Scope and arrangement
The Edward Tuckerman Mason papers consist of scrapbooks (1863-1911) and letters he or his wife received (1896-1914).
Fifteen scrapbooks comprise the bulk of the collection. The earlies volumes (1863-1866, entitled "Dramatic Scrapbooks") have assigned numbers. They contain clippings, programs, and Mason's commentary on and annotations of articles, reviews, actors, and the general theater scene in New York City.
From 1870 to 1886, his scrapbooks (entitled "Journal Scrapbooks") are combinations of journal entries; clippings of his own and others' writings on theater from The New York Tribune, The New York Times, The Nation, the Protestant Churchman, and other serials, with Mason's comments; programs; and several photographs of Mason, his friends, and his family. In some books, Mason notes which articles or reviews are his, but in others no distinction is noted. The journal entries document his day-to-day life, and usually do not discuss theater topics. The scrapbook dating from 1907 to 1909 contains only personal photographs and postcards. An additional set of mounted theater clippings and programs dating from 1902 to 1911 is unbound.
Correspondents in the letters file include Edith Wynne Matthison, Johnston Forbes-Robertson, and Thomas Russell Sullivan. Matthison's letters include signed photographs of the actress. Letters dating from after Mason's death are addressed to his widow, Fannie.
The papers also hold an essay, dated 1833, by Richard H. Dana titled "Kean's Acting."
Most of the scrapbooks and their contents are in excellent condition. The Theatre Division initially cataloged the components of this collection individually. The assigned classmarks are noted in the container list.
Arrangement
The collection is arranged by format.