Found 47 collections related to Programs

John Dougherty was a dancer, dance historian and dance critic who spent most of his life affiliated with Ruth St. Denis and the Denishawn School. He was a student at Denishawn in the 1920s and later, served as secretary and literary adviser to Ruth St. Denis. He also taught dance and wrote for Dance News magazine. The John Dougherty Collection contains Dougherty’s own materials, mostly from 1960-1975, as well as correspondence, documents and original writings of Ruth St. Denis dating from the final period of her professional career, 1960-1968. less

Eleanor King was a pioneer in the field of modern dance. She was an an original dancer of the Humphrey-Weidman group, a choreographer, and a teacher. Miss King became one of the first dance instructors in the United States, she was a professor in the Theatre Department at the University of Arkansas. The collection contains correspondence, teaching notes, dance and choreography notes, drafts of three books, programs, clippings, and sketches. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

Alexis Kosloff (circa 1888-1983) was a dancer, instructor, writer, and choreographer. The Alexis Kosloff papers (1905-1951) hold sheet music, photographs, programs, publications, promotional materials, writings, clippings, and correspondence documenting Kosloff’s teaching career. less

Marc Platt (b. 1913) is a dancer, musical theater performer, and actor who danced with such ballet companies as the Ballets Russes du Col. W. de Basil and Ballet Russe de Monte Carlo, and later performed in Broadway musicals. The Marc Platt papers (1918-1977) contain correspondence with production staff and acquaintances, reviews, photographs, posters, and programs that document Platt’s career. less

Sophie Maslow was a choreographer and dancer. The Sophie Maslow research materials were compiled by William Korff in preparation of a biography of Maslow. The collection contains clippings, photographs, programs, promotional material, a scrapbook, and transcripts of oral history interviews. The materials are both originals and copies, and date from 1938 to 2003. less

Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer whose work was represented in ballet, opera, theater, and television. The Rouben Ter-Arutunian papers contain personal and professional materials from his 40 year career as a designer. The collection holds address books, contracts, correspondence, date books, design files, exhibit materials, family papers, notebooks, photographs, scrapbooks, slides and writings. less

The Richard Englund Papers cover the professional career of Richard Englund (1931-1991), a noted American dancer, choreographer, director, and teacher. Englund served as the director of several small dance companies, including the pioneering regional ballet company, Birmingham Civic Ballet, and training companies for both American Ballet Theatre and the Joffrey Ballet. The largest part of the collection documents the choreographic works that made up the repertory of the companies with which Englund was connected. less

American dancer, writer, and teacher of tai chi, Sophia Delza had an exceptionally long and varied career. She achieved prominence as an independent modern dance performer and choreographer, but embarked on a second career as an authority on Chinese dance and martial arts traditions. During a stay in China, Delza became the first American dancer to teach modern dance technique in Chinese theater and dance schools. Following her return to the United States, she became an important tai chi instructor and advocate. The collection includes her writings, correspondence, photographs, programs, and original artwork. less

The Selma Jeanne Cohen papers document the academic life and career of a renowned historian and critic of dance and theater. The papers contain professional correspondence, materials from Cohen’s teaching career, documentation of the many conferences of scholarly groups attended throughout her career as well as research used in writing books and articles on dance and theater. less

Igor Youskevitch (1912-1994), a principal dancer with the American Ballet Theatre and Ballet Russe de Monte Carlo, was known for his mastery of classical style. The collection documents forty-four years of Youskevitch's professional life through correspondence, performance programs, photographs and press clippings. less

Indrani Rahman (1930-1999) was an Indian classical dancer who worked as a performer and educator in India and the United States. The Indrani Rahman papers contain choreographic notes, lectures, programs and writings from nearly 50 years of the dancer's career. less

The Dr. Ingrid Brainard Papers contain documents from the 1890s to 2000, and cover the academic and professional career of the distinguished dance historian and author. It contains letters, writings, research and conference materials, and teaching materials, as well as personal papers relating to Brainard, her career, and education. less

Irina Baronova (1919 -2008) was a Russian born ballerina who rose to fame with the Ballet Russe de Monte Carlo and enjoyed a successful career as a dancer, movie star, educator, and writer. The Irina Baronova papers contain correspondence, programs, photographs, scrapbooks, writings and other materials from the ballerina's extensive and varied career. less

Hadassah was a pioneer of Israeli and Indian (Hindu) dancing in America, and a choreographer of rare taste and artistic integrity. Hadassah was also a well-admired instructor, who taught Israeli and Indian dance workshops across the United States and abroad. She was a faculty member, board member and chairwoman of the ethnic division at the New Dance Group Studio in Manhattan. less

Marion Andersen (1924-2002) was a modern dancer, choreographer, and instructor. The Marion Andersen papers, dated 1930 to 2002, document her choreography work; creation of dance departments and performing companies at Utah State University and the University of Washington; and founding of the Valley Dance Ensemble in Logan, UT. The collection consists of choreographic notes, scripts, photographs, programs, posters, correspondence, and research materials on May O'Donnell, a modern dance choreographer and Andersen's mentor. less

Martha Hill (1900-1995) was one of the most influential dance instructors of the 20th century and the first director of the Juilliard Dance Division. Janet Mansfield Soares worked with Martha Hill as a student, colleague, and teacher of dance composition at the Juilliard School. The Martha Hill research materials (1870-1995) contain personal and professional papers created by Martha Hill and compiled by Janet Soares, as well as materials created by Soares in the course of her research for her book on Martha Hill, Martha Hill and the Making of American Dance. less

The Lucy Phelps Lampkin Papers contains newspaper articles, programs, letters, journals, photographs and a scrapbook relating to her career as a teacher in Athens, Georgia, where she directed the Lucy Lampkin School of the Dance and Related Arts, and to her year as director of the Dance Department, Sullins College, Bristol, Virginia (1938-1939). This collection includes material relating to Lucile Marsh and Ruth St. Denis. less

John Butler (1918-1993) was a dancer and choreographer who combined both classical and modern dance styles in his work. After a brief period leading his own dance company, Butler became a successful freelance choreographer on television and for dance companies around the world. The John Butler Papers consist of correspondence, programs, clippings, photographs, scrapbooks and other professional records. less

Kaja Gam was a choreographer, performance artist, filmmaker and artistic director of the Awkward Dance Company, as well as a founding member of the School of Hard Knocks. The collection consists of art, production notes, photographs, correspondence and research dealing with her dance works. less