Found 53 collections related to American literature -- 20th century

James Oppenheim (1882-1932), an American poet, novelist and editor, was a member of the bohemian circle of poets, artists and intellectuals that flourished in Greenwich Village, New York, during the 1910s. He began his career writing short stories and poetry for popular magazines and established himself as one of the leading younger poets with the publication of his verse collection Songs for the New Age (1914). In 1916 he founded the literary magazine The Seven Arts with Waldo Frank and Paul Rosenfeld; the magazine folded the next year because of the editorial policy attacking U.S. participation in World War I. Oppenheim became an adherent of psychoanalysis, in particular the theories of Carl Jung, and devoted most of his later poetic work to psychoanalytic investigations. Collection consists of correspondence, writings, editorial materials, financial and legal papers, drawings, photographs, and ephemera documenting Oppenheim's literary career and personal life. Correspondence, 1899-1932, with family friends and literary associates concerns literary, personal and business matters. Writings, 1898-1932, include poetry, dramatic works, novels, stories, articles, and notes as well as his "Dream Diaries" in which he recorded his dreams and self-analysis. Seven Arts materials, 1916-1917, consist of drafts of letters, fiscal and legal records, and printed matter. Also, Oppenheim's financial and legal papers, 1922-1932; personal ephemera; and ink drawings, ca. 1920-1925, by Oppenheim and his companion Gertrude Smith. less

Collection consists of correspondence and author files of the Macmillan Company. General correspondence, 1892-1914, contains letters from authors, publishers, booksellers, paper manufacturers, literary agents, as well as internal correspondence from editors, agents, field representatives, and academic book reviewers. Much of the correspondence deals with the publication of scholarly works and textbooks in the sciences, social sciences, humanities, and religion. Foreign correspondence, 1898-1914, includes letters to and from publishers and literary agents, mostly in Great Britain. Correspondence with Macmillan & Co. in London, 1891-1915, concerns publishing plans, negotiations for British and American editions of various works, copyright matters, etc. George Platt Brett, Sr.'s letterbooks consist of his outgoing letters from 1889 to 1907. Other letterbooks are of Kate Stephens, Children's Dept., 1898-1900, and the Subscription Dept., 1901-1902. Author files, 1894-1960, contain personal and business correspondence of Macmillan's major authors, their literary agents, legal counsel, and families with the Bretts and Macmillan editors. In addition to letters, the files often include memoranda, contracts, typescripts, press releases and publicity materials, legal records, press clippings, or photographs. The most extensive files in this series concern the publication of works such as Gone With the Wind, Forever Amber and the Cyclopedia of American Agriculture. less

The publishing company Farrar, Straus & Giroux, Inc. was founded in 1945 as Farrar, Straus & Company by John Farrar and Roger W. Straus, Jr. After numerous changes in management and corresponding changes in name, the company became known as Farrar, Straus & Giroux, Inc. (FSG) in 1964 when Robert Giroux became editor-in-chief. The company firmly established itself as a quality publisher in the 1960s and 1970s. FSG remained staunchly independent of conglomerate publishing for many years. Even after selling controlling interest to the German publisher Verlagsgruppe Georg von Holtzbrinck in 1994, FSG maintained much of the freedom of an independent publishing house. less

The Century Company published the Century Illustrated Monthly Magazine, which was widely regarded as the best general periodical of its time, performing a role as cultural arbiter during the 1880s and 1890s. It was founded in New York City in 1881 and also published the children's magazine St. Nicholas, dictionaries, and books. The Century Company records date from 1870 to the 1930s and chiefly contain correspondence with contributors, readers, public figures, and literary agents. A number of manuscripts and proofs in the collection are extensively edited and taken with annotations on letters provide a detailed record of the outlook, standards, and functions of the company. less

Martin B. Duberman, b.1930, is a historian and playwright who taught history in universities for over fifty years. He is the author of the play In White America, biographies of Charles Francis Adams, James Russell Lowell, Paul Robeson, and Lincoln Kirstein; histories of Black Mountain College and the Stonewall Rebellion; as well as numerous other books, plays, essays, and reviews. The collection contains personal and professional correspondence (1930s-2006) documenting Duberman's academic career and theatrical activities; organizational files from REDRESS, the Gay Academic Union, the National Gay Task Force, and the Center for Lesbian and Gay Studies (CLAGS); syllabi and lecture notes for courses taught at Yale, Princeton, and Lehman College; manuscripts, typescripts and published copies of his books, plays, and essays, as well as press clippings and personal, family and theatrical memorabilia, sound recordings of interviews, personal and family photographs, and films. less

Mitchell Kennerley (1878-1950) was an American publisher and art dealer. He worked for various literary magazines and published several others. From 1916 to 1929 and 1937 to 1939 he was president of the Anderson Galleries. He started the Lexington Avenue Bookshop in New York City and was involved in the Book Collectors Club of America.The collection consists of correspondence, writings, drawings, photographs, memorabilia, and printed matter related to Kennerley and his associates. Correspondence is with writers, artists, gallery owners, auctioneers, book collectors, and photographers. Writings include typescripts of articles and poems by various authors; photographs are of artists and writers; and drawings are by artists. Also, catalogs of art exhibitions and auctions, clippings and memorabilia. less

Robert Hobart Davis (1869-1942) was an American journalist, editor, dramatist, and photographer. He was editor of Munsey's Magazine from 1904 to 1925, columnist for the New York Sun from 1925 to 1942, and honorary president of the Stevenson Society of America. Collection consists of correspondence, writings, clippings, printed matter, and photographs documenting Davis's career as an editor and writer and his hobby of photography. Letters reflect his personal as well as professional interests. Correspondents include editors, dramatists, illustrators, journalists, artists, and public figures. Writings contain typescripts and printed versions of works by Davis and a file of printed reviews of his books. Materials relating to the Stevenson Society of America, 1915-1930, include letters, printed matter, clippings, and reports. Photographs consist of approximately 375 portraits by Davis of friends and acquaintances, including prominent writers, artists, performers, and public figures. less

Carl Van Vechten (1880-1964) was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago in 1930, he entered upon a career as a reporter for newspapers that included The American in Chicago and within a few years The New York Times. At the latter he served as an overseas correspondent in Paris and subsequently as an assistant to the music critic Richard Aldrich in New York City. Van Vechten moved to New York City in 1906 with his first wife Anna Elizabeth Snyder, a teacher. After his divorce in 1912, Van Vechten met and married the stage actress Fania Marinoff. Marinoff made her stage debut at the age of eight in a stock company, and eventually developed a successful stage career. Van Vechten's novels include The Blind-Bow Boy, Interpreters and Interpretations, Nigger Heaven, Peter Whiffle, Tiger By the Tail, and The Tattooed Countess. Van Vechten promoted the careers of many authors' works by writing introductions to their monographs. In his second successful career as a photographer, he had the opportunity to photograph, and to have himself photographed, with many literary figures, stage and screen stars and others. Papers reflect Van Vechten's social life and professional career as a writer, photographer and patron of the arts; they also document Van Vechten's literary and artistic circle of friends and colleagues. An avid collector, Van Vechten retained the letters of prominent individuals who corresponded with him including Ralph Barton, James Branch Cabell, Arthur Davidson Ficke, F. Scott Fitzgerald, Donald Gallup, Langston Hughes, Edward Jablonski, Klaus Jonas, James Weldon Johnson, Mabel Dodge Luhan, Bruce Kellner, Saul Mauriber, H. L. Mencken, Georgia O'Keeffe, Alfred Stieglitz, Florine Stettheimer, and Henrietta Stettheimer. Papers are also rich in Van Vechten's photographs of prominent individuals, and in 19th century photographs of his family in Iowa. Multiple editions of Van Vechten's monographs and the monographs of others add to the diversity of the papers. Many of the monographs have been autographed by the author. less