The Oster collection [microform] : papers of Heinrich Schenker

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id: 5959
origination: Schenker, Heinrich, 1868-1935.
date statement: (missing)
key date: (missing)
identifier (local_mss): 20057
org unit: Music Division
call number: *ZB-2237 [Microfilm]
b-number: b11545870
total components: 9082
total series: 89
max depth: 7
boost queries: (none)
component layout: Default Layout
Extended MARC Fields: false
Extended Navigation: false
created: 2013-04-01 15:05:28 UTC
updated: 2026-08-16 02:15:29 UTC
status note: (missing)
Display Aeon link: true

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unitid: {"value"=>"*ZB-2237 [Microfilm]", "type"=>"local_call"}

{"value"=>"20057", "type"=>"local_mss"}
unittitle: {"value"=>"The Oster collection [microform] : papers of Heinrich Schenker"}
physdesc: {"format"=>"structured", "physdesc_components"=>[{"name"=>"extent", "value"=>"15", "unit"=>"linear feet"}, {"name"=>"extent", "value"=>"50 boxes", "unit"=>"containers"}], "supress_display"=>true}
repository: {"value"=>"<span class=\"corpname\">The New York Public Library. Music Division.</span> <div class=\"address\"> <span class=\"addressline\">New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center</span> <span class=\"addressline\">40 Lincoln Center Plaza, New York, NY 10023-7498</span></div>"}
physloc: {"value"=>"JOB 89-25"}
langmaterial: {"value"=>"Materials in English"}
prefercite: {"value"=>"<p>The Oster collection [microform] : papers of Heinrich Schenker, Music Division, The New York Public Library</p>"}
origination: {"value"=>"Schenker, Heinrich, 1868-1935."}
originalsloc: {"value"=>"<p>Original in the New York Public Library: JOB 89-25</p>"}
note: {"value"=>"The Oster Collection, bequeathed to the New York Public Library by Ernst Oster, represents the major portion of the Nachlass of the Viennese music theorist Heinrich Schenker. It contains published and unpublished analyses and writings on music (particularly the works of Bach, Beethoven, Brahms, and Chopin) as well as writings on non-musical topics, correspondence with students, acquaintances (such as Otto Erich Deutsch, Wilhelm Furtwängler, and Hans Weisse), and his publishers, Universal-Edition (including directors Emil Hertzka and Alfred Kalmus) and Drei Masken Verlag. It also contains published music scores annotated by Schenker, clippings, and miscellaneous materials"}

{"value"=>"Accompanying finding list (vi, 499 p. ; 28 cm.), compiled by Robert Kosovsky, includes index"}

{"value"=>"Title from finding list"}

{"value"=>"Originals - Permission required"}
extent_statement: 15 linear feet (50 boxes)
scopecontent: {"value"=>"<p class='list-head'>The The Oster collection [microform] : papers of Heinrich Schenker is arranged in eighty-nine series:</p>\n<ul class='arrangement series-descriptions'>\n<li><div class='series-title'><a href='/mus/20057#c1196536'>File 1: Correspondence</a></div>\n<div class='series-description'><p>This file has two sections. The first consists of a correspondence book in which are located copies of some letters that Schenker wrote between 1911-1918. Many of the attributions of the recipients are derived from the directory at the end of the book. The second section of this file contains copies or drafts of letters from Schenker. These were found inside the back cover of the correspondence book.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1196586'>File 2: Scrapbook</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1196978'>File 3: Lesson Books</a></div>\n<div class='series-description'><p>These four books record what was covered in Schenker's lessons between 1912-31. They are written in Jeanette Schenker's hand with occasional emendations by Schenker.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1196983'>File 4: Diary</a></div>\n<div class='series-description'><p>[Not in collection; Located in Oswald Jonas Memorial Archives, University of California-Riverside, Boxes 1-4].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1196984'>File 5: Writings on Various Subjects</a></div>\n<div class='series-description'><p>[Location unknown; possibly merged with file 12].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1196985'>File 6: Studies on Figured Bass</a></div>\n<div class='series-description'><p>With the exception of the pamphlet by Moriz Violin (item 2), the materials of this file are in the estate of Felix Salzer. From this material Ernst Oster made the following typescript (item 1).</p></div></li><li><div class='series-title'><a href='/mus/20057#c1196989'>File 7: Studies on the Chorale</a></div>\n<div class='series-description'><p>Books.</p> <p>Items 1-48 were wrapped in a leaf from Radio-Wien Heft 12, December.</p> <p>Note: File 7 also included the following items which, lacking any markings, have not been microfilmed:</p> <p><em>Choralvorspiele alter Meister</em> für den praktischen Gebrauch bearbeitet von Karl Straube. Edition Peters No. 3048. C. F. Peters, Leipzig, [1907].</p> <p>Hassler, Hans Leo. <em>Lustgarten.</em> Neue Ausgabe in kleiner Partitur aus den Quellen hergestellt von Friedrich Belle. XV. Band der Publikation aelterer praktischer und theoretischer Musikwerke. Breitkopf & Härtel. Leipzig, 1887.</p> <p>Reger, Max. <em>Zweiundfünfzig leicht ausführbare Vorspiele für die Orgel, Op. 67</em>. Heft 1. Ed. Bote & G. Bock, Berlin, [undated].</p> <p>Schwarz, Reinhard. <em>Vier geistliche Volksliedsätze für Männerchor.</em> Bärenreiter-Ausgabe 548. Kassel, 1931.</p> <p>Vogler, Abt. <em>Choral-System</em>. In Kommission in der Haly'schen Musikhandlung. Gedruckt bei Niels Christensen. Kopenhagen, 1800. 2 vols.</p> <p>Weber, Carl Maria von. <em>Ausgewählte Schriften</em>. Herausgegeben von Rudolf Kleinecke. Verlag von Philipp Reclam jun., Leipzig. Universal-Bibliothek 2981, 2982.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197001'>File 8: Analyses of Bach, Singet Dem Herrn, BWV 225</a></div>\n<div class='series-description'><p>A. Program from a concert of the Gesellschaft der Musikfreunde, January 17, 1923.</p> <p>B. Bach, Johann Sebastian. <em>Motetten</em>. Leipzig: C. F. Peters, [undated].</p> <p>Pl. no. 4538. Pages with markings: 56, 59, 85-112.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197010'>File 9: Notes on Handel, Menuet in C Minor, HWV 499</a></div>\n<div class='series-description'><p>Included in this folder was the article \"Neue Handel-Funde\" by Martin Frey-Halle, (<em>Die Musik</em> XIX/9, June 1929, pages 645-70), which has not been microfilmed.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197012'>File 10: Analyses of Music by Chopin</a></div>\n<div class='series-description'><p>All music is by Frederic Chopin except as noted.</p> <p>Envelope used to house items 1-17 (miscellaneous mazurkas, etudes, nocturnes), labeled \"aus der 'Wolle' herausgeklaubt\".</p> <p>Envelope used to house items 18-32, labeled \"Mazurken\"; the verso side has the markings \"B\", \"8,\" and is dated 1929.</p> <p>Envelope used to house items 33-37, marked \"Préludes\"; the verso side has the markings \"L\", \"8,\" and is dated 1929.</p> <p>Envelope used to house item 38, labeled \"Bolero\".</p> <p>Envelope used to house items 39-59, marked \"Etüden\"; the verso side has the markings \"W\", \"8,\" and is dated 1929.</p> <p>Envelope used to house item 60, marked \"Sonaten\"; the verso side has the markings \"C\", \"8\" and is dated 1929.</p> <p>Envelope used to house items 61-75 marked \"Nocturnes\"; the verso side has the markings \"G\", \"8,\" and is dated 1929.</p> <p>Envelope used to house items 76-87 and labeled \"Polonaisen\"; the verso side has the markings \"F\", \"8,\" and is dated 1929.</p> <p>Envelope used to house items 88-91 and labeled \"Balladen\"; the verso side has the markings \"A\", \"8,\" and is dated 1929.</p> <p>Folder made by Ernst Oster for items 99-102.</p> <p>Items 117-120 were wrapped in a leaf from <em>Radio-Wien</em> of June 17, 1927.</p> <p>Items 121-123 were wrapped in a leaf from <em>Radio-Wien</em> of February 8, 1929.</p> <p>Items 142-143 were wrapped in a leaf from <em>Radio-Wien</em> of June 17, 1927.</p> <p>Items 144-145 were wrapped in a leaf from <em>Radio-Wien</em> of September 2, 1927.</p> <p>Items 198-203 were wrapped in a leaf from <em>Radio-Wien</em> of September 2,1927.</p> <p>Items 210-220 were wrapped in a leaf from <em>Radio-Wien</em> of September 2, 1927.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197464'>File 11: Analyses of Various Works</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197465'>File 12: Writings and Observations on Various Subjects</a></div>\n<div class='series-description'><p>Found at the beginning of this file were the following works of music, all of which were published as supplements to the periodicals listed. These have not been microfilmed.</p> <p>L. Fischer, Der Kritikaster und der Trinker (<em>Die Musik</em>, vol. II, no. 4).</p> <p>Gustav Kanth, Frage (<em>Die Musik</em>, vol. II, no. 20).</p> <p>Ernst Boehe, Das Kätzchen, Op. 4, No. 5 (<em>Die Musik</em>, vol. III, no. 3).</p> <p>Arnold Mendelssohn, Aus den Gruben, hier am Graben (<em>Die Musik</em>, vol. VII, no. 22).</p> <p>Joseph Marx, Hat dich die Liebe berührt (<em>Die Musik</em>, vol. X, no. 12).</p> <p>Siegmund von Hausegger, Erster Schnee (<em>Die Musik</em>, [undated]).</p> <p>Unidentified excerpt from a string quartet from an unidentified periodical].</p> <p>Also found at the beginning of this file was the book <em>Beethoven</em> by Romain Rolland (Ger. trans by L. Langnese-Hug, Zurich: Max Rascher Verlag, 1918; [printing: 6,000-16,000) as well as three issues of the periodical <em>Signale für die musikalische Welt</em> of May 17, 24, and 31, 1916, containing a three-part article by F. Heinrich titled \"Der deutsche Tonkünstler des 20. Jahrhunderts, nach Romain Rolland's \"Jean-Christophe\".</p> <p>Item 1 is preceded by the folder cover for File 12.</p> <p>Items 1-5 were found in the inside cover of Schenker's copy of Romain Rolland's <em>Beethoven</em> .</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197562'>File 13: Sketches for a Theory of Performance</a></div>\n<div class='series-description'><p>Item 2 of this file is a typescript made by Ernst Oster of material currently housed in the Oswald Jonas Memorial Collection at the University of California-Riverside. Items 5 and 8 are typescripts by Ernst Oster assembled from various sources.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197676'>File 14: Hoboken's Study of Brahms, Op. 117, and No. 1</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197680'>File 15: File of Material by Angi Elias</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197706'>File 16: Lesson Book</a></div>\n<div class='series-date'>1931-1932</div>\n<div class='series-description'><p>Note: Items 7-42 were interleaved in an issue of <em>Signale für die musikalische Welt</em> of March 10, 1920.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197790'>File 17: Hans Weisse's \"Was Ist Kontrapunkt?\"</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197796'>File 18: Correspondence</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197882'>File 19: Quotations</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197888'>File 20: Draft Material for Der Freie Satz</a></div>\n<div class='series-description'><p>The material of this file consists of mostly fragmentary passages in Schenker's and Jeanette Schenker's hand, and occasionaly sketches for graphs in Schenker's hand. It is organized by section, which is then organized into three folders. The headings below are based on a combination of Schenker's handwritten notes and the published version of <em>Der freie Satz</em>. Paragraph and figure numbers do not always coincide with the published version.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1197944'>File 21: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1197951'>File 22: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198041'>File 23: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198052'>File 24: Materials Relating To Der Tonwille</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198139'>File 25: Analysis of Beethoven, Sonata Op. 27, No. 2</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198140'>File 26: Analysis of Schubert Ländler</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198141'>File 27: Analyses of Beethoven, Brahms, Haydn, Mozart</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198142'>File 28: Graphic Analyses, Volume 2</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198143'>File 29: Analyses of Bach, Beethoven, Brahms, Schubert</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198144'>File 30: Items on Schenker's Desk At The Time of His Death</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1198246'>File 31: Alphabetically Arranged File of Musical Topics</a></div>\n<div class='series-description'><p>Most of this file consists of fragmentary handwritten notes. Headings in quotations are those of Schenker.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1198384'>File 32: Analyses of Music by Chopin</a></div>\n<div class='series-description'><p>Item 1 is preceded by two folder covers. The first is the folder cover for the entire file 32; the second is the folder for the analyses of mazurkas.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1198743'>File 33: Arrangements of Concerti by C. P. E. Bach</a></div>\n<div class='series-description'><p>[Not in collection; Location unknown].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1198744'>File 34: Analyses of Music by Brahms</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1199338'>File 35: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1199406'>File 36: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1199415'>File 37: Analyses of Music by Chopin</a></div>\n<div class='series-description'><p>The contents of this file had been merged with file 32 by Jeanette Schenker. Their locations are as follows:</p> <p>Chopin, Prelude, Op. 28, No. 15, F Minor: File 32 / Item 124.</p> <p>Chopin, Scherzo, Op. 54, E Minor: File 32 / Items 155-60.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1199416'>File 38: Draft Material for Der Freie Satz and Early Articles</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200268'>File 39: Deleted Passages from Published Works</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200276'>File 40: Analyses of Beethoven Symphonies</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200306'>File 41: Analysis of A Waltz of Brahms by Brünauer</a></div>\n<div class='series-description'><p>Recto: Clean copy of a graph by Robert Brünauer of Waltz, Op. 39, No. 1, B Major.</p> <p>Verso: Blank. [This side has not been microfilmed].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1200307'>File 42: Setting of A Work of C. P. E. Bach by Brünauer</a></div>\n<div class='series-description'><p>Recto: Robert Brünauer's setting for two hands of Carl Philipp Emanuel Bach, Clavierstück für die rechte oder linke Hand allein, W. 117/1, with emendations by Schenker.</p> <p>Verso: Blank. [This side has not been microfilmed].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1200308'>File 43: Letters from Reinhard Oppel</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200309'>File 44: Last Correspondence Received by Schenker</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200360'>File 45: Writings by Fischer and Wiehmayer</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200366'>File 46: Studies in Counterpoint</a></div>\n<div class='series-description'><p>For sake of brevity, items containing combined species are represented as numbers reading from top to bottom voice (e. g. \"1-2-3-4\" means the soprano has 1st species, the alto has 2nd species, the tenor has 3rd species and the bass has 4th species.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1200444'>File 47: Der Kunstwalzer by Hans Weisse</a></div>\n<div class='series-description'><p>\"Der Kunstwalzer und seine bedeutendsten Vertreter\". Eine kritische Studie von Hans Weisse.</p> <p>Typescript with handwritten musical examples, 188 pages. Inscribed to Schenker and dated February 1915.</p> <p>List of chapters and paragraph headings.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1200495'>File 48: Items Relating To C. P. E. Bach, Fantasia, W. 58/6</a></div>\n<div class='series-description'><p>Cover of folder of file 48.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1200534'>File 49: An Unfinished Article on Haydn</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200558'>File 50: Articles by Heinrich Schenker and Others</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200586'>File 51: An Early Version of Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1200679'>File 52: Correspondence with Universal-Edition</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202402'>File 53: Analyses of Music by J. S. Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202444'>File 54: Correspondence Concerning das Meisterwerk in der Musik and Fünf Urlinie-Tafeln</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202800'>File 55: Arrangements of Music</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202803'>File 56: Analyses of Music by Beethoven</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202916'>File 57: Notes for a Foreword to The Beethoven Edition</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202917'>File 58: Material Relating to the Beethoven Centenary</a></div>\n<div class='series-description'><p>The following items were found in File 58 and have not been microfilmed:</p> <p>The supplement to the <em>Neue Freie Presse</em> of March 27, 1927 entitled \"Beethoven zum Gedenken\" contains (in addition to items 18-19 above) the following articles.</p> <p>Page 31: \"Blick auf Beethoven\" by André Suarès.</p> <p>\"Beethovens Tod\" by Rudolf Hans Bartsch.</p> <p>\"Die Frauen um Beethoven\" by Paul Wiegler.</p> <p>\"Die zweite \"Leonoren\" Ouvertüre\" by Felix Weingartner.</p> <p>Page 36: \"Ein unbekannter Brief Beethovens\" by Viktor v. Papp.</p> <p>Page 37: \"Der Sprung ins Ungewisse\" by Paul Zifferer.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1202942'>Files 59-63: Music by Heinrich Schenker</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1202943'>File 64: Analyses of Music by Beethoven</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203258'>File 65: Material Concerning Beethoven, Sonata, Op. 106</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203403'>File 66: Notes Concerning Berlioz, Symphonie Fantastique</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203405'>File 67: Analyses of Handel, Adagio In F Major, HWV 427</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203451'>File 68: Analyses of Music by Johann Sebastian Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203552'>File 69: Analyses of Music by Johann Sebastian Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203629'>File 70: Analyses of Music by Johann Sebastian Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203758'>File 71: Analyses of Music by Johann Sebastian Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203868'>File 72: Analyses of Music by Johann Sebastian Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203909'>File 73: Analyses of Chopin, Etude, Op. 25, No. 11</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203940'>File 74: An Early Version of Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203961'>File 75: Material Concerning Brahms</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1203990'>File 76: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204009'>File 77: Notes on Musical Passages by Various Composers</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204021'>File 78: Draft Material for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204022'>File 79: An Early Version of Der Freie Satz</a></div>\n<div class='series-description'><p>The history of how the last portion of <em>Kontrapunkt</em> became <em>Der freie Satz</em> is complex. As an aid to researchers, virtually all paragraph headings (representing different stages in the developement of this work) have been recorded below. Within a group of materials for a single section, the initial occurrence of a particular heading usually represents the later stage in Schenker's thoughts.</p> <p>48: §1 Der Anteil von Stimmführung und Stufe programmatisch dargestellt <em>Cancelled:</em>.</p> <p>62: <em>Cancelled:</em>.</p> <p>§1 Erster Einblick in die Grundfrage der Beziehung zwischen Stimmführung und Stufe <em>Cancelled:</em>.</p> <p>§1 Die Grundfrage in der Beziehung zwischen Stimmführung und Stufe zunächst schematisch aufgezeigt.</p> <p>75: <em>Cancelled:</em>.</p> <p>§2 Von der Horizontalisierung einer Harmoniefolge bezw. Vertikalisierung einer melodischen Folge.</p> <p>§2 Von der Horizontalisierung einer Klangfolge und von der Vertikalisierung einer melodischen Linie als Lösung obiger Grundfrage.</p> <p>77: §3 Wie sich hiebei der strenge auch im freien Satz fortwirkend zeigt.</p> <p>Cancelled:</p> <p>§3 Worin sich der strenge Satz auch im freien fortwirkend zeigt.</p> <p>83: §1 Erster Ursprung der Stufe noch im strengen Satz.</p> <p>84: §2 Inhalt der Stufe = 5/3.</p> <p>89: §1 Die Stufe des freien Satzes setzt im Grunde nur die namentlich bei einem Durchgang ideell festzuhaltende Niederstrich-Harmonie des strengen Satzes fort.</p> <p>95: §4 Im Speziellen: Ein wirklich liegenbleibender Ton kennzeichnet die grössere Stufen-Einheit.</p> <p>§9 Im Speziellen: a) Liegenbleibender Ton als Kennzeichen der Einheit.</p> <p>112: §5 Ein ähnlich liegenbleibend gedachter Basston wird in einige Bewegung aufgelöst, ohne aber seinen ursprünglichen Charakter enzubüssen.</p> <p>§10 b) Ein urspriinglich liegend gedachter Basston wird durch Bewegung verschleiert.</p> <p>120: §2 Von der nähren Beziehung der horizontalen Bewegung zur Stufe im Allgemeinen.</p> <p>131: §4 Ein liegenbleibender Ton als Kennzeichen der Stufe.</p> <p>Also contains the following items.</p> <p>82: One page (labeled page 10) from \"Fortsetzung der Urlinie-Betrachtungen\" (from <em>Das Meisterwerk in der Musik</em>, vol. 1) in Jeanette Schenker's hand with emendations by Schenker.</p> <p>127: Verso: ALU, Fragment of a draft addressed to \"Sehr geehrter Herr Doktor!\" [undated].</p> <p>128: Verso: ALU, Fragment of a draft addressed to \"Sehr geehrter Herr Doktor!\" [undated].</p></div></li><li><div class='series-title'><a href='/mus/20057#c1204072'>File 80: Scores for Johann Sebastian Bach's Brandenburg Concerto No. 5</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204073'>File 81: Analyses of Music by Bach</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204091'>File 82: Analyses of Music by Beethoven</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204141'>File 83: Notes Concerning a Theory of Form</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204156'>File A: Figures for Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204268'>File B: Miscellaneous Material</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204527'>File C: Clippings</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1204984'>Books and Pamphlets</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1205012'>Scores</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1205124'>Miniature Scores</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1205155'>Piano Music of Chopin Belonging To Ernst Oster</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1205167'>Music of Heinrich Schenker</a></div>\n<div class='series-description'><p>NOTE: This reel of film had been ordered from the Library of Congress by Edward Laufer, who then gave it to Ernst Oster.</p></div></li><li><div class='series-title'><a href='/mus/20057#c1205172'>Appendix 1: An Early Version of Der Freie Satz</a></div>\n</li><li><div class='series-title'><a href='/mus/20057#c1205594'>Appendix 2: Other Archival Sources of Material Concerning Heinrich Schenker</a></div>\n</li></ul>\n", "type"=>"arrangement", "supress_display"=>true}
abstract: {"value"=>" The The Oster collection [microform] : papers of Heinrich Schenker is arranged in eighty-nine series:", "generated"=>true}

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The Oster collection [microform] : papers of Heinrich Schenker

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