Scope and arrangement
The Dorothy Bird papers, spanning from 1930 to 2015, represent the professional and personal life of the modern dancer and teacher. The collection holds a range of materials, such as audio recordings, correspondence, handwritten notes, and publications.
Many of the audio recordings in the collection served as the basis for Bird's autobiography Bird's Eye View: Dancing with Martha Graham and on Broadway. These recordings cover topics such as Martha Graham's techniques and dance company, as well as modern dance in the 1930s, and various artists and choreographers. The collection also contains recordings of interviews, lectures, and workshops.
The correspondence, dating from the 1930s to 1994, includes letters from dance world figures such as Ruthanna Boris, Arlene Croce, Agnes de Mille, Martha Graham, Pauline Limón, Doris Humphrey, John Martin, Herbert Ross, and Anna Sokolow.
Bird's extensive handwritten notes detail her childhood, her studies at the Cornish School and the Neighborhood Playhouse, and her time with the Martha Graham Dance Company. These notes also describe early Graham exercises, dances, costumes, dancers, and the influence of Louis Horst.
The collection also houses printed materials, including original programs, handbills, newspaper and magazine clippings, reviews, and articles about Bird's work with Martha Graham, the Limón Trio, on Broadway, and her summers spent performing at Green Mansions and Tamiment.
In addition to documentation of her performance career, there are also contracts, agreements, and course descriptions of Bird's classes.
The collection further includes personal writings, publications, press releases, and resumes.
Arrangement
Arranged alphabetically by subject.