Found 55 collections related to Othello

Gladys Vaughan (1924-1988) was an American theater director and the first woman to direct a play for the New York Shakespeare Festival. The collection dates from 1931 to 1988 and contains production files, professional files, programs, clippings, scores, and a small amount of biographical materials. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

The Lillian Gish papers (75 lf.) span the years 1909-1992 and consist of correspondence including letters from friends, family, fans and business associates, personal papers, business, legal and financial documents, scripts, writings, photographs including early D.W. Griffith silent film photographs both candid shots taken during shooting and film stills, portraits by famous photographers, personal and family photographs, publicity and production photographs and snapshots, scrapbooks on the careers of both Dorothy and Lillian Gish, programs for early silent films and theatrical productions, clippings and ephemera that document the life and career of Lillian and Dorothy Gish from the early 1900's until Lillian's death in 1993. less

The primary subject of this collection of family papers is the life of Edwin Booth, one of the most famous American actors of the 19th century. However, it has not been titled the Edwin Booth Papers because the bulk of the collection would more accurately be described as the papers of his daughter and biographer, Edwina Booth Grossman. There is also a small amount of material on other family members including Booth's father, the actor Junius Brutus Booth, his brother, the notorious John Wilkes Booth, and other relatives with less impact on history. less

This collection of personal and family papers, correspondence, production files, scripts, writings, and ephemera provide a wealth of documents on the life of actress, producer and director, Margaret Barker, a founding member of the Group Theatre, and her family. less

Gene Feist (1923-) is an American artistic director, playwright, producer, director and teacher. In 1965 he co-founded the Roundabout Theatre Company, of which he served as Artistic Director until 1988. The Gene Feist Papers document the personal and professional life Gene Feist and the history of the Roundabout Theatre Company. Types of materials in this collection include personal correspondence, production files, topical files, drafts of scripts, photographs, playbills and programs, reviews, publicity materials, business files and personal ephemera. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less

Since its inception in 1954, the New York Shakespeare Festival/the Public Theater has been a highly acclaimed theater company, dedicated to achieving artistic excellence while developing an American theater that is accessible and relevant to all people through productions of challenging new plays, musicals and innovative stagings of the classics. The additions to the New York Shakespeare Festival Records document the Festival's activities from 1968-2010. The collection contains scripts, scores, correspondence, publicity materials and other production files from Public Theater Productions. less

The Jean Cocteau Repertory Theatre company formed in 1971 in New York City by Eve Adamson that staged productions of both classic and contemporary plays, with a core of permanent, resident actors. The Jean Cocteau Repertory Theatre Records contain administrative files, publicity materials, production files, photographs, sound and video recordings, and a small amount of financial records, that document over three decades of theatrical productions performed by the Cocteau. less

The Jennifer Tipton lighting designs date from 1958 to 2013 and contain technical lighting documents created by Tipton throughout the course of her career as a lighting designer for dance, theater, opera, and installations, primarily in the United States. less

The Canada Lee Papers document two of the careers of this multi-talented man: his profession as an actor and his career as a boxer. The papers consist principally of personal and professional correspondence; speeches; and contracts, correspondence and other material generated during the production of a play or movie in which he performed. A significant part of the collection is newsclippings and other material housed in a series of scrapbooks. Also included are financial records, and a few artifacts. less

Caricaturist, cartoonist and illustrator, Alfred Frueh, was born in Lima, Ohio in 1880. In his early career, he worked at the St. Louis post-dispatch and the New York world. From 1908 to 1909, Frueh studied art in Europe. In 1925, Frueh joined the staff of the New Yorker magazine, which published his work until 1962. Frueh died in Sharon, Connecticut in 1968. Black and white original caricatures and color linocuts of theatrical productions and personalities. Many of the caricatures of theatrical productions appeared in the New Yorker magazine between 1925 and 1962. Productions depicted include: The children's hour by Lillian Hellman, 1934 and 1953; Porgy and Bess by George Gershwin, 1942 and 1953; Romeo and Juliet by William Shakespeare, 1923 and 1935; Twentieth century by Ben Hecht and Charles MacArthur (based on a play by Charles Bruce Milholland), 1933 and 1951; and the 1934 and 1936 editions of the Ziegfeld follies. Also included are 2 caricatures of the motion picture, City lights, 1931, with Charlie Chaplin, and 1 caricature of the Ziegfeld Theatre exterior, depicting the tower of the building as a woman's leg and foot, 1929. less

Al Hirschfeld (1903-2003) was an American caricaturist known for his distinctive black and white line drawings. The Al Hirschfeld papers (1905-2006) hold thousands of photographs documenting twentieth-century theater, film, and television; they were in Hirschfeld's possession for reference purposes. While these photographs comprise the majority of the collection, the collection documents other aspects of his career and personal life predominately through correspondence and photographs. less

These black and white illustrations are representations of original Broadway costume designs, as well as drawings of similar stock pieces, that were sent to clients (universities, community theatres, etc.) to indicate what a given play or musical might look like using costumes rented from Eaves-Brooks. The Eaves-Brooks Costume Company (New York, N.Y.) was sold to Dodger Costumes, Ltd., affiliated with Dodger Productions, in 1998. The costume construction and rental business was disbanded in February 2005. less

The Sally Ann Parsons Designs contains costume bibles produced by Parsons-Meares Ltd., a costume construction company specializing in costumes for stage, film, dance and opera. Materials date from 1980, the year that the company was established, to 2001. The collection contains photocopies of designers’ sketches; patterns and costume construction notes; swatches and samples of other supplies used; photographs; and measurements. It also contains working records such as cast lists, contact lists, supplies order forms, a small amount of correspondence, cost estimates, worksheets and shipping lists. This collection does not contain any other records related to the operations of Parsons-Mears Ltd., or Sally Ann Parsons’ own designs. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

John Butler (1918-1993) was a dancer and choreographer who combined both classical and modern dance styles in his work. After a brief period leading his own dance company, Butler became a successful freelance choreographer on television and for dance companies around the world. The John Butler Papers consist of correspondence, programs, clippings, photographs, scrapbooks and other professional records. less