Found 22 collections related to Sound recordings

The Bill T. Jones/Arnie Zane Dance Company, established in 1982 by American dancer/choreographers Bill T. Jones and Arnie Zane, has performed worldwide in over 200 cities in 40 countries. The Bill T. Jones/Arnie Zane Dance Company records document the work of the Company and its creators from 1970 to 2016. The collection contains dance and sound cue sheets, lighting and stage plots, photographs, programs, correspondence, posters, sheet music and lyrics, financial and legal documents, and audio and video recordings. less

The Dawn Lille collection, dated 1932 to 2002, documents Dawn Lille (1934- ), a performer, teacher, and oral historian. Her collection contains oral history interviews she conducted with African-American dancers. Lille also taped an extensive interview with May O'Donnell, a dancer, choreographer and founder of the May O'Donnell Dance Company. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

The American Tap Dance Foundation (ATDF) is a non-profit organization committed to establishing and legitimizing tap as a vital component of American dance through creation, presentation, education, and preservation. The ATDF records, dating from 1935 to 2019, document its history and activities, as well as the careers of two of its co-founders, tap dancers Brenda Bufalino and Tony Waag. It also illustrates the history and development of tap dance. The collection contains video and audio recordings, photographs, scrapbooks, administrative files, programs, clippings, promotional literature, and dancer photographs and biographies. less

The International Dance Council was the United-States based subcomittee of the Conseil International de la Danse, under the United Nations Educational, Scientific and Cultural Organization. The council was largely organized by the New York Public Library's Dance Division Curator, Genevieve Oswald in the 1970s but dissolved in the early 1980s. The collection includes correspondence with membership, conference organization, and research into other International Dance organizations. less

Jonnie Greene (1929-) is a retired American performing arts critic who directed two dance symposiums, Rethinking the Balanchine Legacy and Classic Black, at the New York Public Library in the 1990s. The Jonnie Greene papers date from the 1930s to 2000 and primarily document these symposiums and Dance Critics Association conferences with interview transcripts, photographs, grant proposals, correspondence, programs, and audio and video recordings. less

David Dorfman (born 1955) is a dancer, choreographer, teacher, musician, and activist, and the artistic director of David Dorfman Dance, a modern dance company. The David Dorfman papers (1980-2017) document Dorfman's performance and teaching career, as well as the activities of David Dorfman Dance, through video and sound recordings; photographs; programs, clippings, and publicity files; and the files of Art Sweats, Inc. (Dorfman's non-profit management company). less

Margaret Fisher (1948- ) is an American media artist, choreographer and the creator of Cellular Movement, a gestural technique that embraces postmodern dance aesthetics in performance. Fisher has performed nationally and internationally with Cat's Paw Palace and MA FISH CO. Her husband, Robert Hughes, a choreographer, worked extensively on productions in MA FISH CO. The Margaret Fisher papers document the career of Margaret Fisher including a year spent in Japan studying Japanese gestural and performance techniques. The collection holds correspondence, journals, individual works, photographs, designs, printed matter, and audio and moving image materials. less

Violet Holmes (1927-2019) was a dancer and choreographer, who spent the majority of her professional life with the Rockettes at Radio City Music Hall. The collection contains materials related to her nearly five-decade-long career, including extensive notes on choreographic routines; music, staging, and costume notation; theatrical programs; photographs; recorded performances; costumes; papers; correspondence; and certificates and awards. less

Emile Ardolino (1943-1993) was a prolific director, producer, editor, and multimedia designer for television, film, and theater productions. He was best known for directing the Academy Award-winning documentary He Makes Me Feel Like Dancin,' the sleeper film Dirty Dancing, and the comedy hit Sister Act. Ardolino's papers date from the 1950s to the 1990s, and chronicle his professional career primarily through video and sound recordings, production materials, posters, notes, correspondence, programs, photographs, contracts, artifacts, and plaques. While most of the collection comes from Adolino's work as a director and sometime-producer of feature films, television series, and television movies, his early work in multimedia design, acting, and film editing is also represented. less

Lotus Music and Dance is a New York City-based performance and education center for traditional and indigenous performing art forms. The records chronicle the promotion and recording of rehearsals, shows, workshops, and events, and also include reference materials for a wide variety of traditional music and dance styles. The Lotus Music and Dance records consist of production files, publicity materials, photographs, and audio and moving image recordings. less

Pryor Dodge (1949-) is an author and collector and the son of Lyena Barjansky and Roger Pryor Dodge. Roger Pryor Dodge (1898-1974) was an American dancer. Roger Pryor Dodge's work was focused on the intersection of ballet, vaudeville, jazz, and film. The collection illustrates Roger Pryor Dodge's collaborations with other dancers and jazz musicians through photographs, film footage, scrapbooks, manuscripts, and correspondence. The majority of the collection consists of an eclectic range of film footage of Roger Pryor Dodge's dance routines, many of which were created in collaboration with his partner Mura Dehn. less

Remy Charlip (1929-2012) was an American dancer, choreographer, theater director, costume and set designer, educator, visual artist, and children's book author and illustrator. The Remy Charlip papers, dating from the 1900s to 2016 (bulk dates 1940s-2016), chronicle his multi-faceted career and personal life with subject files, original choreography drawings, costumes, children's book illustrations, professional writings, notebooks and journals, artwork and poster designs, teaching materials, photographs, press clippings, programs, correspondence, and audio and moving image recordings. less

Dorothy Bird (1913–1996) was a dancer with the Martha Graham Dance Company, a performer on Broadway, and a teacher of the Graham technique. Her papers provide a record of her career, containing audio recordings, an autobiography manuscript and notes, memorabilia, and correspondence. less

Anita Feldman is a choreographer, teacher, and dancer best known for her innovative work in Tap and close collaborations with composers. The Anita Feldman Tap collection documents her professional life, including the dance company she founded, through files relating to performances and artist residencies; Feldman's original choreography; her student years and early work; the Tap Dance Instrument, a percussion instrument she co-invented; her teaching career; articles and a book written by Feldman; performance and publicity photographs; clippings of performance reviews; administrative records; and recordings of performances, music, and interviews. less

Joanne Savio is an American photographer known for her portraits of dancers and other creative people. The Joanne Savio photographs, which date from 1981 to 2006, reflect her professional output, especially her work for Dance Ink magazine. The collection primarily holds black-and-white photographic prints and negatives, as well as a smaller quantity of color photographs. less

Irene Dowd (1946-) is a kinesthetic anatomist, educator, author, and dance choreographer. The Irene Dowd papers, dated 1972 to 2015, emphasize her teaching career with course materials and notes. The papers also include writings for various academic activities, and audio and video recordings of dances and classes. less

Blondell Cummings (1944-2015) was a Black postmodern choreographer, dancer, video artist, teacher, and founder of the Cycle Arts Foundation artist collective. This collection, which dates from 1969 to 2011, illustrates her choreographic work, dance performances, and teaching career through audio and video recordings, photographs, press materials, and administrative files. The majority of the collection is video recordings, and the emphasis is on the visual and creative aspects of Cummings' career less