File 46: Studies in Counterpoint

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unitid

{"value"=>"1127349", "type"=>"local_mss"}

unittitle

{"value"=>"File 46: Studies in Counterpoint"}

scopecontent

{"value"=>"<p>For sake of brevity, items containing combined species are represented as numbers reading from top to bottom voice (e. g. \"1-2-3-4\" means the soprano has 1st species, the alto has 2nd species, the tenor has 3rd species and the bass has 4th species.</p>"}

note

{"value"=>"The numbers in brackets refer to examples published in Schenker's Kontrapunkt, vol. 2 Items 1-5 were found in an issue of Signale für die musikalische Welt of October 15, 1919"}

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1. Musical fragments
2. 2-2-1, 1-2-2 [283, Nos. 1-2], 3-3-1 [313], 1-3-3
3. Musical examples and notes concerning counterpoint
4. Musical examples and notes concerning counterpoint
5. Notes
6. 3-part exercises by Fux and Albrechtsberger [including 189; 202, Nos. 1-3; 202, Nos. 4]
7. 3-part, 4th species
8. 3-part, 5th species
9. 4-part, 1st species by Fux including [244, Nos. 1-2]
10. 4-part, 1st and 2nd species by Fux, Albrechtsberger, and Cherubini, including [244, Nos. 3-6]
11. 4-part, 2nd species by Fux and Albrechtsberger, including [248, Nos. 1-4]
12. 4-part, 3rd species by Fux, Albrechtsberger, Cherubini, and Bellermann, including [250, Nos. 1-5]
13. 4-part, 3rd species
14. 4-part, 4th species, by Fux and Albrechtsberger, including [262, Nos. 1-6]
15. 4-part, 4th species, including [262, Nos. 8-9]
16. 4-part, 5th species, by Fux and Albrechtsberger, including [263, Nos. 1-3]
17. 1st species in 5, 6, 7, and 8 parts by Cherubini [265, No. 2 and Nos. 8-10]
18. 7-part, 1st species by Cherubini [265, No. 9]
19. 5-part, 1st species by Cherubini [265, No. 2]
20. 6-part, 1st species by Cherubini [265, No. 8]
21. 5-part, 1st, 2nd, 3rd, and 4th species
22. 5-part, 5th species; 1st species in 6, 7 and 8 parts
23. Combined Species [54/1]