File 32: Analyses of Music by Chopin

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1198384
level (num)
1
level (text)
series
identifier (local_mss)
1125367
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2015-05-29 00:46:30 UTC
updated
2015-10-18 09:09:38 UTC

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unitid
{"value"=>"1125367", "type"=>"local_mss"}
unittitle
{"value"=>"File 32: Analyses of Music by Chopin"}
scopecontent
{"value"=>"<p>Item 1 is preceded by two folder covers. The first is the folder cover for the entire file 32; the second is the folder for the analyses of mazurkas.</p>"}
note
{"value"=>"Items 12-18 were wrapped a leaf from Radio-Wien of June 1, 1928. Items 19-22 were wrapped a leaf from Radio-Wien of September 30, 1927. Items 25-28 were wrapped a leaf from Radio-Wien of May 2, 1930. Item 25 was preceded by a page from Radio-Wien of October 5, 1928. Items 29-30 were wrapped a leaf from Radio-Wien of May 17, 1929. Item 30 was wrapped a leaf from Radio-Wien of June 7, 1929. Items 44-45 were wrapped with a leaf from Radio-Wien of May [17?], 1929. Items 52-3 were wrapped a leaf from Radio-Wien of September 30, 1927. Items 54-56 were wrapped a leaf from Radio-Wien of September 30, 1927. Items 58-59 were wrapped a leaf from Radio-Wien of June 1, 1928. Items 60-65 were wrapped a leaf from Radio-Wien of June 17, 1927. Items 66-71 were wrapped a leaf from Radio-Wien of November 11, 1927. Items 73-76 were wrapped a leaf from Radio-Wien of November 11, 1927. Items 82-83 were wrapped a leaf from Radio-Wien of November 18, 1927. Items 93-94 were wrapped a leaf from Radio-Wien of September 30, 1927. Items 95-97 were wrapped in a leaf from Radio-Wien of April 20, 1928. Within that, items 96-97 were wrapped in a leaf from Radio-Wien of September 30, 1927. Items 103-107 were wrapped a leaf from Radio-Wien of April 5, 1929. Items 108-111 were wrapped a leaf from Radio-Wien of April 5, 1929. Items 112-114 were wrapped a leaf from Radio-Wien of September 9, 1929. Items 120-123 were found a group of pages from Signale für die musikalische Welt of November 29, 1916, and were interleaved as follows: 120, 121-123. Items 148-149 were found inside an envelope labeled \"Scherzo\" and on the verso side labeled with the markings \"M\", \"B\", and \"1929\". Items 154-160 were wrapped a leaf from Radio-Wien of January 25, 1929. Items 161-163 were wrapped a leaf from Radio-Wien of November 25, 1927. Items 164-166 were wrapped a leaf from Radio-Wien of October 28, 1927. Items 178-179 were wrapped a leaf from Radio-Wien of November 18, 1927. All works are by Frederic Chopin except as noted."}

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  1. Recto: Notes by Ernst Oster on Schenker's graphs of Mazurkas
  2. Verso: Negative and reversed image of a graph by Ernst Oster of Felix Mendelssohn-Bartholdy, Lieder ohne Worte, Op. 53, No. 2, E Flat Major
  3. Recto: Sketches for a graph of Mazurka, Op. 17, No. 1, B Flat Major
  4. Verso: Sketches for an unidentified work, probably by Schenker
  5. Recto: Sketches for a graph of Mazurka, Op. 17, No. 2, E Minor
  6. Verso: Blank
  7. Recto: Sketches for a graph of Mazurka, Op. 17, No. 3, A Flat Major
  8. Verso: Unidentified fragmentary sketches
  9. Recto: Label
  10. Verso: Clean copy of a graph of Mazurka, Op. 17, No. 4, A Minor, in the hand of Angi Elias
  11. Recto: Label
  12. Verso: Clean copy of a graph of Mazurka, Op. 17, No. 4, A Minor, measures 1-36, in the hand of Angi Elias
  13. Recto: Label
  14. Verso: Clean copy of a graph of Mazurka, Op. 17, No. 4, A Minor, measures 37-60, in the hand of Angi Elias
  15. Recto: Label
  16. Verso: Clean copy of a graph of Mazurka, Op. 17, No. 4, A Minor, measures 61-92, in the hand of Angi Elias
  17. Recto: Label
  18. Verso: Clean copy of a graph of Mazurka, Op. 17, No. 4, A Minor, measures 93-132, in the hand of Angi Elias
  19. Recto: Note by Ernst Oster, dating item 11 to
  20. Verso: Blank
  21. Recto: Label
  22. Verso: Recto: Clean copy of a graph of Mazurka, Op. 24, No. 1, G Minor, in the hand of Angi Elias
  23. Recto: Sketch for a graph of Mazurka, Op. 24, No. 2, C Major
  24. Verso: Blank
  25. Recto: Sketch for a graph of Mazurka, Op. 24, No. 2, C Major
  26. Verso: Blank
  27. Recto: Sketch for a graph of Mazurka, Op. 24, No. 2, C Major
  28. Verso: Blank
  29. Recto: Sketch for a graph of Mazurka, Op. 24, No. 2, C Major
  30. Verso: Fragment of a sketch for a graph of an unidentified work
  31. Recto: Sketch for a graph of Mazurka, Op. 24, No. 2, C Major
  32. Verso: Blank
  33. Recto: Sketches for a graph of Mazurka, Op. 24, No. 2, C Major
  34. Verso: Fragment of a proof sheet of page 33 of "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3
  35. Recto: Sketches for a graph of Mazurka, Op. 24, No. 1, G Minor
  36. Verso: Sketch for a graph of Johann Sebastian Bach, Sonata, violin, BWV 1005, C Major, Largo
  37. Recto: Sketches for a graph of Mazurka, Op. 24, No. 3, A Flat Major
  38. Verso: Fragment of a proof sheet of page 97 of "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3
  39. Recto: Label
  40. Verso: Clean copy of a graph of Mazurka, Op. 24, No. 3, A Flat Major, in the hand of Angi Elias with emendations by Schenker
  41. Recto: Sketch for a graph of Mazurka, Op. 24, No. 3, A Flat Major
  42. Verso: Blank
  43. Recto: Sketch for a graph of Mazurka, Op. 24, No. 3, A Flat Major, in the hand of Angi Elias with emendations by Schenker
  44. Verso: Sketch for a graph of Mazurka, Op. 24, No. 3, A Flat Major
  45. Recto: Note by Ernst Oster dating item 23 to December 1931
  46. Verso: Blank
  47. Recto: Sketches for a graph of Mazurka, Op. 24, No. 4, B Flat Minor
  48. Verso: Sketch for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movement, measures 19-75 [used for the version published in Das Meisterwerk in der Musik, vol. 3]
  49. Recto: Musical examples from Johannes Brahms, Rhapsodie, Op. 79, No. 1, B Minor; from Mazurka, Op. 17, No. 4, A Minor, from Mazurka Op. 30, No. 3, D Flat Major; and from Mazurkia Op. 30, No. 4, C Sharp Minor
  50. Verso: Fragment of an unidentified work, probably by Schenker
  51. Recto: Sketches for a graph of Mazurka, Op. 30, No. 4, C Sharp Minor
  52. Verso: Continuation of sketches from the recto side
  53. Recto: Listing of mazurkas
  54. Verso: Fragment of a typed letter signed, Hugo Friedmann to Schenker
  55. Recto: Sketches for a graph of Mazurka, Op. 33, No. 1, G Sharp Minor
  56. Verso: Sketches for a graph of Mazurka, Op. 30, No. 1, C Minor
  57. Recto: Listing of mazurkas
  58. Verso: Fragment of a typed letter signed, Hugo Friedmann to Schenker
  59. Recto: Sketches for a graph of Mazurka, Op. 33, No. 4, B Minor
  60. Verso: Sketch for a graph of Johannes Brahms, Studien, Op. 35, Thema, in the hand of Angi Elias with emendations by Schenker
  61. Recto: Sketch for a graph of Mazurka, Op. 41, No. 1, E Minor
  62. Verso: Graphs of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movement, [figures 3-5 of "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3]
  63. Recto: Sketches for a graph of Mazurka, Op. 50, No. 3, C Sharp Minor. Verso: Blank
  64. Recto: Carbon copy of a transcription by Ernst Oster of Schenker's marginal notes to Nocturne, Op. 9, No. 2, E Flat Major
  65. Verso: Blank
  66. Recto: Clean copy of a graph of Nocturne, Op. 9, No. 2, E Flat Major, in the hand of Angi Elias with emendations by Schenker
  67. Verso: Blank
  68. Recto: Sketches for a graph of Nocturne, Op. 9, No. 2, E Flat Major
  69. Verso: Fragment of a proof sheet of page 170 of "Haydn: Die Vorstellung des Chaos" from Das Meisterwerk in der Musik, vol. 2
  70. Recto: A note concerning Nocturne, Op. 9, No. 2, E Flat Major
  71. Verso: Fragment of a proof sheet of a page from an unidentified article
  72. Recto: Sketch for a graph of Nocturne, Op. 9, No. 3, B Major
  73. Verso: Sketch for a graph of Nocturne, Op. 9, No. 3, B Major
  74. Recto: Notes and musical examples concerning Nocturne, Op. 15, No. 2, F Sharp Major
  75. Verso: Unidentified notes
  76. Recto: Sketches for a graph of Nocturne, Op. 15, No. 2, F Sharp Major, measures 1-20
  77. Verso: Blank
  78. Recto: Sketches for a graph of Nocturne, Op. 15, No. 2, F Sharp Major, measures 21-62
  79. Verso: Blank
  80. Recto: Sketches for a graph of Nocturne, Op. 15, No. 2, F Sharp Major
  81. Verso: Page from an inventory of music
  82. Recto: Notes and musical examples concerning Nocturne, Op. 15, No. 2, F Sharp Major
  83. Verso: Blank
  84. Recto: Notes and musical examples concerning Nocturne, Op. 15, No. 2, F Sharp Major
  85. Verso: Fragment of a proof sheet of page 170 of "Haydn: Die Vorstellung des Chaos" from Das Meisterwerk in der Musik, vol. 2
  86. Recto: Notes and musical examples concerning Nocturne, Op. 15, No. 2, F Sharp Major
  87. Verso: Fragment of a bill
  88. Recto: Diagrams of diminutions from Nocturne, Op. 15, No. 2, F Sharp Major
  89. Verso: Graphs of Ludwig van Beethoven, Symphony No. 3, Op. 55, 1st movement [figures 21-22 from "Beethovens Dritte Symphonie" from Das Meisterwerk in der Musik, vol. 3]
  90. Recto: Photocopy of graphs by Ernst Oster of portions from Nocturne, Op. 27, No. 1, C Sharp Minor
  91. Verso: Blank
  92. Recto: "Chopin, Nocturne Des dur". Text in Jeanette Schenker's hand
  93. Verso: Blank
  94. Recto: Sketches of musical examples for Nocturne, Op. 27, No. 2, D Flat Major
  95. Verso: Blank
  96. Recto: Sketch for a graph of Nocturne, Op. 27, No. 2, D Flat Major
  97. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
  98. Recto: Notes, mentioning Nocturne, Op. 27, No. 2, D Flat Major
  99. Verso: Fragment of a page of an inventory of music
  100. Recto: Sketches for a graph of Nocturne, Op. 27, No. 1, C Sharp Minor
  101. Verso: Sketches for a graph of Wolfgang Amadeus Mozart, Symphony, K. 550, G Minor, 1st movement
  102. Recto: Sketches for a graph of Nocturne, Op. 32, No. 1, B Major
  103. Verso: Fragment of a proof sheet of an unidentified article
  104. Recto: Sketches for a graph of Nocturne, Op. 32, No. 1, B Major
  105. Verso: Blank
  106. Recto: Sketches and notes for a graph of Nocturne, Op. 37, No. 2, G Major. Verso: Blank
  107. Recto: Notes and musical example concering Nocturne, Op. 37, No. 2, G Major
  108. Verso: Blank
  109. Recto: Notes and musical examples concering Nocturne, Op. 37, No. 2, G Major
  110. Verso: Notes concering Nocturne, Op. 37, No. 2, G Major
  111. Recto: Notes and musical example from an unidentified nocturne
  112. Verso: Blank
  113. Recto: Sketches for a graph of Nocturne, Op. 55, No. 2, E Flat Major
  114. Verso: Sketches for graphs of Wolfgang Amadeus Mozart, Symphony, K. 550, G Minor, 2nd movement
  115. Recto: Sketches for a graph of Nocturne, Op. 55, No. 2, E Flat Major
  116. Verso: Sketches for graphs of Wolfgang Amadeus Mozart, Symphony, K. 550, G Minor, 3rd movement
  117. Recto: Sketch for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor
  118. Verso: Source of recto typed by Ernst Oster
  119. Recto: Sketch for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor, measures 50-65
  120. Verso: Fragment of a graph to an unidentified work in F Minor
  121. Recto: Sketches for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor
  122. Verso: Sketches for a graph of an unidentified work
  123. Recto: Sketches for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor
  124. Verso: Fragment of a graph of Joseph Haydn, Sonata, H. XVI/52, E Flat Major, 1st movement [used for the version published in Der Tonwille, Heft 3]
  125. Recto: Sketches for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor
  126. Verso: Blank
  127. Recto: Sketches for a graph of Polonaise, Op. 26, No. 1, C Sharp Minor
  128. Verso: Notes and sketches for a graph of an unidentified work
  129. Recto: Sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  130. Verso: Notes and musical examples for an unidentified work
  131. Recto: Sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  132. Verso: Sketch for a graph of Joseph Haydn, Sonata, H. XVI/52, E Flat Major, 1st movement
  133. Recto: Musical examples and sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  134. Verso: Sketches for graphs of Ludwig van Beethoven, Symphony No. 5, Op. 67, 2nd movement
  135. Recto: Sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  136. Verso: Sketch for a graph of Joseph Haydn, Sonata, H. XVI/52, E Flat Major, 2nd and 3rd movements
  137. Recto: Sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  138. Verso: Sketches for a graph of Joseph Haydn, Sonata, H. XVI/52, E Flat Major, 1st movement
  139. Recto: Sketches for a graph of Polonaise, Op. 40, No. 2, C Minor
  140. Verso: Blank
  141. Recto: Sketches for a graph of Polonaise, Op. 26, No. 2, E Flat Minor
  142. Verso: Sketches for a graph of Ludwig van Beethoven, Symphony No. 5, Op. 67, 2nd movement
  143. Recto: Clean copy of a graph of Polonaise, Op. 40, No. 1, A Major, in the hand of Angi Elias with emendations by Schenker
  144. Verso: Blank
  145. Recto: Sketches for a graph of Polonaise, Op. 40, No. 1, A Major
  146. Verso: Fragmentary Sketch for a graph of Polonaise, Op. 40, No. 2, C minor
  147. Recto: Sketches for a graph of Polonaise, Op. 40, No. 1, A Major
  148. Verso: Blank
  149. Recto: Sketches for a graph of Polonaise, Op. 40, No. 1, A Major; beginning of an unidentified instrumental work or exercise
  150. Verso: Continuation from recto of of an unidentified instrumental work or exercise
  151. Recto: Sketches for a graph of Polonaise, Op. 53, A Flat Major
  152. Verso: Sketches for a graph of Polonaise, Op. 53, A Flat Major; includes unidentified musical fragments
  153. Recto: Sketches for a graph of Polonaise, Op. 53, A Flat Major, measures 91-126
  154. Verso: Contrapuntal examples
  155. Recto: Musical examples and sketches for a graph of Polonaise, Op. 53, A Flat Major
  156. Verso: Musical examples and sketches for a graph of Polonaise, Op. 53, A Flat Major
  157. Recto: Musical examples and sketches for a graph of Polonaise, Op. 53, A Flat Major
  158. Verso: Contrapuntal examples with citations to works
  159. Recto: Collection of musical examples: from Polonaise, Op. 53, A Flat Major; Johannes Brahms, Sonata No. 3, violin and piano, Op. 108, D Minor; "Mazurka, A Major. "
  160. Verso: Collection of musical examples [continued] : Johannes Brahms, Concerto, piano and orchestra, Op. 15; Wolfgang Amadeus Mozart, Sonata, K. 310, A Minor
  161. Recto: Sketches for a graph of Polonaise, Op. 71, No. 2, B Flat Major
  162. Verso: Fragment of a graph to an unidentified work
  163. Recto: Sketches for a graph of Polonaise, Op. 71, No. 2, B Flat Major
  164. Verso: Sketches for a graph of an unidentified work
  165. Recto: Note by Ernst Oster concerning item 85
  166. Verso: Blank
  167. Recto: Sketch for a graph of Prelude, Op. 28, No. 1, C Major
  168. Verso: Blank
  169. Recto: Sketches for a graph of Prelude, Op. 28, No. 1, C Major
  170. Verso: Notes and fragment of a graph of Prelude, Op. 28, No. 2, A Minor
  171. Recto: "Chopin Prälude 1". Text concerning Prelude, Op. 28, No. 1, C Major, in an unidentified hand with emendations by Schenker
  172. Verso: Two additions to the text on the recto side
  173. Recto: Notes and musical examples concering Prelude, Op. 28, No. 1, C Major
  174. Verso: Fragment of an unidentified article in English
  175. Recto: Sketches for a graph of Prelude, Op. 28, No. 2, A Minor
  176. Verso: Blank
  177. Recto: Notes and a musical example concerning Prelude, Op. 28, No. 2, A Minor
  178. Verso: Fragment of a list of courses for the Volksbildungsheim in Simmering
  179. Recto: Sketch for a graph of Prelude, Op. 28, No. 2, A Minor
  180. Verso: Blank
  181. Recto: Notes and sketches for a graph of Prelude, Op. 28, No. 2, A Minor
  182. Verso: Blank
  183. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 2, A Minor
  184. Verso: Fragment of an unidentified article in English
  185. Recto: Notes concerning Prelude, Op. 28, No. 2, A Minor
  186. Verso: Fragment of an unidentified text in Jeanette Schenker's hand with emendations by Schenker
  187. Recto: Sketches for a graph of Prelude, Op. 28, No. 3, G Major
  188. Verso: Blank
  189. Recto: Notes concerning Prelude, Op. 28, No. 3, G Major
  190. Verso: Blank
  191. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 3, G Major
  192. Verso: Fragment of an unidentified article in English
  193. Recto: Musical sketches of Prelude, Op. 28, No. 4, E Minor
  194. Verso: Blank
  195. Recto: Notes and sketches for a graph of Prelude, Op. 28, No. 5, D Major
  196. Verso: Unidentified musical sketch
  197. Recto: Sketches for graphs of Prelude, Op. 28, No. 6, B Minor
  198. Verso: Sketches for a graph of Prelude, Op. 28, No. 15, D Flat Major
  199. Recto: Label
  200. Verso: Clean copy of a graph of Prelude, Op. 28, No. 6, B Minor, with emendations by Schenker
  201. Recto: Sketches for a graph of Prelude, Op. 28, No. 6, B Minor
  202. Verso: Sketches for a graph of Prelude, Op. 28, No. 6, B Minor
  203. Recto: Sketches for a graph of Prelude, Op. 28, No. 8, F Sharp Minor
  204. Verso: Continuation of recto
  205. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 8, F Sharp Minor
  206. Verso: Cover letter from the Internationale Unfallversicherungs-Actien-Gesellschaft
  207. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 8, F Sharp Minor
  208. Verso: Page from an appointment calendar for the week
  209. Recto: Sketches for a graph of Prelude, Op. 28, No. 8, F Sharp Minor
  210. Verso: Blank
  211. Recto: Sketches for a graph of Prelude, Op. 28, No. 8, F Sharp Minor
  212. Verso: ALU, Waldheim-Eberle A. G. to Schenker
  213. Recto: Sketches for a graph of Prelude, Op. 28, No. 9, E Major
  214. Verso: Blank
  215. Recto: Sketch for a graph of Prelude, Op. 28, No. 10, C Sharp Minor
  216. Verso: Bill from Hotel Fluchthorn, Rössle in Galür
  217. Recto: Sketch for a graph of Prelude, Op. 28, No. 10, C Sharp Minor
  218. Verso: Notice of a lieder recital by Ethyl Hayden, for
  219. Recto: Sketches for a graph of Prelude, Op. 28, No. 12, G Sharp Minor
  220. Verso: Bill for gas usage during
  221. Recto: Label
  222. Verso: Graph of Prelude, Op. 28, No. 15, D Flat Major, in the hand of Angi Elias with numerous emendations by Schenker
  223. Recto: Sketch for a graph of Prelude, Op. 28, No. 15, D Flat Major
  224. Verso: Sketch for a graph of Prelude, Op. 28, No. 15, D Flat Major
  225. Recto: Note by Ernst Oster referring to item 100 (verso)
  226. Verso: Blank
  227. Recto: Sketch for a graph of Prelude, Op. 28, No. 23, F Major
  228. Verso: Sketch for a graph of Prelude, Op. 28, No. 24, D Minor
  229. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 10, C Sharp Minor
  230. Verso: Notes concerning Prelude, Op. 28, No. 10, C Sharp Minor
  231. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 11, B Major
  232. Verso: Fragment of an unidentified handbill
  233. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 11, B Major
  234. Verso: Blank
  235. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 12, G Sharp Minor
  236. Verso: Blank
  237. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 13, F Sharp Major
  238. Verso: Notes and musical examples concerning Prelude, Op. 28, No. 13, F Sharp Major
  239. Recto: Sketch for a graph of Prelude, Op. 28, No. 14, E Flat Minor
  240. Verso: Blank
  241. Recto: Notes and musical examples concerning Prelude, Op. 28, No. 16, B Flat Minor
  242. Verso: Notes and musical examples concerning Prelude, Op. 28, No. 16, B Flat Minor
  243. Recto: "Chopin, Prälude As dur". Text concerning Prelude, Op. 28, No. 17, A Flat Major, in the hand of Jeanette Schenker with emendations by Schenker
  244. Verso: Blank
  245. Recto: Sketch for a graph of Prelude, Op. 28, No. 18, F Minor
  246. Verso: Examples of combined species counterpoint
  247. Recto: Musical examples and sketches for a graph of Prelude, Op. 28, No. 19, E Flat Major
  248. Verso: Musical sketches for an unidentified work
  249. Recto: Notes, musical examples, and sketches for a graph of Preludes, Op. 28, No. 21, B Flat Major, and No. 20, C Minor
  250. Verso: Notes and musical examples for Prelude, Op. 28, No. 20, C Minor
  251. Recto: Notes concerning Prelude, Op. 28, No. 21, B Flat Major
  252. Verso: Fragment of a page from an appointment calendar for the week of February 13-19, 1916
  253. Recto: Notes and musical examples from Preludes Op. 28, No. 23, F Major and No. 24, D Minor
  254. Verso: Continuation of notes and musical examples from Preludes Op. 28, No. 23, F Major and No. 24, D Minor
  255. Recto: Note by Ernst Oster, dating Elias's work on Scherzo, Op. 31, to
  256. Verso: Blank
  257. Recto: Transcription and notes by Ernst Oster concerning items 132-134 Scherzo
  258. Verso: Blank
  259. Recto: Continuation of Ernst Oster's notes from item 130 recto
  260. Verso: Blank
  261. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  262. Verso: Notes, musical examples, and sketches for a graph of an unidentified work
  263. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  264. Verso: Sketch for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 3rd movement, measures 123-166
  265. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  266. Verso: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  267. Recto: Notes and sketches for a graph by Ernst Oster of Scherzo, Op. 31, D Flat Major
  268. Verso: Notes and sketches for a graph by Ernst Oster of Scherzo, Op. 31, D Flat Major
  269. Recto: Notes and sketches for a graph by Ernst Oster of Scherzo, Op. 31, D Flat Major
  270. Verso: Notes and sketches for a graph by Ernst Oster of Scherzo, Op. 31, D Flat Major
  271. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  272. Verso: Sketch for a graph of Ludwig van Beethoven, Symphony No. 3, Op. 55, 3rd movement, measures 233-260
  273. Recto: Label
  274. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, in the hand of Angi Elias with emendations by Schenker. 139: Recto: Label
  275. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 1-65, in the hand of Angi Elias
  276. Recto: Label
  277. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 65-130, in the hand of Angi Elias
  278. Recto: Label
  279. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 265-334, in the hand of Angi Elias
  280. Recto: Label
  281. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 334-504, in the hand of Angi Elias with emendations by Schenker
  282. Recto: Label
  283. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 505-556, in the hand of Angi Elias with an emendation by Schenker
  284. Recto: Label
  285. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 552-592, in the hand of Angi Elias
  286. Recto: Label
  287. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 686-740, in the hand of Angi Elias with emendations by Schenker
  288. Recto: Label
  289. Verso: Clean copy of a graph of Scherzo, Op. 31, D Flat Major, measures 740-780, in the hand of Angi Elias
  290. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major; sketches for a graph in the hand of an unidentified student of an unidentified work
  291. Verso: Fragment sketch of an unidentified work; sketches for a graph of an unidentified work, in the hand of an unidentified student
  292. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  293. Verso: Sketches for a graph of an unidentified work in the hand of an unidentified student, with emendations by Schenker
  294. Recto: Notes and a musical example from Scherzo, Op. 31, D Flat Major
  295. Verso: Blank
  296. Recto: Notes and sketches for a graph of Scherzo, Op. 31, D Flat Major
  297. Verso: Fragment of an unidentified text in the hand of Jeanette Schenker, with emendations by Schenker
  298. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  299. Verso: Sketch for a graph of an unidentified work in the hand of an unidentified student
  300. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  301. Recto: Sketches for a graph of Scherzo, Op. 31, D Flat Major
  302. Verso: Sketches for a graph of Scherzo, Op. 31, D Flat Major; sketches for a graph of Etude, Op. 25, No. 3, F Major
  303. Recto: List of pieces and citations to works
  304. Verso: Fragment of a handbill from the Copyright Bureau in Paris
  305. Recto: Sketch for a graph of Scherzo, Op. 54, E Major
  306. Verso: Blank
  307. Recto: Musical examples from Scherzo, Op. 54, E Major
  308. Verso: Blank
  309. Recto: Sketch for a graph of Scherzo, Op. 54, E Major
  310. Verso: Fragment of an unidentified text in the hand of Jeanette Schenker with emendations by Heinrich Schenker
  311. Recto: Musical examples and sketches for a graph of Scherzo, Op. 54, E Major
  312. Verso: Fragment of an unidentified text in the hand of Jeanette Schenker with emendations by Heinrich Schenker
  313. Recto: Musical examples and sketches for a graph of Scherzo, Op. 54, E Major
  314. Verso: Fragment of an unidentified text in the hand of Jeanette Schenker with emendations by Heinrich Schenker
  315. Recto: Musical examples and sketches for a graph of Scherzo, Op. 54, E Major
  316. Verso: Fragment of an unidentified text in the hand of Jeanette Schenker with emendations by Heinrich Schenker
  317. Recto: Sketches for a graph of Sonata, Op. 58, B Minor, 1st movement
  318. Verso: Sketches for a graph of Sonata, Op. 58, B Minor, 1st movement
  319. Recto: Sketches for a graph of Sonata, Op. 58, B Minor, 1st movement
  320. Verso: Sketches for a graph of Sonata, Op. 58, B Minor, 1st movement
  321. Recto: Sketches for a graph of Sonata, Op. 58, B Minor, 1st movement, development
  322. Verso: Blank
  323. Recto: Notes concerning Sonata, Op. 58, B Minor
  324. Verso: Blank
  325. Recto: Sketches for a graph of Sonata, Op. 35, B Flat Minor, 1st movement
  326. Verso: Sketches for a graph of Sonata, Op. 35, B Flat Minor, 1st movement
  327. Recto: Sketches for a graph of Sonata, Op. 35, B Flat Minor, 4th movement
  328. Verso: Sketches for a graph of Sonata, Op. 35, B Flat Minor, 4th movement
  329. Recto: Label
  330. Verso: Clean copy of a graph of Waltz, Op. 34, No. 1, A Flat Major, in the hand of Angi Elias
  331. Recto: Sketches for a graph of Waltz, Op. 34, No. 1, A Flat Major
  332. Verso: Blank
  333. Recto: Label
  334. Verso: Clean copy of a graph of Waltz, Op. 42, A Flat Major, in the hand of Angi Elias
  335. Recto: Sketches for a graph of Waltz, Op. 42, A Flat Major
  336. Verso: Sketches for a graph of Waltz, Op. 42, A Flat Major
  337. Recto: Note by Ernst Oster, dating Schenker Angi Elias's work on Waltz, Op. 64, No. 2, C Sharp Minor to
  338. Verso: Blank
  339. Recto: Label
  340. Verso: Clean copy of a graph of Waltz, Op. 64, No. 2, C Sharp Minor, measures 1-94, in the hand of Angi Elias with emendations by Schenker
  341. Recto: Clean copy of a graph of Waltz, Op. 64, No. 2, C Sharp Minor, measures 1-94, in the hand of Angi Elias with emendations by Schenker
  342. Verso: Blank
  343. Recto: Sketches for a graph of Waltz, Op. 64, No. 2, C Sharp Minor
  344. Verso: Sketch for a graph of Waltz, Op. 64, No. 2, C Sharp Minor
  345. Recto: Sketches for a graph of Waltz, Op. 64, No. 2, C Sharp Minor
  346. Verso: Sketch for a graph of an unidentified work
  347. Recto: Sketch for a graph of Waltz, Op. 64, No. 2, C Sharp Minor
  348. Verso: Voting ticket for the election of April 24, 1927
  349. Recto: Citations to examples of chromaticism, including a sketch for a graph of Waltz, Op. 64, No. 2, C Sharp Minor
  350. Verso: Fragment of a handbill for the Musikerkalender Hesse-Stern
  351. Recto: Sketch for a graph of Waltz, Op. 64, No. 3, A Flat Major
  352. Verso: Sketch for a graph of Waltz, Op. 64, No. 3, A Flat Major
  353. Recto: Sketch for a graph of Waltz, Op. 64, No. 3, A Flat Major
  354. Verso: Blank
  355. Recto: Text concerning Variations for Piano and Orchestra, Op. 2 and Polonaise, Op. 26
  356. Verso: Fragment of a form letter from Elsa Schostal
  357. Recto: Text concerning Concerto for Piano and Orchestra, Op. 21, F Minor
  358. Verso: Fragment of a form letter from a paper dealer