Alan Brock. The collection contains a small number of programs, photographs, and articles related to Klemperer's theater work in the army. The collection also contains material related to his activities narrating and conducting for orchestras across the United States from 1979 to the 1990s. less