Found 157 collections related to Clippings

The Ilka Chase Papers consist of correspondence, photographs, newspaper clippings, scripts, scrapbooks and other material related to the career of Ilka Chase. There is also considerable material related to the career of her mother, Edna Woolman Chase, and to "Vogue" magazine. There is a large amount of personal correspondence, especially between Ilka Chase and her mother. The collection also contains the entire run of scripts from a radio program hosted by Ilka Chase from January 1951 to October 1951 and a complete run of articles for a syndicated newspaper column from 1955 to 1964. The photograph collection contains photos of Ilka Chase both in her professional career and private life, Edna Woolman Chase, and other celebrities, including Mr. and Mrs. Eugene O'Neill. less

Franne Lee (1941- ) is a costume and production designer for theater and film, as well as a producer and visual artist. This collection contains designs, correspondence, and other materials related her production designs from the 1970s to the mid-1990s. Also included are materials for original projects on which she collaborated. less

Peter Wexler (b.1936-) is primarily a set and costume designer for theater, music, and television, as well as a producer, artistic director, lighting designer, photographer, and visual artist. This collection contains set designs, correspondence, and other materials related his production designs from the 1970s to the mid-1990s. Also included are materials for original projects on which he collaborated as a design consultant. less

The Philip Sterling Research Materials on Bert Williams primarily contain clippings, correspondence, notes, and other research materials compiled by Philip Sterling, a writer and public relations executive for CBS, mainly between the years, 1959-1962. Sterling began conducting research on Williams during the late 1950s in the hope of writing a biography, which, apparently never was completed. He performed extensive research at a number of libraries and interviewed some of Williams's surviving relatives, as well as other individuals with firsthand memories of Williams, including Andy Razaf and Carl Van Vechten. less

Beatrice Lillie was an actress and comedian. The collection was created by Bruce Laffey, her biographer, and contains correspondence and photographs documenting Beatrice Lillie's career. Most of the correspondence is either to Bruce Laffey from Beatrice Lillie or about her. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Nuyorican Poets Cafe was founded by Miguel Algarín in 1974. The original "cafe" was located in Algarín's own apartment, but by the late 1970s he had found a space on East 6th Street between Avenues B and C for poetry readings, music, live radio broadcasts, readings of plays and screenplays, and other performances. The cafe closed for renovations for several years in the mid-1980s, but reopened and found new popularity, especially after being featured in a cover story in the New York Times Magazine and a segment on MTV's Unplugged program, both in 1993. Plays performed at the cafe include Amiri Baraka's MEETING LILLIE, Rome Neal's JULIUS CAESAR SET IN AFRICA, Wesley Brown's LIFE DURING WARTIME, and Ishmael Reed's HUBBA CITY. The Nuyorican Poets Cafe ephemera consists of clippings, fliers, and programs. In addition to the documents, the collection includes photographs of playwrights Amiri Baraka and Vinie Burrows, and two production photographs from Baraka's play MEETING LILLIE. less

This collection of personal and family papers, correspondence, production files, scripts, writings, and ephemera provide a wealth of documents on the life of actress, producer and director, Margaret Barker, a founding member of the Group Theatre, and her family. less

In 1962, she helped found and then for two decades directed the Army Music and Theater Program, which The Washington Post in 1976 called "the largest producing organization of music and theater in the world." At that time, it staged more than 25,000 performances annually with a global audience of more than 2.5 million people. The collection consists primarily of photographs, clippings, and programs, as well as scrapbooks, posters, and a small amount of correspondence, documenting the plays, contests, and travelling shows of the United States Army's Entertainment Services Unit. less

Maria Astrova, also known as Marie or Masha Solomonik, was an actress who studied with Stanislavki, toured Europe, then came to New York in 1940, where she and her husband Alexandre Solomonik were central figures in the Theatre of Russian Drama, a troupe which performed in Russian. During her time with the Moscow Art Theatre in the 1920s, Maria Astrova toured Europe as a member of the Prague Troupe. She left in 1930 to settle in Paris, and married Alexandre Solomonik there the following year. She continued acting with a troupe in Paris until she and her husband moved to Brussels. As the war approached, the couple moved to London, then emigrated to the United States in 1940. During the 1940s Maria Astrova and her husband staged Russian drama in New York, Astrova as an actress and Alexander Solomonik as producer and chief financial backer of the Theatre of Russian Drama. The Maria Astrova papers consist primarily of newspaper clippings from Russian language newspapers of the 1940s and 1950s, mostly Russky Golos as well as the Novoye Russkoye Slovo, in which the productions and activities of the Theatre of Russian Drama are described. In addition to the newspaper clippings, there are two programs from performances of works by Gogol, MARRIAGE (1944) and THE INSPECTOR GENERAL (1949), featuring Maria Astrova. Aside from one 1970 clipping, all other news material dates from between 1941 and 1952. There is one brief letter in Russian, dated 1952, from Vladimir Zelitsky, director of the Theatre of Russian Drama. There is a booklet dated 1946 with text in Russian and a number of pictures of dancers. There is also a watercolor of three costume designs, with two swatches of fabric attached. less

Max Liebman was one of the leading pioneers in producing, directing, and writing several highly credited television productions in the 1950s. Growing up in New York, he attended the Boys High School in Brooklyn, and got his start in entertainment, performing and writing in vaudeville. He was the producer and director of the Tamiment Theatrical Workshop in the Poconos, a summer stock playhouse, and brought the company's show to Broadway as The Straw Hat Revue in 1939. Liebman was a co-writer for Danny Kaye for several years, and was also credited as a writer for the 1945 movie-musical Ziegfeld Follies. Max Liebman Productions was incorporated in the State of New York in 1948, and in 1949 Liebman made his debut as a television producer with the production of the Admiral Broadway Revue. Liebman also launched Your Show of Shows his most celebrated and critically acclaimed television production that same year, which he produced and directed from 1949 to 1954. The show was broadcast from the International Theatre in New York City and starred Sid Caesar and Imogene Coca. The papers of Max Liebman contain correspondence, scripts, drafts of scripts and rewrites, production files, production notes, clippings, legal documents, and personal papers including bills, photographs, and artwork that document his television and theater production career from 1949 to 1977. less

Morton DaCosta (born Tecosky), stage and film director and actor, was born 7 March 1914 in Philadelphia. A graduate of Temple University, Mr. DaCosta began his career as an actor and director in regional theatre in 1937. He made his acting debut on Broadway in 1942 in THE SKIN OF OUR TEETH and his New York directing debut in 1949 with a revival of SHE STOOPS TO CONQUER. Among his many productions are PLAIN AND FANCY (1955), NO TIME FOR SERGEANTS (1955), AUNTIE MAME (1956) with which he made his film directing debut in 1958, and THE MUSIC MAN (1957). Mr. DaCosta died in 1989. The Morton DaCosta Papers consist of scripts and promptbooks, production materials, correspondence and personal papers documenting his life and career as a director and actor of stage and film. The papers span the years 1929 to 1978 and include such productions as THE MUSIC MAN, SARATOGA, NO TIME FOR SERGEANTS and AUNTIE MAME, among others. less

Nada, founded as Theater Club Funambules and later known as Todo con Nada, was a Manhattan theater company that staged experimental work for twelve years until it closed in 2000. Aaron Beall, Tim Carryer and Babs Bailey began Theater Club Funambules in 1988 in a small space on Ludlow Street in New York's East Village. After Carryer and Bailey departed in 1991, Beall changed the names of the company and its theater to Nada. Other venues operated by the company included two midtown spaces, Nada 45 on 45th Street, and Nada Show World in a former strip club near the Port Authority bus terminal. The Nada company was known for festivals of works by such playwrights as Richard Foreman and Charles Ludlam, and for festivals that consisted entirely of unconventional adaptations of HAMLET and FAUST. Veterans of Nada include playwright Kirk Wood Bromley. The company was evicted from its Ludlow Street space in November 2000 for nonpayment of back rent. The Nada ephemera consists of clippings, fliers, postcards, and other documents pertaining to the theatrical company Nada, also known as Theater Club Funambules and Todo con Nada. The clippings include reviews of individual productions as well as general feature stories about the Nada company, its history, and its artistic director Aaron Beall. Nada was a co-sponsor of the First Annual New York International Fringe Festival in 1997, and a program for that festival is included. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

The Steppenwolf Theatre Company Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings, photographs, and ephemera relating to the Chicago, San Diego, London, New York, and television productions of the play. less

Primarily documenting the career of playwright and screenwriter Paddy Chayefsky, this collection consists of correspondence, material relating to production of his works, draft and development material for unproduced works and other writings, office papers, vital records, financial and legal records, photographs, and research material. less

The Patricia Bosworth Papers consist largely of her manuscripts and research files for Montgomery Clift: A Biography (Harcourt Brace Jovanovich, 1978), but also contains material relating to other writings and professional activities. less

The Paul Cranefield Papers, 1824-2002 [bulk years 1951-2002], document medical doctor and theater enthusiast Paul Cranefield’s interest and contribution to New York City’s theatrical world, and in particular the Off-Off Broadway movement. The collection consists of administrative files created by the La Mama Experimental Theatre Club and the Circle Repertory Theatre, in which Cranefield served as a board member for several years. They include correspondence, meeting minutes, notes and agendas, legal and financial records, grant applications, leaflets and brochures, production inventories, and Cranefield’s writings on subjects related to theater and collecting. There are also scripts, photographs, clippings, and a considerable number of programs and posters from productions created by La Mama and Circle Repertory Theatre, as well as from productions of the 1800s, collected by Cranefield. less

Ruth Chatterton (1893-1961) was an American actress, novelist, aviatrix, director and translator. Ruth Moesel was an American teacher who began collecting items on Chatterton as a hobby and later compiled information on Chatterton for a biography which was written, but never published. The Ruth Moesel collection of Ruth Chatterton materials contains scrapbooks, which document Chatterton's career with photographs, clippings, programs, as well as loose scripts, correspondence, photographs and other publicity materials. less

The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection. less

The Richard and Edith Barstow Papers document the careers of the sister and brother, both as dancers, then as choreographers and directors, for stage, screen, television, the Ringling Brothers Barnum and Bailey Circus, nightclubs, and industrial shows. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less