Found 43 collections related to Pianists

The Margaret Bonds Papers (5.4 lin. ft.), are arranged in three series: PERSONAL PAPERS (.4 lin. ft.), CORRESPONDENCE (.8 lin. ft.), and CREATIVE WORKS (4.4 lin. ft.). Margaret Bonds produced a wide range of works spanning orchestral compositions, theatrical accompaniments and traditional African-American spiritual arrangements throughout her career. She is widely credited with creating new interest in traditional African-American musical forms, history and culture. The papers document her personal life and professional process through correspondence, her work notes, lyrics, scripts and sheet music.

Dorothea Flanagan Persichetti (1919-1987) was a pianist and music educator, and the wife of the composer Vincent Persichetti (1915-1987). The Dorothea Flanagan Persichetti scrapbook, dating from 1925 to 1941, mostly documents the musician’s education and performance career in El Dorado, Kansas.

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection.

Sally Townsend Carter (1895- ) was a pianist who founded the Wilton School of Music in Wilton, Conn. Collection consists of correspondence, concert programs, biographical information, and accounts. Correspondence, 1935-1938, is for the most part related to Carter's project to provide musical programs for children at movie theatres.

Soulima Stravinsky is a pianist, teacher, and composer, son of Russian composer Igor Stravinsky. Correspondence and other material relating to Soulima Stravinsky as pianist, lecturer, and teacher; notebooks and other material about Mozart's piano concertos and other course material; clippings and other material about Igor Stravinsky; published scores associated with or inscribed to Igor Stravinsky; Sketchbook by Igor Stravinsky (1917?). Inscriptions are by Georges Auric, Serge Diaghilev, Darius Milhaud, Francis Poulenc, and Serge Prokofiev. Correspondents include Nadia Boulanger, Alexander Tcherepnin, Ernest Ansermet, Nikolai Lopatnikoff, Ruth Slenczynska, Murray Adaskin, Alexander Uninsky, and Malcolm Bilson. Several letters are from Igor Stravinsky, and there is one leaf in Igor Stravinsky's hand concerning Haydn's and Mozart's works among the published scores. The film of a rehearsal with Igor Stravinsky conducting has been separated from the collection and sent to NYPL Rodgers and Hammerstein Archives of Recorded Sound.

Renzo Viola, born Lorenzo Viola in Sicily in 1889, was a piano teacher and composer in New York City and in Lindenhurst, Long Island. He composed music for the silent movie, The Trifling Woman ; invented an educational toy piano named Alice in Musicland ; founded the Long Island Harmony Band and the L.I. Drum Corps ; and wrote songs for the Rotary Club. Manuscript scores of Renzo Viola's compositions (including more than 25 songs for which he wrote both words and music, and more than 35 piano pieces), arrangements, sketches, and exercises ; 2 published scores ; brochures, clippings, biographical sketch by Viola V. Joy.

Grace Greenwood Miles, a pianist, was active as an accompanist and piano teacher in Boston from the 1890s through the 1910s. Collection consists of account books, scrapbook and notebook of poems documenting Miller's life as a professional musician in Boston. Includes two account books, ca. 1897-1905 and 1903-1907; scrapbook, 1893-1914, containing letters, programs from concerts at which Miles performed, publicity brochures, notes and clippings; and notebook of poems, 1894.

Josef Lhévinne was a Russian pianist who lived in the United States after 1919. Lists of receipts for concert tours, in North America, 1908-1910, and in Europe, 1920 and 1922 ; and accounts of transactions with Steinway & Sons, which sponsored the tours.

Giuseppe Operti, "pianist to His Majesty Victor Emmanuel 2nd, late King of Italy," was later a performer, teacher, and composer in the United States. 7 programs, 20 clippings, business card, caricature, 2 copyright registrations, silk broadside song lyrics, and cover of a published song including Operti's portrait and facsimile of his signature. Programs and clippings deal with Operti's work as pianist and conductor, and as composer of stage works, including the comic opera, U.S. Buttons. Accompanied by dealer's description of the collection and paraphrase of the New York Times obituary, Dec. 9, 1886.

This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was known for his use of difficult techniques of counterpoint and harmony

An American pianist, George Copeland introduced the works of Debussy to the United States and also specialized in the works of Spanish composers. His many friends and associates included John Singer Sargent, Mary Garden, Isadora Duncan, Mrs. Fiske, Sarah Bernhardt, Melba, Calvé, Lina Cavaliere, Maggie Teyte, Mrs. Jack Gardner, Debussy, De Falla, Laurette Taylor, and Marie Dressler. Shortly after World War I, Copeland stayed in Kronberg with the family of Margarethe of Hesse, Princess of Prussia, sister of Kaiser Wilhelm. Biographical and autobiographical writings, letters, photoprints and drawings, 3 musical scores, and other items relating to the career of George Copeland. The collection includes drafts of a biographical essay about Copeland by Frederic Bradlee; drafts of Copeland's autobiography; Copeland's essay "Debussy, the Man I Knew" from The Atlantic Monthly, Jan. 1955; 14 letters from Margarethe of Hesse, Princess of Prussia (signed "Margaret") and 7 letters from other members of her family, 1922-30, 1952-54; 2 letters from Mary Garden; 1 letter from Manuel de Falla; 41 photographs and 3 other portraits of Copeland, 26 photographs of Copeland with others of whom 15 are unidentified; 6 photographs of Copeland's mother; 17 photographs of Copeland's friends and colleagues of whom 9 are unidentified; a reproduction of a pencil drawing of Debussy by B. Solofareff; and a manuscript score of the song A Doctor's Advice by Copeland.

Dame Myra Hess (1890-1965) was an English pianist. During the Second World War she organized and performed in hundreds of lunch time concerts at the National Gallery which had been emptied because of the threat of air raids. Marjorie Yates, a pianist and friend of Myra Hess, was born in England and moved in 1926 to the United States, where she taught music until 1968. Henriette Michelson was a piano teacher at The Juilliard School in New York City during the 1930's and 1940's, and later a resident of Jerusalem. Tobias Matthay (1858-1945) was an English piano teacher, author of works on piano technique, and composer. Photographic portraits of Myra Hess, Marjorie Yates, and Henriette Michelson; reproduction of a drawing of Mendelssohn by Varges; texts of speeches by Myra Hess about wartime concerts and about her teacher Tobias Matthay; programs, reviews, clippings, and other material about Myra Hess; clipping of obituary of Marjorie Yates.

Isidore Philipp was a French pianist, teacher, and composer. Margaret E. Brown was a piano student of Philipp. 7 ALS, 1948 Feb. 29 - 1955 Jan. 5, from Isidore Philippe, Hotel Woodward, New York, to Margaret E. Brown, Flint, Michigan ; Miss Brown's notes on piano lessons, 1947 Dec. and 1949 May; draft of letter from Miss Brown to Philipp [1949?]: biographical brochure on Philipp; price list of Philipp's piano compositions from Carl Fischer, Inc.; and explanatory letter, 1985 Jan. 11, from Ann Love, Flint, Michigan, to Frank C. Campbell, New York (typescript, carbon copy).

Bruce Hungerford was an American pianist and Egyptologist. Programs, clippings, and reviews of concerts and phonograph records; letters from Hungerford chiefly to Dr. and Mrs. George Dinsmore Stoddard; letters to Stoddard about Hungerford from other persons; and brochures and correspondence about an audio-visual series by Hungerford on Egyptology.

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch.

Esther Ostroff, an American pianist, studied with Isidore Philipp. 71 ALS and 12 postcards from Isidore Philipp dated 1931-1957; 2 ALS and 1 postcard from James Friskin; 1 ALS and 1 postcard from Jacob Weinberg, 1 ALS from John Corigliano; 1 postcard each from Pablo Casals and Mischa Mischakoff; and 1 calling card from Margarete Dessoff. The Casals item begins "Dear Mr. Dubensky"; all the rest are addressed to Esther Ostroff. 4 signed portraits were separated from the collection and can be found in the Music Division's Rare Photographs file: Frank Damrosch (Ph C 2330), James Friskin (Ph C 2331), Josef Lhevinne (Ph D 2068), and Isidore Philipp (Ph D 2067).

Author and recipient were pianist-composers active in Europe. Kalkbrenner asks Moscheles to sign a receipt for the sale of 2 concertos and gives news: music of Neate and Potter is being played by the Philharmonic Society rather than Beethoven symphonies; Cramer just missed breaking his thumb in a freak accident; Madame Pasta had a successful debut; and Kiesewetter played like a demon.

These noncommercial sound recordings were collected by Mary Howe and primarily consist of her own compositions, in particular her vocal and chamber works. Several performances feature Mary Howe as pianist or accompanist. Additional performers include Celius Dougherty, Emerson Meyers, Mona Paulee, and William Strickland.

Margaret Mills is an American concert pianist. She made her debut in 1974 and has performed throughout the United States and internationally. Her repertoire includes traditional European music and newer American works, many of them by women composers. The collection consists of letters from Mills to her family written whilst in Germany, 1955-1956; concert, festival, and solo recital programs; letters; contracts; press clippings; and photographs. The collection also contains musical scores autographed by the composers.

Composer, pianist, arranger. Brown worked as Paul Robeson's accompanist for thirty-eight years. The Lawrence Brown papers encompass correspondence reflecting Brown's wide-ranging travels, and his friendships (mostly letters written by his friends and business associates); personal papers; travel file consisting mostly of itineraries for tours; financial records comprised largely of royalty and earnings statements; programs for Brown and other artists; scrapbooks of news clippings and telegrams covering the Brown and Paul Robeson concert years (1928-1968); news clippings of concert reviews; and original scores and sheet music written by Brown and other composers. Papers relate to Brown's life and times, including World War I, Harlem Renaissance, World War II, spirituals, and his collaborator, Paul Robeson. Correspondents include Amanda Aldridge, Ethel Gardner Dingle, Jannett Hamlyn, Roland Hayes, Langston Hughes, Zaidee Jackson, William Lawrence, John Payne, Paul and Eslanda Robeson, Clara Rockmore, Robert Rockmore, Mrs. Corinne Sawyer (Brown's landlady), and Greta and I. W. Sequeira.

Born in 1945, Jack Briece was an American composer, organist and pianist, video artist, educator, and author, whose creative output was original and inventive. Most of this collection contains Briece’s diary, written on index cards and documenting his personal study of astrology, planetary movements, and the I-Ching, which informed every aspect of his life and inspired much of his output as an artist. However, of particular interest are the music series and the records surrounding Briece’s travels in Finland. The music materials demonstrate Briece’s use and personal development of conventional as well as modern and experimental orchestration techniques. The materials related to Finland represent a particularly active and creative time for the composer, his involvement with the newly developing videotape medium, and the culmination of much of his work up until his untimely death in 1988.