Found 7 collections related to King, Woodie, Jr., 1937-

The collection documents Julian Mayfield's career as a writer, educator and actor, and his activities as a political expatriate in West Africa and Guyana. Significant correspondents include fellow African-American expatriates and friends Maya Angelou, Herman Kofi Bailey, Sylvia Boone, William Branch, Tom Feelings, David DuBois, Preston King, Jim Lacy, Calvin and Elinor Sinnette, and Alice Windom. Other correspondents are John Henrik Clarke, Jules Dassin, Ossie Davis and Ruby Dee, James Forman, Richard Gibson, Gloria Joseph, Woodie King, Paul Mann, William Marshall, Truman Nelson, and Conor Cruise O'Brien. less

Born in Barbados, Errold Collymore immigrated to the United States in 1912 and graduated from Howard University's dental school eleven years later. His subsequent struggle to rent an office in White Plains, New York, compelled him into a life of civil rights activism which saw him organize a local NAACP chapter and become chairman of Westchester County's United Colored Republican Clubs. He was also involved with the YMCA and served on a number of committees concerned with housing equality and standards for Westchester County's black residents. Focusing on equality in the religious realm as well, Collymore and his family integrated the American Unitarian Association's White Plains Community Church when they joined its congregation in 1927. Correspondence, reports, speeches, minutes, notes, clippings, and other material document Collymore's activities at the vanguard of civil rights in Westchester County, New York. There are files for all of the major organizations with which Collymore was associated and held office, including the NAACP (White Plains Branch) and the nation-wide anti-lynching campaign; the Colored Republicans Committee with information on Black Republican activities and politics in Westchester County; the YMCA-White Plains; and American Unitarian Association (which he and his family integrated in 1927 when they joined the White Plains congregation). Correspondence and miscellaneous documents provide a glimpse into his personal and professional lives. less

Transcripts of interviews conducted by Gerald M. Berkowitz, author and retired theater professor, for his book New Broadways . The collection documents, through these interviews, regional theater in the United States in the latter part of the 20th century. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less

The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research. less