File 56: Analyses of Music by Beethoven

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unitid

{"value"=>"1129786", "type"=>"local_mss"}

unittitle

{"value"=>"File 56: Analyses of Music by Beethoven"}

note

{"value"=>"All works are by Ludwig van Beethoven except as noted. Items 1-6 were wrapped in a leaf from Radio-Wien of April 22, 1927."}

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1. Recto: Sketch for a graph of Bagatelle, Op. 33, No. 3
2. Verso: Comments and fragmentary examples from Sonata, Op. 2, No. 1, 1st movement
3. Recto: Fragmentary sketch for a graph of Bagatelle, Op. 119, No. 1
4. Verso: Fragments of a text and example of Georg Frideric Handel
5. Recto: Sketch for a graph of Bagatelle, Op. 119, No. 1
6. Verso: Portion of a graph of Johann Sebastian Bach, Partita, E Major, BWV 1006, Preludio, measures 75-138 in an unidentified hand, with emendations by Schenker
7. Recto: Sketch for a graph of Bagatelle, Op. 119, No. 1
8. Verso: Bill from the Karerpass-Hotel mit Dependance, dated August 31, 1913
9. Recto: Fragmentary sketches for a graph of Bagatelle, Op. 119, No. 1
10. Verso: Portion of an inventory of music
11. Recto: Fragment of a text, numbered page 36
12. Verso: Blank
13. Recto: Graph of Variations, Op. 35, Finale (Alla Fuga)
14. Verso: Graphs of Johann Sebastian Bach, Prelude, D Minor, BWV 940, and Prelude, E Minor, BWV 941
15. Recto: Graph of Variations, Op. 35, Finale (Alla Fuga)
16. Verso: Graphs of Johann Sebastian Bach, Prelude in D Minor, BWV 940
17. Recto: Graphs of Variations, Op. 35, Finale (Alla Fuga)
18. Verso: Graphs of Johann Sebastian Bach, Prelude, E Minor, BWV 941
19. Recto: Sketch for a graph of the Fantasie, Op. 77
20. Verso: Graphs of an unidentified work
21. Recto: Sketches for a graph of the Fantasie, Op. 77
22. Verso: Sketches for a graph of an unidentified work
23. Recto: Graph of Variations on the duet "Nel cor più non mi sento", WoO 70, Theme
24. Verso: Blank
25. Recto: Graph of Variations on the theme "La stessa, la stessissima", WoO 73, Theme, variations 1 and 2
26. Verso: Graphs used in Schenker's article concerning Johann Sebastian Bach, Prelude, A Minor, BWV 942
27. Recto: Text and musical example concerning Variations on the theme "La stessa, la stessissima", WoO 73
28. Verso: Fragment of a text in Jeanette Schenker's hand with corrections by Schenker, labeled page 3
29. Recto: Fragmentary analytical sketches of Variations, Op. 34, theme
30. Verso: Proof sheet from Das Meisterwerk in der Musik, vol. 2, Vermischtes, page 203
31. Recto: Sketches for a graph of Variations, Op. 34
32. Verso: Blank
33. Verso: Proof sheet from Das Meisterwerk in der Musik by Otto Erich Deutsch
34. Recto: Transcription of item 17 by Ernst Oster
35. Verso: Blank
36. Recto: Text concerning Variations, Op. 120 (page "b")
37. Verso: Fragment of a text, in the hand of Jeanette Schenker, with corrections Schenker
38. Recto: Text concerning Variations, Op. 120 (page "a")
39. Verso: An earlier draft of text for "Beethovens Dritte Symphonie" published in Das Meisterwerk in der Musik, vol. 3, page 53
40. Recto: Sketches for a graph of Variations, Op. 120, variation 32, Fuga
41. Verso: Fragments showing harmonic movement by thirds
42. Recto: Fragmentary sketches for Variations, WoO 80, variation 17
43. Verso: Blank
44. Recto: Notes in Jeanette Schenker's hand concerning Variations, WoO 80
45. Verso: Blank
46. Recto: Notes in Jeanette Schenker's hand concerning Variations, WoO 80
47. Verso: Blank
48. Recto: Sketch of a graph of String Quartet, Op. 132, last movement (antecedent phrase)
49. Verso: Fragment of an inventory
50. "Fünfzehn Variationen (Mit Fuge) für das Pianoforte von L. van Beethoven". Text in the hand of Jeanette Schenker with emendations by Schenker, numbered pages 1-35
51. Recto: Fragmentary sketch concerning the theme from Concerto No. 4, Op. 58, 1st movement
52. Verso: Notes on an unidentified work
53. Recto: Fragmentary sketch and notes concerning the theme from Concerto No. 4, Op. 58, 1st movement. Labeled page 1. [Written on a page from a calendar of the week of [October 10, 1915]
54. Verso: Unidentified notes
55. Recto: Sketch of the melodic material in Concerto No. 4, Op. 58, 1st movement
56. Verso: Part of an envelope addressed to Schenker at Reisnerstrasse 38, postmarked from Berlin
57. Recto: Notes and examples concerning Concerto No. 4, Op. 58, 1st movement
58. Verso: [With item 62 this forms a handbill for the Wiener Haushaltung, giving notification of price increases dated June 3, 1916]
59. Recto: Notes and examples concerning Concerto No. 4, Op. 58, 1st movement
60. Verso
61. Recto: Notes and examples (intended to amplify the text on item 66) of Concerto No. 4, Op. 58, 1st movement
62. Verso: Fragment of a newspaper subcription ribbon
63. Recto: Notes and examples concerning Concerto No. 4, Op. 58, 1st movement
64. Verso: Newspaper subscription ribbon, postmarked June 9, 1916
65. Recto: Notes concerning Concerto No. 4, Op. 58, 1st movement
66. Verso: Newspaper subscription ribbon
67. Recto: Notes concerning Concerto No. 4, Op. 58, 1st movement. Labeled page 2
68. Verso: Blank
69. Recto: Fragmentary note and musical example (intended to amplify the text on item 68) concerning Concerto No. 4, Op. 58, 1st movement
70. Verso: Fragment of a newspaper subscription ribbon originally one piece with item 68
71. Recto: Text and musical examples concerning Concerto No. 4, Op. 58, 1st movement. Labeled page 3
72. Verso: Together with item 72 this is a mail advertisement from the Wohlfahrtsinstitutionen der Frau Anita Müller für Flüchtlinge aus Galizien und der Bukowina
73. Recto: Text and musical examples concerning Concerto No. 4, Op. 58, 1st movement. Labeled page 4
74. Verso: Together with item 71 this is a mail advertisement from the Wohlfahrtsinstitutionen der Frau Anita Müller für Flüchtlinge aus Galizien und der Bukowina
75. Recto: Text and musical examples concerning Concerto No. 4, Op. 58, 1st movement. Labeled page 5
76. Verso: Text and musical examples concerning Concerto No. 4, Op. 58, 1st movement. Labeled page 6. Written on a fragment of an appointment calendar from the week of
77. Recto: Fragment of text and musical examples concerning Concerto No. 4, Op. 58, 1st movement
78. Verso: Fragment of a newpaper subscription ribbon, originally part of item 65
79. Recto: Musical examples concerning Concerto No. 4, Op. 58, 1st movement, intended for numbered page 5
80. Verso: Blank
81. Recto: Text concerning Concerto No. 5, Op. 73, 2nd and 3rd movements
82. Verso: Blank
83. Recto: Text and musical examples concerning Concerto No. 5, Op. 73, 1st movement. Labeled page 1
84. Verso: Blank
85. Recto: Text concerning Concerto No. 5, Op. 73, 3rd movement
86. Verso: Text concerning Concerto No. 5, Op. 73, 3rd movement
87. Recto: Text concerning Concerto No. 5, Op. 73, 3rd movement
88. Verso: Blank
89. Recto: Text concerning Concerto No. 5, Op. 73, 3rd movement
90. Verso: Blank
91. Recto: List of students and their assigments, including a brief note concerning Concerto No. 5, Op. 73
92. Verso: Continuation of list of students and their assignments
93. Recto: Sketch for a graph of the Trio, Op. 97, 1st movement
94. Verso: Fragment of a bill from the bookdealer Carl. v. Hölzl
95. Recto: Typewritten text concerning Trio, Op. 1, No. 2, 2nd movement
96. Verso: Blank
97. Recto: Text and musical examples concerning Trio, Op. 70, No. 1, 1st movement. Labeled page 1
98. Verso: Page of an appointment calendar for the week of
99. Recto: Text and musical examples concerning Trio, Op. 70, No. 1, 1st movement. Labeled page 2
100. Verso: Blank
101. Recto: Analytic musical examples for a work by Georg Frideric Handel
102. Verso: Sketches for a graph of Trio, Op. 70, No. 1, 1st movement
103. Recto: Text concerning Trio, Op. 70, No. 1, 1st movement
104. Verso: Text concerning Trio, Op. 70, No. 1, 2nd movement
105. Recto: Text concerning Trio, Op. 70, No. 2. Also contains text fragment in shorthand
106. Verso: Text fragment in shorthand
107. Recto: Clean copy of a graph of Trio, Op. 97, 1st movement, measures 1-14, in the hand of Angi Elias
108. Verso: Blank
109. Recto: Sketches for a graph of Sonata, violin and piano, Op. 23
110. Verso: Blank
111. Recto: Notes for a lesson with Hans Weisse, concerning Sonata, violin and piano, Op. 23, 1st movement
112. Verso: Fragment of an advertisement