Scope and arrangement
The James Baldwin audio collection consists of thirty-five audio recordings. Since the collection's original formats are audio cassettes, many of the items contain two or more parts, one for each side of the cassette. Two items contain one part that appears unrelated to the collection, this is indicated in the items' descriptions. Some of Baldwin's works discussed include the novels Another Country (1962), If Beale Street Could Talk (1974), and Just Above My Head (1979). He also mentions the play Blues for Mister Charlie (1964), and the essay collections Notes of a Native Son (1955), Nobody Knows My Name (1961), The Fire Next Time (1963), and The Evidence of Things Not Seen (1985).
The James Baldwin audio collection is arranged in four series:
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Seventeen audio recordings of speeches given by Baldwin from 1960 to 1964 arranged chronologically, and by speech. Item titles are derived from the names of the speeches or their location.
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Nine audio recordings of interviews and discussions with Baldwin from 1960 to 1984 arranged chronologically.
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Seven audio recordings likely created by Baldwin for a book and screenplay. They are arranged chronologically. Five audio recordings relate to his book-length essay The Evidence of Things Not Seen, which covers the Atlanta Child Murders and examines race relations in Atlanta. The Atlanta Child Murders were a series of murders committed in Atlanta, Georgia, between July 1979 and May 1981 of approximately twenty-nine African Americans, mostly boys, children, teens, and young adults. The recordings are mainly of interviews by Baldwin with people involved in the trial of the suspected serial killer, Wayne B. Williams, and people living in Atlanta. Baldwin had ventured to Atlanta as a literary reporter on assignment by Playboy magazine.
Two audio recordings are of a script meeting for the film The Inheritance, which Baldwin was set to direct for the production company Kelly-Jordan Enterprises. Kelly-Jordan Enterprises were specialists in the production and distribution of Black-oriented motion pictures. The film was never made because the production company went bankrupt, and in 1973 Baldwin sued to retain the rights.
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Three audio recordings likely collected by Baldwin or the estate of James Baldwin, arranged chronologically.