Found 72 collections related to Choreographers

The Richard and Edith Barstow Papers document the careers of the sister and brother, both as dancers, then as choreographers and directors, for stage, screen, television, the Ringling Brothers Barnum and Bailey Circus, nightclubs, and industrial shows. less

This collection contains manuscripts, manuscript copies, printed scores, and parts belonging to choreographer, director, dancer, and composer Richard Barstow, whose varied career included directing for Ringling Brothers Barnum and Bailey Circus, industrial shows, and for stage, screen, and television. less

Jeffery K. Neill, born John Neal Phillips, is an American director and choreographer for Off-Broadway, regional, summer stock, and community theater. The Jeffery K. Neill papers date from 1938 to 1995 and contain production files and personal papers, including those of musical director Wendell Kindberg, who Neill frequently worked with. less

The Helen Armstead-Johnson miscellaneous theater collections (HAJMTC) were formed by over two hundred file-folder level collections (one-three file folders per personality or event). The collections contain information dating from the mid-nineteenth century to the late twentieth century, and they document early dramatic actors, minstrel shows, vaudeville, musical revues, Broadway productions, and protest dramas, among others. In addition to actors, playwrights, singers, musicians, and dancers and the productions in which they appeared, there are collections for poets and visual artists. less

The John Wilson papers document his career as a composer, choreographer, and teacher. The collection contains scores dating from Wilson’s college years in the early 1950s, materials relating to his career as a dancer and a teacher and other supporting materials. less

Jonnie Greene (1929-) is a retired American performing arts critic who directed two dance symposiums, Rethinking the Balanchine Legacy and Classic Black, at the New York Public Library in the 1990s. The Jonnie Greene papers date from the 1930s to 2000 and primarily document these symposiums and Dance Critics Association conferences with interview transcripts, photographs, grant proposals, correspondence, programs, and audio and video recordings. less

Igor Schwezoff was a ballet dancer, teacher, and choreographer. The collection contains portraits of Schwezoff, images of him teaching dance classes, candid photographs, contact sheets, and negatives. The collection includes images of Schwezoff's time teaching in both Japan and Brazil. less

Larry Warren was a dancer, choreographer, teacher, and dance biographer who wrote a book about the dancer, choreographer, and teacher, Lester Horton. Warren's collection contains negatives depicting the Lester Horton Dance Theater taken by the photographer, Constantine. less

David S. Berlin was the staff photographer for the Nikolais Dance Theatre, the dance company founded by modern dance choreographer, Alwin Nikolais. Berlin's collection contains color transparencies and slides depicting performances choreographed by Nikolais between 1959 and 1962. less

The correspondence and writings of Agnes de Mille cover the period of 1871-1993 and were in the possession of Agnes de Mille at the time of her death. They relate to de Mille's life and career, and that of her family (including husband, William Prude, mother, Anna George de Mille, father, William de Mille, sister, Margaret de Mille, grandfather, Henry George and son, Jonathan Prude). less

Personal and business correspondence. The bulk of the papers consist of correspondence with agents, publishers, galleries, theaters, colleges and individuals. Contracts are filed under the respective agencies. The second series includes personal letters to and from Louis Kalonyme, art critic and writer. Kalonyme was Enters' artistic advisor and was acknowledged by her as her husband late in life. Financial documents include leases, bills, and insurance papers. less

The Carol Lynn Papers document the career of the dancer, educator and administrative director of Jacob's Pillow, Carol Lynn. The papers consist of a selection of photographs, programs, promotional material, a limited amount of correspondence and clippings, as well as an extensive collection of choreographic notes from Lynn’s time spent at Denishawn and teaching dance at her studio, the Carol Lynn School of Dance. Following her departure from Jacob’s Pillow, Lynn headed the dance program at Baltimore’s Peabody Institute of Music in addition to maintaining her own studio until 1952. less

The Cia Fornaroli and Walter Toscanini Papers document the careers of a wife and husband, both in the field of dance. Fornaroli was a prima ballerina, choreographer, teacher and director, and Walter Toscanini was a dance historian, collector and curator, primarily in Milan and New York. The majority of this collection is in Italian. The collection consists of correspondence, clippings, photographs, scores, research files, scrapbooks, and writings. less

Eleanor King was a pioneer in the field of modern dance. She was an an original dancer of the Humphrey-Weidman group, a choreographer, and a teacher. Miss King became one of the first dance instructors in the United States, she was a professor in the Theatre Department at the University of Arkansas. The collection contains correspondence, teaching notes, dance and choreography notes, drafts of three books, programs, clippings, and sketches. less

In the late 1930s, the New York City based Theatre Dance Company sought to express modern times through a wide range of dance subjects. The Frederick Crane collection of Theatre Dance Company materials (1889-1937) contains such a range of choreography, as well as piano scores, and the dance company's announcement. less

Ibrahim Farrah (1939-1998) was a well-known performer, teacher, and scholar of Middle Eastern dance, who also became the founder and publisher of Arabesqué, a notable journal of international and ethnic dance. The collection documents Farrah's efforts to promote a greater public awareness and appreciation of belly dance and other traditional dance forms through his own dance company, teaching, and publications. less

The Jean Erdman Papers document the professional life of Jean Erdman Campbell, a dancer, choreographer, and dance instructor. Materials date from the late 1930s to the mid-1990s, and cover the early stages of her career as well as productions created during her later endeavors at the Theater of the Open Eye. This collection contains correspondence, production materials, academic papers, office files, financial and legal papers, scrapbooks, publicity materials, and photographs. This collection contains almost no materials related to Jean Erdman's personal life. less

José Greco (1918-2000) created a unique hybrid of Spanish dance from the regional, flamenco and gypsy forms. This photographic collection not only visualizes the distinct style of the José Greco Dance Company, but it also contains some personal imagery of the famed dancer and teacher. less

Kaja Gam was a choreographer, performance artist, filmmaker and artistic director of the Awkward Dance Company, as well as a founding member of the School of Hard Knocks. The collection consists of art, production notes, photographs, correspondence and research dealing with her dance works. less

Lila Zali, born Elizaveta Borisova Zalipskaya (1918-2003), was a ballerina, educator, choreographer, and founder of Ballet Pacifica. The Lila Zali papers (1898-2003) document her life as a dancer from her childhood until retirement through photographs, memorabilia, and scrapbooks kept by Zali and her mother, Maria Zalipsky. The collection spans Zali's professional career, including her work with the Mordkin Ballet, the United Service Organizations (USO), and on the television programs Balleretta and The Don Lewis Show. less