Scope and arrangement
The collection consists of eleven audio recordings and three videos relating to the career of Thomas Henderson Kerr, Jr., dating from circa 1940 to 2002. The original formats of the audio recordings include 10-inch record, compact cassette, and open reel, with many items containing two parts. They include performances of works by Kerr; a 2002 symposium about his music including panel discussions and performances; a 1988 interview conducted by Hortense Reid-Kerr with Roque Cordero, a Panamanian composer; and compilations of works by Black composers including Duke Ellington, Ulysses S. Kay, Hale Smith, and William Grant Still.
The Thomas Henderson Kerr, Jr. audio and moving image collection is arranged in two series:
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circa 1940 to 2002
The series contains three audio recordings and three videos featuring the work of Thomas Henderson Kerr, Jr., dating from circa 1940 to 2002. They are organized chronologically. The recordings include two 10-inch records of performances by Kerr; an audio recording of a performance of Kerr's 1951 composition Concert Variation on a Merry Xmas Tune: "Good King Wenceslas" on the organ by Mickey Thomas Terry, a music scholar; and three videos of a 2002 symposium honoring Kerr, featuring performances of his works and panel discussions about his compositions.
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circa 1940 to 2002
The series contains eight audio recordings likely collected by either Kerr or Hortense Reid-Kerr, on which neither Kerr nor his work appears, dating from circa 1940 to 2002. They are organized alphabetically by title. The recordings include an interview with Roque Cordero, a Panamanian composer, conducted in 1988 by Hortense Reid-Kerr, a music scholar and Kerr's wife. The series also contains compilations of works by Duke Ellington, Dizzy Gillespie, Hale Smith, and other Black composers and jazz musicians.