Scope and arrangement
The Grace Cornell and Kurt Graff papers date from the 1910s to 1992, and recount mainly the Graffs' professional dance careers. The collection is composed of mostly scrapbooks which contain press clippings, photographs, programs, flyers, postcards, and correspondence. It also includes some piano sheet music, sound recordings, posters, notebooks, and notes. The bulk of the papers date from the 1920s to 1950s, and consist primarily of Grace Cornell's scrapbooks; material from the Graffs' international and national tours; and scrapbooks, press clippings, and programs from the Graffs' years running the Meadow Hearth Theatre Art Center and Little Concert House. A small portion of the collection features candid photographs of the Graffs, Grace Cornell's collection of piano sheet music, and sound recordings from Kurt Graff's vinyl record collection.
The International and National Performances grouping dates from the 1910s to the 1960s, and holds scrapbooks, programs, photographs, press clippings, and posters from the Graffs' years performing around the world. Present are scrapbooks, dating from the 1930s to the 1950s, about the Graffs' worldwide performances, along with programs, press kits, and photographs of Graff Ballet. Most of the Graffs' professionally-shot photographs were taken by Maurice Seymour.
The Little Concert House and Meadow Hearth Theatre Art Center Files date from 1931 to the 1950s, and record the Graffs' work establishing and producing dance, theater, and concert productions in Chicago, Illinois and Hopkinton, New Hampshire, respectively. The files are made up of ephemera and photographs that the Graffs' used to promote the productions and dance classes that were run on the properties. The Graffs created scrapbooks for each property, which include press clippings and photographs that document the establishment of the artistic sites, and the productions and events held at each location.
The Personal Files span from the 1910s to 1992, and comprise personal material created and collected by the Graffs. The majority of the files feature Grace Cornell's scrapbooks, dating from 1924 to 1933, that reveal the pre-performance and early performance years of her dance career. Included in Cornell's scrapbooks are newspaper clippings, photographs, programs, and personal correspondence. Of note are commercial music recordings from Kurt Graff's vinyl record collection, which includes piano music by Heitor Villa-Lobos, symphonies by Aaron Copland and Halsey Stevens, and folk music by Abi and Esther Ofarim; published piano sheet music with inscriptions by Grace Cornell; drafts of poems about the Graffs' friends and dance teachers; notes about dance pieces; and play scripts with notes in them.
Arrangement
This collection is arranged alphabetically in the following three groupings: International and National Performances; Little Concert House and Meadow Hearth Theatre Art Center Files; and Personal Files.