Scope and arrangement
The Carmen Boullosa papers contain the following groups: Writings, Visual Works, Correspondence, Publicity Materials, Academic and Professional files, and Personal files.
Writings, which date from 1969 to 2014, include files on Boullosa's major novels and novellas, as well as her poetry, plays, essays, and articles. Materials include annotated drafts, notebooks, loose excerpts, galleys, drawings, images, artwork, scrapbooks, background research materials, reviews, and a small amount of related publicity materials. Novels represented include Mejor Desaparece (1987), Antes (1989), Son Vacas, Somos Puercos (1991; They're Cows, We're Pigs), El Médico de los Piratas: Bucaneros y Filibusteros en el Caribe (1991), Isabel (1991; novella; published in Prosa Rota), Llanto: Novellas Imposibles (1992), Cielos de la Tierra (1997), La Milagrosa (1993; The Miracle Worker), Duerme (1994), Treinta Años (1999; Leaving Tabasco), De un Salto Descabalga la Reina (2002), La Otra Mano de Lepanto (2005), La Novela Perfecta (2006), Las Paredes Hablan (2010), El Velazquez de Paris (2007), La Virgin y el Violin (2008), El Complot de los Románticos (2009), Texas: the Great Theft (2013), and A Narco History: How the United States and Mexico Jointly Created the "Mexican Drug War" (2016, collaboration with Mike Wallace).
Visual works include visual poems, artist books, and drawings and paintings by Boullosa and other artists, sometimes in collaboration with Boullosa. Other artists whose work is included here are Magali Lara and Juan Soriano.
Correspondence, dating from the late 1970s to 2013, consists mostly of incoming letters, but also contains outgoing emails and letters. Boullosa's correspondence, largely with other writers, artists, and academics, deals with subjects such as literature, Boullosa's work, her personal relationships, Mexican politics, and academic lectures and workshops. Boullosa's most frequent correspondents are Chilean writer Roberto Bolaño; Boullosa's husband, American writer Mike Wallace; American writer Paul Berman; Argentine author, journalist, literary critic, and translator Vlady Kociancich; German literary agent Dr. Ray-Güde Mertin; and publisher Michi. Other correspondents include Salman Rushdie; Michel Houllebecq; Cormac McCarthy; Philip K. Dick; American journalist Bill Buford; artist, illustrator, and translator Philip Hughes; Colombian poet, novelist and essayist Alvaro Mutis; Chilean writer, film director, political activist, and journalist Luis Sepúlveda; Mexican writer and diplomat Jorge Valdés Diaz-Vélez; Venezuelan poet Yolanda Pantin; and Mexican writer and music critic Juan Vicente Melo. Correspondence can also be found elsewhere throughout the collection, interfiled with files on associated writings, academic engagements, and professional organizations.
Publicity materials, arranged chronologically, consist mainly of collected clippings and scrapbooks. These materials document Boullosa's professional activities, personal life, performances, lectures, and appearances; as well as her published written works. They include articles, magazines, clippings, posters, flyers, interviews, essays on Boullosa's works, and occasionally correspondence pertaining to press coverage.
Academic and professional files document Boullosa's teaching career at institutions where Boullosa had long-term engagements, such as San Diego State University, Georgetown University, New York University, Columbia University, and City University of New York; as well as other institutions at which she lectured. Teaching files include notes, notebooks, syllabi, course schedules, and background materials. Files on professional organizations and associations with which Boullosa has been involved, particularly Café Nueva York. Some essays and articles, written by Boullosa and others, are also included here. Electronic academic and professional files contain publicity materials such as short biographies, interviews, and resumes.
Personal files contain documents pertaining to her home, friends, wedding to Mike Wallace, and her children. These files mainly consist of over 7,000 photographs, held in the electronic records, but also include slides, notes, and some correspondence. The photographs and videos included in this collection document Boullosa's family; her childhood and youth in Mexico; her work in the Theatre in Mexico; her first husband, Alejandro Aura; her children, Juan Aura and Maria Aura; her daughter's career as an actress; her second husband, Mike Wallace and their wedding and life together in Brooklyn in the 2000s; vacations; and social gathering and events pertaining to her involvement in communities of Latin American and international writers living and working in New York.
The Carmen Boullosa papers are arranged in six series:
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1970-2015
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1972-2014
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circa 1970-2016
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1970-2009
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1972-2016
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1995-2016