Scope and arrangement
The Allan W. McMillan public relations files document the public relations work of McMillan on behalf of his clients. The collection consists primarily of information that he maintained about his clients, most of whom were in the entertainment business. Nearly all the clients were individuals, but he also represented events sponsored by organizations. Client files include newspaper and magazine clippings of articles and advertisements for the performers, promotional flyers and postcards, itineraries, resumes, correspondence, contracts, press releases, notes about the clients, photograph captions, and a few layouts prepared by McMillan.
Among his many clients whose files are housed in this collection are B. B. King; pianists Hazel Scott and Natalie Hinderas; singers Ruth Brown, Shirley Caesar, Lu Elliot, Morgana King, and Martha Mitchell; actors Roxie Roker, Clarice Taylor, and Giancarlo Esposito; Emme Kemp (singer, pianist, composer); Carolyn Adams (dancer with the Paul Taylor Dance Company); Beaufort Express Band; pianist and conductor Margaret Harris; and poet Lou LuTour. Fan letters (1970) addressed to Aretha Franklin at Atlantic Records are also included in the collection; however, nothing in his papers indicates that McMillan represented her at that time. Some of the organizations and events he publicized include the Louis Armstrong Memorial Concert (1972), which raised money for the Louis Armstrong Memorial Cultural Arts Center and Memorial Plaza in Corona, Queens; the New York Jazz Festival (1967-1968); the Peg Leg Bates Country Club (1973); and the W. C. Handy Memorial Scholarship Club (1977). He also represented Gladys Blair Productions, which produced Loften Mitchell's A Lonesome Journey(script is in the collection) and The Computer Candidate (book and lyrics by Elmer Zinner, M.D.). There are financial records for some of McMillan's companies, in addition to correspondence and legal documents.
The Allan W. McMillan public relations files are arranged in two series:
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1951-1979