Found 902 collections.

Edith Meiser, actress, vaudeville performer and scriptwriter is best known for her dramatization of radio programs in the 1930s and 1940s. The bulk of this collection is radio scripts written by Edith Meiser. The collection also includes many personal and business letters. less

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig. Although born and raised in England, Craig moved to the continent in 1904 where he continued to work; the impact of his radical innovations in stage design were international in scope. Craig’s colleague, Donald Oenslager, an American stage designer and longtime faculty member of the Yale School of Drama, whose own work had been profoundly influenced by Craig, amassed the selection of letters and prints that form this collection. less

Muriel Sharon (1918-1996) was a children's theater director and director of the 92nd Street YM-YWHA's Children's Drama Department from 1947 to the early 1970s. The Muriel Sharon papers (1924-1996) document her career producing theater for children and teaching drama; her involvement in children's theater organizations; and her study and use of drama as an educational and therapeutic tool, especially through creative dramatics and psychodrama. The collection contains production papers, scripts, scores, promotional and publicity materials, correspondence, photographs, notes, articles, and administrative records. less

Dorothy Loudon (1925-2003) was a singer, comedienne and Tony Award-winning actress, who appeared in supper clubs, television shows, films, summer stock and on Broadway. The bulk of the materials in this collection are from 1940-2003. They extensively cover the personal life and professional career of Dorothy Loudon, including materials relating to stage, film and television productions, albums, nightclub performances as well as personal correspondence. less

Dorothy Fields, lyricist and librettist, was born in Allenhurst, New Jersey, July 15, 1905. She was the daughter of Lew Fields, comedian and producer, and Rose (Harris) Shoenfeld. Her first well known song was "I Can't Give You Anything But Love," which she wrote with James McHugh in 1928. She collaborated extensively with her brother Herbert Fields, who also was a librettist. Their most famous production was "Annie Get Your Gun," produced in 1946. Her other brother Joseph Fields was a dramatic actor, producer, and playwright. She was married in 1938 to Eli Lahm and they had two children, David and Eliza. She also collaborated with: Jerome Kern, Harold Arlen, Sigmund Romberg, Burton Lane, Arthur Schwartz, Fritz Kreisler, Morton Gould, Cy Coleman, Albert Hague, Oscar Levant, Harry Warren, and her son David Fields Lahm. Dorothy Fields is probably best known for having written the lyrics to "Sweet Charity." She was a representative of the Dramatists' Guild on the Council of the Authors' League of America, secretary of the Dramatists' Guild, and one of the few women members of the American Society of Composers, Authors, and Publishers. She died in 1974 in New York City. The Dorothy Fields papers consist of lyrics, including drafts of unpublished lyrics; scripts, including working outlines and drafts of scripts never produced; newspaper clippings, photographs, correspondence, programs, ephemera, and other material related to the career of Dorothy Fields,her father and two brothers. The collection reveals her creative processes for developing lyrics and librettos. Another strength of the collection is that it contains an extensive clipping file on the career of Mrs. Fields's father Lew Fields. Correspondence, however, is limited--there are only eight letters. less

David Garfield is a New York City-based actor, author, and professor who has been a member of the Actors Studio since 1970, and who wrote a history of the Studio called The Actors Studio: A Player's Place. The Actors Studio is a theater workshop for professional actors founded in New York City in 1947. This collection contains material that reflect Garfield's dual role as both researcher and participant and contains material generated by the Actors Studio, the Group Theater, and material collected by Garfield through his research. less

Kevin Bradigan was a photographer, actor, theater technician, and a member of John Vacarro's Play-House of the Ridiculous. The Kevin Bradigan papers primarily document Bradigan's personal life and involvement in the Play-House of the Ridiculous and other experimental theater from the late 1960s to the 1980s. The collection also holds some papers of performers Jackie Curtis and Douglas Fisher. less

The A. J. Balaban and Carrie Balaban papers document the Balaban family primarily through correspondence and family albums. The correspondence includes letters from the Balabans' daughter Cherry while she entertained with the USO during World War II, letters from friends living in Europe during World War II, and materials about the book entitled Continuous Performance, the autobiography of A. J. Balaban. The collection also holds information about the Balabans' involvement with the Church of Christ, Scientist. Photograph albums and scrapbooks about the family, a photograph album about Nora Bayes, and some records about A. J. Balaban's business activities are the remainder of the collection. less

Howard Atlee (b. 1926) was a theatrical press agent active from the 1950s to the 1990s. The Howard Atlee papers (1950s-2004) chiefly concern Broadway and Off-Broadway productions between 1958 and 1984. The collection holds photographs, press releases, clippings, theater programs, scripts, posters, and correspondence. less

Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers were motorized thrill-shows that toured North America during the 1940s. The collection dates from 1941 to 1949 and holds programs, press releases, and newspaper clippings relating to Ward Beam's World Champion Daredevils and the Jimmie Lynch Death Dodgers. less

Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the Belasco Cup at the first Little Theater Tournament in 1923. Blum also produced and staged Broadway plays and worked as a drama teacher in high schools from 1909 until his retirement in 1958. The Gustav Blum papers (1912-1988, bulk 1915-1953) contain a scrapbook, contracts, scripts, photographs, clippings, correspondence, and other papers documenting Blum's career. The scrapbook dates from 1916 to 1923 and contains clippings and programs of the East-West Players. There are scripts for four plays that Blum produced: The Shame Woman (1923), Gertie (1926), My Son (1924), and Walk Hard (1946). The script for Walk Hard is a heavily annotated prompt copy; the other scripts have minimal or no annotation. There are also three scripts written or co-written by Blum: Against the Current, Eden, and A Sleepless Night. Contracts date from 1927 to 1946. The collection includes a statement of receipts and disbursements for Walk Hard and an estimated budget for Laughter in the Courtyard. Photographs consist of images of Blum, an unidentified production photograph, and signed photographs of Bertha Kalich and David Belasco. The collection also contains biographical information, clippings, and copyright records related to Blum's career, dating from 1912 to 1988. less

Richard John Hughes, Jr. (1924-1996) was a stage manager, director, set designer, and actor in regional theatre, touring companies, and off-Broadway productions. The Richard Hughes collection dates from 1942 to 1993 and documents his training at the University of Texas, his participation in regional theatre and off-Broadway productions, and his work as production stage manager for the national tours of Man of La Mancha, Lovely Ladies-Kind Gentlemen, Irene, and Pippin. less

Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s. less

Betty Mandeville (1910-2001) was a producer-director for The FBI in Peace and War, a radio crime drama that aired on CBS from 1944 to 1958. Mandeville worked as a producer on the show for its entire run, and was the sole producer-director beginning in 1948. The Betty Mandeville production papers contain Mandeville's scripts from the show from 1950 to 1958. Many of the scripts have handwritten revisions and annotations, as well as advertisements for broadcast. The revised scripts provide documentation of the radio production process in the 1950s. The collection includes a small number of records related to television productions with which Mandeville was involved. less

Hobe Morrison (1904-2000) was a drama and film critic at Variety Magazine from 1941 to the 1970s. He was very active in The Players Club, of which he was made an honorary member, after he retired. The Hobe Morrison papers contain correspondence, and files on production companies and productions collected and created by him, in his position as a theatre critic for Variety, and as a member of the New York theatre community. less

Barry Hyams (1911-1989) was an American theater producer and press representative who publicized over 40 Broadway productions throughout the course of his career. His production work was limited to Off-Broadway pieces associated with Rooftop Productions. Hyams was the head of publicity for the Lincoln Center Repertory Company during the 1960s, and the editor of Theatre: The Annual of the Repertory Theatre of Lincoln Center. The Barry Hyams papers date from 1947 to 1963 and document Hyams' work as a press representative for Broadway. The collection contains publicity files and scrapbooks for over 30 Broadway productions, many of which were produced by Robert Whitehead and the Producers Theatre. This collection is rich with material demonstrating the nature of Broadway press relations. The collection holds correspondence; photographs; press releases; drafts of stories for magazines and newspapers; scripts for radio and television announcements; programs; clippings; advertisement schedules for print, radio, and television; and proofs for advertisements and programs. less

Harry Stone, also known as Israel Breakstone (born circa 1900), was an entertainer who worked on the vaudeville circuit in New York and Pennsylvania for about 15 years in the 1920s and 1930s. The Harry Stone papers, dating from 1915 to 1977, hold source material for his comedic skits, photographs, scrapbooks, and an address book. less

Stanley Woolf was born in New York City and moved to Milwaukee as an older child. He returned to New York as an adolescent and became an avid theatre-goer. By the mid-1920s he was performing with the Keith-Albee Vaudeville circuit with his own comedy and dance act called "The Vest Pocket Revue," and later in an act titled "Clowning's Quite Clever." In 1932 he began working as an indedendent booking agent for the vaudeville circuit and later with the Columbia Entertainment Bureau. In 1933, Woolf was arrested and then paroled on federal charges of passing counterfeit money. He enlisted in the United States Army in 1942 and worked as an actor-director during his service. He also directed the Orpheum Players of the Orpheum Theatre in Reading, Penn., in the early 1940s. After World War II, Woolf directed the Civic Drama Guild, which toured plays and musicals, and later established the Stanley Woolf Players and the Stanley Woolf Circuit, which took theatrical performances to summer resorts in the Eastern United States. Woolf, named "the Belasco of the Borscht Belt," died in 1959. The two earliest scrapbooks document theatrical performances Woolf attended in New York City between 1912 and 1919. The three later scrapbooks document his performances as a vaudevillian, his service in the Army, and his work as an producer-director in the 1940s The scrapbooks contain primarily clippings, with some ticket stubs, programs, and promotional materials; there are three photographs in Volume 3. less

John Effrat (1908-1965) was a stage and production manager for Broadway, Off-Broadway and special events. The scripts, dated 1950s to 1960s, are from his theatrical and other stage productions. The remaining material relates to the Broadway Show League. less

Dr. Stephen Langley (1938-1997) was an American theater manager, author, and educator. For over twenty years he was the manager of the Falmouth Playhouse, a prominent summer stock theater on Cape Cod, Massachusetts. The collection dates from 1950 to 1992 and holds theater programs, photographs, scrapbooks, theses, and writings relating to the Falmouth Playhouse on Cape Cod, Massachusetts and to Langley's career as an author and educator. less

Samuel Leve (1910-1999) was a New York-based scenic designer. The Samuel Leve design files date from the 1930s to 1994 and contain designs, photographs and slides, scenic and rigging plots, course materials, correspondence, clippings, programs, and newsletters. less

Windsor P. Daggett (d. 1958) was a speech teacher who specialized in working with actors. He first taught public speaking at the University of Maine in the 1910s, where he also founded the university's theater club, the Maine Masque. In the 1920s, he wrote a column for The Billboard called The Spoken Word and also began producing Spoken Word Records, which were intended to teach diction. In 1930, he created the Voice and Color Theatre Summer School in New York City. From 1927 until his death, he was a professor of speech at Hebrew Union College-Jewish Institute of Religion. The Windsor P. Daggett papers (1910-1956) contains pamphlets, business cards, and other promotional materials for Daggett's classes, lectures, records, and writings; programs for theatrical productions and events that Daggett was involved with; drafts and clippings of his writings; and teaching materials and notes on speech and pronunciation, such as phonetic transcriptions labeled "Irish dialect." The collection also contains lists of recordings he produced and information on expenses and revenue for the Voice and Color Theatre Summer School, dating to 1931. The collection includes some miscellaneous clippings and prints from publications. less

Adrienne Earle was an American actor who was active in the 1920s and 1930s. She performed ingénue roles with stock companies including the Clyde Gordinier Players and the Frawley-Karle Players. Her photographs date from 1923 to 1932 and mostly consist of publicity photographs of her colleagues, including performers such as Ninita Bristow, Rollo Dix, Alice Duffy, Herbert Duffy, S.O. Gordinier, Margaret Knight, and Gene Lane. There is also a picture of radio announcer Arch McDonald. Many of the photographs are inscribed to Earle. less

Muriel Hutchison (1915-1975) was an American stage actor active in the 1930s and 1940s. Her scrapbook documents her career from 1937 to 1938. The scrapbook contains clippings, letters, congratulatory telegrams, programs, contracts, excerpts of scripts, photographs, and other memorabilia. Productions represented in the scrapbook include Lysistrata at the Dallas Little Theatre, Idiot's Delight in various Connecticut theaters, Trilby at the Mohawk Drama Festival, and Lightnin', all produced in 1938, and Merely Murder, produced in 1937. The scrapbook has been disassembled and the pages have been placed in folders. This collection was previously cataloged with the call number MWEZ + n.c. 24,445. less

Jackie Kelk (1923-2002) was an American theater, radio, and television actor who began his stage career as a child. He played the role of Homer Brown in The Aldrich Family radio show and television series. His papers date from 1930 to the 1940s and consist of letters, cards, photographs, and a drawing that he sent to his childhood friend Ella Becker. There is also a flier for the play Goodbye Again (1932). less

Howard Kyle (1861-1950) was an American stage and radio actor who was active from the 1880s to the 1930s. He served as secretary of the Actors' Equity Association from 1913 until 1919, when he resigned from the organization and joined the Actors' Fidelity League. As a member of the Players, he worked to have an Edwin Booth memorial sculpture erected in Gramercy Park. The Howard Kyle papers date from the 1870s to 1954 and contain correspondence, photographs, theater programs, event programs, clippings, and other documents concerning his professional and personal life. The collection contains materials related to his work with Actors' Equity, the Actors' Fidelity League, the Players, and other theater organizations. The collection also contains materials concerning productions he was involved with, including the Howard Kyle Players production of Nathan the Wise (1912) and performances by the Century Theatre Club. The majority of the photographs are of Kyle or his wife, actor Amy Urcilla Hodges. There are also unidentified photographs and photographs of fellow performers, including singer Rosa Ponselle. Some of the photographs are inscribed to Amy Hodges. The collection also contains an unidentified one-act script and a eulogy for actor Henry Miller. The collection includes Hodges' Actors' Fund of America certificate of membership, dated 1954. This collection was previously cataloged with the call number 8-MWEZ + n.c. 19,860. less