Found 29 collections related to Sound recordings

Pina Bausch (1940-2009) was a German choreographer and dancer known for her use of the expressionistic Tanztheater style, which combined elements of drama and modern dance. The Pina Bausch collection documents the later portion of her career, dating from 1980 to 1999, through programs, an interview, and files on an artist's residency and related United States tour. less

Anita Feldman is a choreographer, teacher, and dancer best known for her innovative work in Tap and close collaborations with composers. The Anita Feldman Tap collection documents her professional life, including the dance company she founded, through files relating to performances and artist residencies; Feldman's original choreography; her student years and early work; the Tap Dance Instrument, a percussion instrument she co-invented; her teaching career; articles and a book written by Feldman; performance and publicity photographs; clippings of performance reviews; administrative records; and recordings of performances, music, and interviews. less

The Jane Goldberg Changing Times Tap Dance Company collection, dating from 1943 through 2018, traces the professional history of founder Jane Goldberg and the initiatives undertaken by the Changing Times Tap Dance Company to promote and preserve tap dance history. The collection holds the Company's administrative files, promotional and publicity materials, photographs, correspondence, writings about tap by Goldberg, and extensive audio and moving image recordings of rehearsals, performances, and interviews. less

The Barbara Newman dance interviews, dating from 1975 to 2010, were conducted by Barbara Newman in preparation for her ballet publications: Striking a Balance: Dancers Talk About Dancing(1982, revised edition 1992), Never Far From Dancing (Part II of Striking a Balance, 2014), Grace Under Pressure: Passing Dance Through Time(2003), and Antoinette Sibley: Reflections of a Ballerina (1986). The collection holds paper transcripts and audio tapes. less

The Sonia Arova collection, dating from 1946 to 2013, documents her career as a ballerina and artistic director of the San Diego Ballet and the Alabama Ballet. The collection holds printed matter, photographs, correspondence, audio and video media originals. less

The Nancy Reynolds collection, dating from the 1980s to 2014 (bulk dates 1990s), primarily document the George Balanchine Foundation's commitment to continuing Balanchine's legacy as well as the day-to-day operations of this non-profit foundation. Nancy Reynolds is the director of the Foundation and is considered a leading authority on George Balanchine. The collection also contains files on the publication No Fixed Points: Dance in the Twentieth Century co-written with Malcolm McCormick. less

The New York International Ballet Competition, which ran from 1984 to 2009, was a three-week artistic education, professional training, and performance program for about 50 young, scholarship-sponsored dancers from around the world. The New York International Ballet Competition records, dating from 1943 to 2011 (the bulk dates from 1983 onward), document the history of the competition through photographs, video recordings, programs, publicity literature, costume designs, competition applications, administrative files, posters, and audio recordings. less

Maria Karnilova (1920-2001) was an American dancer and actress whose career spanned seven decades in ballet, opera, and Broadway. The Maria Karnilova papers contain materials from 1840 to 2003 (bulk 1938-1993) that document her career, including articles, correspondence, programs, photographs, scripts, sheet music, ballet slippers, audio and video recordings, and film. less

Deborah Zall (1933-2018) was an American dancer, choreographer, and teacher known for her dramatic solo works depicting historical and fictional women. The Deborah Zall papers contain materials from 1947 to 2017 that trace her career, including articles, programs, photographs, correspondence, professional documents, and audio and video recordings. less

Margaret Fisher (1948- ) is an American media artist, choreographer and the creator of Cellular Movement, a gestural technique that embraces postmodern dance aesthetics in performance. Fisher has performed nationally and internationally with Cat's Paw Palace and MA FISH CO. Her husband, Robert Hughes, a choreographer, worked extensively on productions in MA FISH CO. The Margaret Fisher papers document the career of Margaret Fisher including a year spent in Japan studying Japanese gestural and performance techniques. The collection holds correspondence, journals, individual works, photographs, designs, printed matter, and audio and moving image materials. less

The American Tap Dance Foundation (ATDF) is a non-profit organization committed to establishing and legitimizing tap as a vital component of American dance through creation, presentation, education, and preservation. The ATDF records, dating from 1935 to 2019, document its history and activities, as well as the careers of two of its co-founders, tap dancers Brenda Bufalino and Tony Waag. It also illustrates the history and development of tap dance. The collection contains video and audio recordings, photographs, scrapbooks, administrative files, programs, clippings, promotional literature, and dancer photographs and biographies. less

The International Dance Council was the United-States based subcomittee of the Conseil International de la Danse, under the United Nations Educational, Scientific and Cultural Organization. The council was largely organized by the New York Public Library's Dance Division Curator, Genevieve Oswald in the 1970s but dissolved in the early 1980s. The collection includes correspondence with membership, conference organization, and research into other International Dance organizations. less

Jonnie Greene (1929-) is a retired American performing arts critic who directed two dance symposiums, Rethinking the Balanchine Legacy and Classic Black, at the New York Public Library in the 1990s. The Jonnie Greene papers date from the 1930s to 2000 and primarily document these symposiums and Dance Critics Association conferences with interview transcripts, photographs, grant proposals, correspondence, programs, and audio and video recordings. less

David Dorfman (born 1955) is a dancer, choreographer, teacher, musician, and activist, and the artistic director of David Dorfman Dance, a modern dance company. The David Dorfman papers (1980-2017) document Dorfman's performance and teaching career, as well as the activities of David Dorfman Dance, through video and sound recordings; photographs; programs, clippings, and publicity files; and the files of Art Sweats, Inc. (Dorfman's non-profit management company). less

The Dawn Lille collection, dated 1932 to 2002, documents Dawn Lille (1934- ), a performer, teacher, and oral historian. Her collection contains oral history interviews she conducted with African-American dancers. Lille also taped an extensive interview with May O'Donnell, a dancer, choreographer and founder of the May O'Donnell Dance Company. less

Emile Ardolino (1943-1993) was a prolific director, producer, editor, and multimedia designer for television, film, and theater productions. He was best known for directing the Academy Award-winning documentary He Makes Me Feel Like Dancin,' the sleeper film Dirty Dancing, and the comedy hit Sister Act. Ardolino's papers date from the 1950s to the 1990s, and chronicle his professional career primarily through video and sound recordings, production materials, posters, notes, correspondence, programs, photographs, contracts, artifacts, and plaques. While most of the collection comes from Adolino's work as a director and sometime-producer of feature films, television series, and television movies, his early work in multimedia design, acting, and film editing is also represented. less

Lotus Music and Dance is a New York City-based performance and education center for traditional and indigenous performing art forms. The records chronicle the promotion and recording of rehearsals, shows, workshops, and events, and also include reference materials for a wide variety of traditional music and dance styles. The Lotus Music and Dance records consist of production files, publicity materials, photographs, and audio and moving image recordings. less

Blondell Cummings (1944-2015) was a Black postmodern choreographer, dancer, video artist, teacher, and founder of the Cycle Arts Foundation artist collective. This collection, which dates from 1969 to 2011, illustrates her choreographic work, dance performances, and teaching career through audio and video recordings, photographs, press materials, and administrative files. The majority of the collection is video recordings, and the emphasis is on the visual and creative aspects of Cummings' career less

Joanne Savio is an American photographer known for her portraits of dancers and other creative people. The Joanne Savio photographs, which date from 1981 to 2006, reflect her professional output, especially her work for Dance Ink magazine. The collection primarily holds black-and-white photographic prints and negatives, as well as a smaller quantity of color photographs. less

Dorothy Bird (1913–1996) was a dancer with the Martha Graham Dance Company, a performer on Broadway, and a teacher of the Graham technique. Her papers provide a record of her career, containing audio recordings, an autobiography manuscript and notes, memorabilia, and correspondence. less

Janet Adler was a dance and movement therapist who specialized in the Discipline of Authentic Movement. Her papers, dating from 1960 to 2023, chronicle her early career working with children on the autism spectrum to her later development of the Discipline of Authentic Movement and her teaching practice. The collection holds her published writings, administrative records, correspondence, audio and moving image recordings, photographs, and creative works. less

The Trisha Brown Dance Company records presents a comprehensive account of the New York City-based company, covering its administrative practices, educational outreach, stagings, tours, promotional materials, audio and moving image recordings, and choreographic works. Additionally, there is a smaller selection of material dedicated to the life, early work, and visual art of the company's founder, the American postmodern choreographer and dancer Trisha Brown. less

Irene Dowd (1946-) is a kinesthetic anatomist, educator, author, and dance choreographer. The Irene Dowd papers, dated 1972 to 2015, emphasize her teaching career with course materials and notes. The papers also include writings for various academic activities, and audio and video recordings of dances and classes. less