Found 72 collections related to Photographs

Ruth Ann Koesun (1928-2018) was a ballerina with the Ballet Theatre, later the American Ballet Theatre (ABT), and was one of the first Asian-American dancers to reach the rank of principal dancer in the company. The collection holds files related to Koesun's career, including correspondence, press materials, and photographs, as well as costumes, ballet slippers, and video recordings that chronicle Koesun's experience as a touring ballet dancer. less

Violet Holmes (1927-2019) was a dancer and choreographer, who spent the majority of her professional life with the Rockettes at Radio City Music Hall. The collection contains materials related to her nearly five-decade-long career, including extensive notes on choreographic routines; music, staging, and costume notation; theatrical programs; photographs; recorded performances; costumes; papers; correspondence; and certificates and awards. less

Max Waldman (1919-1981) was an American photographer noted for creating stylized, expressive dance and theater images. The Max Waldman photographs, which date primarily from 1965 to 1981 and include over a thousand mounted black-and-white photographic prints, trace Waldman's career from its commercial advertising beginnings until his death as a distinguished performance photographer. The collection also includes some professional files relating to management of his studio during and after his lifetime, daybooks, and video recordings. less

The Metropolitan Opera House (the Met), located at Lincoln Center in New York City, hosts American Ballet Theatre's (ABT) regular season and presents international dance companies. The Met's dance press materials, compiled by Mark Goldstaub Press Relations, date from 1979 to 1992, and contain press-related documents and ephemera reporting on various international dance companies and ABT's performances at the opera house. less

The Martha Graham Dance Company collection, dating from 1900 to 2017, is comprised of materials that document the career of modern dance pioneer Martha Graham and trace the history of the development of her company and school. The collection is a significant assembly of personal artifacts, correspondence, business documentation, costume designs, photographs, touring files, publications, posters, performance programs, and audio and moving image recordings. less

Emile Ardolino (1943-1993) was a prolific director, producer, editor, and multimedia designer for television, film, and theater productions. He was best known for directing the Academy Award-winning documentary He Makes Me Feel Like Dancin,' the sleeper film Dirty Dancing, and the comedy hit Sister Act. Ardolino's papers date from the 1950s to the 1990s, and chronicle his professional career primarily through video and sound recordings, production materials, posters, notes, correspondence, programs, photographs, contracts, artifacts, and plaques. While most of the collection comes from Adolino's work as a director and sometime-producer of feature films, television series, and television movies, his early work in multimedia design, acting, and film editing is also represented. less

Rouben Ter-Arutunian (1920-1992) was a scenic and costume designer best known for his long association with the New York City Ballet. The design portfolios are a comprehensive reflection of the artist's prolific forty-year career designing for theater, ballet, dance, opera, television, and motion picture productions. The portfolios are made up of materials mostly gathered together under a production's title and contain set and costume designs; set models; press material; photographs; design notes; technical drawings; business documentation; correspondence; and research and reference material. less

The Bill T. Jones/Arnie Zane Dance Company, established in 1982 by American dancer/choreographers Bill T. Jones and Arnie Zane, has performed worldwide in over 200 cities in 40 countries. The Bill T. Jones/Arnie Zane Dance Company records document the work of the Company and its creators from 1970 to 2016. The collection contains dance and sound cue sheets, lighting and stage plots, photographs, programs, correspondence, posters, sheet music and lyrics, financial and legal documents, and audio and video recordings. less

The Danspace Project was founded in 1974 at the St. Mark's Church In-The-Bowery in New York City to present, support, and encourage new work in dance and performance within a supportive environment. The Danspace Project records document over four decades of dance performances produced by, or affiliated with, the Danspace Project, as well as document the day-to-day management of a non-profit arts organization. less

Selma Jeanne Cohen (1920-2005) was a dance historian best known for editing the International Encyclopedia of Dance (1998). The collection, dated from 1947 to 1989, contains photographs of dance companies, stage productions, and dancers that Cohen utilized in her work. less

José Limón (1908-1972) was a Mexican-born modern dancer and choreographer best known for the development of the Limón technique; dances such as La Malinche (1947), The Moor's Pavane (1949), and The Traitor (1954); and for co-founding the Limón Dance Company. The José Limón photographs, dated from 1933 to 1968, contain negatives, slides, and prints that depict Limón's professional and personal life, dancers with whom he was associated, and performances by the Limón Dance Company. less

Pryor Dodge (1949-) is an author and collector and the son of Lyena Barjansky and Roger Pryor Dodge. Roger Pryor Dodge (1898-1974) was an American dancer. Roger Pryor Dodge's work was focused on the intersection of ballet, vaudeville, jazz, and film. The collection illustrates Roger Pryor Dodge's collaborations with other dancers and jazz musicians through photographs, film footage, scrapbooks, manuscripts, and correspondence. The majority of the collection consists of an eclectic range of film footage of Roger Pryor Dodge's dance routines, many of which were created in collaboration with his partner Mura Dehn. less

Kaja Gam (born 1952) is a Danish-born performance artist, modern dancer, choreographer, and designer. She is the founder of the Awkward Dance Company, and co-founder of The School of Hard Knocks. The Kaja Gam photographs, dated 1972 to 1989, is made up almost exclusively of slides that document Awkward Dance Company rehearsals and performances, set and costume designs, and social events. less

Carolina de los Reyes is a flamenco dancer best known for her work with José Greco's Spanish Ballet. The collection contains press and photographs related to Reyes' dance career, as well as recordings of Reyes' performances, and pieces of her flamenco costume. The collection documents her career as a flamenco dancer in Spain, and her time touring the world with the José Greco company in the 1950s and 1960s. less

Forrest Bonshire (1926-2012) was an American dancer and choreographer. The Forrest Bonshire photographs, dating from the 1930s to 2012, primarily document his dancing career with photographs, programs, letters, telegrams, clippings, contracts, and a scrapbook. less

Joan Baum was a librarian and amateur photographer. Baum's work was focused on creating and collecting a visual index of contemporary Western ballet and opera of the 1960s and 1970s. The collection includes her original photographs, slides, and negatives, as well as prints ordered from other professional dance photographers (including Fred Fehl and Martha Swope) and official portraits requested from ballet companies. less

The Marilyn Wood papers, dating from the 1950s to 2016, consist of photographic materials, programs, notes, notebooks, journals, posters, fliers, interviews, press clippings, and video recordings created and collected by Wood over the course of her career as a dancer, choreographer, artistic director, and producer. The bulk of the papers detail Wood's work as the artistic director and choreographer of worldwide site-specific, festival-like performances that she called celebrations. less

The Agnes de Mille photographs, dating from the 1860s to the 1980s, chronicle her professional career as a dancer, choreographer, director, writer, and arts advocate. The photographs also recount de Mille's personal life and the members of the de Mille, George, Prude, and Foy families. less

The Thelma Hill Performing Arts Center (THPAC) is a non-profit organization based in Brooklyn, New York, whose mission is supporting Black performers and providing community access to dance. The Thelma Hill Performing Arts Center records, which date from the 1920s to 2019, trace the institution's cultural significance through administrative records, performance video footage, photographs, promotional material, and awards files. less

The American Tap Dance Foundation (ATDF) is a non-profit organization committed to establishing and legitimizing tap as a vital component of American dance through creation, presentation, education, and preservation. The ATDF records, dating from 1935 to 2019, document its history and activities, as well as the careers of two of its co-founders, tap dancers Brenda Bufalino and Tony Waag. It also illustrates the history and development of tap dance. The collection contains video and audio recordings, photographs, scrapbooks, administrative files, programs, clippings, promotional literature, and dancer photographs and biographies. less

The Denishawn photographs and scrapbooks, dating from 1875 to the 1960s, consist mainly of prints of the Denishawn company and school, as well as professional and candid prints of Ted Shawn and Ruth St. Denis. The collection also contains some photographs of the construction of Jacob's Pillow, and Shawn's company, Ted Shawn and His Men Dancers. less

Jonnie Greene (1929-) is a retired American performing arts critic who directed two dance symposiums, Rethinking the Balanchine Legacy and Classic Black, at the New York Public Library in the 1990s. The Jonnie Greene papers date from the 1930s to 2000 and primarily document these symposiums and Dance Critics Association conferences with interview transcripts, photographs, grant proposals, correspondence, programs, and audio and video recordings. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Herbert Migdoll is an artist and was the principal photographer and designer for the Joffrey Ballet. He joined the company as staff photographer in 1968 and later was the Graphics Director, creating photography, sets, and graphic materials. This collection consists of documentation of the company, primarily from the 1980s. less

Grace Cornell and Kurt Graff were a professional dance duo based in Chicago, Illinois, who founded the Little Concert House, Graff Ballet, and Meadow Hearth Theatre Art Center. Their papers date from the 1910s to 1992 and chronicle the Graffs' professional careers. less