Found 235 collections.

Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s. less

The scrapbook of theater and opera house ephemera contains tickets for opera, plays, and vaudeville shows; clippings of articles about and images of prominent performers; promotional materials such as fliers; and business cards from entertainment journalists, opera house managers, performers, and other professionals connected to the entertainment industry. Most of the material concerns performances in New York State; there are a number of tickets from the Utica City Opera House. less

Howard Kyle (1861-1950) was an American stage and radio actor who was active from the 1880s to the 1930s. He served as secretary of the Actors' Equity Association from 1913 until 1919, when he resigned from the organization and joined the Actors' Fidelity League. As a member of the Players, he worked to have an Edwin Booth memorial sculpture erected in Gramercy Park. The Howard Kyle papers date from the 1870s to 1954 and contain correspondence, photographs, theater programs, event programs, clippings, and other documents concerning his professional and personal life. The collection contains materials related to his work with Actors' Equity, the Actors' Fidelity League, the Players, and other theater organizations. The collection also contains materials concerning productions he was involved with, including the Howard Kyle Players production of Nathan the Wise (1912) and performances by the Century Theatre Club. The majority of the photographs are of Kyle or his wife, actor Amy Urcilla Hodges. There are also unidentified photographs and photographs of fellow performers, including singer Rosa Ponselle. Some of the photographs are inscribed to Amy Hodges. The collection also contains an unidentified one-act script and a eulogy for actor Henry Miller. The collection includes Hodges' Actors' Fund of America certificate of membership, dated 1954. This collection was previously cataloged with the call number 8-MWEZ + n.c. 19,860. less

Joe Laurie, Jr. (1893-1954) was a comedian, actor, and writer who began his career as a vaudeville performer in the 1910s, touring with Aleen Bronson as Laurie and Aleen. He later worked as a staff columnist for Variety and wrote frequently on the history of vaudeville. In 1953, he published Vaudeville: From the Honky-tonks to the Palace. The Joe Laurie, Jr. papers date from 1877 to 1954 and contain correspondence, writings, scripts, autograph books, and ephemera from Laurie's career. In addition to containing Laurie's papers, the collection contains some papers of his son, Joseph Bryant Hughes Laurie; correspondence of Variety editor Abel Green; and administrative records from vaudeville organizations. The earliest materials in the collection are autographs that date from about 1877 to 1886 and are labeled as being from the "Joe Laurie, Jr. Vaudeville Collection." Materials from Laurie's vaudeville career in the 1910s include an autograph book with inscriptions to Laurie and Aleen and a letter written by Laurie regarding a possible booking. The collection contains some of Laurie's writings, including a typescript of a 1938 article he wrote titled "Vaudeville Memories." For the article, Laurie asked colleagues to name their favorite vaudeville act, and the collection contains letters he received in response to his query. Laurie's correspondence includes a large number of letters from performer and writer William Kerry (Bill) Halligan, dating mostly to the 1950s, which include Halligan's recollections about his career in vaudeville and theater. There is one folder of letters from writer O.O. McIntyre to Abel Green. The collection also includes a handwritten draft of an article by George M. Cohan titled "Nice Things about Managers We've Met," dated 1942. The collection includes two undated scripts: one handwritten script for a burlesque titled Ixion, and a typewritten script for Fern Cliff by William Haworth. The collection contains administrative papers of the Association of Managers of the Eastern Circuit of Burlesque Theatre and the Eastern Booking Agency of the Eastern Circuit Association; these include contracts, meeting minutes, and financial papers, and date from about 1901 to 1910. Papers of Laurie's son, J.B.H. Laurie, date to the 1940s, and include letters from Joe Laurie, Jr., letters from friends and colleagues, and military records including letters from the Royal Canadian Air Force and the American Air Force. less

E. B. Marks (1865-1945) was an American music publisher who founded the Edward B. Marks Music Company. The E. B. Marks collection of photographs and ephemera consist of clippings, publications, photographs, programs, promotional material, and other materials. Most of the clippings and publications date from about the 1930s to the 1940s and concern television and radio broadcasting, music, and film. There are programs from the first annual conference of the Television Broadcasters Association in 1944. Clippings concern the early development of television, film advertising, and individual musicians, among other topics. There are also clippings on theater from about the 1910s to the 1920s, and one folder of clippings on the evangelist Billy Sunday, dating to the 1910s. The collection contains programs for performances and lectures, which date from 1875 to 1911 and come from American theaters. The photographs in the collection are mostly of performers. There are a large number of photographs of vaudeville minstrel Eddie Leonard, as well as caricatures of Leonard, and a photograph of his wife, Mabel Russell. The collection contains one photograph identified as E. B. Marks. The collection includes several play scenarios, script excerpts, and song lyrics, including two scenarios in French by Charles Méré. The collection also contains a booklet produced by NBC's Radio-Recording Division, called "Family Album" and showing photographs of the division's employees; brochures and posters for "Lest We Forget," an educational radio series about American history and government created by the Institute of Oral and Visual Education; and a pedigree for a Jersey bull, Gold Dust the Fourth, dated 1882. less

Mary Nash (1884-1976) was an American stage and film actress most famous for playing Katharine Hepburn's mother in The Philadelphia Story (1940). Her sister Florence Nash (1888-1950) was an American actress, comedienne, and writer. The Mary and Florence Nash papers contain correspondence, photographs, writings, scripts and other production files, scrapbooks, scores, and personal ephemera. less

Leona Stephens (born circa 1885) and her husband Len D. Hollister (1884-1936) were writers and actors who worked on the Broadway stage and in vaudeville in the early 20th century. Following Hollister's death, Stephens continued performing and publishing songs through the 1940s. The Leona Stephens papers date from 1878 to 1952 and contain photographs, programs, song lyrics, and sheet music that document the entirety of Stephens's career, as well as her vaudeville act with Hollister. In addition, the collection includes an 1878 program from Edwin Booth's performance in Richelieu at the Pittsburgh Opera House. less

Vivienne Segal (1897-1992) was an American actress and singer known for her roles in Broadway musicals. The Vivienne Segal photographs date from the 1870s to 1972 (bulk dates: 1915-1938) and include professional photographs of Segal from theatre and film productions, professional portraits, and childhood and family photographs. less

Ewald Schindler (1891-1948) was a German-born actor, director, and producer of theatre and opera. After fleeing to Czechoslovakia and Italy during the rise of the Nazis, he immigrated to the United States in 1941, where he became director of the King-Smith Playhouse in Washington, D.C. and founded The Playhouse Studio, a school of drama, with Norwegian dancer Liljan Espenak. Additions to the Ewald Schindler papers date from 1899 to 1947 and contain letters, photographs, scrapbook pages, and personal ephemera that document Schindler's family and professional life. Scrapbook pages with clippings, photographs, and a program document Schindler's direction of The Green Cockatoo at the King-Smith Playhouse, dated 1942 to 1943. Correspondence is with Kurt Schindler, Liljan Espenak, and Mary Wigman, discussing family and professional issues. Photographs include individual portraits of the Schindler family as well as a cabinet card depicting Czech opera singer Emmy Destinn. Personal ephemera consists of a recitation book and Schindler's social security card. Correspondence and the recitation book are in German. less

This collection dates from the 1870s to the 1940s and consists of programs, clippings, advertisements, tickets, and pamphlets that document the history of the circus as well as New York City-based, national, and international circus troupes. Many clippings and advertisements are for P. T. Barnum's and the Ringling Brothers's traveling circuses. Drafts of circus-related writings by theatre manager Frank Wilstach are also included. less

Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs, clippings, and scrapbooks. less

Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships with friends, family, and colleagues; and her activities in the Jewish theatrical community. The collection dates from the 1880s to 1973, with the bulk of material dating from the 1930s to the 1960s. Materials include photographs, scripts, correspondence, event and theater programs, scrapbooks, and Weissman's notes. Materials are chiefly in English but also in Yiddish. The collection holds scripts by Weissman's father, Yiddish playwright and translator Reuben Weissman, dating between the 1880s and 1912. less

Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers papers (1894-1975) document his long and prolific career as a professional dramatist, lyricist, and novelist, as well as his earlier career as a pianist. The collection consists of writings, production files, scrapbooks, and a small amount of personal material. To a lesser extent, his work as a screenwriter is represented. less

Jane Dransfield (1875-1957) was a playwright, poet, and lecturer on theater. The Jane Dransfield papers (1892-1957) document the creation, publication, production, and reception of her work, especially her plays. The papers also document her work as a lecturer, her study of drama, and her professional relationships. The collection holds correspondence, clippings, programs, promotional materials, scripts, poetry, articles, drafts, and notes. less

Lajos Egri (1889-1967) was a Hungarian-American playwright and author of The Art of Dramatic Writing. The Lajos Egri papers date from 1895 to 1983 and document his work as a writer and teacher of writing with correspondence; scrapbooks; and manuscripts of plays, short stories, poetry, essays, and book chapters. less

The Harry Mountford and Lottie Briscoe papers (1871-1950) document the careers and personal lives of performer, writer, and labor rights advocate Harry Mountford and his wife Lottie Briscoe, an early film and stage actress. The bulk of the collection concerns Mountford’s union activity with the White Rats, Variety Artistes’ Federation, and Associated Actors and Artistes of America. The collection contains meeting minutes, union publications and handouts, press clippings, scripts, booking contracts, personal correspondence and keepsakes, theater ephemera, and photographic materials. less

Joe Smith and Charlie Dale were a well-known vaudeville duo known as Smith and Dale who performed around the United States for over seventy years. The collection contains an extensive run of scripts for Smith and Dale sketches, material reflecting the later life and career of Joe Smith following Charlie Dale's death, and early material relating to their other comedy team The Avon Comedy Four. less

Barnard Hughes (1915-2006) and Helen Stenborg (1925-2011) were prolific stage and screen actors. Hughes was best known for his award-winning turn as the titular character in Da, and Stenborg performed extensively with the Circle Repertory Company. Their papers date from the 1880s to 2011, and chronicle their professional careers and personal collecting interests through posters, programs, photographs, correspondence, engravings, scripts, manuscripts, and award trophies. The collection also contains theater memorabilia that Hughes inherited from Thelma Chandler, a stage manager. The Chandler memorabilia includes correspondence from Margaret Webster, the American director, producer, and actress. less

Dorothy Loudon (1925-2003) was a singer, comedienne and Tony Award-winning actress, who appeared in supper clubs, television shows, films, summer stock and on Broadway. The bulk of the materials in this collection are from 1940-2003. They extensively cover the personal life and professional career of Dorothy Loudon, including materials relating to stage, film and television productions, albums, nightclub performances as well as personal correspondence. less