Found 130 collections related to Clippings

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work. less

Dorothy Fields, lyricist and librettist, was born in Allenhurst, New Jersey, July 15, 1905. She was the daughter of Lew Fields, comedian and producer, and Rose (Harris) Shoenfeld. Her first well known song was "I Can't Give You Anything But Love," which she wrote with James McHugh in 1928. She collaborated extensively with her brother Herbert Fields, who also was a librettist. Their most famous production was "Annie Get Your Gun," produced in 1946. Her other brother Joseph Fields was a dramatic actor, producer, and playwright. She was married in 1938 to Eli Lahm and they had two children, David and Eliza. She also collaborated with: Jerome Kern, Harold Arlen, Sigmund Romberg, Burton Lane, Arthur Schwartz, Fritz Kreisler, Morton Gould, Cy Coleman, Albert Hague, Oscar Levant, Harry Warren, and her son David Fields Lahm. Dorothy Fields is probably best known for having written the lyrics to "Sweet Charity." She was a representative of the Dramatists' Guild on the Council of the Authors' League of America, secretary of the Dramatists' Guild, and one of the few women members of the American Society of Composers, Authors, and Publishers. She died in 1974 in New York City. The Dorothy Fields papers consist of lyrics, including drafts of unpublished lyrics; scripts, including working outlines and drafts of scripts never produced; newspaper clippings, photographs, correspondence, programs, ephemera, and other material related to the career of Dorothy Fields,her father and two brothers. The collection reveals her creative processes for developing lyrics and librettos. Another strength of the collection is that it contains an extensive clipping file on the career of Mrs. Fields's father Lew Fields. Correspondence, however, is limited--there are only eight letters. less

John Edward Heys is an actor/filmmaker/director/writer who performed with numerous performance groups including the Angels of Light and Charles Ludlam's Ridiculous Theatrical Company. He worked with numerous artists including Charles Ludlam, Ethyl Eichelberger, Jackie Curtis, Cookie Mueller, Bill Vehr, Tomata du Plenty, and Gary Indiana. Heys also created several one man shows including his portrayal of Diana Vreeland and La Mamounia; directed Alba Clemente in Rene Ricard's translation of Jean Cocteau's A Human Voice; and created a documentary about Charlotte von Mahlsdorf. The collection contains materials related to the people and personalities whom Heys knew and the performances that Heys was involved in or attended. A significant portion of the collection concerns performances Heys created. Materials also concern Charles Ludlam, the Ridiculous Theatrical Company, Jackie Curtis, and Cookie Mueller. Materials include correspondence, photographs, clippings, publicity, and advertising posters. less

The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of plays. The American Place Theatre Company records document almost five decades of theatrical work produced by the American Place Theatre and the administrative activities of the theater. The bulk of the collection consists of production files that span from 1963 until the 2008-2009 season. The records also contain administrative files that represent the day-to-day operations of the American Place Theatre, minutes of the board of trustees, extensive correspondence of Director Wynn Handman, scripts, and posters. less

Howard Atlee (b. 1926) was a theatrical press agent active from the 1950s to the 1990s. The Howard Atlee papers (1950s-2004) chiefly concern Broadway and Off-Broadway productions between 1958 and 1984. The collection holds photographs, press releases, clippings, theater programs, scripts, posters, and correspondence. less

Hobe Morrison (1904-2000) was a drama and film critic at Variety Magazine from 1941 to the 1970s. He was very active in The Players Club, of which he was made an honorary member, after he retired. The Hobe Morrison papers contain correspondence, and files on production companies and productions collected and created by him, in his position as a theatre critic for Variety, and as a member of the New York theatre community. less

Nan Stevens was a secretary for Beatrice Lillie (1894-1989), the stage and movie actor. The collection, dated 1948 to 1961, documents Lillie's career through correspondence, photographs and scrapbooks. There are also two scrapbooks compiled about the actors Eddie Albert and Judy Garland. less

José Famadas (1908 – circa 1991), also known as Professor Colmar, was a professional magician and a historian of magic and magicians. The José Famadas papers, dating from 1926 to 1991, document Famadas's work as a magician and historian through correspondence, photographs, subject files, and newsletters. less

George Furth (1932-2008) was an American playwright, librettist and actor, most famous for writing the books for two Stephen Sondheim musicals, Company and Merrily We Roll Along. The George Furth papers contain professional and personal papers, created or collected by Furth as a playwright and actor. less

Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers papers (1894-1975) document his long and prolific career as a professional dramatist, lyricist, and novelist, as well as his earlier career as a pianist. The collection consists of writings, production files, scrapbooks, and a small amount of personal material. To a lesser extent, his work as a screenwriter is represented. less

The Arthur Cantor papers (1955-1965) document the theater producer's work as a television and theatrical press agent in the 1950s and 1960s. The collection includes press releases and clippings, correspondence and memos regarding publicity campaigns, final and drafted scripts, and other production materials. less

Paul Lipson (1913-1996) was an American actor best known for portraying Tevye in Fiddler on the Roof. The Paul Lipson papers (1932-1996) consist of production files, scripts, and a scrapbook that document Lipson's career acting in summer stock, Off-Broadway, and Broadway productions, with a particular focus on Fiddler on the Roof. There is a small amount of posthumous material consisting of a program and sound recording from his memorial service. less

Charles Busch (1954- ) is a playwright, screenwriter, novelist, actor, and drag performer best known for his Tony-nominated Broadway production, The Tale of the Allergist's Wife. The Charles Busch papers date from 1967 to 2015 (bulk dates 1984-2014) and consists of correspondence, screenplays, scripts, and writings from Busch's career as a playwright, screenwriter, novelist, and performer. less

Sam Zolotow was a theater reporter for the New York Times. The Sam Zolotow papers (1944-1967) contain press releases, clippings, correspondence, and draft articles from Zolotow’s work as a theater reporter. The materials mostly date from 1962 to 1967. less

Aileen Stanley was a popular singer and vaudeville performer active from the 1900s through the 1930s. The Grayce Burian collection of Aileen Stanley materials (1898-1983) was assembled by Burian in the preparation of a biography of Stanley. The collection includes correspondence, research notes, scrapbooks, photographs, promotional materials, and other memorabilia from Stanley's career. less

Julius Withers Monk was a producer and director of satirical revues and founder of the New York City nightclubs the Downstairs Room, Upstairs at the Downstairs, and Plaza 9-, where his revues were staged. The Julius Monk papers (1906-1991, bulk 1935-1979) document Monk's career though scripts, scores, clippings, programs, promotional material, and photographs. less

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection. less

The Steppenwolf Theatre Company Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings, photographs, and ephemera relating to the Chicago, San Diego, London, New York, and television productions of the play. less

The Theater for the New City is an Off-Off Broadway troupe best known for experimental theater projects and outdoor spectaculars. Founded in 1970 by Crystal Field, George Bartenieff, Theo Barnes and Lawrence Kornfeld, the Theater for the New City was based in Manhattan's West Village in its early years. Rising real estate costs forced a move to the East Village in the late 1970s, by which time the group was led by co-artistic directors Field and Bartenieff. In addition to hosting street happenings and an annual Village Halloween Costume Ball, the troupe has presented the work of such playwrights as Sam Shepard, Charles Ludlam, Maria Irene Fornes, and Richard Foreman. The Theater for the New City ephemera consists of clippings, programs, fliers, photographs and related documents pertaining to the activities of the Theater for the New City troupe. The clippings include reviews of TNC shows as well as a number of feature stories concerning the group's real estate difficulties. less

Ruth Chatterton (1893-1961) was an American actress, novelist, aviatrix, director and translator. Ruth Moesel was an American teacher who began collecting items on Chatterton as a hobby and later compiled information on Chatterton for a biography which was written, but never published. The Ruth Moesel collection of Ruth Chatterton materials contains scrapbooks, which document Chatterton's career with photographs, clippings, programs, as well as loose scripts, correspondence, photographs and other publicity materials. less

The Richard and Edith Barstow Papers document the careers of the sister and brother, both as dancers, then as choreographers and directors, for stage, screen, television, the Ringling Brothers Barnum and Bailey Circus, nightclubs, and industrial shows. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less

Robert Benchley, humorist, critic, actor, writer and director was born in 1889 in Worcester, Massachusetts. His writing career began as early as his college days as president of the LAMPOON, in which he wrote many articles. His reputation as a humorist grew when he became editor of the New York Tribune's Sunday Magazine. During the 1920's he was the dramatic editor for both Life Magazine and the New Yorker. His career also included writing, acting and directing for MGM. The Robert Benchley Papers consist of correspondence, photographs, clippings, scrapbooks, programs and reviews and document both the careers of him and his son, Nathaniel. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

The Soho Repertory Theatre, commonly known as Soho Rep, was founded in the fall of 1975 by Marlene Swartz and Jerry Engelbach at 19 Mercer Street, in the storefront of a loft building. Opening with a revival of Maxwell Anderson's KEY LARGO, Soho Rep has distinguished itself as a producer of adaptations, classics such as Shakespeare's TWELFTH NIGHT and Ibsen's THE MASTER BUILDER, and revivals of rarely staged plays, including John Osborne's INADMISSIBLE EVIDENCE and Frank Marcus' THE KILLING OF SISTER GEORGE. Like other Off-off Broadway troupes, Soho Rep has struggled with rising real estate costs and in the mid-1980s had to leave its original home, eventually moving to 46 Walker Street in 1991. Actors appearing in Soho Rep productions have included Kathleen Turner, Kevin Spacey, and Tim Blake Nelson. The Soho Repertory Theatre ephemera consists of clippings, programs, fliers, photocopies, newsletters, and other documents related to the company. less

The Sombrero Playhouse, founded in Phoenix, Arizona, in 1949, was for many years a popular venue for touring productions featuring prominent performers, including a number of Hollywood luminaries. Founded by artistic director Richard Charlton, the Sombrero Playhouse became during its heyday perhaps the major performing arts center between Dallas and Los Angeles, attracting celebrity players such as Groucho Marx, Tallulah Bankhead, Ginger Rogers, Gloria Swanson, Bob Cummings, Celeste Holm, Shelley Winters, Margaret O'Brien, ZaSu Pitts, Pat O'Brien, Walter Pidgeon, John Raitt, and others. These actors usually toured in established works, but new plays were occasionally tried out at the Sombrero, such as William Inge's NATURAL AFFECTION, which premiered in Phoenix in 1962, a year prior to its Broadway run. The Sombrero Playhouse papers consist mostly of clippings from Arizona newspapers and magazines dated between 1961 and 1964, but primarily from 1962 and 1963, concerning current productions at the Sombrero Playhouse. Much of the material consists of feature stories on the star performer of the current show, usually including biographical information about the performer along with excerpts from a recent, local interview. There is also general information about the theater and its founding artistic director Richard Charlton, about the Galaxy Gallery, an art gallery adjacent to the theater operated by Richard's wife Helen Charlton, and the Backstage Club, a restaurant in the same complex which began as a club for actors appearing in Sombrero productions. The material from 1964 speaks of plans to build a new Phoenix Performing Arts Center. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

Joel Grey (1932-) is an American actor, singer, dancer and director, working in theatre and film from the 1950s through the present. The Joel Grey Papers contain publicity and general production files, scripts, photographs and memorabilia on stage productions Joel Grey appeared in. There are also production materials on television, radio and film projects he did and solo acts/personal appearances. less

Jadin Wong (1913- ), Chinese-American performer who grew up in Califoria, began her career as a dancer, later becoming an actress, stand-up comic, and talent manager specializing in Asian artists. Born in Stockton, Calif., Jadin (sometimes spelled "Jadine") Wong got her start as a professional dancer with the San Francisco Opera Ballet. She gained greater renown as a performer at the Forbidden City nightclub in San Francisco, which lead to small film roles in the Charlie Chan and Mr. Moto series, musicals such as IRENE, and to the cover of Life magazine in 1940. During the war years, Jadin Wong entertained U.S. military personnel around the world. During the 1950s, she was cast in several Broadway shows, including THE KING I, THE WORLD OF SUSIE WONG, and FLOWER DRUM SONG. As the popularity of musicals waned, she became a stand-up comedian in the '60s, perhaps the first Asian woman to enter the field. In 1976, Ms. Wong opened a studio in New York and became a manager for Asian performers and models. The Jadin Wong ephemera spans approximately 1930-1996, and consists of clippings, photographs, programs, advertising materials, reviews, correspondence, etc. Seven folders consist of clippings and photocopies of clippings from articles about the career of Jadin Wong, including the Life magazine cover story of December 1940 devoted to the Forbidden City, San Francisco nightclub where Asian performers entertained a mostly white clientele. There is also material devoted to FORBIDDEN CITY, U.S.A., a 1989 documentary film devoted to the nightclub and its performers in which Jadin Wong appeared. less