Found matches for Guy,Rosa in 23 collections.

The Rosa Guy papers contain material related to her personal life, her writing, and her professional career. The personal matter includes correspondence and biographical information. The material in the writing series includes drafts, notes, and proofs, among other documents, for Guy's published and unpublished writing. Professional papers consist of correspondence, grant applications, and materials related to professional organizations.

Rosa Guy (1922-2012) was a Trinidadian American award-winning author and an active member of the Harlem community. The Rosa Guy photographs date from the 1920s to 2000s and consist of portraits of Guy and her family and friends, professional events, personal gatherings, and candid pictures from Guy's travels. The collection holds mostly photographic prints, as well as some negatives, slides, ephemera, expired passports, photograph albums, and a scrapbook.

The Maya Angelou papers documents the literary career and personal life of poet and memoirist Maya Angelou (1928-2014) through her writings of autobiographies, essays, and poetry and children's books. The collection holds correspondence, manuscripts, computer generated typescripts, galleys, notes, financial and legal documents, and printed matter.

The collection documents Julian Mayfield's career as a writer, educator and actor, and his activities as a political expatriate in West Africa and Guyana. Significant correspondents include fellow African-American expatriates and friends Maya Angelou, Herman Kofi Bailey, Sylvia Boone, William Branch, Tom Feelings, David DuBois, Preston King, Jim Lacy, Calvin and Elinor Sinnette, and Alice Windom. Other correspondents are John Henrik Clarke, Jules Dassin, Ossie Davis and Ruby Dee, James Forman, Richard Gibson, Gloria Joseph, Woodie King, Paul Mann, William Marshall, Truman Nelson, and Conor Cruise O'Brien.

The collection contains commercial discs and noncommercial recordings; the latter containing interviews with Rodgers and his family and friends, performances of his music by contemporary performers, as well as radio and television programs that have used Rodgers' music.

The Harlem Writers Guild was established in 1950 and is the oldest organization of African-American writers in the United States. Originally founded as the Harlem Writers Club by John Henrik Clarke, Rosa Guy and John Oliver Killens, it was created as a forum for emerging African-American writers in New York City who felt alienated from the white literary mainstream. The Guild helped nurture African-American literary talent since its inception. Prominent members include Maya Angelou, Amiri Baraka, Terry McMillan, and Louise Meriwether. The Harlem Writers Guild Press was established in 2000 as an imprint to publish the literary works of its members. The Harlem Writers Guild Records collection consists of the work of two Guild members, Grace F. Edwards and K.C. Washington. The collection contains nine manuscripts of published books and unpublished material, including three annotated manuscripts, spanning circa 1998 to 2009. Edwards is the author of the popular Mali Anderson Mystery series. The collection contains three annotated manuscripts: A Toast Before Dying (1998), Do or Die (2000), and The Viaduct (2003). It also includes the manuscript for No Time to Die (The Cereal/Serial Killer) (1999). The collection also includes a manuscript of Washington's debut novel Mourning Becomes Her, which was first published by Harlem Writers Guild Press in 2006, as well as two unpublished manuscripts: "Beauty" (2009) and "Mad River" (2000-2005).

Carrie Chapman Catt (1859-1947) was an American suffragist, peace activist and lecturer. Collection includes correspondence and other papers primarily concerning Catt's efforts on behalf of world peace and women's suffrage. Correspondence, reports, press releases, minutes, brochures, and clippings relate to the Empire State Campaign Committee, 1914-1915; National American Woman Suffrage Association (to which Catt was elected president in 1915), 1916-1918; Women's Centennial Congress, 1940; and the International Woman Suffrage Alliance, 1904-1947. Also, manuscript and printed versions of Catt's writings, 1887-1947, including addresses, articles, dramatic works, and notes; an album containing photographs of a 1923 trip to the Panama Canal; and printed materials, including biographical articles, and scrapbooks containing materials related to Catt and to women's suffrage activities, 1916-1917.

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings.

The Ewart Guinier Papers document Guinier's professional and political career as a labor leader and community organizer from 1938 to 1962, and his role in the founding and development of Harvard University's African American Studies Department (AASD) from 1969 to 1975. The Personal papers provide partial documentation on his childhood and migration to the United States, his employment in the Civil Service in New York, his military record, his association with the Urban League, the Urban Center at Columbia University and the Douglass Urban Corporation, his alumni affiliations and his membership in various professional and political organizations, including the Association for the Study of African American Life and History, the Boston Area Black Studies Consortium, the National Association of Black and Ethnic Studies Directors and the National Council of American-Soviet Friendship. The Labor and politics series documents Guinier's career as Secretary-Treasurer of the United Public Workers of America union, his association with the American Labor Party as a candidate for the Manhattan Borough presidency in 1949, and his work in the 1950s and early 1960s with the Harlem Affairs Committee and the Jamaica Coordinating Council. The series consists primarily of correspondence, articles and speeches written by Guinier, minutes and reports of UPW's Executive council. Also included are printed matter files on labor discrimination in the Panama Canal Zone and the 1947 Loyalty Act.

Kenneth Koch was an American poet, playwright, essayist, screenwriter, novelist, and short-story writer. The Kenneth Koch papers document the personal and professional activities of the writer, Kenneth Koch. Holograph and typescript drafts comprise the bulk of the collection. The papers contain holograph manuscripts and typescripts of the author's published and unpublished work (in every genre, including plays, "comics," and games), notes and other material related to the works, Koch's correspondence, photographs, collaborations, material related to his work with children, miscellaneous personal documents, printed material, ephemera, scrapbooks, press cuttings and photocopied reviews of his books, and holograph manuscripts and typescripts of works by other writers (especially Frank O'Hara and John Ashbery). Also included in the papers are 9 boxes of unsorted printed ephemera, and 3 boxes of journals, magazines, and newspapers. The correspondence in the collection is mostly made up of incoming material, of which there are three categories: personal, professional, and fan mail. The personal and professional correspondence is arranged alphabetically by author; within each author's folder letters are arranged by date. Of the personal correspondence and works by others, the most substantial holdings are by "New York School" artists such as Frank O'Hara, John Ashbery, James Schuyler, Larry Rivers, Harry Mathews, Fairfield Porter, and Jane Freilicher. Also noteworthy are letters and works by Koch's former students, Ron Padgett, Frank Lima, Tony Towle, David Shapiro, and Jordan Davis. Also present are publishing contracts and royalty statements for several of Koch's books.

Established in New York City in 1874, the Lambs Club is the oldest professional theater club in the United States. The Lambs Club scores consists of the organization's library of published and manuscript music, representing a range of popular music, both vocal and instrumental, from the late 19th century up to about the 1960's. There are many pieces by prominent former members of the Lambs such as John Philip Sousa, George Gershwin, and Irving Berlin, as well as much original music composed for Lambs Gambols and other events by members like Fred Hillebrand, Adam Carroll, Sam Stept, James Caruso, and Eddie Weber, just to name a few. There are orchestra arrangements for the Lambs celebration for Ed Sullivan, scores of incidental music for Lambs TV, and in general, a representative cross-section of popular music and its creators particularly from the early 20th century.

The John Steptoe Papers consist of personal papers, personal and professional correspondence, examples of his writings, reviews of his work, news clippings and programs regarding his seminars and lectures, and material from various organizations to which he belonged. The personal papers contain clippings and press releases about Steptoe's achievements, correspondence with family members, a resume and biographical essays, and obituaries. There is professional correspondence and fanmail from adults and children, as well as letters from other artists.

The CBS Collection represents music obtained and used by the organization and stored at CBS headquarters at 485 Madison Avenue, NY. Dance band music used by orchestras broadcast over the Columbia Broadcasting System (i.e. CBS Inc.). Arrangements of popular music from the areas of Hollywood films, Broadway theater, Tin Pan Alley, the Harlem Renaissance and operetta make up the bulk of the collection. The CBS library containing these arrangements was active from the late 1920's to the early 1970's, though most of the music represented was composed and published in the thirty year span of 1915 - 1945. Typical orchestration of the arrangements include vocal parts, piano, one or two violins, four or five saxophones, two or three trumpets, one or two trombones, banjo or guitar, bass and drums, though some are scored for as few as three parts or as large as a chamber orchestra with all woodwind and string instruments represented.

Victor Francis Calverton (born George Goetz) (1900-1940), radical reformer and author, was founder and editor of Modern Quarterly, an independent Marxist journal. Collection consists of correspondence, writings, business records, photographs, and printed matter. Calverton's correspondence as editor of Modern Quarterly is with many of America's left-wing literary figures of the 1920s and 1930s, including William Z. Foster, Bertram Wolfe, Scott Nearing, Edmund Wilson, Max Eastman, and A.J. Muste. Included is correspondence with Leon Trotsky in which Trotsky and Calverton discuss the nature of proletarian literature. Personal correspondence consists mainly of Calverton's love letters, 1928-1940, to Nina Melville, his second wife. Also, manuscripts of articles, books, book reviews, debates, and lectures; business records of Modern Quarterly; scrapbooks containing reviews of Calverton's writings; and photographs of Melville and Calverton.

Audience was an American literary magazine, published from 1971-1973. The editors were Tim Hill, L. Rust Hills, James F. Fixx, Robert Strozier and Geoffrey C. Ward. The collection contains the office files documenting the preparation and publishing of the magazine, including correspondence with authors, artists, photographers, agents and publishers, contracts, manuscripts, issue files, and financial records.

This collection of comic books published between 1933-2010 consists mostly of titles from mainstream publishing companies such as DC and Marvel (Series I and II respectively). However, there are a number of comics from independent companies such as Dark Horse, Archie Enterprises and Caliber Press (Series III). Much of the collection focuses on the superhero / anti-hero out to fight injustice and evil in the world - e.g. Detective Comics (Batman), Hellblazer (Constantine), Fantastic Four and Amazing Heroes. However, quite a few romance, adventure and even X-rated comics are to be found in this collection. Earlier comics within this collection are not in pristine condition and show signs of previous handling from owners.

The Jacob Druckman Collection documents the life and career of Jacob Druckman (1928-1996), a Pulitzer-prize winning composer, educator, and organizer of the New York Philharmonic's Horizons series of new music concerts. The collection, assembled by Druckman over the course of his lifetime, with additional material inserted posthumously by his family, includes musical scores, correspondence, clippings, programs, and iconography; the collection's sound recordings are housed in the Rodgers and Hammerstein Archive of Recorded Sound and have been cataloged as a separate component. The New York Public Library acquired the Jacob Druckman Collection in December 1999. The music, papers, and iconography in the Jacob Druckman Collection represent the professional and personal interests of their namesake. The collection accrued naturally through Druckman's activities as composer, conductor, teacher, and concert organizer, and it is augmented by documents related to the organizations that he served as a board member, officer, or adjudicator. There is also a small amount of material concerning the work of Druckman's wife, the dance scholar Muriel Topaz. The bulk of the collection falls between 1949 and 1996, the period from Druckman's college graduation to his death.

Carol Rosegg is a prominent American theater photographer. The Carol Rosegg photographs, which date from 1978 to 2018, include images she shot of thousands of Broadway, Off-Broadway, and touring theatrical performances, as well as promotional portraits of actors, and other theater-related subjects. Photographic formats include black-and-white and color prints and negatives; color slides and transparencies; and digital image files.

The Black Filmmaker Foundation (BFF) is a nonprofit membership organization co-founded and led by filmmaker Warrington Hudlin. The Black Filmmaker Foundation collection consists of 715 moving image recordings and one sound recording created from 1971 to 2004, with the bulk of the collection created in the 1980s and 1990s. The collection includes films, demo reels, music videos, and other media produced by Black Filmmaker Foundation members and collaborators, as well as recordings of the organization's public programs.

Ossie Davis and Ruby Dee were African American actors, directors, writers, and activists whose careers spanned the mediums of theatre, television, radio, film, and print. Their papers date from 1932 to 2015, and chronicle the couple's artistic careers as performers and authors, as well as their work as civil rights activists. The collection consists of materials generated by Davis and Dee over a lifetime of performing arts work and activism, and in their personal lives together.