Found 157 collections related to Clippings

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

Joel Grey (1932-) is an American actor, singer, dancer and director, working in theatre and film from the 1950s through the present. The Joel Grey Papers contain publicity and general production files, scripts, photographs and memorabilia on stage productions Joel Grey appeared in. There are also production materials on television, radio and film projects he did and solo acts/personal appearances. less

Jadin Wong (1913- ), Chinese-American performer who grew up in Califoria, began her career as a dancer, later becoming an actress, stand-up comic, and talent manager specializing in Asian artists. Born in Stockton, Calif., Jadin (sometimes spelled "Jadine") Wong got her start as a professional dancer with the San Francisco Opera Ballet. She gained greater renown as a performer at the Forbidden City nightclub in San Francisco, which lead to small film roles in the Charlie Chan and Mr. Moto series, musicals such as IRENE, and to the cover of Life magazine in 1940. During the war years, Jadin Wong entertained U.S. military personnel around the world. During the 1950s, she was cast in several Broadway shows, including THE KING I, THE WORLD OF SUSIE WONG, and FLOWER DRUM SONG. As the popularity of musicals waned, she became a stand-up comedian in the '60s, perhaps the first Asian woman to enter the field. In 1976, Ms. Wong opened a studio in New York and became a manager for Asian performers and models. The Jadin Wong ephemera spans approximately 1930-1996, and consists of clippings, photographs, programs, advertising materials, reviews, correspondence, etc. Seven folders consist of clippings and photocopies of clippings from articles about the career of Jadin Wong, including the Life magazine cover story of December 1940 devoted to the Forbidden City, San Francisco nightclub where Asian performers entertained a mostly white clientele. There is also material devoted to FORBIDDEN CITY, U.S.A., a 1989 documentary film devoted to the nightclub and its performers in which Jadin Wong appeared. less

James Barton (1890-1962) was an American actor, singer, dancer and comedian in vaudeville, theatre, film and television. The James Barton papers document the career and personal life of James Barton through production files, scripts, sheet music, photographs, scrapbooks, contracts, publicity materials, correspondence, and personal ephemera. less

Elliott John Nugent, actor, playwright, producer, and director, was born on September 20, 1896, in Dover, Ohio, the son of John Charles Nugent and Grace Mary Fertig. Nugent's most notable work is the Broadway play, THE MALE ANIMAL (1941) co-written with James Thurber. His screenwriting creits include: WHISTLING IN THE DARK, THE MALE ANIMAL and SHE'S WORKING HER WAY THROUGH COLLEGE. His film credits include a lead role in THE VOICE OF THE TURTLE, as well as co-producer of THE SEVEN YEAR ITCH. Nugent died on August 9, 1980. The Elliott Nugent papers consist of clippings, photographs, programmes, correspondence, and manuscripts documenting his career as an actor playwright, producer and director, for the years 1916 to 1965. less

Hildegarde Loretta Sell was born in Wisconson on February 1, 1906. Known professionally as "Hildegarde," Miss Sell became a successful caberet and cafe singer. She was also a pianist and an actress. Hildegarde made her first recording on October 17, 1934. Hildegarde was honored on her eightieth birthday, February 1, 1986, at Carnegie Hall, in New York City. The Hildegarde papers consists of 41 scrapbooks spanning the years 1936-1978 and correspondence for the period 1937-1978. less

The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater and covering her work in film, television, and radio; programs for theatrical productions and awards ceremonies; awards and ephemera including her honorary degrees, appointments to committees, and citations for her charitable work; designs including costume designs for theatrical productions and artwork created by friends and colleagues; photographs, including family photographs, candid shots and professional portraits from childhood, production stills and publicity from theater, film, and radio, and portraits by famous photographers; and scrapbooks, some dedicated to particular theatrical productions and others that cover all aspects of her career and life. less

James Young (1872?-1948) was active on stage and in motion pictures as an actor, director, and writer. Born on New Year's Day 1872 (some sources say 1878), in Baltimore, Md., James Young was appearing onstage by the 1890s. Eventually, his theatrical career would encompass playwriting, producing, directing, and management, as well as nationwide lecturing on Shakespeare. Mr. Young began acting in motion pictures in 1909 and writing and directing them three years later; he had appeared in some 35 films by 1917, including Maurice Tourneur's TRILBY (1915) opposite his then-wife Clara Kimball Young, when he gave up acting to focus on directing his own scripts. With F. Richard Jones he co-directed MICKEY (1918) starring Mabel Normand. He directed a number of literary adaptations, including BEAU BRUMMELL (1913), OLIVER TWIST (1916), and a remake of TRILBY (1923). Among his last films was THE BELLS (1926) starring Lionel Barrymore and Boris Karloff. James Young's film career ended with the coming of talking pictures. After several years of poor health he died in New York City on June 9, 1948. The James Young papers consist of nine folders of material and includes personal correspondence, financial documents, newspaper clippings, and ephemera, most of it from the last three years of Mr. Young's life. The early period of James Young's career is represented by a booklet of testimonials praising his lectures on Hamlet and Shylock, and by clippings from the New York Times and the Baltimore American, both dated July 1896, which describe James Young's collection of theatrical portraits, especially of the Booth family, which he donated to the Players Club in New York. Much of the material from Mr. Young's last years details the deterioration of his health. less

George Wotherspoon was a theatrical and motion picture publicist, theatrical manager, stage critic, and journalist. George Wotherspoon began his theatrical career in 1889, when he managed the Australian and European tour of LITTLE LORD FAUNTLEROY. He was a published critic as early as 1887, and in the summer 1895 he began a daily column for the New York Evening Telegram. In 1899 he began a five-year stint with the New York Evening Journal as reporter and drama editor. Wotherspoon's involvement in motion pictures began as early as 1899, when he promoted a film depicting the Tom Sharkey-Jim Jeffries boxing match. In 1911, he promoted an experimental "Kinemacolor" film of the coronation of King George V. For several years, beginning in 1904, Wotherspoon was a press agent for the Dreamland and Luna Park attractions at Coney Island. From 1917 to 1920, he worked as reporter, columnist, drama critic, and writer of feature stories for the New York Evening Telegram. Throughout this period he also acted as press agent for motion pictures such as CLEOPATRA (1917) starring Theda Bara, D. W. Griffith's ORPHANS OF THE STORM (1921), and Cecil B. DeMille's KING OF KINGS (1927). Wotherspoon continued to act as manager and advance man for stage shows through the 1920s, and, in the waning days of vaudeville, managed units of players who would perform in motion picture theaters prior to the showing of the film. The George Wotherspoon papers consist of a scrapbook of clippings and other items, documents such as letters, caricatures, and photographs, and a poster advertising the 1889 production of LITTLE LORD FAUNTLEROY which was an early milestone in George Wotherspoon's career. The bulk of the collection is found in a scrapbook which was apparently begun by Wotherspoon himself in the 1930s and completed by his daughter Elita Wilson in 1990. Wotherspoon wrote a 9-page Chronology for this scrapbook, covering the highlights of his career from 1889 to 1934. The Chronology is followed by dozens of testimonial letters from various employers speaking highly of Wotherspoon and his professional abilities. Also in the scrapbook are clippings of Wotherspoon's play reviews and theater-related feature stories from the New York Evening Journal circa 1900-1902, and the New York Telegram, circa 1917-1918. Also in the scrapbook, tucked within the front cover, are two items: a souvenir ticket made of silver which commemorates the opening night of INFORMATION, PLEASE!, the premiere attraction at the Selwyn Theatre which opened on October 2, 1918, and a booklet entitled LITTLE MESSAGES OF TRUTH AND FICTION by George Wotherspoon, published in 1917 and featuring what the author considered his best advertising lines. Also in the collection are photographs of Maxine Elliott and Mrs. Leslie Carter. less

Franne Lee (1941- ) is a costume and production designer for theater and film, as well as a producer and visual artist. This collection contains designs, correspondence, and other materials related her production designs from the 1970s to the mid-1990s. Also included are materials for original projects on which she collaborated. less

Johnson-Liff Associates was a casting agency, founded by Geoffrey Johnson and Vincent Liff in 1975, and dissolved in 2002. This collection contains office records, such as audition notes, casting ideas, headshots, resumes and submissions relating to films, television programs and theatrical productions cast by Johnson-Liff Associates. less

This collection of personal and family papers, correspondence, production files, scripts, writings, and ephemera provide a wealth of documents on the life of actress, producer and director, Margaret Barker, a founding member of the Group Theatre, and her family. less

In 1962, she helped found and then for two decades directed the Army Music and Theater Program, which The Washington Post in 1976 called "the largest producing organization of music and theater in the world." At that time, it staged more than 25,000 performances annually with a global audience of more than 2.5 million people. The collection consists primarily of photographs, clippings, and programs, as well as scrapbooks, posters, and a small amount of correspondence, documenting the plays, contests, and travelling shows of the United States Army's Entertainment Services Unit. less

Maria Astrova, also known as Marie or Masha Solomonik, was an actress who studied with Stanislavki, toured Europe, then came to New York in 1940, where she and her husband Alexandre Solomonik were central figures in the Theatre of Russian Drama, a troupe which performed in Russian. During her time with the Moscow Art Theatre in the 1920s, Maria Astrova toured Europe as a member of the Prague Troupe. She left in 1930 to settle in Paris, and married Alexandre Solomonik there the following year. She continued acting with a troupe in Paris until she and her husband moved to Brussels. As the war approached, the couple moved to London, then emigrated to the United States in 1940. During the 1940s Maria Astrova and her husband staged Russian drama in New York, Astrova as an actress and Alexander Solomonik as producer and chief financial backer of the Theatre of Russian Drama. The Maria Astrova papers consist primarily of newspaper clippings from Russian language newspapers of the 1940s and 1950s, mostly Russky Golos as well as the Novoye Russkoye Slovo, in which the productions and activities of the Theatre of Russian Drama are described. In addition to the newspaper clippings, there are two programs from performances of works by Gogol, MARRIAGE (1944) and THE INSPECTOR GENERAL (1949), featuring Maria Astrova. Aside from one 1970 clipping, all other news material dates from between 1941 and 1952. There is one brief letter in Russian, dated 1952, from Vladimir Zelitsky, director of the Theatre of Russian Drama. There is a booklet dated 1946 with text in Russian and a number of pictures of dancers. There is also a watercolor of three costume designs, with two swatches of fabric attached. less

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

Mabel Albertson (1901-1982), actress and writer, worked steadily on stage, in films, and on radio and television, for over forty years. Born in Lynn, Massachusetts, on July 24th, 1901, Mabel Albertson was the sister of actor Jack Albertson. After graduating from the New England School of Speech and Expression, Mabel moved directly into professional stage work in stock, vaudeville, and night clubs, appearing with Jimmy Durante. During the 1930s she became prominent in radio, co-starring with comedian Phil Baker on THE ARMOUR HOUR (1933-35), later on NBC's DRESS REHEARSAL (1936-37), with Joe Rines and Pinky Lee, to which she also contributed script ideas, dialog, and gags. In 1937 Mabel Albertson married radio writer Ken England. Her film career took off in the 1950s with character roles in such movies as SHE'S BACK ON BROADWAY (1953), ABOUT MRS. LESLIE (1954) with Shirley Booth, FOREVER DARLING (1956) with Lucille Ball and Desi Arnaz, THE LONG HOT SUMMER (1958), and DON'T GIVE UP THE SHIP (1959). In the 1960s, Mabel Albertson appeared on most of the top-rated series on television, including GUNSMOKE, PERRY MASON, THE MUNSTERS, BONANZA, and THAT GIRL, and became best known for her continuing role on BEWITCHED as Elizabeth Montgomery's mother-in-law. Mabel Albertson retired from acting in the mid-1970s and died, of Alzheimer's disease, on September 28, 1982, at the age of 81. The Mabel Albertson scrapbook spans 1933-1939, and consists of clippings from newspapers and magazines, playbills, and other materials related to the life and career of Mabel Albertson. The emphasis in the scrapbook, which ends in November 1939, is on Mabel Albertson's radio career, particularly THE ARMOUR HOUR and DRESS REHEARSAL, although there are also reviews included of stage appearances. less

John Edward Heys is an actor/filmmaker/director/writer who performed with numerous performance groups including the Angels of Light and Charles Ludlam's Ridiculous Theatrical Company. He worked with numerous artists including Charles Ludlam, Ethyl Eichelberger, Jackie Curtis, Cookie Mueller, Bill Vehr, Tomata du Plenty, and Gary Indiana. Heys also created several one man shows including his portrayal of Diana Vreeland and La Mamounia; directed Alba Clemente in Rene Ricard's translation of Jean Cocteau's A Human Voice; and created a documentary about Charlotte von Mahlsdorf. The collection contains materials related to the people and personalities whom Heys knew and the performances that Heys was involved in or attended. A significant portion of the collection concerns performances Heys created. Materials also concern Charles Ludlam, the Ridiculous Theatrical Company, Jackie Curtis, and Cookie Mueller. Materials include correspondence, photographs, clippings, publicity, and advertising posters. less

The Jean Elliott - Joshua Logan correspondence consists of letters written by Joshua Logan to Jean Elliott, his cousin. The letters span 1920 to 1989 (including letters written to his widow, Nedda Harrigan Logan), and illuminate Logan's career and family life. Of special note is a note written in 1920 by the 12 year-old Joshua, thanking his cousins for a pleasnt summer visit. The ephemera consists of photographs, programs, and clippings collected by Jean Elliott about her cousin, including childhood snapshots of Joshua and his sister, and a 1943 Army portrait. Programs include tributes to Joshua Logan. less